Kill la Kill – 18

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Mother of God, what the heck is going on here? Kill la Kill is looking down on our Plebeian rating system! We’ve watched and written a lot of anime in the last few years, but it’s been a long while since we’ve seen a show string together so many awesome episodes in a row, including the two best episodes of the Winter (so far at least), back-to-back. Last week it threw a hundred balls up in the air; this week we learn all those balls were actually bombs, and they all get blown the fuck up.

Where to begin? Satsuki’s wholly terrifying upbringing, in which Ragyo used her as a life fiber test subject, tossing her baby sister away when she didn’t fit the genetic bill? Might as well, because that was the last straw for Satsuki’s dad Souichirou, who started Satsuki’s lifelong vendetta against her mom. It did look like her dad kinda stood by and let this crap happen to his children, but ultimately Ragyo killed him for opposing her. Junketsu was her inheritance: the garment with which she’d exact her revenge.

And so there you have it: Satsuki isn’t just after power, or the salvation of mankind; all that’s just a means of getting back at moms. The whole time she was looking down on Ryuuko, she was harboring the exact same base thirst for revenge. We’d always seen Satsuki and Ryuuko as two sides of the same coin, and we’d entertained the possibility they were really related, but the nature of the reveal knocked us back in our seats: Ryuuko was that discarded baby sister who ended up surviving. Her body is imbued with life fibers, just like Ragyo’s.

The tables in this episode must be sturdy, because they’re turned more times than an Ikea furniture testing facility. It’s a whiplash-inducing back and forth between Satsuki vs. Ragyo; the Elite Four vs. Nui; Satsuki’s Army vs. Satsuki, Ryuuko, and Nudist Beach; Nui vs. Ryuuko; Zombie Ryuuko vs. Satsuki; Satsuki’s katana vs. Ragyo’s neck. Everyone experiences victory and defeat, but nothing is permanent and there’s always another twist lurking. We’re left with both co-heroines out of commission, Ragyo in Junketsu, a sky full of angry COVERS, and the entire supporting cast left to pick up the pieces. This is finale-caliber shit going down, with nearly a quarter of the show left to go. Hold on; we’ve got a live one!


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Stray Observations:

  • Yup, all of Satsuki’s conflicts against Ryuuko were a means of testing whether she’d be a worthy ally. Everything she does seems to condescend to Ryuuko…but as she’s the elder sister, it makes perfect sense!
  • Mako reunites with her family, who weren’t bothered enough by being imprisoned by their clothes to even pause their gorging on free food. We love that family.
  • Good to see the Elite Four back in action. They do seem stronger.
  • Gamagoori orders Mako to help evacuate the crowds. We like their relationship.
  • We liked how Satsuki and Ragyo got into a bit of a light shine-off.
  • This episode and/or the last didn’t deserve 10s? Leave it out. We couldn’t rank ’em lower if we tried. We’re merely puppets of the producers at this point.
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Kill la Kill – 17

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We’ll say this much: Kill la Kill does a “sports festival episode” like none other. We’ve spoken before about how sometimes a primarily building-up episode can surpass the payoff that follows, for the simple reason that the buildup episode is suffused with boundless promise even a great payoff would be hard-pressed to fulfill.

What we’re saying is, whatever the quality of the payoff that awaits us down the road, it won’t not diminish the excellence of the buildup that took place this week. Despite hardly solving anything, this just might be our favorite episode of Kill la Kill yet. We’re tempted to watch it again immediately, and again after that. Sometimes, buildup can be its own payoff.

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So what was this buildup we’re on about? Satsuki returns to Honnouji and announces a sports festival in her mother Ragyo’s honor. Ragyo oversees the global distribution of life fibers and prepares to head to Honnouji. All citizens of Honnou Town are invited to and issued dress uniforms for the catered affair, including Mako’s fam.

Meanwhile, Mikisugi and Kinagase observe the academy from hidden cameras and complete Ryuuko’s education, telling her the academy and surrounding town are one big laboratory for testing human resistance to life fibers. The student body and townsfolk are the white rats, and the dress uniforms provided by Ragyo are snakes that, when she presses a red button, start to feed on the people.

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The good guys swoop in to the stadium to save the day, stare down the bad guys and “To Be Continued” flashes on the screen in those big chunky red letters…Right? Well, not so fast: as Ragyo is talking (down) to Ryuuko, Satsuki plunges her katana into her own mother’s back, announcing she’s rebelling against the life fibers. Ohoho, now we’re talking.

Especially last week, the show’s been going out of its way to humanize Satsuki and facilitate empathy for her; she was, like Ryuuko, dropped into her current role by her parent, after all. By contrast, Ragyo and Nui, for that matter, only vaguely resemble humans both physically and emotionally.

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In any case, those two are clearly not on the side of humanity—which isn’t to say Satsuki’s suddenly turned into a “good guy”, but she’s certainly become an even more compelling and likable co-protagonist alongside Ryuuko. Frankly, there’s a lot we still don’t know: Ragyo’s fate; Nui’s response; the fate of all those people (save Mataro) being eaten by their clothes; how Satsuki will deal with Ryuuko & Co.; what she’ll actually do with the throne she seeks to take; what the life fibers have to say about all this.

In any case, Satsuki has obviously worked diligently to maintain the illusion of a dutiful daughter while plotting her mother’s downfall behind her back. In reality, for a while now Satsuki hasn’t seen Ragyo as her mother at all, but as a rival to be defeated; and Ragyo has been too blinded by her own splendor and hubris to notice.  Everything that built up to this fresh batch of questions was impeccably engineered for maximum entertainment value. It was at times serious, introspective, fascist, funny, and florid, and took us (like Ryuuko) completely by surprise. We couldn’t have asked for much more.


Rating: 10 (Masterpiece)

RABUJOI World Heritage List

Kill la Kill – 12

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Nui Harime and Ryuko fight, and Nui’s flippant attitude enrages her more and more until Senketsu explodes out of control, merging with Ryuko into a grotesque monster. Mikisugi and Kinagase’s efforts to neutralize her fail. Satsuki dons Junketsu and steps in to put Ryuko out of her misery, but before she kills her Mako races to Ryuko’s side and slaps her back into coherence. Satsuki bans Nui from Honnouji. Days later Satsuki tells Ryuko thanks to her battles, she’s helped her perfect her Goku uniforms, which she’ll deploy immediately to conquer the western academy administrators.

Amidst all the outrageous, expressionistic, sometimes psychedelic as-all-get-out Trigger action, this episode was a ripe opportunity to explore the relationships the arch-rivals Ryuko and Satsuki possess. First of all, Nui Harime is basically a thoroughly irritating thorn in everyone’s side, but to Satsuki, she’s also something of an employee. If Nui were to blatantly disobey an order or otherwise oppose Satsuki, there’d be hell to pay, hell Nui isn’t immediately interested in seeing.

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Jakuzure, meanwhile, is one of Satsuki’s officers, unqeustionably obedient and at the mercy of her whims. Like the other Elite Three and the rest of the student body, Satsuki is essentially their goddess. Then you have Mako: Ryuko owes her very life to the very nearly suicidal intervention of her best friend Mako, who didn’t merely save her out of the kindness or love, but also to repay a debt: when Mako was drunk on power and lost, Ryuko brought her back.

What that means is that Mako is no underling, servant, or acolyte of Ryuko’s—they are equals. Amigas. Buds. They keep each other honest…and alive. Even Satsuki sees this, and acknowledges Mako by name as Ryuko’s savior. There’s a glint of appreciation in her face, as we kinda doubt Satsuki wanted victory the way it was going. And though it’s highly unlikely she’s wired this way, given her affluent upbringing, it’s possible that for a nanosecond Satsuki was jealous that Ryuko had a real, true friend: something she didn’t.

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Rating: 9 (Superior)

Kill la Kill – 09

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Kiryuin appoints Gamagoori Ira as Ryuuko’s first opponent, due to him having defeated the least cannon fodder out of the Elite Four. Her scissor can’t penetrate the cloth armor protecting the life fiber within, so when he launches his regalia, she and Senketsu bite into his whips with his teeth, and get thrust inside his uniform. Senketsu transforms into “Senjin” mode, becoming covered in blades that tear Gamagoori’s uniform to shreds.

The first of Ryuuko’s battles with the Elite Four committee chairs was immensly fun to watch. It was well-established last week that Gamagoori wasn’t going to be a cakewalk, a notion reinforced by his flashback battle with the adorable Lil’ Kiryuin, in which he managed to snatch the scabbard of her sword to prevent himself from kneeling before her. Last week we saw what he was capable of tactically; this week we find out why he does it: his self-punishes as an example to the student body to correct their own behavior of their own accord. When Ryuuko refuses to do the same, he revokes her independence and threatens to mold her into a model student. Mold literally, like taiyaki, which is hilarious. We also like how the battle was initially delayed, another example of Gamagoori’s devotion to protocol.

But both the intensity of Gamagoori’s resolve and his dogged desire to impress his mistress form another shield: one of arrogance. He’s too busy getting the job done (and punishing himself) to realize Ryuuko and Senketsu have a plan; they adjust their tactics to the mechanics of this particular battle (she also ate Mako’s mom’s bento, ensuring victory!) Senketsu’s new look is even more ridiculous and extreme in keeping with the show’s escalatory nature. No doubt other transformations will reveal themselves as Ryuuko faces the other three. But we’re wondering why Mikisugi won’t tell her anything, doesn’t want her to fight the elite four, and isn’t “happy about it” when she beats Gamagoori. Will the truth implicate him in some way, or otherwise make Ryuuko even more angry and unsatisfied?

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Rating: 8 
(Great)

 

Kill la Kill – 08

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Satsuki holds the first “Naturals Election”, challenging all students to fight one another for their status. During the week of fighting, Ryuuko and Mako take a scooter to Ryuuko’s family home for clues, but find none. On the way home they run out of gas, but Gamagoori Ira offers them lift. The combined Automotive/Airsoft clubs ambushes Gamagoori, and Ryuuko and Mako watch as he employs his goku uniform’s “Shackle” and “Scourge Regalia” to defeat them. Back at school, the runoffs begin, culminating in a king of the hill-style final battle in which each of the elite four will fight Ryuuko, starting with Gamagoori.

As good as last week was, and while it developed Ryuuko and Mako’s friendship, it didn’t really progress Ryuuko’s central quest for answers regarding her father and Senketsu. It’s nice to see the Mankanshoku’s still recalling last week’s trials and being content not to participate in the fray. Ryuuko doesn’t have that luxury, however, as the only way she’ll get the answers she seeks is by beating the shit out of a lot of people. Satsuki used her and Mako to reveal the weaknesses in Honnouji’s power structure, and for that she’s repaying Ryuuko in a way by offering those answers. All Satsuki has to do is get through the Elite Four. Piece of cake, right?

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Well, no. As we found out from the Sanageyama Uzu-centric episode, they are very tough customers indeed, and all of them grew stronger and more confident after meeting with Satsuki, as we see in more flashbacks. Satsuki makes the distinction between letting her powerful connections take care of things for her, or taking hold of that power herself and using it without holding back. And indeed, the former leaders of her junior high school were definitely the former. Depending only on others and not oneself is a weakness Satsuki has overcome.

We like how the bad guys on this show aren’t the bad guys 24/7, as demonstrated by Gamagoori helping out Ryuuko and Mako, and keeping them out of his fight against the Automotive Airsoft Club. It’s his duty to help fellow students in need—even those who openly oppose his beloved Satsuki—and it’s pointless to fight before it actually counts for something anyway. And the runoff election battle will certainly count. Ryuuko’s next four opponents have been lined up, and we know they’re no slouches. We look forward to the impending battles.

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Rating: 8 
(Great)

Stray Observations:

  • We learned quite a bit about Gamagoori this week: 
  • he’s 20, having held himself back to be with Satsuki; 
  • he has excellent taste in cars (that car is reminiscent of a ’59 Cadillac Eldorado Biarritz);
  • his goku uniform has two stages of transformation, meaning any battle with him will have two stages;
  • he’s a masochist who gets off on physical punishment;
  • his parents are neither owners of a company nor high-ranking police officials.
  • She may be the villanous, but Satsuki’s swift takedown of the haughty kids whose parents were in those positions is pretty damn satisfying. And she did that in the sixth grade!
  • We also learn that while Ryuuko came from money, she spent most of her childhood in boarding schools picking fights and becoming a delinquent.

Kill la Kill – 07

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When students start starting obscure new clubs to go after Ryuuko, she forms a Fight Club, naming Mako president when she sees the level of paperwork involved. As Ryuuko piles up victories, the club rises in stature according to Satsuki’s merit-based system, and Mako’s family moves from the slums to the middle-class neighborhood and eventually, to their own manor and the lap of super-luxury. The Mankanshokus start to drift apart.

When Mako sees how their newfound wealth is corrupting the family, she resigns from the club. Satsuki awards Mako a two-star goku uniform and orders her to fight Ryuuko. Mako obliges, beating Ryuuko to a pulp, but at the last moment pulls back the killing blow, aiming for the ground instead. She and her family beg Ryuuko for forgiveness, and they return to the slums. Satsuki admits to her elites that she allowed Ryuuko’s club so she could identify which weak teams to purge in the next elections.

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Every time the Mankanshoku’s appear on the screen, it’s like shotgunning a can of the late, lamented SURGE cola; they’re a jolt of energy and a ton of fun to watch as they go about their lives, a veritable tornado of love-tinged activity that Ryuuko’s very much glad she’s in the middle of, after a lonely childhood. It’s even better when we watch them inspect their new middle-class digs with mirthful amazement; thanks to Ryuuko, their quality of life has improved. And mind you, they’re not gaming Satsuki’s system; they’re playing by the rules…and winning.

But then Ryuuko wins more; Mako gets shrewder and more ambitious; the family moves to an opulent mansion and everyone has separate evening plans, and the family cohesion Ryuko treasured melts away in a cauldron of avarice. Now Ryuuko eats alone again. And there is never enough champagne or Godiva chocolate. Mako is, to borrow a Gainax title, Aiming for the Top!, so when Ryuuko gets in the way, she’s threatening Mako’s status and her family’s, and becomes the enemy. It’s an audacious turn of events—Ryuuko forced to fight her best friend, who happily dons a bad-ass two-star goku and goes to town.

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But the situation is made perfectly plausible by all that preceded it. Whether you’re born into wealth or have it heaped upon you like Mako’s family, it can very easily make you its slave. That’s what Satsuki was hoping for: another family ensnared in her system built upon greed and obedience through fear of losing it all. She didn’t get that, but the system still stands, and even worse, thanks to Ryuuko and Mako, Satsuki knows exactly what to do to make the forces protecting that system even stronger. So while Ryuuko and the Mankanshokus are cool again, Ryuuko’s future trials are only going to get tougher.

Like Mako’s family (briefly), this episode had it all. It grabbed and held our interest. It made Ryuuko the architect of her own near-downfall through a seemingly harmless choice. It rocketed us along with the family during their meteoric rise, not skimping on the details of the ritzier life they gain. It slowed them way down when they grew rich and stuffy. Perhaps most impressive was Mako’s transformation from kooky comic relief sidekick to serious foe who doesn’t hesitate to turn on Ryuuko despite all they’d been through. It was a veritable windfall of magnificence, and our favorite Kill la Kill to date.


Rating: 9 (Superior)

RABUJOI World Heritage List

Kill la Kill – 06

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Ryuuko is challenged to a duel by Athletic Committee Chair Sanageyama Uzu, whose “Tengantsu” ability enables him to see every movement she makes. Ryuuko turns the tables by slicing bits off Senkatsu, which cover Sanageyama’s eyes, enabling him to be defeated easily. The next day he challenges her again, but has had his eyes sewn shut, using his goku uniform as his eyes and other senses. With this new “Shingantsu” he overwhelms Ryuuko, but his goku overheats before he can finish her, and she escapes.

Mikisugi tells Ryuuko he’ll tell her more about her father and his organization, Nudist Beach when he trusts her more; by that, we assume he means when she’s been through a few more battles with Senketsu. While his original intent was to destroy the kamui, Kinagase ended up helping Ryuuko bond even further with it. As a result, she’s a lot more confident and even cocky in how she carries herself in Senketsu. She’s come a long way…but as Sanageyama shows her in his second duel, she has a long way to go.

This episode also made an effort to show us more about Ryuuko’s opponent, even flashing back to when Satsuki first recruits him. Watching Ryuuko fight Sanageyama and then fight him again without knowing anything about who he is or what motivates him may well have still been enjoyable, but his exchanges with Satsuki before, during, and after fighting her adds texture to his character (and Satsuki’s), making them at least as important in this episode as Ryuuko herself, which is fine with us. Ryuuko’s further development will come; Sanageyama and the rest of the Elite Four will make sure of that.

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Rating: 8 
(Great)

Kill la Kill – 04

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Sirens blare at 4AM, the morning of “No-Late Day”, when the academy’s no-stars must cross a murderous gauntlet of obstacles and arrive at school on time to avoid being expelled. Mako’s mom washed Senketsu so Ryuuko has to go in her pajamas. She and Mako come across their classmate Ogure Maiko, who accompanies them on their journey, but once Guts arrives with Senketsu, she reveals she’s the Disciplinary Committee Head of Trap Development, and was planning all along to steal the kamui. She dons Senketsu, but can’t move because he’s so starchy, and Ryuuko beats her. With only minutes left before first period, Ryuuko dons Senketsu and commandeers a luxury tram and launches them into the classroom just in time to say “present.”

If Golden Time tweaks and embellishes certain scenarios of its subject matter – in its case college life – but Kill la Kill is in an entirely different galaxy in this regard. The Student Council President is a brutal dictator with a cadre of deranged subordinates, and the social structure typical of high school is amplified into a strict caste system that applies to life as well as school. Because Ryuuko has no family save Mako’s, she’s at the bottom with them, which means those on top will throw everything they have at them in order to assert their power. Thus even a commute to school is suddenly becomes a bitter, epic struggle for survival, and scores of no-stars fall before getting anywhere close to school, to the point that the defeated partake in “pseudo-homeroom”; a fabulous concept!

The proud, determined Ryuuko is more than game, even if initially, she doesn’t have Senketsu to help her out. She lucked out with the sweet, loyal Mako, but she let her guard down in placing her trust in Maiko, and almost loses Senketsu. In just one of the countless demonstrations of this series’ clever storytelling, it’s because Mako’s mom laundered him that Maiko is unable to follow through on her grand plan. We were fools to believe anything resembling a lull or slow-down would follow Ryuuko and Satsuki’s battle. Satsuki may have been absent, the entire “No-Late Day” ritual is a product of her cruel, oppressive leadership, a system Ryuuko will hopefully crush, one Disciplinary Committee head at a time.

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Rating: 8 
(Great)

Kill la Kill – 03

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Ryuuko learns that Mikisugi was her father’s assistant, who received a letter from him instructing him to give his daughter Senketsu in the event of his death. Suspecting Satsuki as her father’s murderer, Ryuuko vows to beat the answers she wants out of her. Enraged that Ryuuko “beat her” to donning a Kamui, Satsuki breaks into her manor’s inner sanctum and puts on her kamui Junketsu. The next day the two spar, and Satsuki easily overpowers her, but when Ryuuko realizes her modesty is holding Senketsu, she “gets naked”, treating him like her skin, and the battle balances out. Ryuuko promises to “crush” Satsuki’s ambitions, and Satsuki accepts the challenge. She’ll duel Ryuuko again if she defeats her entire school.

As good as they were, the chaotic, kaleidoscopic visuals of the first two episodes were merely warming up compared to the mayhem of this week. The brilliance of this series and others its creators have wrought is that there is literally never a dull moment. Even scenes that would be mundane in other series – walking down a hall, getting an infodump from a faculty member, getting ready for bed, everything is done with the utmost panache and playfulness, while the powering-up and battle scenes are even more insane. If we were to whip out some engine metaphors, your average anime is the steady clatter of a diesel truck; Kill la Kill is the unhinged scream of a 21,000 RPM F1 engine.

It’s just as nuts – i.e., creative – with its concepts, like the whole idea of “life fibers”, and the way in which Satsuki is experimenting to create stronger uniforms. Take Ryuuko’s main conflict this week: not lack of confidence or spirit, but a lack of immodesty. We thought it would be a running gag that her face would always be beet red while fighting in her sleazy kamui. But it turns out her embarrassment was preventing her from fully contracting with Senketsu. Mikisugi’s advances on her actually serve to desensitize her to that kind of behavior: guy and girl alike are going to gawk at her; she has to learn to deal with it. Ironically, she learns this from her adversary Satsuki, who doesn’t feel the slightest hint of shame, despite showing slightly more skin than Ryuuko.

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Rating: 9 (Superior)

Kill la Kill – 02

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After her battle with Fukuroda, Ryuuko passes out from blood lost to her uniform, which she names “Senketsu.” She wakes up in Mako’s house in the slums and spends the night there. Satsuki awards tennis club captain Hakodate Omiko a two-star goku uniform with orders to launch an armed suppression in the guise of an interleague match. The next day Ryuuko steps in to protect Mako from Hakodate’s hazing, but cannot get Senketsu to activate, and gets beaten, and falls down a sewer.

She wakes up in the office of her homeroom teacher Mikisugi Aikurou, who confirms to her that her father Isshin made her uniform, called a “Kamui”, which is awakened by her blood and can surpass goku uniforms. He gives her Seji Tekko, a glove that will help her easily activate Senketsu, and sends her up to battle Hakodate. Athletic chair Sanageyama Uzu makes Ryuuko fight Hakodate in a tennis match, and after some faults, Ryuuko is victorious. Satsuki comes down to cross swords with her, but low on blood, Ryuuko retreats.

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As you can see above, this series wreaks havoc on the desire for as concise a summary as possible. It quite literally has about four episodes worth of your typical shounen anime stuffed into one episode, liberally seasoned with kooky violence, creative fanservice, and avant-garde environments. It covers a lot quickly and doesn’t stop and wait for the audience to catch up, but those who keep up are rewarded to an experience quite unlike anything else this season; the same thing that can be said of greats like FLCL and Gurren Lagann. They take anime conventions and stretch, contort, and julienne them to their limit and beyond.

Kill la Kill is window-lickingly insane in its presentation, but it’s also audacious, backing Ryuuko into some pretty dark corners this week. The first instance involves Mako’s father, a back-alley doctor who sure looks like he’s dry humping her when she wakes up (the whole Mankanshoku family scene was a trip and a half) As for Mikisugi, he seems to have her best interests at heart, but he should probably choose his words more carefully (and not strip in front of her). Like Ryuuko’s new uni, this show digs into you and doesn’t let go until you’re winded…but quite satisfied.

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Rating: 8 
(Great)

Kill la Kill – 01

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At Honnouji Academy, the student council committee chairs don “goku uniforms” that bestow upon them supernatural powers. Their president Kiryuin Satsuki rules the school like a king. When Matoi Ryuuko transfers to Honnouji, she immediately confronts Satsuki – a grievous offense – and is beaten to a pulp by Boxing Club Captain Fukuroda Takaharu. Ryuuko escapes to the ruin of her house where her father was killed. She falls deep below the city, where a crazed uniform pops out of the garbage and forces her to wear him. When the council uses Ryuuko’s friend Mankanshoku Mako as a hostage, Ryuuko comes to her rescue, using the power of her new uniform to handily defeat Fukuroda.

An omnipresent thread in the work of director Imaishi Hiroyuki’s work has been comically over-the-top action at a hyper-sonic pace. Whether establishing a location, introducing a character, or landing a blow, everything is taken up to 11, and sometimes 12. If something has to be labeled, it’s done in huge blocky red letters. If anything has to be said, it’s usually yelled. This episode was the polar opposite of the relative stillness and calm of Coppelion, and not just because its city is inhabited (and what an awesome, insane-looking city it is). Where Coppelion strives for realism, Kill la Kill, is, in its most heated moments, pure abstract impressionism.

Suffice it to say, this was a hell of a lot of fun to watch unfurl. The personalities are kept quite simple: the imperious Satsuki, the defiant, plucky Ryuuko, the air-headed Mako. Most importantly, while the episode had some dark themes and serious moments, it knew when not to take itself too seriously, and is therefore infused with moments of bawdy comedy. It’s a potent stimulant of a show that knows exactly how absurd it is and runs with it, taking it as far as it can. Ryuuki is painfully aware of how incredibly revealing her new (apparently sentient) uniform is too, but that doesn’t stop her from doing what needs to be done.

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Rating: 8 
(Great)

Stray Observations:

  • The goku uniforms are ranked on a scale from zero stars (powerless) to three (world-bending strength). Interestingly Satsuki’s uniform has no visible stars. Doubtless it has a personality like Ryuuko’s.
  • Satsuki has a whole council of committee chairs in every shape and size. We’re sure we’ll watch Matoi go up against them one by one in future outings. Meanwhile, all she has friends-wise are the Mankanshoku siblings.
  • Satsuki’s oxymoronic slogan is similar to the famous one in Orwell’s 1984: “War is peace. Freedom is slavery. Ignorance is strength.”
  • We loved the sound a very rigid Mako made when Ryuuko set her down after untying her.