DanMachi II – 11 – Godstage Situation

As one could have predicted with reasonable certainty, the episode immediately following DanMachi’s biggest battle to date was a much lighter weight affair. You wouldn’t immediately know it from the cold open, which features huge armies of the Kingdom of Rakia approaching Orario.

Then entire companies of soldiers are “blown away” by solo adventurers. Turns out they’re not tough…at all. Aries is a buffoon of a commander of a vast army of weaklings, and his buffoonery annoys the hell of of his top lieutenant Marius.

Meanwhile we learn something new about Haruhime from Aisha as she bids farewell: whenever she saw a naked man she’d pass out, meaning she remains as chaste as the virgin goddess of the hearth. Aisha doesn’t tell her that, but she’s right that it didn’t matter to her hero, Bell.

Still, Haruhime’s wonderful chemistry with Bell causes a jealous Hestia to ban all contact between the sexes, which Lili makes a big stink about. When Hestia all but asks if Bell would be her lover, he refuses, honestly but also flatly and rudely, not taking into consideration just how much Hestia loves him.

She runs off, and Bell chases after her, realizing he erred. A chance meeting with Hephaistos and Miach has them confirming that he erred by not showing his goddess proper respect. They discuss how even though the lifetime of a mortal is but a moment, the love gods feel for their mortal lovers is not any less powerful or real.

Unfortunately these two gods hold Bell up long enough that Hestia manages to sneak out of the Orario on an errand to gather ingredients for the potato snacks so popular in the city. Ganesha lets her through due to the importance of her mission, but she’s quickly snatched up by Ares in disguise, executing a “brilliant plan” to get Orario to surrender by taking a god hostage…or…sigh….godstage.

Bell ends up bumping into Ais, who takes him to where Hestia was last. There, Loki is coordinating a rescue op; she may not be besties with the shrimp but they can’t go letting Ares kidnap gods whenever he likes. She agrees to let Bell accompany Ais outside the walls to track Ares down.

Fueled by awesome Celtic-style overworld music, and with help from Hermes’ child Asfi, they locate Ares in the gray gloom, and it isn’t long before Ais is crossing swords with Ares, and just as quickly snapping his sword. Like his armies, he’s not as strong as he looks.

Still, he has enough numbers to surround and isolate Ais, while Bell manages to sneak around and reunite with Hestia, who freed herself but promptly stumbles and falls down a huge canyon. Bell jumps in after her, then Ais jumps in after him, setting up a cliffhanger for the finale next week. Chances are they’ll all be fine!

Yamada-kun to 7-nin no Majo – 02

y721

While last week was an exploration of two very different people finding common ground in each others bodies (that sounds kinda wrong, but bear with me), while a third supports them, while this week explored the ironies and misunderstandings inherent in suddenly throwing a fourth member into the club, Ito Miyabi, complete with her own set of charms, and neuroses. She’s voiced by Uchida Maaya, no stranger to playing weirdos.

y722

Itou joins and proceeds to thoroughly clean the supernatural club room. The others don’t tell her they’re in the room because it’s a safe place to switch bodies—which is far more supernatural than materia stones and UFO photos. Instead, they simply accept her intermittent existence in the room without explaining anything.

y723

So when she inevitably walks in on Ryuu and Urara kissing, she gets the very reasonable impression that the others never intended to start the supernatural club back up, but only wanted a place to make out. Slowing her roll and telling her the truth from the start might have been tricky, but now they have a scorned Itou out for revenge, which is worse.

y724

Itou’s campaign of vengeance consists of distributing posters, fliers, and rumors about how Yamada and Shiraishi are an item. When Yamada sees that the rumors are isolating Shiraishi again, he takes the rash step of cornering a hostile Itou in the clubroom and coming clean the quickest way he can: by kissing her.

This is actually played as a pretty uncomfortable scene, with Itou’s face a flurry of expressions from fear, nervousness, bashfulness, to acceptance, and then the face of Itou (in-Yamada’s body) before Yamada (in-Itou’s body) clocks her.

Chalk the discomfort to Yamada feeling he neither has time or the wherewithal to properly explain, and Itou her hostile state wasn’t going to listen.

y725

After the obligatory check of Itou’s body, Yamada proceeds to try to undo all the harm Itou’s rumors caused, only to find no one took them seriously, because she’s known around school for making stuff up, like UFOs and such. Shiraishi even admits she was alone because it’s close to exams and she asked not to be disturbed!

So Yamada’s desperate measure turned out to be completely unnecessary, while switching bodies had far greater consequences, as Itou (in Yamada’s body) disappears after being spotted posing in the mirror, striking poses, and performing finishing moves.

y726

A search of Itou’s phone reveals she was being hustled for supernatural objects by some thugs, and decided to go after them in Yamada’s body. She gets her ass kicked, but Yamada (in Itou’s body) shows up and takes the thug trio out, introducing us to the idea that Yamada’s stronger body wasn’t enough to fight her enemies; Yamada fights with his spirit, so even in Itou’s body, he kicks ass. I really like this concept.

y727

After switching back to their own bodies, Itou is content to withdraw with dignity, but Yamada shows her her completed club application, re-welcoming her into the supernatural club. At the end of the day, Itou was lonely and looking to become more popular at school, and while the path to get there had a few corkscrews and switchbacks, she’s now in a club with far better caliber people than she first imagined when she saw them kissing.

y728

Itou also puts the possibilities of the body-swapping into high gear, testing out every possible combination between the four of them. I’ll admit I lost track watching the scene the first way through (which I think was kinda the point), but the order goes like this:

  1. Yamada switches with Shiraishi (when Itou shoves him into her).
  2. Miyamura kisses Yamada (in Shiraishi’s body).
  3. Itou kisses Yamada (in Miyamura’s body).
  4. Miyamura (in Shiraishi’s body) kisses Yamada (in Itou’s body).

That right there is some big-league comedic complexity. It’s a wonderfully absurd sequence and all the voice actors do a great job imitating each other’s voice patterns and modulations.

y729

In the end, we finally meet more witches, though they’re not identified as such. I’m not sure where this whole power struggle for class president between Miyamura and Odagiri Nene (Kitamura Eri) is going, but nor do I really care…yet. 7-nin will have its work cut out for it integrating stodgy politics into the far more fun body-swapping narrative.

8_mag