Golden Kamuy – 35 – Finding Warmth in the Shattered Ice

The reunion of old buddies Shiraishi and Sugimoto is appropriately gross, as the former’s nose snot ends up in Sugimoto’s eye. This is actually foreshadowing for another key reunion, but I’m getting ahead of myself.

These two men are still separated from Asirpa, just as Asirpa finds herself alone with Ogata—the only person who knows Asirpa has remembered the secret to Wilk’s code. Both groups have shattered on the ice floes, as Tsukishima finds Svetlana in the cold while Tanigaki and Koito are ambushed by escaped prisoners.

While Sugimoto uses his coat as a sail to steer their ice floe where they want (yet another lifesaving lesson Asirpa taught him), Tsukishima urges Svetlana to return home, only for her to tell him she willingly went with whoever would take her—anything to get away from the boredom of life in that lighthouse.

Live certainly isn’t boring for anyone on these ice floes, as Tanigaki and Koito successfully repel the bandits. However, an unlikely reunion occurs when Kiroranke emerges from behind an ice boulder. Tanigaki, who seeks revenge for the death of Inkarmat, gives Kiroranke his bone-handled knife back—by stabbing him with it.

As the skies seem to darken and the snow and wind intensify, so too does the tension between Ogata and Asirpa. He knows she’s figured it out, and asks her while they’re alone if she’ll tell him. He only wants a little gold; to have all of it would mean getting tangled up in war with all the parties who want it. He also believes she wishes to return home to her kotan and spend her days hunting in the woods.

When his methods of persuasion don’t work, he reveals that Sugimoto wasn’t quite dead when he saw him, and tells her his last words about giving some gold to his friend’s widow Tome for her eye surgery. Then Asirpa catches Ogata in a lie when she asks him if Sugimoto said anything about food, and Ogata says he wanted monkfish stew. Asirpa knows Sugimoto’s true final wish would be for dried persimmons.

She breaks Ogata’s grip and knocks her bow, but Ogata reminds her of when she stopped Sugimoto from killing him, and when she vowed never to kill for the gold or anything else. Ogata actually takes sick pride in trying to goad Asirpa into murdering him, since to him that would mean they were alike in their “impurity”. Sugimoto manages to arrive in time to shout out, but Asirpa is startled and looses the arrow straight into Ogata’s eye.

Sugimoto quickly administers first aid, purging the poisoned from the wound and bandaging it to slow the bleeding. He won’t let Ogata die. because he won’t let him make Asirpa a killer. When the ice floes split again, threatening to separate Asirpa and Sugimoto, he reaches his hand out, she leaps to grab it, and they successfully embrace. After an entire season of them apart, finally they’re together again, and it feels so good to see it!

Of course, this is Golden Kamuy, a show never afraid to follow up a tearful, touchingly cathartic reunion with some absurdly gross comedy. Asirpa says she “can’t let go”, but we soon learn she literally can’t, because her damn eyelid is stuck on Sugi’s frozen coat button! Shiraishi, who is holding Ryuu back from interrupting the lovebirds’ reunion, is quickly summoned for assistance.

As we learned, the best way to separate skin from cold metal is piss, and if there’s anything Shiraishi is always full of, it’s piss. This leads to perhaps the most hilariously fucked-up line in the entire Golden Kamuy series: “Piss on her face!” The snow lets up, the sky brightens, and the sun starts to peak through the clouds as Shiraishi, Sugimoto, and Asirpa revel in rainbow-making golden showers. It is utterly glorious.

The episode then jumps back a few minutes and returns to the darkness of the storm, as Tsukishima, Koito, and Svetlana find an injured Tanigaki, who tells them Kiroranke is wounded and on the run. While in pursuit, the two soldiers make the mistake of picking up Tanigaki’s rifle, which was rigged with a bomb by Kiroranke. Tsukishima’s neck is gashed in the blast, but Koito is relatively okay, and continues the chase.

He and Kiroranke eventually become locked in a bitter grappling match; Koito with his saber and Kiroranke with his rifle. Kiroranke has escaped worse scrapes in his long bloody history, but with Asirpa learning the truth about his treachery at Abashiri Prison and Sugimoto already knowing he’s bad news, whatever becomes of him, he can no longer hide his true colors.

As of this tremendous episode’s ending, Ogata, Tanigaki, Tsukishima, and Kiroranke are all seriously wounded, while Koito may be about to be. Sugimoto, Asirpa, and Shiraishi are all fine. Sofia strangely plays no role in this episode, but I wonder where her loyalties will lie (I suspect with herself) while Svetlana just wants to go to St. Petersburg. Most importantly, Sugimoto and Asirpa are together again. That one fact makes my whole month.

Golden Kamuy – 34 – Hesitation is Starvation

The big day arrives, and while not everything goes according to plan—not all of the explosives planted in the prison walls detonate, and oh yeah, a frikkin’ Siberian Tiger complicates matters a bit—but Sofia is freed from Ako Prison. It’s a day she’s clearly been relishing, judging from the amount of fun she’s having. She even briefly rides the tiger!

Sugimoto’s team can see the explosion from where they are on the outskirts of Ako, meaning they’re catching up just as Asirpa’s team is heading out of the town across the ice floes. So tantalizingly close, and yet so far…

As Sofia trudges through the floes with Asirpa’s team, she seems glad to see the daughter of Wilk, whom she loved so much, and the bottomless pools of those deep blue eyes. With Kiroranke translating (remember, Sofia never bothered to learn Japanese), she tells Asirpa what a “pure and beautiful” man Wilk was, and how he taught a rich city girl about the minority ethnic groups and their plight in the rapidly modernizing world.

There’s no more impactful symbol of Wilk’s ethos and the natural order from which that world is retreating than a goddamn tiger, who also greets Sugimoto’s team when they arrive at Ako prison. When they fire shots to scare it off (killing it is bad luck), the unique report of Tanigaki’s old rifle catch’s Ogata’s ear all the way out on the ice floes. The dude really knows his guns, but he can’t quite believe that it means Tanigaki is following them.

Meanwhile, Sofia continues to tell Asirpa stories about Wilk, who believed the Native Americans couldn’t defeat the white man because they were at war with each other, necessitating the importance of creating a federation of all ethnic minorities to battle Imperial rule.

Sofia also regales Asirpa with the time they were on the run from the secret police and one of them was seriously wounded, slowing them down. When the police grew nearer, Wilk slit his throat so his moans wouldn’t give them away. He only ever did what was necessary exactly when it was necessary and not a moment later, which is what made him such a good revolutionary.

That ethos had been instilled in Wilk as a young lad, when he would often visit a wolf that had been separated from its pack by illness or “some other defect”. One day he found the lone wolf dead; killed by its own pack which he had called to with his howls. The other wolves in his pack saw his weakness as a threat to all of them, so they did what was necessary to survive. Young Wilk took that wolf’s pelt and wore it, leading his father to name him after the wilk, Polish for “wolf”.

Wilk taught Asirpa this wolfish way of living, which for those who live off the land like the Ainu is even more important: not to show kindness or mercy if it can become weakness. A bear cub too old to raise in the kotan is just as valuable a source of food as its mother. Hesitating to kill it out of pity could spell starvation and death. Beauty is strength, and strength is life.

This talk of Wilk’s name causes Asirpa to remember the night her father told him his Ainu name, Horkew Oskoni, which means “catching up to the wolf.” Asirpa then remembers the symbols on the prisoner tattoos, and seemingly solves the code right there in her head. Ogata seems to notice this.

As for Shiraishi, he became separated from Asirpa and the others when he ran off to take a piss and the floe he was on cracked and drifted away. He must therefore take the long way around to catch up to the others, but one sheet of ice he jumps on suddenly shifts, threatening to dunk him into the deadly frigid ocean.

His wooden dick talisman saves him momentarily only to snap off in the ice, but he’s then saved by the outstretched arm of none other than Sugimoto Saichi. He seems happy to see his old pal. It’s just too bad that old pal got separated from the person he really wants to see…

Golden Kamuy – 33 – A Wolf in Vladivostok

As Kiroranke and Sofia exchange correspondence, smuggled in and out of the prison with a little help from master of disguise Shiraishi, Asirpa, Kiroranke, Shiraishi, and Ogata stay in a village of the Nivkh, Karafuto’s most populous ethnic minority. Kiroranke maintains that Sofia could have crucial information about Wilk and the code for the gold.

Because he claims the gold will benefit all minorities including the Ainu, Asirpa is willing to go along with his plans. We also learn that Sugimoto’s team has reached the reindeer farmers who previously hosted Asirpa’s team. They’re still a ways behind, but Sugimoto is looking forward to reuniting with her at Ako Prison.

That’s pretty much all for present-day events, as Kiroranke spends much of the rest of the episode telling a story about—among other things—how he, Wilk, and Sofia learned Japanese from a man named Hasegawa Kouichi, who ran a photography studio in Vladivostok. Kouichi has a happy life with his wife Fina and infant daughter Olga.

Before the three revolutionaries arrive at his doorstep wanting to learn Japanese, Kouichi spots a lone wolf on the outskirts of town—an ill omen, if you will. Still, Kouichi welcomes the three and they learn quickly, with Wilk learning the quickest while Sofia seems least motivated to learn. Sofia is also immediately smitten with little Olga. Kouichi even likens the three to the Three Great Nobles of the Restoration who successfully modernized Japan.

It isn’t long until Kouichi learns that his three visitors from the far west were responsible for assassinating the emperor. Assuming the Russian secret police will descend upon his studio soon, he tells Fina to take Olga and go far away to await word from him, insisting she not return under any circumstances.

As it turns out, the police aren’t there for the revolutionaries; they’re there for Kouichi, a Japanese spy using the studio as a front. Sofia, Wilk, and Kiroranke break out the guns and do their thing; none of the police can be allowed to escape. Kouichi makes things a little easier in the ensuing siege by revealing he keeps a machine gun hidden amongst his photography equipment.

As the three take out the police, Sofia fires a shot into a tree, and I half-expected it to be that lone wolf Kouichi spotted earlier, which he encountered a second time while Wilk was teaching him about traps. Instead, it’s Fina, who did come back for Kouichi. A bullet hit both her and Olga, killing the child and leaving the mother in bad shape.

Sofia is beside herself with grief and regret, but there’s little time for either; she and her compatriots must flee before attracting more attention. When they reach the seasonal ice floes that allow passage from Russia to Karafuto—the same ones Kiroranke will use in the present to help Sofia & the other inmates reach their allies on the mainland—Sofia declares she won’t be going with Wilk, whom she loves, or Kiroranke, deciding to stay in Russia to stoke the fires of revolution.

We then return to Kouichi holding his dying wife, and the moment he tells her the truth: his real name is Tsurumi Tokushirou. That’s right, that Tsurumi, with the busted skull. It truly is a small world. Now we know the connection between him and the revolutionaries, and it’s another horribly tragic story, this time centered on one of the series’ main players.

Lt. Tsurumi seemed to accept his wife and daughter’s death as an accident, but he’s quite a different man since his head injury. This added history will color all future interactions (if any) between Tsurumi, Kiroranke, and Sofia. Kiroranke also writes to Sofia that Wilk has died, and though the woman has become hard-as-steel in the years since she last saw him, she still can’t help but weep from the news.

Houseki no Kuni – 07

Phos lies prostrate before the Amethyst twins as Rutile repairs them, but once they’re whole enough to speak, it’s the twins apologizing to Phos: they were overzealous in their efforts to show Phos how badass they are and let their guard down.

Phos doesn’t feel any better about freezing up, and runs off, both to try to outrun the shame, but also because that when circumstances necessitate an immediate retreat, Phos has to be able to do it. Phos’ legs lead to Cinnabar, whom Phos still doesn’t feel right speak to quite yet.

Phos’ state of incomplete development comes at a bad time for them; Winter has come, and with it the time when all gems hibernate until Spring—and sufficient sunlight for them to function—returns.

The only two who normally stay awake while the others sleep are Master Kongou, and the heretofore-unseen Antarcticite, voiced by Ise Mariya.

Antarcticite was unseen because they only become solid when the temperatures drop enough; when it’s warm, Antarcticite occupies a vat in their room, in a liquid state. “Antarc” also has a particular like of Kongou, and cherishes the time when they patrol together.

Then, while the two are hugging, Phos emerges from behind a wall. Unable to sleep, Phos requests to be allowed to stay up and train up in these harsher-than-usual conditions rather than waste them hibernating. Kongou agrees and partners Antarc with Phos.

Antarc is initially quite annoyed by this decision, but only because they remember Phos of yore, not the present Phos, willing and able to grow. When Phos tells Antarc of the desire to become better and more useful, Antarc takes a more patient tack.

Phos is particularly sluggish in the dim winter chill, but toughs it out until the two reach their destination: a field of eerily gorgeous and hazardous ice floes that let out blood-curdling screeches when grinding together.

Like Amethyst, Antarc is quick to demonstrate their duty to Phos: cleaving the surfacing ice floes with a saw in order to stop them from disturbing the hibernating Gems. Watching Antarc spring into action, balance a high heel atop the ice, then unleash a massive blow, is really something to behold.

The spectacle, and the utterly pristine whites, blues, purples and aquas of the frigid winterscape lend this episode a unique beauty, backed up by some of the most conspicuously excellent music of the show.

I’ve always liked “ice levels” as a kind of aesthetic palate-cleanser. Winter turns the Land of the Lustrous into another world, and it’s a glorious thing to see and hear. The stark beauty is nicely complemented and warmed up by the understated Phos-Antarc buddy comedy.

Antarc shows Phos all of the various duties they must perform; some menial, others herculean, and others downright weird, like making sure to put down the sleepwalking gems—and, occasionally, cover Master Kongou when he smashes into a wall—with blankets. Phos simply tries to keep up, but it’s a lot of work and has to be done with a minimum of energy due to the low sun.

Then, just as Phos is wondering whether they bit off more than they can chew and ponders the hopelessness of achieving their goals, the ice floes seem to call out, echoing the anxieties in Phos’ head. Kongou warns Phos to ignore the voices, giving Phos yet another challenge to overcome among all the others.

It ultimately proves too much. While out on patrol, Phos considers sawing off both arms so that they be replaced with a stronger ones, as Phos’ legs were. Phos stops themselves, but slips and falls into a frigid pool. Antarc pulls Phos out, but Phos is missing both forearms—and if they can’t be retrieved, many more memories.

Antarc has been shown to be proficient in making minor repairs, but this is a job for Rutile, who is hibernating. So yeah, we close another episode with Phos’ existence at another crossroads. Here I thought Phos would find a way to attach saws to their legs and use them to cleave the floes; now I just hope the Phos I know and love can get out of yet another spot.