Itsudatte Bokura no Koi wa 10 cm Datta. – 06 (Fin)

After much cathartic yelling and crying last week, it’s all gravy as Miou, Haruki, and their friends graduate from high school on a positive, if bittersweet, note.

Miou and Haruki get the time they need alone together and write all their dreams on the chalkboard, emulating the promo art with one important difference: a tiny “I love you” Miou rights just out of Haruki’s sight.

The two also avoid closing that 10cm gap they’ve always had, knowing that if they did, they’d likely never let go. That is, they’d never give each other the time and space to realize their individual dreams. A very mature move by both, and one that pays dividends later on.

Much, much, much later on, as in SEVEN GODDAMN YEARS LATER. Sheesh, what is it with these Fall romances and their huge time jumps? And here I thought Just Because!’s month was a long time!

At any rate, Miou is a mostly content art teacher at her old school, Yuu proposes to Natsuki in one the most adorable scenes of the episode, and even Souta and Akari remain a strong item. Miou’s friends worry about Miou, but Miou said she’d wait for Haruki, and wait she does.

Fortunately, all her waiting doesn’t come to naught, as the moment Haruki wins a rookie director’s award in L.A., he’s on the first plane back to Japan to tell Miou first (though Miou already finds out through Natsuki).

Despite the well-known amount of, er, temptation in the Hollywood scene, Haruki kept his head down the whole time, and was there to work and realize one of his dreams. And he missed Miou as much as she missed him.

At the top of the steps where they always sat 10cm apart as kids, they confess their love as grownups, and finally, mercifully, close that infernal gap with a hand-hold and a smooch. Medetashi medetashi!

And that’s a wrap for Fall 2017! I should hope so; it’s literally Winter now, and frikkin’ freezing to boot. Thanks for reading! We’ll be back in action soon checking out the new shows Winter 2018 has to offer.

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Itsudatte Bokura no Koi wa 10 cm Datta. – 05

Just as Miou has come out of her funk and started to work on her painting of love anew, Haruki develops a profound crisis of identity. He stops coming to school snaps at Saku, and decides he won’t be going to America after all, because he’s now convinced filmmaking was his brother’s dream, not his.

Miou pulls out the ol’ “I’ll wait as long as it takes at the usual spot” to draw Haruki out, as when the snow starts coming down, he worries, correctly, that she’ll be standing out in the cold all alone. There, in their usual spot, the two have it out.

While in the moment I was frustrated with how mean Haruki was being, one has to consider how emotionally unmoored he is, as well as frustrated with how Miou wouldn’t talk or even look at him for so long, only to need to talk now.

Haruki really does need to just cool it with the angst and listen, because Miou has to tell him she was the one Chiaki saved, and to apologize for keeping it from him so long, worried he’d hate her.

Haruki is too busy hating himself to hate Miou, but when he starts talking about what an idiot he is to confuse his brother’s dream with his own, Miou gives him the front of her right hand, breaking the 10cm distance in an instant.

She reminds him two brothers can have the same dreams, and that in all her time watching him, she could tell that Haruki’s dream of directing films was his own, and a powerful one at that, so he should really lighten up!

Miou also shows Haruki her recently completed painting, one of a guy and a girl looking out a window in the classroom. I assume it’s meant to be the two of them, and so the painting serves as a kind of confession of sorts for Miou. Haruki is cheered up, and the two head to his place to get out of the cold.

There, after cocoa, Miou remembers she has a DVD Saku told her to watch with Haruki. It is footage recorded right after Chiaki saved the girl Haruki now knows was Miou; Chiaki tells his little brother he’s filming one of the best scenes a director can film: a person’s moment of victory for having achieved something great (in his case, saving Miou).

Young Haruki promises his brother right there that he’ll follow his dream—yes, his dream of directing—making the DVD video evidence that what Miou said to Haruki is true, and he really does love making films. I guess that means he’ll be heading to America after all…which is bittersweet, since it’ll mean being apart from Miou.

Ghost in the Shell: ARISE – Alternative Architecture – 08

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Who is Kusanagi Motoko? It’s a question ARISE has been constantly asking, and which she herself asks, now that this latest arc has become her most personal yet. By the end of last week’s installment, it was pretty darned evident that her love Akira was mixed up in some unsavory conspiracy with Dr. Theid and Col. Hozuki.

A question asked parallel to this is “Who is Scylla?”, a question everyone seems to want to know the answer to except Motoko and her former comrade Kurtz, who gives her a gun with a familiar mark carved into the grip, and the task of “burying” Scylla for good.

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In an interesting choice by the animators, Motoko spends most of this episode wearing hot pants instead of her usual pants, perhaps to accentuate the fact her right leg is still not quite behaving properly thanks to Fire-Starter. She even shows up in a smoking ball gown, indicating whoever she is, she wants to embrace her femininity and have fun with Akira even as suspicion about him continues to mount. Akira says he was drawn to her by her desire, through customization, to make her prosthetic body her own.

Akira’s work, the fruits of which are shown when he and Motoko attend a wedding between two elderly people in brand new young skins, are following a similar path as Motoko: blurring the lines between the technological and the organic. He also considers Motoko’s body to be herself, not merely a tool that allows her ghost to walk about, or choke people. Despite his seedy dealings, I found myself approving of him as Motoko’s mate.

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When Akira’s deal with Hozuki goes sour and he and Motoko are attacked while in bed together, Motoko is quick to blame herself for the targeting, but it’s really Akira the gunmen were after. Detective Togusa’s investigation overlaps with her unit’s, and he warns her that Akira can’t be trusted the way she’s trusting him, and the Qhardi leader confirms that Akira is the “new” Scylla.

After we see how Hozuki and Thied make that happen, and Aramaki and much of the rest of the unit are ambushed at the Vice Minister’s office, the body of evidence is too great and Motoko can no longer deny who Akira is and what she, and she alone, must do.

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Not that she’s looking forward to taking out her lover; someone who seems like a genuinely nice guy who got mixed up with the wrong people and took one too many wrong turns. But it turns out to be more than that: the Scylla in Akira’s brain was once Motoko, and Motoko was once Scylla, aiding the Qhardi separatists back when she was with the 501, before she faked her death.

By shooting him and destroying his cyberbrain, she’s saving her comrades and ending the latest crisis, but she’s also killing a part of her past. She was Scylla, but now who is she? It’s a question she still doesn’t know the answer to. But while she was in Akira’s arms, for a fleeting moment, she knew she was wanted, and that she was happy.

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So ends another tragic chapter in the chronicle of the enigmatic Kusanagi Motoko. But while my heart sank at her having to kill her lover, she’s always proven able to restore and reinvent herself and continue use her unique talents and unique unit to be a force for good in the world. She casts away the explosive “Ariel” parts Akira had furnished her, and rebuilds herself with more customization; if she forgot who the flesh-and-blood Kusanagi originally was, she’ll simply create a new one through prosthesis and cyberization.

The show doesn’t question the rightness or wrongness of such a path, but it does indicate this is all she knows how to do and it’s at least something. It also contrasts her with the all-natural, married Togusa, who impressed her in the last case to the extent that she offers him a job in her unit. With her lover gone that unit is now pretty much all Motoko has, but her offer to Togusa is interrupted by the news that his wife’s water broke and that he’s going to be a father.

Motoko’s look of bemusement as he races off seems to indicate she almost forgot there were still low-tech people like Togusa extant in this world. But in addition to his sleuthing skills, I’ll bet Motoko wants his perspective on her team—a perspective she’s lacked for untold years—as she continues to face threats like fire-starter and rebuild her own identity in the process.

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