Owarimonogatari – 10

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No show is better at stylishly embellishing otherwise static conversations—that’s really most of Monogatari in the first place—but unlike Sodachi Lost arc, I’m nevertheless starting to feel some exposition fatigue.

Gaen Izuko takes a seemingly very long time to explain how the ashes of Shinobu’s first minion gathered here and formed the raw material to create all the apparitions Araragi has encountered. The first was drawn to the second, and at the shrine where apparitions are most likely to gather, they did.

Shinobu, who initially wanted to visit Fujiyama, was instead redirected to the place where the first and second minions were. This all created a perfect storm for apparitions, which in turn drew specialists like Meme, Kagenui, and Kaiki. Izuko pooled their investigations and sent Yotsugi to “clean up the ashes”, but she failed because of the proximity of Araragi and Shinobu to the shrine.

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With all these naturally attracting things naturally attracting each other, and the first one being drawn to the second, as well as empowered by seeing Shinobu, Izuko wants Araragi to “inheret responsibility.” Dealing with the first is his duty. Yotsugi will be available to help him, along with Shinobu, Kanbaru, and “one more assistant” Izuko needs to pick up, accounting for Yotsugi’s latest report on the swordless samurai.

Izuko then leaves Araragi with some breakfast money and shuffles off to get him, wanting to solve this problem as soon as possible before the first one powers up to a level uncontrollable by all but possibly Kagenui (and Izuko would rather it not come to that, due to the bad blood between them).

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Araragi instead uses the money to buy some BL light novels for Kanbaru (though not a bra). Kanbaru and Araragi’s discussion of the 21-novel series is more than a little meta-, since the Monogatari series is about that size but unlike  Brutal Garcon Huff Huffs a Half-Blood Boy!, they all have pretty vague titles like “Ghostory” or “Endstory.”

The episode then delves into observational comedy, laying out the dilemma a young man faces when purchasing possibly embarrassing content from a bookstore. He tries to both hide the BL and disprove the rumors he’s into lolitas by snatching up some “mature ladies” magazines (both of which feature a woman who looks a lot like Izuko!) but the employees still end up laughing at him.

Then, just when our guards were down, Araragi bumps into a smallish kid with long black hair who looks like he could be around fifteen, and talks with a higher-pitched version of Araragi’s voice. It’s the other one, and Izuko was right: the two minions are extremely drawn to each other. We’ll see how their next encounter goes.

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Owarimonogatari – 09

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After escaping the trap of the snail by going over the rooftops, Koyomi and Kanbaru encounter a crab-monkey hybrid. Once they deal with it (and as a fellow left-hander I feel for Kanbaru mixing up directions), snakes emerge, which Shinobu grabs, then lends Kokoro-watari to Koyomi to finish the demi-apparition off. All of the animals that afflicted Koyomi’s girls are coming back, and all seemingly in service of the samurai.

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After lying under Shinobu as she swings—revealing a small sticker with Gaen’s location, the shrine—Koyomi heads there with Kanbaru and Shinobu. When Koyomi describes what the samurai was after (and imitates his laugh all too perfectly, another clue as to who he is), Shinobu is incredulous. The minion she created, from whom she took Kokoro-watari…she watched him burn up in the sun and die 400 years ago.

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He can’t be back, she insists; This is all some kind of lie or trick. But when they meet up with Gaen Izuko (introducing herself as Oshino Izuko to Kanbaru and Shinobu, who seem to buy it), and Koyomi tells her everything that happened, Izuko disputes Shinobu’s assertion the first minion is dead.

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While her scenes are primarily exposition, she inhabits a variety of interesting environments as she provides it, eventually whipping out “game pieces” of all the Monogatari characters. She makes connections between the first minion and Koyomi, the second minion, and describes coincidences that weren’t coincidences, like the fact that the first five animal apparitions infected five of his female friends, and later phoenixes and cats and tigers.

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She then takes things all the way back to four centuries ago, glossing over Shinobu’s story (because Shinobu already told it, and beautifully so) and focusing on the first minion, who became so after Shinobu drank his blood. He came to loathe what he had become, but that loathing couldn’t change the fact that his immortality was such that even burning up in the sun would not kill him, only disperse him into a cloud of ash.

Over 400 years, exposed to the elements and through trial-and-error, the first minion resurrected, not necessarily because he wanted to but because that’s just what happened. And the final reveal, that the minion was finally successful in coalescing fifteen years ago, leads us to wonder if he’s someone Koyomi already knows…the fifteen-year-old Oshino Ougi, for instance.

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Kamisama no Inai Nichiyoubi – 03

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Stars above, that was one hell of an opening arc. We sorely regret not picking up this series last Summer, as we ended up watching several inferior shows. An inferior show, by the way, might’ve had the entire twelve episodes be about Ai solving the mystery of the village. Sunday Without God gets the job done in just over an hour’s worth of episodes, but what a just over an hour!

In this third episode, we learn what drives Hampnie (the search for his lover Hana), that he’s a little ridiculous in his fighting style (using grenades in suicide attacks), has “fans” among the more colorful half-dead underbelly (all of whom wouldn’t look out of place in Alice in Wonderland). We also learn he wants to die, but later find out not just to die, but to die happy, with many mourners and few regrets. When the whimsical baddies kidnap and torture him, Ai receives the aid of Yuri and Scar, who seem to have been helpfully shadowing her and Hampnie all along.

It’s around now when all of the pieces fall into place for Ai: both that the “heaven” her mother created was a peaceful haven of walking dead who stayed alive for her sake, and that Hampnie really is her real father, and someone she must save, not only from the baddies, but from his own self-loathing caricature of himself as an “immortal monster.”

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She just happens to resolve to do this whilst clutching her wet-from-the-river underwear, another unexpected but wry infusion of comedy to cut through the drama without lessening it, something this show has a penchant for.

Hampnie’s rescue is fantastic, with Ai, Yuri and Scar crashing the baddies’ party, unironically filling the dark barn with a wash of pure light. Now that Ai’s seen the light and knows the truth, she tells it to Hampnie, who can’t help but believe her after dismissing her as an airheaded goof earlier. We get some nifty visual poetry as the rescuers battle the baddies, and then something happens: just when he learns he has a daughter and doesn’t want to die anymore…he does.

Ai Astin then has one bittersweet, love-filled day—just one—with her postmortem father (whose real name is Kizuna Astin), before reluctantly letting him go via burial. Man, this kid grows up fast. Her parents and the villagers may be gone, but she’s far from alone: she has whole world to save, and new friends to help her save it, from foes we presume will be tougher than this week’s pushover gang.

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Rating: 9 (Superior)

Kamisama no Inai Nichiyoubi – 02

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Pardon our use of such a tired term, but there was so much win in this episode. It put poor Ai through more hell as we learn along with her the harsh truths of the world from the immortal but not infallible Hampnie. Hampnie is initially so cold and cruel to her not because he bears her personal malice (as the hunter Yuri bears him), but because he doesn’t think she can cut it in the real world, which is always malicious and preys on the ignorance.

We could do with less of Hampnie slugging Ai in the face, but we can’t deny he knows more about what’s out there than Ai, and he may well be right in a lot of what he says to dissuade Ai from pursuing a life of gravedigging, even if he was wrong about her not being one; that was a great moment when Scar tells him Ai did a bang-up job. And for all of the dark philosophizing, there’s still a lighter element of comedy weaved into the pair’s interactions.

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There’s a great chemistry between the two “messed-up” beings: the gravedigger with emotions born three years after it supposedly wasn’t possible, naive but learning fast; and an immortal albino who has been hardened by his life. Ai wants to help the living wherever they may be; Hampnie tells her it won’t be that simple. People like Yuri cling to their dead loved ones, who eventually become twisted into zombies. Not everything is black and white, but some black does exist.

That brings us to the 47 villagers. He said what was going on there is a mystery Ai herself must solve, but it seems logical to us that the village was already dead when he got there. He destroyed their bodies to prevent them from becoming zombies. Ai didn’t know they were dead, but clung to them all the same; had Hampnie not showed up they might’ve eventually turned on her. In any case, past gun-pointing aside, we’re excited by the prospects for Ai leaving the cocoon and finding her place in the world. She has a lot to learn from Hampnie and others, but we reckon they have a lot to learn from her too.

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Rating: 8 
(Great)