Akabayashi Mizuki doesn’t like drugs. He doesn’t like them so much, in fact, that when some kids taking after Dollars and using the net for their rootless drug-dealing operation set up shop in the bathroom of an Awakusu Group nightclub, he feels the need to impress the lesson upon said lads: drugs are bad. Don’t sell them. Don’t do them. Flush them down the toilet. They and their jonesing customers will be better off; he’s sure of it.
Why is he sure of it? Because drugs ended up killing the woman he loved, who happened to be Sonohara Anri’s mother, Sayaka. He fell for her when she slashed his eye with Saika six years ago, and though she had to refuse him because she already had a husband and family, her affection for her endured. When Sayaka’s husband became a violent drug addict (thanks to Akabayashi’s boss) and started abusing his family, including Anri, Sayaka killed him and herself, leaving Anri alone.
When his boss, a particularly nasty piece of human garbage, shares his plans to adopt and pimp out Anri, it’s too much for Akabayashi to bear, to the point that when Sayaka’s kid brother shows up to stab his boss, Akabayashi does nothing to stop it, and his boss’s death is a victory for all decent humankind.
These events six and five years ago transformed Akabayashi from the wild “red demon” he was known as to a far mellower fellow, and it’s not hard to see why: after spending so long on the side of the night, Sayaka showed him the day, and he liked it. Now, in the present, he walks the thin line between night and day, protecting not only Anri but Awakusu Akane as well; and never passes up a chance to teach misguided youths that they do not want to be walking in the night.
This episode is called “Life is But a Dream”, which may not come from the most sophisticated or subtle song, but does manage to encapsulate the lives of Harima Mika and Yagiri Seiji. Considering everything these two have been through, having an ordinary life where they can go see movies and eat sushi together must feel like a dream. Too bad for Mika, then, that Namie isn’t done trying to wake her beloved brother up from that dream, and turn Mika’s into a nightmare.
This episode also focuses in on the Namie-Seiji-Mika triangle that wasn’t really visited in the Shou cour, telling a relatively self-contained story that nonetheless depends on little assists from the rest of Durarara!!’s sprawling cast who are periphery this week. With Izaya in the hospital and his sisters feeding her good intelligence about her brother and Mika, Namie decides the time is right to lure Mika into another dark warehouse where she can rid herself of her once and for all.
What neither Namie, nor I, expected was for Mika to put up such a good fight. Not only is she more athletic than either of us thought, she’s a lot shrewder, self-aware, and well, abnormal, to the point that Namie accepts her as a worthy rival rather than just trash. She ends up on top of Mika and is about to pour acid on her face, but Mika is able to keep her distracted long enough (by reciting all the secrets of the show, the protection of which keeps everything status quo) so that Seiji can figure out where Mika is, rescue her, then give Namie a calming not-kiss and scold her for “going too far.”
The status quo is maintained, Seiji and Mika remain an item, and Namie is appeased by the not-kiss for the time being. But both Namie and Seiji (and we) are also now more aware of what kind of person Mika is: the kind of person who would eat Celty’s head if it meant being able to stay by Seiji’s side.
It’s appropriate that I watched this particular episode of Durarara!! x2 on a national holiday like Independence Day, because this week pretty much everyone in the Drrr!! universe has the day off as well, as befits the day after all that excitement transpired.
It’s a lazy, sprawling episode that checks in on almost everyone, even a few people I didn’t expect. It not only explores what it is to have a day off. Normal people go out and do something to experience something “abnormal”, while people who are abnormal every day (like most of the characters in this show) either don’t have days off or try to find even more abnormal experiences than they normally would.
Then we have Shingen warns CEO of Yagiri about getting too close to the likes of Yadogiri Jinnai, who may be shaping up to be the big bad after stabbing Izaya. He certainly seems to have his hands in all things abnormal. They’re just glimpses of these peoples lives, resulting in a scattered but eclectic “character flight” upon which to nibble before things get started in earnest.
Fittingly for a down episode, we’re introduced to a character who considers her plight and her mission to be of the utmost importance, but to everyone else is about as insignificant as one of the extras walking Ikebukuro’s streets. This girl, who holds a murderous grudge against Izaya for getting her involved in that suicide business under his alias “Nakura”, learns about Izaya’s stabbing from The Great Connector—local TV—and decides tonight’s the night to exact her revenge.
Izaya joked during his long and boring time recovering in the hospital that with enough properly placed rumors about Shizuo, some less informed individuals with bones to pick might get the idea that he’d be vulnerable to attack. Thanks to the news report, it’s Izaya who is the “sitting duck”, or at least appears that way, but even if this disgruntled girl prepared her body and mind for this night, she’s still no match for even a recently-stabbed Izaya.
But even though the girl fails, the fact she saw the news and came to Izaya’s hospital room to murder him inadvertently serves as the latest example of why Izaya loves the humanity he observes so much. Even with everything he’s seen and experienced on the superhuman or non-human side of the world, sometimes ordinary humans can surprise him too.