Slime 300 – 01 (First Impressions) – Living La Vida Slow-ca

Isekai Series #48,763, the obnoxiously titled I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, starts out super-dark (albeit tempered with kiddy art) with its workaholic protagonist Aikawa Azusa literally dying at her desk. She encounters an angel in heaven who reincarnates her as an immortal in some nice relaxing highlands.

Azusa is pleased with her forever-17 looks and witch getup—complete with a hat big enough to make Elaina blush. She’s also glad that the only enemies in these lush, verdant highlands are harmless slimes, which she decides to defeat at the rate of ~25 per day in order to fund her knew laid-back life.

Azusa goes on to live a slow, peaceful life in her secluded cottage, tending her field, making medicines from herbs, and basically just kicking back…all while defeating around 25 slimes a day, exchanging the crystals they drop for coin at the nearby village’s adventurer’s guild. This goes on…for three hundred years.

Before she knows it she’s the oldest and most venerable person in the village. The episode intentionally underplays this massive passage of time, comprising over three average human lifespans, but also underscores just how badly Azusa needed a long, long vacation from her hellishly busy past life.


When a guild clerk checks Azusa’s stats for the first time in three centuries, they learn she’s reached Level 99—slow and steady truly has won the race. When rumors spread of the power of the “Witch of the Highlands”, adventurers visit her wanting to test their skills against the best.

Of course, Azusa doesn’t really want to engage in such sparring, any more than she wanted to make a name for herself. She’s always been content to live her slow, peaceful life. But when the adventurers insist, she quickly dispatches them without breaking a sweat, and before she knows it a big red dragon is at her door, looking for a fresh challenge.

A short but sweet aerial battle ensues, with Azusa easily countering the dragon’s fire breath with her ice magic, which she then uses to fuse the dragon’s mouth shut. It plummets to the ground and then does exactly what Azusa had hoped it wouldn’t do: trash her beloved house, which in 300 years had gotten just the way she liked it.

Adding a slug to the face for good measure, Azusa makes the dragon promise to fix her house up, and it sheepishly departs to collect the gold it’s been hoarding in its mountain lair. Azusa’s seiyu Yuuki Aoi carries the episode with her highly versatile voice that darts from charming and sweet to annoyed and threatening at the tip of a giant witch’s hat.

While her house is in ruins, Azusa stays at a complementary guest room at the village office, and due to all of the goodwill she’s earned from the villagers and their descendants—from staunching a plague to protecting them from the red dragon—she never has to pay for a room, a drink, or a meal in that village ever again.

Azusa is surprised then, when a cute redhead with horns pays her a visit the next day and introduces herself as Laika, the red dragon she defeated. Laika has brought the gold, and begs Azusa to let her be her pupil. Azusa isn’t sure what she can teach her, but she does like the sound of someone to do all the housework, so she agrees. Laika gets to work building a larger dwelling from scratch that will accomidate them both.

When the sun begins to set, Laika assures her new master that she can work through the night to finish the house, but Azusa takes her face in her hands and delivers a “hard no” to that offer. As someone who literally died from working too hard, she’s not about to let her pupil threaten her health by doing the same. Too often “working hard” is overused in a positive light.

Instead, she tells Laika to watch the darkening sky, which is telling them she’s done enough for the day. That said, Laika is incredibly industrious, and the new larger house they’ll share is soon completed. Rather than kick Laika into the kitchen to make supper, Azusa takes her by the hand and they head into the village to celebrate.

While I wish Slime 300 had a more imaginative title, I am glad slimes were more of a means and not an end to Azusa’s story. I find her dedication to living a quiet peaceful life quite admirable, and it’s a nice contrast to more ambitious witches like Elaina, who starred in an more ambitious but ultimately uneven series.

By comparison, Slime 300’s wonderfully simple plot, lush idyllic land-and-townscapes, competent magical combat, and the all-star voices of Yuuki Aoi and Hondo Kaede (Maple from Bofuri) make it well-positioned for a low-stakes, high-comfort isekai viewing experience. It also featured more frequent and effective comedy and a more interesting heroine than The Saint’s Magic Power is Omnipotent, so if I end up picking only one to watch, 300 has the early edge.

Rating: 4/5 Stars

Wandering Witch: The Journey of Elaina – 12 (Fin) – The Multitudes of Me

Elaina’s final trip takes her to the suspiciously foggy “Country That Makes Your Wishes Come True”. Elaina enters the country wishing to become rich, and is utterly mystified when she happens upon a landscape comprised of all of the places from her travels thus far.

Things get even stranger when she enters Mirarosé’s palace to find no less than fifteen alternate versions of herself. Some of them represent individual personality traits she possesses, while others are just random like the gel and ghoul versions.

Hondo Kaede has a blast voicing all these different one-note versions of Elaina, but I have to admit…it’s all a bit much. The intros were fun, but the gimmick wore quickly. This wasn’t one of those dreaded Recap finales, but it did borrow elements from the previous episodes, without adding much new or compelling, which gave it the sheen of a recap.

Deemed “Protagonist Me” by her intellectual version, Elaina sits down on the throne and orders the others to go out and investigate, but all of a sudden the “Violent Me” everyone else had been avoiding bursts into the palace.

Violent Me’s hair is still short from being cut by the ripper, as apparently she never emotionally recovered from the events at the town with the clock tower. All the other versions kind of hang around while the Protagonist and Violent Elainas fight to a draw (as expected).

Only when both are completely exhausted of magic and can no longer fight does Elaina try to calmly discuss things with her violent self. While we heard Elaina wish to become “rich” back in the beginning, it seems the country interpreted that as becoming rich with different “experiences”.

As such, all of the versions Elaina has now encountered represent different paths and possibilities available to her on her journeys. She also believes her other selves wished for the same thing, which brought them all together to pool their stories into a single book: Wandering Witch.

Elaina then wakes up in a meadow; the whole ordeal with her versions was just an elaborate dream. She hops back on her broom and continues her travels, cognizant of and excited for all of the possibilities and choices those travels will present.

In an epilogue that seems to preview a second cour of Elaina I’m not sure it earned, Elaina (in plain clothes) bumps into someone with similarly ashen hair but green eyes. They’re both holding red books, and when they bump into each other, those books get switched. This person’s name is apparently “Amnesia.” Um…alright then!

It’s a curious yet also fitting way to end a show that was never quite sure what it wanted to be: episodic or serialized; lighthearted and comedic or dark and dramatic. It started strongly and had a couple of powerful episodes, but that lack of decisiveness and focus in the stories it wished to tell ultimately dulled its impact.

Read Crow’s episode 12 review here!

Wandering Witch: The Journey of Elaina – 11 – Love is In the Air

Elaina arrives in Qunorts to find that the Curio Company from the Niké stories has been revived. Townsfolk say mages are once again at risk, so she dresses like an ordinary, non-magical traveler to avoid any hassle. However, it’s because she appears to be a random NPC that she is targeted by Curio.

Specifically, Curio’s aged leader shoots both Elaina and the newly-arrived Saya with balls of magical dust that cause them to swap bodies. Elaina opens the mystery box Saya was delivering on behalf of the Association, and a massive cloud of love potion spreads across the town, causing the complex situation of Saya’s little sister Mina falling madly in love with Saya while Elaina is in Saya’s body.

Much hilarity ensues, and both Hondo Kaede and Kurosawa Tomoyo demonstrate their talent by wonderfully mimicking the voice styles of Saya and Elaina while in opposite bodies. Having been caught in the love cloud while looking at the reflection of Elaina, Saya is even more in love with her senpai, while Elaina in Saya’s body is decidedly Not Amused.

Fortunately, the Curio Company’s grand plan was as sloppy as it was dependent on numerous suppositions to succeed, and because Elaina is a witch, she and Saya have no problem rounding up the company before they can cause too much damage. When the captured leader gloats about dozens of her cohorts still out there, Fran and Sheila finally make their appearance, having mopped up the remaining bandits.

The love potion is returned to the box, while Elaina, Saya, and Mina eventually return to normal. Sheila reveals she’s Mina’s teacher too, and the one who forced Mina and Saya apart lest they fall into a codependent spiral. Saya for one is glad Mina loves her so much, while an embarrassed Mina would prefer if the subject were changed.

One subject that doesn’t come up is whether Elaina is aware that Niké and her mother are one and the same. This latest adventure in Qunorts should have provided all the clues she’d need to make that determination, yet when the four witches part ways, she remains coy about the revelation. Elaina promises Fran that she’ll return home to see her parents at some point, but as Niké had five volumes of adventures, she remains committed to writing at least six of her own.

That means a lot more traveling and a lot more situations, both fun and trying. As to the latter kind, I was disappointed but not particularly surprised the show swept her time travel trauma under the rug. In its place  was another fun and hopeful outing. Her closing monologue and broom ride into the sunset felt like the end of this particular volume with one episode to go, while hinting at the possibility of a second cour—something to which I certainly wouldn’t be opposed!

Rating: 4/5 Stars

Wandering Witch: The Journey of Elaina – 02 – You’ll Never Fly Alone

While flying along on her broom during her travels, Elaina makes it a point to declare that even the “sun’s eyes” squint at the beauty and majesty of the lovely Ashen Witch, i.e. her! I like how Elaina isn’t a perfect goody-two-shoes but has a healthy ego that could curdle into arrogance if she’s not careful, but hasn’t yet. That confidence is both to be expected of the youngest Apprentice and full Witch ever, at at times, justified!

Her destination this week is the gorgeous, whimsical City of Mages, so-called because the non-magical are unable to reach it, as if Diagon Alley were a whole city. Instead of flying cars, witches dart hither and thither in the sky, and Full Witches like Elaina are idolized. Unfortunately her first encounter with a resident involves a mid-air collision with a novice who lost control of her broom.

Elaina repairs the damaged roof and the cut on the face of the girl, who introduces herself as Saya. She thanks and apologizes profusely to Elaina, insisting that she be allowed to do something to make up for the trouble she’s caused, but Elaina is content to continue on her journey, and bits Saya farewell—for all she knows, for good.

Of course, Elaina and Saya are fated to meet again. This happens when Elaina is roughly turned away from every other hotel in the city—a far cry from the fawning and deference she expected due to her full Witch status. It’s a fun echo of when none of the witches in her hometown would give her the time of day. However, Saya happens to work at the one hotel that will let her stay there, and Elaina asks for and receives a “nice witch discount”.

Turns out Elaina was turned away from the other hotels because her Witche’s brooch fell off and is now lost. After a fruitless search, she takes a relaxing bath…and Saya waltzes right into her room! It’s the first sign that Saya wants quite a bit more than just to make up for bumping into Elaina. She prostrates herself and begs Elaina to help train her to pass the Apprentice exams.

Saya shows Elaina a photo of her and her little sister, who came with her to the city but passed the exam before her and returned home. Since Elaina’s ego was bruised by getting kicked out of so many fancy hotels, she wants a win, and a boost to that ego. Impressed with Saya’s prostrating skills (an odd but sincere gesture from her home back east), Elaina agrees: while searching for her lost brooch, she’ll train Saya for a week.

It turns out to be a wonderfully equitable arrangement for both parties. Saya proves a quick study in both broom-flying skills, and while she’s lacking in magical attack focus and accuracy (and mushroom tolerance), Elaina’s very close attention is both appreciated and effective.

In return, Elaina gets to experience what it’s like to be a teacher like Flan was for her, and finds nurturing her junior to be extremely appealing and rewarding. While there’s nothing as intense as Elaina and Flan’s duel, there’s still plenty of lovely eye candy to enjoy throughout their training.

While searching on the roof where she landed for her brooch, Elaina spots a lady whom she pays to tell her what she saw the day of the collision. That night, Elaina lets Saya sleep in her bed with her, and Saya indicates how happy she is that, at least until her brooch is found and she continues her journey, they’ll be “together forever.” That’s when Elaina says she knows Saya stole her brooch and has been concealing it.

This was never about learning how to fly properly—Saya wouldn’t have been able to come to the city from far to the East if she weren’t a solid flyer—instead, but how Saya can’t “pin someone down” with “misguided methods” so they’ll remain with her. Ever since her sister left Saya has experienced crippling loneliness, which she hoped would end upon meeting Elaina (with whom her collision was intentional).

Seiyuu Kurosawa Tomoyo brings a beautiful vulnerability and comic expressiveness to Saya throughout the episode, and shows her equally solid dramatic chops in this scene as Saya breaks down. Hondo Kaede is just as effective as a consoling Elaina who, after delivering a needed forehead flick, tells Saya that being alone is an inevitable and necessary part of becoming a witch (like eating mushrooms).

Elaina felt lonely during her development, but she gradually gained the courage to fight alone, and so must Saya. Part of that means understanding that those she loves are always watching her, even if they’re not physically there. To that end, she gives Saya her spare hat, so that when the time comes that she’s lonely, she’ll remember Elaina’s words and her affection.

Six months later, Elaina is elsewhere in the world (looks like Venice…Hi Arte!) and reading this show’s equivalent of the Daily Prophet, an article in which reports that Saya finally passed the Apprentice exam, and announced that her next step is to go see “the traveler I love!” It’s an immensely sweet sentiment to end the episode, while almost assuring us that not only will Elaina and Saya meet again, but Saya could well become her apprentice.

I’d be remiss if I didn’t pick up on some of the yuri undertones to Saya’s interactions. While Elaina kept things platonic, it’s clear Saya is very much enamored of the Ashen Witch…and who can blame her? While Saya first tried to replace her little sister with Elaina, now that she’s advanced to the next stage of her magical life, Elaina is something else—a friend, mentor, and ideal for which to strive!

Our fellow anime lover Crow has also written on this episode; you read about it here!

The Journey of Elaina – 01 (First Impressions) – The Ashen Witch is Born

Ever since she was wee, Elaina (Hondo Kaede, recently Bofuri’s Maple) dreamed of traveling the world like Nikeh, a great witch who recorded her adventures in a diary. Her parents, the supportive type, told her she could do it if she studied hard to become a witch. She did just that, not only passing the sorcery examination with flying colors, but being the youngest ever to do so at age 14.

Elaina’s next hurdle to becoming a witch would be to train under one as their apprentice, but due to her fame as the youngest ever, she has the door of every witch in the city slammed in her face before she can even state her case. Then she overhears a “dodgy” witch having taken residence in the forest outside the city, and flies over to take a look.

Flan, Stardust Witch (Hanazawa Kana, who is having a ball) agrees to take Elaina on as an apprentice, but like Mr. Miyagi with Daniel-san, it doesn’t seem she has any actual interest in training her, just using her as her own personal assistant. Cooking her meals, collecting ingredients, dealing with spiders in the tub and rubbing her shoulders; this is all Elaina gets to do.

After a month of this, Elaina has had enough, and asks if Flan is at last ready to train her. Flan tells her she has “nothing in particular” to teach her, but she will have Elaina fight her. Flan’s awesome mastery of the elements proves too much, as Elaina can only bob and weave against an onslaught of fire, earth and lightning. This fight was also the point at which I was utterly and completely sold on the show; its fantastic magical combat!

Totally defeated for perhaps the first time in her life, Elaina collapses into a heap and starts to bawl uncontrollably, catching Flan, clearly not used to dealing with teenage witches, tries to cheer her up with butterflies and a crown made of weeds, but settles on a hug, which proves most effective.

Flan also confesses to Elaina that her parents paid her to teach her about setback and failure until she reached her limit. Elaina has the skill, talent, and potential, but needed to learn not to deal with or endure everything no matter what, just because she can.

With that catharsis, and Flan’s strategy revealed, the training continues in earnest. Over the period of a year Flan teaches Elaina everything she knows, and Elaina soaks it all up like a sponge. But unlike her first month, she speaks up if something displeases her. Eventually, she’s good enough to best Flan in a duel for the first time, and that’s when Flan knows she’s ready.

Replacing her apprentice’s flower badge with the star brooch, Flan bestows upon her the status of a full-fledged witch. On Flan’s suggestion, Elaina picks the magical name “the Ashen Witch” due to her hair color. Fran then bids Elaina farewell and returns to her home country, and Elaina returns home.

She’s not there long, as now she’s achieved the requisite of being able to travel the world freely like Nikeh. Her parents keep their word, giving Elaina three simple rules to follow: When in serious danger, run; don’t come to think she’s a “special human”; and come home someday with a smile.

She’s outfitted in new witch’s robes, a kickass oversized hat (along with a spare—it’s windy out there!), and of course, a handsome diary in which to write about her adventures. With that, she says goodbye to the only home she’s ever known, without a particular plan or destination, and journeys in that fashion for three years, finally reaching the age of eighteen.

I for one am glad we got Elaina’s “origin story” at the most logical part of the anime: the beginning. It’s a story beautifully and efficiently told, and delivered the same kind of fuzzy feels as goodhearted witch series like Kiki, Flying Witch, and Little Witch Academia. I can’t wait to see where Elaina ends up landing next week!

Rating: 4.5/5

Crow is also watching the Wandering Witch, and always has great observations about the episodes’ best moments. Read Crow’s review here.