This week’s cold open is perhaps the darkest scene since the show dove into Hatori’s dark past. It’s not just shot dark, it’s frikkin’ dark, full stop. A younger, short-haired, long white coat-donning Uotani Arisa comes home to a dad wreathed in TV light and surrounded by bottles who doesn’t notice she’s there. She goes to the room and sits in the dark, wondering, perhaps, why she’s even fucking alive; what the point of all this is.
The next we see Arisa, in the present, luxuriating in the pool during P.E., is as bright and upbeat as the cold open wasn’t. Despite their reputation for delinquency, both she and Saki love the pool and would never skip out on an opportunity to swim in it. But the sight of Tooru in the same school swimsuit she wore in middle school reminds Arisa of elderly people buying dinner at the konbini she works at: somehow just really sad and wrong.
So she does something about it, asking—nay, telling—the Souma boys that it’s about goddamn time they get up off their asses and show some gratitude for Tooru constantly cooking and cleaning for them, by coming along to help her and Saki buy Tooru a big girl swimsuit. After some brief Shigure lecherness, the kids hit the mall.
Yuki and Kyou are beyond embarrassed to even be in a store that sells skimpy bikinis, let alone to see one placed in front of Tooru, but Arisa demands they at least lend their opinion as to what color Tooru would look best in.
Naturally, the boys pick opposite colors: Yuki blue, Kyou orange. Saki corrects them: Tooru looks best in pink. Her mom was the Crimson Butterfly while her straightforward dad’s color was white; combine those, and you get pink. When Yuki remarks that Arisa and Saki seem to love Tooru very much, Arisa quickly confirms that assessment. After all, Tooru saved her.
That’s when three yankees spot Arisa and plan to jump her, but are totally distracted by the gorgeous Souma boys she’s with.
Tooru is very predictably reticent about accepting the swimsuit, claiming she doesn’t deserve such a gift or any gift for that matter, because she’s nuts—but Arisa and Saki insist, so a swimsuit it is. Yuki and Kyou will just have to wait until next time they’re at a pool or beach with Tooru to see what it looks like.
Yuki remarks about how much Arisa and Saki love Tooru (and vice versa), and asks if the three go back to grade school. Arisa says no, only since middle school, when she was still active in a women’s gang she joined in fifth grade. She beat the shit out of people and had the shit beat out of her, and absolutely idolized the Crimson Butterfly, AKA Honda Kyouko.
When her gangmates tell her the Butterfly’s daughter attends her middles school, Arisa keeps her eyes open for “Crimson Butterfly II,” a carrot-topped delinquent in the mold of her mom. Instead, she’s bumped into by Kyouko’s actual daughter: klutz, space cadet, and deeply kind and decent girl, Honda Tooru. Arisa can’t believe it.
When she finally gets to meet the total badass bike empress she placed on such a high pedestal, she was bound to be disappointed, but could never in a million years have thought she’d be a carefree doting parent. When Kyouko and Tooru invite her to dinner, Arisa suddenly feels very uncomfortable and out of place.
Arisa gets up to leave, and when they insist she stay, she lets Kyouko have it: she’s disappointed and embarrassed to see what has become of the Crimson Butterfly. Kyouko’s response is perfect: she “just relaxed a bit”, is all. But it’s just too hard a pill to swallow.
In her rush to leave, she left her trademark black face mask, and Tooru chases after her to give it to her, calling her “Uo-chan.” But Arisa rejects the nickname and rejects Tooru’s open hand of friendship. She can’t look at Tooru without being reminded of how low the Crimson Butterfly fell. So she goes back to beating the shit out of people and getting the shit beat out of her, because what else is she going to do?
That brings us back to the cold open when she comes home, shuts herself in her room, and can’t get the image of Kyouko and her warm, bright, happy life with her “strange” daughter out of her head. Lame as it might seem to her, it may nevertheless be something Arisa wants, but long ago thought she could never have.
After last week’s disappointing Ayame-stuffed lakeside excursion, Fruits Basket roars back into relevance with a much-anticipated look into the past of one of Tooru’s BFFs and one of the most lovable characters on the show, and it didn’t rush things, leaving its resolution for next week.
It reminded me of another excellent backstory episode of another blonde delinquent-turned respectable civilian (Onizuka Hime from SKET Dance) as well as a wonderful exploration of how much a person can change in a short time—and how much Tooru can change them just by being Tooru. More of this, please!
Oh, and as an added bonus, the three delinquents who have a beef with Arisa have a hilarious post-credits sequence where they’re enthusiastically practicing their threatening techniques under a bridge, only for their first “victim” to be none other than Souma Momiji, who inadvertently scares them off with a his terrifying German friendliness. Very good stuff.