One Punch Man – 03

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As episode three plunges into a detailed backstory for Professor Genus of the House of Evolution, I was wondering “Hey, what’s with all the lame long-winded narration?”—only for Saitama to interrupt the narrator (the cyborg gorilla) and state the exact same thing, followed by Genos telling the gorilla to keep it to “20 words or less.” Nicely played, OPM—I learned about Genus and laughed.

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Anywho, as there’s a big sale at the supermarket tomorrow, Saitama wants to take care of Genus and the HoE ASAP, so he and Genos race to the site, throwing Genus and his many clones into a panic. They have every reason to be concerned, as when they arrive at the HoE’s front door, Genos incinerates the entire above-ground structure, along with the mountain it’s attached to, as a time-saving measure for his sale-hungry boss. Still, Saitama is a bit miffed; it’s not nice to not at least hear the villain out!

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Well below ground, Genus is still kicking, and unleashes his trump card, a highly violent, psychopathic superhuman experimentation gone wrong, Carnage Kabuto. Still, he’s the strongest weapon Genus has, and thus his best bet against the intruders. That strength is demonstrated when CK turns Genos into, as Saitama calls it, “modern art.” But as usual, Saitama doesn’t panic, or even flinch at the sight of his suddenly abstracted apprentice.

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Wanting more room to play, CK invites Saitama to a colossal white training room, a perfect pure, empty canvas against which to make marvelous artwork with their fists. But eager to prove himself, Genos rushes in first, blasting Kabuto with everything he’s got…and getting nothing but a cracked-up face and frightening afro for his trouble. Yet when Genos is out for the count and CK turns on Saitama, he squares up a devastating punch and…scurries into the corner like a frightened bug (indeed, his body resembles a Hercules Beetle).

Why? Well, Genus didn’t just make CK strong, but intelligent as well, and some instinct within him is shouting stay away from Saitama, which is actually a very good idea. It also makes CK ask how he got so damn strong, a question both Genos and Professor Genus also want to know. But they all come away deeply unsatified, since all Saitama can tell them is what he did: undergo a rigorous but not altogether ridiculous training regimen for three years, losing his hair in the process.

I like how the art style becomes more dramatic and intense as he talks not of some kind of super drug or divine encounter, but mere sit-ups, push-ups, squats, runs, and going without mod cons.

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Now not so sure he trusts his instincts, CK goes into “Carnage” mode, powering up into a grotesque, rippling purple and green hulk, brimming with confidence. But it’s CK’s big boasting mouth that gets him in fatal trouble. He says he’ll be in carnage mode for a whole week, and won’t stop his murderous rampage until next Saturday. Saitama takes that to mean today is Saturday, the day of the sale, and he’s missing it!

What’s wonderful about this revelation is how much it’s built up as some kind of fatal mistake Saitama made that relates to his powerful opponent in some way. And CK in Carnage Mode certainly looks like someone who might be able to take a punch. But no, he’s taken out in one punch just like all the others; a punch Saitama really puts his heart into, since he’s so frustrated about missing the sale, though Genos later tells him if they hurry back home they can still make it.

With CK’s demise, decades of Genus’ research goes up in smoke, prompting the professor to consider ending his work on evolution and instead start a personal training regimen. Great stuff.

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One Punch Man – 02

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The first episode of OPM was going to be a tough act to follow, no matter what, so I fully expected at least a degree of regression in the second. But while that did happen, and this wasn’t nearly as good as the first episode, it was still very good, as Saitama and the young cyborg Genos join forces…or to be precise, Saitama tolerates him being around, despite not really needing anyone to fight supervillains with.

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The two meet over mosquitos. While Saitama finds himself unable to kill a single mosquito buzzing around his apartment, Genos targets Mosquito Girl, the first “sexy” supervillain OPM has fielded (voiced by Sawashiro Miyuki, who is perfect for the role), who uses her giant swarm of mosquitoes to harvest blood from the living things around her, be they animals or people.

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She also puts up a mean fight against Genos, as the two exchange the detachment of limbs and she sacrifices her sworm to power up and start beating Genos to a pulp, until Saitama arrives, running after a mosquito with bug spray. I know this show revels in absurdity, but I would have liked a more clever reason for Saitama to encounter Genos, and Saitama’s puns (“They sure bugged out”; “Mosquitoes suck”) fell to the floor with loud clangs.

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Still, Saitama takes care of Mosquito Girl with one punch, leading Genos to want to become his disciple. Saitama invites him in for some tea once he’s repaired (apparently easy, as long as parts are available) and Genos mistakes Saitama as a fellow cyborg.

He also launches into a monologue of interminable length, which is so long and accompanied by so many still shots (though I liked the micro-story of the pillbug getting up) it stopped being funny. “Drawn-out” comedy has to be utilized sparingly and not taken too far (see a classic example here). But hey, if we were supposed to get as annoyed as Saitama, mission accomplished!

We also learn that Mosquito Girl was just one of dozens of monsters being developed at the “House of Evolution”, run by a bespectacled mad-ish scientist who has his eyes on Saitama and who induced the biggest laugh in the episode:

“Why is he naked?”
“Unknown.”
“Well, whatever.”

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The scientists sends more monsters to escort Saitama to the HoE, but they predictably fail, being one-punched one after the other. He doesn’t even let the mole get away. But what’s funny about this final act is that Genos ends up in a fight with a cyborg he suspects could be the one that killed his family, but is just a gorilla trying to sound cool, while Saitama stays buried in the ground until it’s absolutely necessary to come out because it feels so nice down there.

So yeah, another entertaining episode with some genuinely funny moments, but just not quite as awesome or hilarious as the first. Which, again, is nothing to be ashamed of.

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