Steins Gate – 22

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In preparation to what I suspected was going to be a rough episode for me, I entered into what’s known around the office as my “Induced Pessimism Mode”, a kind of emotional shield formed by expecting the very worst out of the story to come. A means of maintaining a healthy emotional distance from the material I’m to review.

How can I put this? That…umm…that didn’t…didin’t work. My IP-field was no match for the roller coaster that was this episode…which may have just cemented this show’s position as my all-time favorite anime, with two episodes, an OVA, and a film to go.

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I’ll reserve judgment until some time passes and I’m a little more removed from the show, but what I can say with certainty is that it is rare for me to be as moved by an episode of television as I was with this, but the entire show was brilliantly building up to it. A part of me would be content with this as the show’s finale; not just because it will be so very hard to top these 23 minutes and 39 seconds, but because I’m not certain how much more wrenching and rending my gut and heart can take, respectively.

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I thought Okabe would fight. I though he wouldn’t accept that one woman he loves would have to die so another could live. I thought he’d run around Akiba and find something or someone who would help him find a third way. And while I had an inkling Kurisu would be more accepting of the situation, I also expected her to come up with some kind of scientific loophole Okabe couldn’t have thought of.

None of that happens. Kurisu lies on the roof of the building where she’s stabbed in the Beta World line several floors below. Then it rains, she and Okabe retreat to a stairwell where she repairs his lab coat in the dark with pink thread and trade barbs about each others’ skinniness. She fixes the coat because it’s something she can fix.

She also tells him she remembers bits and pieces from his other time leaps, in which she watched him suffer and try again and again in vain to save Mayuri. Such memories not only make her amazed that someone would go so far for someone else, a quality she clearly admires in Okabe, but it also makes her feel guilty that she is the last remaining obstacle to realizing that goal.

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Okabe does race back to the lab, to time leap back as far as he can go; to gain a fresh set of days to formulate a plan…but Kurisu, having chased after him, stays his hand. No more running. There’s an Alpha line and a Beta line, there’s only one way to save Mayuri, as opposed to no way to save her. She thanks Okabe for trying, but won’t let him destroy himself watching Mayuri die anymore. Okabe accepts defeat, apologizes, and gathers Kurisu in a hug.

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Kurisu then tries to comfort him, and herself, with theories that the Kurisu of twenty days ago might have found unscientific, naive, and even ridiculous, but she sells them fully here and now. If she can remember bits and pieces from other world lines, she posits, maybe all of the minds of the Kurisus from those lines are connected to form a whole that is beyond time.

Beliefs, desires, and love could transcend the boundaries of the fourth dimension. She may die in one world line, but she’d remain alive in countless others, all contributing to that whole. “Wouldn’t it be wonderful?” she asks twice, knowing it’s little consolation.

Then Okabe takes her by surprise by finally confessing he’s in love with her, and will never forget her.

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I’m not sure what’s more adorably fantastic: that Kurisu’s reply is to make Okabe close his eyes while she gets on tiptoe to kiss him, or the marvelously nerdy explanation for it, delivered in a trembling, flustered voice:

“I-I didn’t want to do that, okay? But experiences such as your first kiss are stored in the hippocampus with your strong memories, which are harder to forget. Thus–“

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You know what, I do know what’s more adorably fantastic: when Okabe confesses that wasn’t his first kiss, that it left a weak impression, and that they have to kiss again to make a stronger one. Kurisu has no problem with that logic, nor do I. Who’d have thought when these two first met that they’d be capable of such unabashed romantic words and gestures?

The entire lab scene sets a new high watermark of excellence. What’s also amazing is just how fast it all happens, and how Kurisu notes how fast it is, referencing Einstein’s theory of relativity to the situation, since now, when she and Okabe want nothing more than for time to stop entirely does it feel like it’s moving faster than ever.

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The setting changes from the warm, dark, cocoon-like lab where they made their love for each other clear to the bleak, blinding outside of the train station where they say goodbye, which again happens unconventionally, with Kurisu lobbing a Dr. Pepper nowhere near Okabe, mouthing “Sayonara” while he’s turned to pick it up, then vanishing. No long tearful goodbye, but a quick rip of the band-aid. But it’s a goodbye knowing that Dr. Pepper is the drink of the chosen ones…and Kurisu chose him.

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As Okabe glances at the pink stitching on his coat, the pain clear and harsh in his face, Kurisu stands on the train platform where she’ll be borne back to America, but is really there to be taken away from the world line where Okabe lives; at least this Okabe.

Her parting wish is that in everything he experiences and desires and loves in the Beta World Line he’s headed to, if he remembers her one in a hundred times, she’ll be happy, “beyond the 1% barrier.” It’s another gorgeous sentiment from an unusually poetic Kurisu this week, but it can’t dull the utter emotional devastation I’m going through as I watch.

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Okabe fights back tears as he delivers a rousing, selfless speech to Mayuri and Daru,  thanking everyone who helped him get this far and expressing his gratitude to those he sacrificed before hitting the button that will change the world. Just a heartbeat after hitting the key, Kurisu bursts back into the lab and says “I’m also in…” before the shift occurs, sending him past the 1% barrier, in a world where there was never a Lab Member 004, and where there are no pink stitches on his coat.

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Puffing up his chest and playing the role of Hououin Kyouma once more, he claims victory before his remaining lab members. The “Battle of Ragnarok”—or more precisely, “The Battle to Save Mayuri” is over, and he has conquered time itself, foiled SERN’s schemes, and reset the world’s power structure, with all the unhinged passion of a sweat-drenched preacher man.

Mayuri then calmly talks him down, aware of everything that he did and everything he gave up for her sake, and tells him “he can cry for himself.” He then looks forward, to a life without the IBN; without the Phone Microwave; without Hououin Kyouma. And “it’s all for the best…right Kurisu?”

For the first time, the ending music is different, and it sounds very much like a reproach to his question; a dark, stirring piece of music with the gravitas of a final dungeon.

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Okabe spoke of “complete victory” in turning the page on all the pain and sacrifice of those twenty days. But then the end credits suddenly fizzle out, and it’s pretty clear that nothing is complete after all. Rather, it is the choice of Steins Gate that here, in the Beta World Line, Okabe fight at least one more battle, for far higher stakes in the grand scheme of things than two girls’ lives. This new destiny is brought to his attention by Amane Suzuha, freshly arrived from 2036, calling Okabe on her father Daru’s phone to beseech him to stop World War III. Damn.

This is Steins;Gate throwing down the gauntlet. Having delivered a phenomenal episode that wouldn’t have made a bad finale at all, the fact is there are two more episodes to go (and an OVA…and a film). As blown away as I was to this point, Steins;Gate isn’t done with me, and it’s not content to rest on the laurels it has already earned.

And you know what? I have every confidence in the world that it will deliver. I’m ready to go a couple more rounds.

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Steins Gate – 20

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I’m glad Moeka and Okarin sort of make up here; where they left things in the previous episode left a very bad taste in my mouth. That was probably the point; after several smooth D-mail resets, Okarin came up against true resistance, and in his increasingly desperate state, he had to get rough. But there’s also a feeling that what’s done is done, even though this is a show were things are undone all the time.

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What brings these two back together is their mutual desire, nay, need, to see “FB” with their own eyes. This results in a sprawling stakeout, the very opposite of last week’s claustrophobic closed room. I like the way Okarin painstakingly records every detail of the IBN’s journey from the coin locker to a France-bound plane. I like even better that it’s Kurisu who convinces Okarin that this approach will be more fruitful than simply nicking the IBN from the locker. And I especially like that Mr. Braun is somehow involved.

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But while spending all this time following people, watching, waiting, and staying out of sight, Okarin is neglecting the present; the now, that he has with Mayushii. He’s not treasuring it because he’s on a mission to save her life, but who ever said that’s an achievable goal? What if the remaining days he has with Mayushii are all he has, and he’s squandering them by keeping her at arm’s length?

Mr. Braun makes a great observation to Mayushii and Kurisu: that Okarin’s an awfully lucky guy, what with his own room, friends like them, and the ability to “do whatever he wants.” There’s a tinge of envy in Braun’s remarks, but he’s also right: Okarin is lucky; and yet he’s been taking everything for granted and putting his entire life on hold for Mayushii’s sake.

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When Okarin, with Moeka and Kurisu in tow, goes to Braun’s house to confront him, everything comes to light: Braun is Ferdinand Braun, or “FB”, and tricked Moeka, AKA “M4”, into following his orders, as he has many others like her. He himself ended up in this business very much like Moeka did: he was desperate and at the end of his tether; his story about spending the night in a manhole and nearly being eaten by rats is bleaker than the show’s color palette.

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When he turns his gun on Moeka, it seems just as cold and mechanical a gesture as when Moeka turned her gun on Mayushii: in both cases, there was no force in their consciousness greater than the one compelling them to shoot. They’re doing it for their superiors (SERN), but they’re also doing it to save themselves, or in Braun’s case, his daughter.

The cut from Moeka falling to the ground and Nae hitting her alarm—which was responsible for the ringing we heard—was a simply masterful piece of editing.

As long as Braun had someone he cared about—something to lose—he would never be free. So he does the only other thing he feels he can do to change the situation: turn the gun on himself.

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While nothing since has quite been able to match the pure visceral WTF-ery of Moeka’s storming of the lab and killing of Mayushii, this scene, with its dual shootings, is certainly no slouch. It was also very overt about that dragonfly; is this S;G’s version of the butterfly in the effect of the same name?

By offing himself, Braun may have actually saved the life of Moeka he just took, as well as his own. That’s because he leaves his phone behind, which Okarin promptly uses to send a D-mail to Moeka of the past, telling her to stop searching for the IBN 5100.

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Because it was sent by FB, she follows the order without question. Braun is still alive, Nae isn’t an orphan, and the IBN is at Ruka’s shrine, where upon Okarin picks it up and hands it over to Daru. Finally, they’ll be able to delete SERN’s database and travel to the Beta world line where Okarin didn’t send his first D-mail.

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At this point, it’s clear Okarin’s single-mindedness has led to a kind of profound tunnel vision, because it’s only when Kurisu mentions what that D-mail was—the one about her getting stabbed—that Okarin realizes returning to that world line means Kurisu will die.

I’ll admit, I too hadn’t thought that far ahead either, until the Ruka episode, where a definite pattern of “eliminating love interests” I suspected would eventually lead to a final choice between Mayushii and Kurisu. One must die so the other must live; that’s the endgame facing Okarin.

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At the time, the Kurisu stabbing was an exceedingly random event that occurred to a total stranger we had little investment in besides the basic distress of witnessing a death. Now that random event looms enormous. It may even also explain why Mayushii has seemed so resigned to her fate all along; maybe she somehow knows its either her or Kurisu, and she’s not the kind of person who’d put her life before another.

For Okarin to get the IBN back at long last, only for him to suddenly realize  what he’ll lose if he uses it; Steins;Gate has cemented its place as the Mohammed Ali of anime: floating like a butterfly (or dragonfly), and stinging like a bee (or a weaponized hornet).

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Steins Gate – 19

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Kiryuu Moeka. Long hair. Glasses. Taciturn. A bit odd. Obsessed with the IBN 5100 and someone named “FB.” Shiina Mayuri’s killer. She’s been absent for seven episodes, but it feels like seven years. Yet her actions reverberated through each one of those seven each time Mayushii died again. It all started with her. Can it end with her? Okarin is hopeful.

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But there’s something else: Okabe Rintarou is not well. There’s no overt evidence that anything’s medically wrong with him, but all this time-leaping and all of the tragedy and heartache he’s had to endure, and all the times he’s had to explain himself, are clearly taking their toll. I don’t think he cracks one joke this entire episode. The time for jokes is past. He’s only keeping it marginally together thanks to his soulmate Kurisu, who promises him he’s not alone on these time-leaps; she’s there too.

And she is; each time, she believes him and helps him out. But when he goes to track down Moeka, he learns she committed suicide, the walls close in a little more. Hearing an inconsolable Kurisu dutifully call him up despite the fact Mayushii died right in front of her proves how dedicated she is. But Okarin has no time for tears or solace any more than jokes. To save Mayushii, he has to save Moeka.

One remarkable quality to the women in Okarin’s life is their staggering diversity of personality and circumstances. Each girl is utterly unique in every way, and thus far getting them to undo their D-mails has required equally unique words and actions. But Moeka proves to be Okarin’s toughest challenge yet.

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The commentariat may be able to assist in this, but I draw a blank when I survey the anime continuum for a character the like of Moeka—someone who has morphed from what seemed to be odd but harmless comic relief, to ruthless, leather-clad femme fatale, and now to the pathetic wretch she is now, yearning with every fiber of her remaining being for a text from her beloved “FB.” She looks every bit like someone who will commit suicide in four days. On the absolute edge.

But Okarin isn’t that much better off, when you think about it, and he has no sympathy or patience for the girl who murdered Mayushii in cold blood in the future. So when she won’t surrender the phone or respond to him in any way, she slugs her in the face and slams her against the wall, and steals her phone. Desperate times, etc.

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As she bangs on the door and screams incessantly to give her phone back, Okarin sends the d-mail…but it doesn’t work. My heart sunk, just as it did when he learned Moeka had committed suicide, because these are potential “game over” developments. So much has to go just right in order for Okarin to succeed, and the margin of error is essentially nil.

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Realizing Moeka must have sent a second d-mail right after her first, he goes back into the “arena” to ascertain the contents of that second d-mail. Unsurprisingly, Moeka is uncooperative. The two rush at each other and Okarin tackles her to the ground. Did I mention how uncharacteristic of Okarin this kind of behavior is? Rather, it would be, if he hadn’t been so damaged by all the events of his time-leaps thus far.

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Taking a firm “the ends he seeks justify the means” stance towards Moeka, he holds her down and even kisses her to keep her from screaming for help, and gets his tongue bitten. He offers to give her precious phone back if she tells him what was in the second d-mail, but she doesn’t want to betray FB, and the episode’s cryptic cold open is revealed as a preface for why she’s so damned loyal.

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Four years ago, on the roof of a building on a dark, cloudy night, a morose Moeka prepares to leap (not time leap, mind you…leap leap). But just when she’s about to, she gets her first text from FB, offering her a job and answering all of her questions favorably.

From that point on, it was as if Moeka’s life belonged to FB. By stopping her suicide and giving her a job, FB gave her a “place”, which is also what Okarin had given her in the lab, but his invite wasn’t nearly as impactful. Okarin proceeds to turn the screws on her, expressing his loathing for what a piece of shit she is until she’s no longer even resisting him, but simply crumpled on the floor crying. At this wretched sight, Okarin remembers himself and offers her an apology.

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Okarin finds the mail telling Moeka to retrieve the IBN from Ruka’s shrine, but when he tries to send a d-mail to undo it, again his d-mail fails, because the Moeka of the past didn’t believe it. After that long ordeal with Moeka I’d almost forgotten that he was to keep in contact with Kurisu; she was so worried about him, and relieved to tears when he calls her back (though she obviously doesn’t admit this).

The stopped sand in the hourglass also threw me off, because whenever that happened, Mayushii ended up dead not long afterwards. But Okarin realizes Moeka of the past will only listen to FB, so he decides to go look for him…or her. Heck, it could be a machine for all we know, since Moeka has never seen nor spoken to it.

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But he only has four days to find FB before Moeka dies too, something he belives is the will of the universe. As with Mayushii, and because of Mayushii, he vows to Moeka that he’ll do everything he can to prevent her from dying. As he starts to leave, Moeka looks at the welts Okarin’s hands left on her arms, the marks of someone pushed beyond the bounds of conventional morality by his grief and obsession she caused.

Knowing now that she killed Mayushii on FB’s orders, knowing she’d obey FB and do it again in a heartbeat, and believing that she’ll die in four days, Moeka has a moment of clarity and lucidity that saves Okarin the trouble of searching for someone he’ll never find: he tells him the location of the locker where she stashed the IBN. It felt like an act of contrition, but also of self-preservation.

As for Okarin, neither he nor I shall forget the dark places he had to go in Mayushii’s name. It goes without saying she’d never in a million world lines have approved of the methods he resorted to, especially in her name. But if, at this juncture, Okarin’s primary concern is Mayushii’s life, not her approval or her smile, he may prove to be as capable of anything as Moeka. Is Mayushii becoming his FB?

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Steins Gate – 18

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Is Steins;Gate a harem? If it is, it’s one of the best applications of the genre I’ve seen, doubly impressive considering it’s not just a harem, but a harem operating in tandem with and irreparably melded to its central time travel mystery. Each world line is like a path in a dating sim, allowing the show to explore each girl to their fullest potential, only to reset once Okarin cancels the girls’ d-mails.

One way of looking at the sequence thus far is that the divergence factor has strayed from its ideal of 1.0 because too many other potential romances are hanging out there for Okarin. With Suzuha, Feyris, and now Ruka, he is eliminating those potentials one by one, with only Moeka (who has fallen off the face of the earth) and Kurisu (who has looked more like his ideal mate from the start) remaining.

Before all this started, there was only one woman in his life: Mayushii; a situation he clearly took for granted (though they’re more siblings than lovers). Will the universe only deign to spare her if Okarin sheds himself of all the other women in his life who love him?

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I say one woman there, because even though he’s more traditionally feminine by a large margin than any of the others, Urushibara Ruka is a guy. He was a guy in Okarin’s original world line, and thus is “supposed” to be a guy. There’s no delicate way of telling the female Ruka this, but when he tells her Mayushii’s life is at stake, Ruka agrees to go back to being a guy.

In exchange, Okarin will be her boyfriend for one day…because she loves him; a confession that it turns out she can only make in this world line where she’s female.

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With no other choice, Okarin agrees to the date, despite reservations about going out with someone he’s always known to be a guy. But more to the point, Okarin has never been on a date, period. The word “date” is as foreign to him as “Large Hadron Collider” is to Snooki. For that matter, no one in the Future Gadget Lab has the slightest bit of romantic experience.

That’s because they’re all a bunch of weirdos, geeks; and nerds; so caught up in their particular passions and hobbies that they hardly have time to eat or sleep, let alone date. Kurisu can only go so far in her mocking of Okarin’s ignorance and virgin-status, because she is just as clueless and just as much a virgin…only an American one.

(Note that I don’t count Daru’s romantic “experience”, since it’s all 2D, and his present self hasn’t actually concieved Suzu yet.)

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But it’s not just that Okarin is scared of dates. Dating is just not something he’d ever feel the need to do, period. He’s perfectly capable of hanging out with and conversing with and having fun with Kurisu and Mayushii and Ruka, without the rigid structures of courtship getting in the way.

Kurisu, for her part, seems invested in making sure Okarin doesn’t make an ass of himself. Even when the “Dating for Idiots” book tells him to wear something “clean”, Kurisu understands that doesn’t mean a sterile lab coat (though that wouldn’t be odd at all in Akiba). She also knows how to tie a tie.

Watching her fuss over Okarin’s appearance is a joy to watch, because at the end of the day she knows Ruka, who will turn back into a guy, isn’t a threat to her own designs on Okarin, which we know her to harbor.

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She drags Daru along with her to tail Okarin and Ruka and offer advice when it looks like he’s in trouble, via texts (one could call them “L-mails”, where the “L” is for “love”), and I got the distinct feeling she was getting a special vicarious thrill out of it.

As for Okarin, well…having his encounter with Ruka suddenly be categorized as a date stiffens him and turns him into a boring, distant mess, ruining the nice vibes Ruka is putting out. Of course, Ruka’s hapless attempts at small talk also contribute to the awkwardness, but super-props to her seiyu Kobayashi Yuu both in these scenes and everywhere else. They’re trying.

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Things take a turn for the Steins;gate-ian when Ruka asks Okarin if he remembers how they met. Turns out Okarin protected Ruka from some guys with cameras who likely assumed she was a shrine maiden. It’s clear that Okarin was acting according to his own ideals and code, rather than protecting her for the sake of sticking to the script from some book.

After saving Ruka, he told him despite how he looks, he’s a guy. Now, hold on! This is the female Ruka bringing up this memory of when she told Okarin she was a guy. Ruka herself realizes the paradoxical slip-up, and can’t explain it. Okarin knows, though: it’s more of that temporal “leakage” or “Reading Steiner Lite” that also befell Feyris when she saw both versions of the cafe.

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In the end, Ruka thanks Okarin from the bottom of her heart for the date, hands him her mom’s pager number and flees, barely holding back tears. It isn’t until he returns home that Okarin realizes the date wasn’t complete until he went back as “Hououin Kyouma” to train Ruka with her sword. Both are a lot more comfortable this, and Kurisu, Daru, and Mayushii can only look on in an “attaboy” kind of way.

When that’s over, Ruka confesses that she really doesn’t want to go back to being a guy, because it means she’ll have to repress her feelings for him, and even if she didn’t, simply may not be able to love him in the same way. Okarin assures her that regardless of whether she’s a he or he’s a she, He is Kyouma and she is Ruka, and that will never change as long as they both live, so she needn’t worry.

(Ruka also confesses to having accidentally broken the IBN 5100 while cleaning the room where it was stored, a surprisingly mundane fate for the crucial machine/red herring.)

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When Okarin sends the d-mail, Ruka’s appearance hasn’t changed in the slightest; only his answer to Okarin’s question “Do you like me?” Ruka blushes, but says he “respects” him, and Okarin knows things are back to “normal.”

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Okarin returns to the lab to see his labmates having a quiet evening sewing, reading, and surfing. He doesn’t assume everything’s alright yet, because the divergence meter is still around 0.5. The only d-mails that remain in effect now (that I remember) include the one where Moeka warned herself not to buy a new phone, the lottery numbers to the past…and Kurisu’s stabbing.

That has me thinking that once all of the d-mails he’s ever sent were undone, Mayushii will in all likelihood be saved from a premature death…but at the cost of erasing his entire relationship with Kurisu to this point. But that doesn’t necessarily mean they won’t meet for the first time again, and start over from scratch. A girl can dream.

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Steins Gate – 17

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Hmmm…Well, that didn’t work. At least not all the way.

Steins;Gate may twist time into knots, but it never wastes it, snatching away Okarin’s (and my) sweet relief that Mayushii is safe in the first thirty seconds. Okarin stopping his past self from stopping Suzuha from going back to the 70s before the storm damaged her time machine (whew) only delayed Mayushii’s death a little; it didn’t prevent it. For that, he’s going to have to get that divergence number closer to 1.0. Much closer.

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So it’s back to the drawing board for Okarin. Thankfully, he has the adorable genius Kurisu on hand to help him decide what to draw up next. She theorizes that because sending one D-mail to cancel another made incremental progress, cancelling other D-mails that ended up changing the past will lead to further progress.

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It’s a good theory, but undoing D-mails will have a profound interpersonal cost on the lab members, touched on when Kurisu laments she won’t remember Okarin calling her Kurisu (not remembering the first time he did it). But that kind of change is peanuts compared to The last D-mail Okarin undid, which caused Suzuha to never meet her father. The next D-mail he has to undo is the Feyris sent; the one that somehow prevented Akiba from becoming an Otaku Mecca.

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That “somehow” is key, because Okarin can’t change anything if he doesn’t know what Feyris actually did. When he tracks her down, she’s slightly occupied; on the run from a gang of over-zealous Rai-Net Battler gamers sore over her beating them at a tournament. If Okarin wants to talk to her, he’s going to have to keep up.

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The difficulty of prying the truth from the frazzled Feyris is aggravated by his talk with her being constantly interrupted by bursts of chasing, but Okarin eventually able to get her attention by mentioning “May Queen”, the name of her cafe that never was, and a name no one but her should know.

Okarin goes so far as to bring Feyris to the site where her cafe was (or should be), and something very unsettling and haunting occurs: the area briefly shifts back and forth between its current abandoned state and the May Queen, causing Feyris to nearly faint. Even before this happens, the atmosphere is so thick you can cut it with a knife.

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This is a phenomenon I don’t believe we’ve seen before, and I think it has something to do with the effect of Okarin’s Reading Steiner “leaking”; making those he’s in close contact with remember along with him, at least to a degree. I’m interested to see how far this “leaking” goes and if it’s permanent or merely fleeting.

When Okarin tells Feyris that Mayushii’s life is in danger, Feyris is, surprisingly, still hesitant to cooperate, but she turns out to have a very good reason: she sent that D-mail to save the life of her father, who died ten years ago in the original world line.

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This explains why he so suddenly appeared in her apartment after she sent the D-mail, and fully re-inserts Feyris, whose D-mail had far-reaching effects on the timeline but who had been largely sidelined since episode 9, right back into the thick of things, showing just how deep a bench this show has. It also introduces the unenviable but  inevitable choice of saving one person’s life at the cost of another but not being able to save both.

But before they can determine how to proceed, the crazed Rai-Netters corner them, and we get a tense, stark scene in which they beat Okarin bloody and prepare to take Feyris away to their deranged leader for God-knows-what manner of unpleasantness.

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Even in his beaten-down state, Okarin is able to stall the thugs long enough for help to arrive in the most unexpected form imaginable: Feyris’ dad’s chauffeur squeezes his S-Class limo through the alley and scares off the thugs.

Call it a deus (or patrem?) ex machina if you must—it was quite a strange sequence of events—but the fact the thugs’ boss on the other end of the phone is promptly arrested suggests a coordinated, quick-response security system is in place to protect Feyris, a system necessitated by the fact she’s a celebrity in her own right, but also the daughter of a rich and powerful man and thus a target for kidnapping.

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But even with such a system, Feyris would have been in big trouble had Okarin not been there to delay them. That isn’t lost on Feyris or her dad, who agree to tell Okarin what became of the IBN 5100 he used to own, in a very slick segue. Ten years ago, while preparing to board his flight for work ten years ago, her dad received a text that his daughter had been kidnapped, and as he was not as wealthy back then, had to sell his IBN in order to afford her ransom.

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This talk is followed by Feyris paying Okarin a visit in the guest room where he’s resting after a day of running and being beaten up. Okarin has had many exquisitely tender, moving scenes with Kurisu, Mayushii, and Suzuha; now it’s Feyris’ turn…or I should say, Akiha Rumiho’s turn.

She drops their usual chuuni code and nicknames in order to thank him properly, and to tell him everything she couldn’t say in front of her father, in one of the most sharply written and powerfully-acted scenes of the series thus far. Not bad for a character we’ve barely seen for eight episodes, but always liked. Considerable props to Miyano Mamoru and Momoi Haruko.

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Ten years ago, Rumiho was so angry and bitter at her dad for going on his trip, she told him she hated him before he left. That was the last time she ever saw him, as he was killed in a plane crash. When Okarin let her send a D-mail, she sent the false kidnapping message, which kept her dad off that flight and brought him home by train, which led to the current world line. It was a selfish choice, but a perfectly understandable one. If the means to save a dead loved one you didn’t part ways with amicably was in the palm of your hand, who wouldn’t make that choice?

Now that she knows that D-mail may well have sealed Mayushii’s doom, she voices her willingness to send a D-mail undoing it. When asked if she’s “sure about this”, she answers honestly: not at all. But now she can see both the world as it is and as it was, and she is sure of one thing: her father loved her dearly as she loved him, and nothing she said or did would change that fact. Having her father back was a “beautiful dream”, but it isn’t something she’s willing to continue at the cost of Mayushii’s life. Her father died on that plane. He was supposed to die. Now she’s at peace with that. Mostly.

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But more than that, after what her “Prince” Okarin went through to protect her, she feels compelled to return the favor by helping him. She’s always admired and idolized Okarin (ironic as she herself is an idol to many others), but here that admiration takes a turn for the romantic. Calling him her prince, I half-expected her to steal a kiss, but she settles for a behind-the-back hug and permission to cry. It’s just beautiful all around.

Now Okarin finds himself in a situation with Feyris similar to the one with Kurisu: anytime he has these wonderful, powerful moments with either, he travels back in time and everything is lost. Here, Feyris hopes she’ll remember the experiences and words they shared. Okarin tells her she almost certainly will remember, but he expresses far more confidence than he actually has on that front.

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Once Feyris sends her father a D-mail telling him the kidnapping was just a joke, the past changes again. Okarin finds himself in the lab, and Feyris comes up behind him. When he puts his hands on her shoulders, ready to ask if she remembers anything, both Kurisu and Mayushii remark that he’s being awfully lovey-dovey with their friend.

I interpreted Feyris’ response to them — about her and Okarin fighting side by side as lovers in a past life — no less than three different ways. One: She remembers nothing, and is merely talking in their usual chuuni code, which she often uses to express her fondness for Okarin and only coincidentally describes their past dealings. Two: She remembers something, but the memories have to be triggered, as Okarin triggered her memory of the maid cafe before. Three: She remembers everything, and is telling Kurisu and Mayushii the truth.

I’m sorta leaning towards door number two. But whatever the case, Akihabara has returned to its proper state, Rumiho’s father is dead, yet the whereabouts of the 5100 remain unknown. This was still only one step on a very long stair. But it was a fantastic one.

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Steins Gate – 16

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Steins;Gate giveth, and Steins;Gate taketh away. In the business Okarin & Co. are in, nothing comes easily, and nothing is free. But no matter what it sets out to accomplish in any given episode, it doesn’t do anything half-assed. I was already looking forward to re-watching Steins;Gate to see Suzuha in a new light. This episode not only puts her in another new light, but Daru in one as well.

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And doggone it, it was looking pretty grim there, but then Mayushii channels Inspector Tsunemori (another Hana-Kana institution), and discovers the identity of Suzuha’s father, just like she set out to do. The way “Barrel” means “Taru” in Japanese; the fact that Okarin and Barrel started the resistance in the future; the fact that they both worked on a time machine in Akiba in 2010; and finally, the baroque “Future Gadget” designation assigned to the machine, a truly inspired clue. Only one person can fit all those criteria: Daru, AKA Hashida Itaru.

Detective Shiina is Natural Po-lice…but The Job will not save her. That’s up to Okarin!

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She could have gone a little further: the reason Daru is able to fix the machine so quickly is that he’s the one who designed it. Also, and I only noticed it after the fact, but Daru and Suzu have very similar hair and eye color. This is yet another shocking twist with ample evidence embedded in everything that had come before. Now, before Suzu leaves, she gets to say hello and goodbye to the father she never knew.

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That turns out to be a good thing, since Okarin learns from Daru (whom Suzu first told) that the time machine only goes backwards; once goes back to the 1970s, she can’t come back. That means whether she succeeds or fails in obtaining the IBN 5100, this truly is Goodbye. A few hours for everyone else will be 35 years for her. Then, at the agreed-upon time, it’s Mr. Braun, not her, at the door. Suzu died ten years ago.

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In her letter to Okarin, she laments that something went wrong with the machine, and she passed through the 70’s, 80’s and 90’s, not remembering who she was or her vital duty. Her window to acquire the computer passed, the machine was no longer usable, and after 25 years, she succumbed to her regret and committed suicide.

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That’s basically the worst ending I could have imagined for Amane Suzuha: she got to see her dad before she left, but everything after that was a disaster. She blamed herself, for making an unnecessary detour to 2010 to see her father as a young man. Before the lightning storm that damaged the time machine, Okarin stopped her from leaving. Now that he knows what became of that, Okarin sends that him in the past another D-mail, telling him to let Suzuha go.

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Mayushii protests, but it’s for the best. I don’t see how Okarin had any other choice. Forget the mission or even saving Mayushii; there was no way he was going to let her go through those torturous decades, confused and alone, because he stopped her from going when she should have. In the timeline that results from that D-mail, Suzuha dies of an illness, not suicide, having taken Mr. Braun in after his house burnt down.

Between the lives the old Suzuha touched and what she left behind, from her beloved bike to Okarin’s Divergence Meter, her absence feels so palpable and long-lasted, even though we just saw her, young and full of confidence. If that really was goodbye for Suzuha, I must admit to being a little heartbroken.

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But the loss of Suzuha seems to have meant the regaining of Mayushii. The meter registers a slightly higher number (though still not 1.0), and the hour and minute of her death or murder by any and all means passes without incident. Okarin and I are both super-relieved to find her curled up on the lab couch, napping away. We still don’t know where the IBN is, but perhaps Okarin has one less thing to worry about…maybe? …Please?

10_brav2RABUJOI World Heritage List

Steins Gate – 09

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Holy crap…now he’s gone and done it.

This masterful episode, in which Okarin makes the ill-fated choice to allow Feyris to send a D-mail to the past, confirmed some of my floating theories, refuted others, and generally blew my mind. I had to stop myself from rewatching this episode immediately after watching it.

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No review of this episode is complete without thorough discussion of Okarin and Kurisu. To put it mildly, they were on their A-game here; to put it more elaborately, this was some of the most entertaining sustained interaction between two characters within a single episode of anime I have ever seen.

It all starts when Okarin happens to encounter Kurisu on the roof in the midst of an upsetting phone call. She retreats, but later tries to convince Okarin that she wasn’t really crying, even though her eyes are still red.

Yet she still sits beside him, as if to give him a chance to comfort her. He does, sort of, in a very Okarin way: first with the affirmation that she’s a ‘valued ally’, and if she wants talk he’ll listen…then pretend-talking on the phone about his kindness being some kind of ruse. We’ll give this round to Okarin.

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At the next round table, Kurisu and Okarin pretend their last encounter never happened as far as anyone else is concerned (and anyway Daru is distracted by Mayushii’s real school uniform, which he insists is a super-realistic school uniform cosplay).  Kurisu even has a nickname lined up for Okarin when he asks why physical time travel is impossible: “gel-Okarin”. Score a point for Kurisu.

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When Kurisu suggests the lab stick to more realistic goals, Okarin dismisses that stuff as “boring”. Kurisu, points out that science is 99.9% boring. It has to be that way; otherwise it’s 100% exciting, as in BOOM. Okarin reminds her he’s a MAD scientist, which she responds to by turning away and saying “Epic Fail”, which everyone has a strange reaction that puts her on the spot. Okarin goes in for the kill by repeatedly calling her “4channer” in the most obnoxious tone he can muster, thus gaining the upper hand.

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After that exchange, Mayushii gives Kuri…a look. I’m not sure if it’s a look of support, solidarity, pity, jealousy (she confided in Feyris earlier that she’s scared of Okarin “leaving her”), or some combination of those, but I really enjoyed this wordless exchange.

I was so focused on these two, in fact, that I wasn’t paying attention to what Okarin and Daru were discussing. Okarin talks about the IBN 5100 as if they had it…but it turns out they don’t have it; he and Kurisu never found it and carried it to the lab.

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It’s the clearest example yet of the butterfly effect, in which even minor changes to the past can cause major changes to the future. My tentative theory about the changes being cumulative is history, but I won’t miss it. The butterfly thing means higher stakes. There is no ‘minor stuff’ when it comes to changing the past.

Okarin quickly calls Ruka—who appears to be an actual girl now, judging from the uniform—who says the 5100 was donated to the shrine, but now it’s gone. Okarin goes over who else was involved in procuring the PC, and decides talking to Feyris is the next step.

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On the way there, Mayushii admires a metal upa figurine in the window of one of Akiba’s many collectible stores. Okarin, remembering how she got one from a gumball machine and promptly lost it, asks if she “still” wants one, but Mayushii doesn’t remember, because those events were many world line splits ago.

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He also hears a docile voice say “IBN 5100”, and spots Moeka across the street, and finally catches up to her in a dark alley. She seems more desperate than ever to find the 5100, but Okarin can’t help her now. More surprising to him, Mayushii knows Moeka now, as she’d visited the lab at some point, meaning the last D-mail restored relationships that were lost in the D-mail before it.

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Do sooner does Okarin’s enthusiasm begin to strain beneath the increasing weight and complexity of his plight than he arrives at Feyris’s urban palace high above Akiba, where the view of the “ants” below him provides some comfort. Feyris, whose real name is Akiha Rumiho, explains her monumental wealth to Okarin and Daru by revealing that her family is the “Akiha” in Akihabara, and that she claims to have been personally instrumental bringing the “culture of cute” to the district.

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Before she tells Okarin about the IBN, she requests that she be able to send a D-mail to the past. The timing is particularly bad, but Okarin grudgingly agrees, naming Rumiho Member #008.

However, in order to activate the phone microwave from there, Okarin must call Kurisu. He also quickly learns that she’ll keep hanging up on him unless he phrases his request in a manner to her liking. That we only hear and don’t see Kurisu during this exchange makes their performance—and her stunning come-from-behind victory—all the more fantastic.

I thought there was something fishy about Feyris’ replied to being asked what one thing she’d change from her past”. She said she doesn’t look back on her past, but clearly, in this case, she does.

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Flanked by the loyal and smitten Daru on one side and Feyris’ friend and co-worker Mayushii on the other, Okarin is forced into a very risky proposition: sending a D-mail without even knowing its contents.

Once it’s sent, Feyris’ dad arrives, and tells Okarin he never donated his 5100 to the shrine. But nothing can prepare him for the most dramatic change since Kurisu’s stabbing: the slow, devastating reveal that Akiba…isn’t Akiba anymore, as in, it’s no longer a vibrant center for otaku or culture and shopping. No comic stores, no maid cafes…nothing.

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Was this an unintended, unfortunate circumstance of Feyris’ secret D-mail…or did she intend for this to happen, perhaps secretly disillusioned with what Akiba had become? As they always seem to be with this show, the possibilities are endless. Good lord…how did people actually wait a week in between these episodes?

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Stray Observations:

  • I wonder who Kurisu was talking to…
  • So Ruka is a girl now…right? Wait…don’t answer that. I’ll find out.
  • Daru borrows Okarin’s “Steins Gate” line when referring to limited edition merch, upsetting him.
  • Moeka mentions an “FB” again.
  • Mayushii sees a cosplayer in everyone
  • “What a sad attempt to escape reality.” – Okarin’s highly hypocritical reaction to Daru covering his ears when Feyris’ real name is mentioned.
  • Feyris: “Do they not like each other?” Mayushii: “I think it’s the opposite.” Daru: “Agreed.” Well said, all.

Steins Gate – 06

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At this point, Suzu is about as close as you can get to being an FGL member without being one, which might be tricky what with her apparent incompatibility with Kurisu. But as she overhears from the lab’s open window, much of the “round table” is spent figuring out what to name the time-travelling email.

References to other time travel-related media fly, from Back to the Future to The Girl Who Leapt Through Time, before Kurisu settles the matter with the short but memorable “D-Mail.”

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With the phenomenon thus named, they proceed experimentation, operating under Okarin’s prediction that if the microwave is opened at a specific window of time the D-mails point to, the text and banana will be sent back. And sure enough, it works, depositing the d-mail in pieces to five days ago, and depositing a gel-bana back on the bunch.

It’s the latest among increasingly common examples of one of the simplest answers being the correct one. That it was wrought by Okarin, who prefers to “feel” science rather than show his work, adds credence to his indispensability as the one lab member with the faith—or will—to come to such conclusions.

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But as he and Daru hit the store to resupply their food stores, Okarin notices cups of green gelatin, shaking him from his high of victory ordinary life he’s always embellished with the baroque trappings of chuunibyou suddenly isn’t ordinary anymore. Shit is real, and it’s dangerous.

I for one appreciate S;G for maintaining that while Okarin has gotten by through various means outside of his control, he still doesn’t have any control. He may well be in over his head, and he knows it.

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What he doesn’t quite know is who Kiryuu Moeka is and why she insists on texting him so persistently. I love how she even tries to communicate with him in person through texts, and is crestfallen to learn his cell phone isn’t on him (but of course it isn’t enough for him to say, ‘it’s not on me’, he has to mention ‘it’s being used for a history-making experiment’. I also like how Moeka pretends Daru isn’t there, which is the proper response to someone looking you up and down.

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While Daru was leering at Moeka and Okarin was wigging out over green jello, prodigal perverted genius girl Kurisu was continuing the experiments, which leads Tennouji to complain about the intense vibrations. Okarin appeases him for the time being, but Kurisu already has the jist of the D-mail process, including the fact that one second on the microwave timer equals one hour back in time. Her work here makes me glad someone in the lab has the diligence and the attention span to…do the work.

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Okarin celebrates the occasion with another grand declaration that is in no way shape for form accurate (they weren’t the first to develop time machine, and they didn’t ‘develop’ it so much as ‘stumble upon it’). But it seems again like the general putting on a brave face in order to maintain morale.

The fear and doubt he’s hiding manifests in a bizarre dream that is equal parts disturbing and cryptically informative. A voice from the event horizon of a black hole urges him to look forward, not back, and ‘reach the end.’

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He awakes to a one-sided text conversation by Moeka on his phone that is still in progress, right up to the point he’s able to open his door after she sends a text saying she’s about to knock, but before she actually knocks, requesting to see the 5100.

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Her explanation that texting is easier for her than talking seems to hold water, as her texts are a lot more expressive. This idea of such an expressive personality hiding behind a stoic, taciturn mask, yet asserting itself digitally, is highly intriguing. Moeka is the type who believes the proper combo of emoji will be enough to convince Okarin to lend her the 5100.

It’s also a lot of fun to watch Daru, Mayushii and Kurisu arrive at the lab one by one and immediately start talking about their top-secret time machine. It’s not particularly irresponsible behavior on the part of the three, just an overabundance of casualness that comes from a group gelling (no pun intended) nicely in a short time.

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But that also means Okarin has to bring Moeka into the fold as Member #005. I like the choice, sudden that it is, but one of these days, someone is going to hear too much who isn’t so harmless. And that’s assuming Moeka is harmless.

Kurisu has brought scientific discipline to the operation which is key, but someone will eventually have to be thinking about security, beyond recruiting anyone within earshot. I just hope they don’t think about it too late.

9_brav

Steins Gate – 05

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So…what’s that little thing in your hand, Suzuha? As if she’d just sit there and tell us. This isn’t Recon in G, no siree. S;G isn’t just a show with a clever, intricate strategy for presenting its story. It’s also keen to influence our own strategy for watching it, keeping things light and breezy for the most part but ensuring the occasional “Suzuha Battle Stance” pops up, to get the gears in our head turning; to keep us on our toes.

S;G wants us entertained, but it also wants us alert and thinking. And for a tense few seconds, as the camera closes in on what sure looks like Suzuha’s killing intent, I thought the show was about to blow everything up.

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Hey, get that off the floor…it was just washed!

 

What if Tennouji hadn’t snapped the part-timer out of it? Maybe nothing; maybe something I shudder to think about. But anything seems possible now, so I am now on my guard: assigning increased worry about anyone venturing beyond the walls of the lab henceforth.

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When Okarin and Kurisu return with the PC, Daru speaks of an Okarin as if it was some kind of mythological creature that can do things “only an Okarin can do”, which is why they love him. Kurisu can’t help but blurt out “I don’t admire him, though.”

Not only is Daru aptly describing Okarin’s significant but not immediately apparent value, but Kurisu is unable to stop herself from answering a question no one asked, thus betraying her growing affection for the guy.

Daru also helpfully points out the yuri possibilities now that there are two female lab members, while Mayushii’s claim of being a ‘hostage’ almost leads Kurisu to call the cops. It’s not just that Okarin’s value isn’t immediately apparent: it takes a lot of digging and enduring to find it. It takes time.

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Suzuha has far less trouble peacefully conversing with Okarin; not surprising considering it sure seems like she’s there to be his friend and confidant. Her dead friend who knew about the 5100; the fact that she instinctively reacted to Kurisu as if she were an imminent threat (and reacts to a helicopter the same way); her hint that Kurisu doesn’t know anything…yet; her warning Okarin to be wary of her; they’re all more tiny gears and sprockets being set into place, within some elaborate timepiece.

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It actually feels like a pretty momentous occasion when Kurisu dons a spare lab coat. For one thing, she herself can’t help but comment how wearing such coats ‘always calms her down’. It’s an opening for Okarin to espouse his own affinity for them, even going so far as to call Kurisu “perfect”, which is, context aside, one of the nicest things he’s ever said to her.

But the coat is also a symbol that she’s being drawn closer and closer into the Future Gadget Lab. I wouldn’t be surprised if whatever Kurisu did in one world line or another that Suzuha is aware of, it all started with Okarin encouraging Kurisu to join their crusade.

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That’s ultimately Okarin’s not-so-secret ability thus far: his ‘gravity’, as in his ‘gravitational pull’: Mayushii; Daru; Feyris; Suzuha; Moeka…they’ve all been drawn into the orbit of Planet Kyouma. He may suck at debating physics, or playing Rai-Net Battler; he may even be just a man-child playing at science; confident the lab coat and some BS are all the qualifications necessary.

But he and only he has made all of these people join him willingly, and together they can accomplish great, or terrible, or terribly great things. He…just…really has to watch it with the yelling at women for calling him by the wrong name. There’s no need for that.

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Most of all, I just like how clear the show makes its characters’ roles. Okarin and Kurisu brought the 5100, and now it’s up to Daru to make it sing; all the others can do is wait and kill time in the interim, playing games and confessing their mutual love for the bold flavor of Dr. Pepper.

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When Daru is done, SERN’s dark secrets are revealed. Kurisu is shocked enough that they achieved a degree of time travel, setting aside the fact that all fourteen human test subjects ended up in another time, turned into the same green jelly as the microwave bananas.

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As for why they’re green jelly, she explains in concise layman’s terms what’s going on: the subjects are being send through a very tight hole. Like trying to fit a large sponge through a small hole in one’s hands, the contents gush out.

It’s an explanation Daru finds really erotic (which…it kind of is, dirty mind or not), but it’s also an apt way to describe how I see Steins;Gate story so far: something dense and saturated being eased through the television screen, gradually so far, but with no indication of when the flow will increase; only suspicions.

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Faced with the chilling discovery of not one but fourteen terrible, covered-up deaths as the result of a top-secret time travel experiment, Kurisu can understand Okarin leaving the lab to get some air. She joins him to ask what their next move should be, but I definitely detected genuine concern for him in the visit.

So it’s a shock to both her and me when we hear that trademark demented laugh of his rise up from the solemn silence, along with the pronouncement that they, the Future Gadget Club, will beat SERN to viable time travel and ‘change the world’s ruling structure.’ It’s the same Okarin Mad Scientist bluster we know and love…but this time, it feels more than anything else like he’s putting up a brave front.

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Steins Gate – 04

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Yes, Okarin has discovered a dark secret that involves at least one death, but to Steins;Gate‘s credit, the higher stakes aren’t used as an excuse to suck all the fun and joy out of the episode. In fact, this might be the funniest episode yet, as Okarin goes to great lengths to acquire the infamous IBN 5100 Portable PC.

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The plan to pursue the 5100 is a seed in part planted by his new neighbor Suzuha, who insists to her boss and Okarin that she’s an adult and a soldier, respectively. Does this mean she’s, like, a real soldier? Why is she really there? It can’t just be because she loves CRTS…

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Daru is like the universe—constantly expanding.

As for Mayushii, she isn’t throwing out any weird vibes this week, though she does reach for the sky again, something she does often enough that Okarin gives the ‘move’ a nickname: Stardust Handshake. Of course, Okarin seems to give everyone and everything nicknames…some more than one.

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Meanwhile, Kurisu sulks in her hotel room. She’s held the belief that time travel is theoretically impossible for so long, and then that tall, crazy man-child had to come into her life and throw everything into doubt. Or rather, he’s forcing doors open she’d rather were kept closed.

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With Daru out cold after his hacking binge and Mayshii having to work at the cafe, Okarin goes out into Akiba in search of a 5100 and as fate would have it, crosses paths with Kurisu. He asks her to come back to the lab and assist them, but she’s wishy-washy, which is apropos, since their next stop is a laundromat.

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Here, Okarin finally gets his ‘assistant’ “Christina” to reveal why she doesn’t want to accept what she saw: because she doesn’t want to ‘make the same mistake’ her father made. Did her father get into time travel research and was laughed out of the scientific community? Or did he actually travel through time? We don’t get that much, but we do get this:

You don’t have to come anymore. But I’ll tell you this…No one else will ever have the title of Lab Member 004. That number will be yours forever.

That’s one awesome parting speech. So awesome, in fact, that Okarin couldn’t help using it even though he still had to wait for the laundry. Kurisu is the one who leaves, but not before he tells her about the importance of the IBN 5100, which she dismisses as more nonsense.

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Okarin gets a tip from Mayushii that Feyris may have info on the old PC, so Okarin, already on his cell in a no-cell restaurant, spills nowhere near enough change to pay for his meal on the table and books it to the cat-maid cafe, where a “Feyris Cup” is underway. Feyris makes him play her at Rai-Net Battler in exchange or information. Okarin explains his laughably quick defeat with the exuse that he’s short on time.

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Feyris’ info is scant at best, but the last thing she mentions—that she last saw the PC at an Akibahara shrine—is all Okarin needs to know to determine his next destination.

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After a phone conversation in which Okarin and Kurisu bicker over the phone like an old married couple (and they truly are fun to listen to), Kurisu gets that destination out of him and meets him there, much to his surprise and her…well…self-disappointment?

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A programmer friend of hers confirmed what he was saying about the 5100 wasn’t nonsense, so there she is, giving him yet another chance. We also get to see the friendly and far less combative Kurisu as she formally meets Ruka—without learning his true gender.

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According to Ruka’s father, the IBN 5100 was donated to the shrine by a man ten years ago, who said one day a young man would come asking about it. Ruka’s dad has no problem letting Okarin borrow it. The only hitch is that the old ‘portable’ PC is quite bulky. As Kurisu balks at Okarin’s orders to assist him with it and the two bicker some more, Ruka’s dad also remarks how the two must be old friends.

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Truly, they must have been fated to meet and bicker. Okarin wins this particular battle, and Kurisu helps him drag the 5100 back to the lab. Soon, Daru will be rested and have clean clothes, and SERN’s secrets will be laid bare. If the damn thing works, that is.

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Stray Observations:

  • Okarin considers an exchange of information with “Shining Finger”, but she has no information to share, so Moeka remains in the background this week.
  • He also calls Kurisu “Assistant”, “Christina”, and “The Zombie”. Kurisu would rather he call him one of those than keep alternating, while I think Okarin prefers to alternate, depending on the situation.
  • Okarin seems disappointed that the spinning of the clothes doesn’t ‘change’ them.
  • “Christina was struck by lightning on the grassy plains of Arkansas…” I wouldn’t have minded him going on a little bit further with this tale.
  • “Theories are nothing more than words.”