Re:Creators – 07

I realize Re:C is a 22-episode run, enabling it to take its time when it deems it necessary, or when the plot demands it. But despite a couple of characters gaining important information for the road ahead (or at least drawing closer to it), I really struggled to figure out what actually happened this week, which is hardly ever a good sign that the episode itself was necessary.

The interesting multi-vector battle on the riverbank never met its potential, as Mamika flexes her mahou shoujo muscles to put an end to the duel between Celestia and Alicetelia as well as between Blitz and Mirokuji.

As a result, the Celestia/Meteora and Alicetelia/MUP factions go their separate ways, and we’re treated to the former faction….simply sitting around doing nothing yet again.

Chikujouin Makagami also goes off on her own, but only to visit and promptly murder her creator off-camera, no doubt using her power of words. In the process, she reads her own source material, starts to understand her situation better, and vows to “regroup” and continue her “Miracle Great Emperor Plan.”

I like how Chiku is only on her own side at the moment, but there’s such a thing as being too far-removed from and un-invested in everything else going on.

Meanwhile, Kanoya Rui’s creator has a hunch about MUP being the creation of a doujin artist on a DeviantArt-style site, and hits paydirt—before Souta comes clean about knowing her.

Souta’s continued refusal to do so is becoming a liability, not just in terms of the safety of creators, but in that all Souta’s character is, at least so far, is the secret he carries. I want more.

Perhaps my favorite part of this somewhat stingy, uneventful episode is one in which Mamika reaches out to Souta, believing they’re alone together, but actually being shadowed by Chiku.

Mamika admits that she may not be in a world where everyone like her gains power from simple “belief” in things, ideals, or people, but that doesn’t mean she’s willing to give up on her usual way of doing things; just modify it to better suit her new world.

She manages what no one else could: get some info about MUP out of Souta. Specifically, her name is Altair, and most likely hates the world of the creators, which definitely makes her capable of “planning something very bad”, as Mamika puts it. I just hope that “plan” isn’t just a MacGuffin.

We’ve seen people suffer and die, but recently, only by Chiku’s hand (well, words). When is whatever Altair is planning actually going to organize into something that actually threatens the world?

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Kuromukuro – 24

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Muetta officially joins the good guys, fighting against her former allies, a contrite Graham reinstates Sophie, and Ken offers the crummiest marriage proposal Yukina could ask for—it’s a busy episode of Kuromukuro this week, in contrast to the previous episode’s leisureliness, and that’s before the giant battle to retake Kurobe Lab and deactivate the Pivot Stone.

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There are no cliffhangers for this counterattack: it’s presented in its entirety this week, ending in a near-total victory for the good guys, which is surprising, almost to the point of implausibility. Kuromukuro, the surviving GAUS 1, Zell, Liddy, and his Glider, and Muetta’s Medusa seem an awfully raggity force to take down Mirasa, Yoruba, Imusa, and Refill, but they get it done in mostly convincing fashion thanks to two things the Efidolg don’t seem have: teamwork and a sense of their own mortality.

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It’s teamwork that splits the Efidolg forces, teamwork that keeps them off balance, and teamwork that brings their glonguls down one by one. It’s another exciting battle that really pops thanks to the now-wintry backdrop of the Lab’s environs, and the clashing personalities, like Muetta and Mirasa, pop even more.

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As for Sebastian surviving, well, I’ll just say I would have preferred if he’d stayed dead. I have nothing against the guy, but his heroic death put much-needed weight and a human face on the capture of Kurobe. Heck, he’s the only character of note among the good guys who actually died in the first place. Others were brainwashed, but they seem to be okay as well, provided the implants can be extracted.

 

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Once Yoruba and Mirasa are killed (at least I think they’re killed), Imusa’s glongur combines with his commander Refills to make One Huge Super Mecha that starts tearing everyone up with its four flexible blade-tentacle thingys. This battle had the progression of an RPG, with the good guys having to defeat foot soldier-level foes, moving up to the elites, and finally the big bad boss with multiple points of attack.

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At this stage of the battle, everyone is wondering how much longer they can hold out, until Yukina takes it upon herself to direct the action, calling for a simultaneous attack on each of the four blades while she and Ken blast through their swipes. Ken gets to yell a lot, but this time Yukina gets to as well, seeming to connect with the Kuromukuro in a new way in the process.

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Completing the team effort, and escaping Refill gets stabbed in the back by Zell, who unmasks him to reveal…one of this own kind; at least a brainwashed clone of one. While under Zell’s own brainwashing microbot, Refill warns that if the Pivot Stone remains inactive, another, larger Efidolg fleet will be sent to Earth, a journey that will take 224 years but will happen.

That may sound like a long time, perhaps even enough time for Earth to reverse engineer enough Efidolg tech to build a defense. But it’s also just over half the time that’s passed since the Washiba Clan were wiped out. So while this particular crew of bad guys has been knocked out and the immediate danger would seem to have passed, there’s still much to be done to protect Earth for the long run.

As for Yukina, she seems shaken by her most recent experience co-piloting Kuromukuro. Is she, as Zell warned Tom, starting to feel the effects of the the permanent change “giving oneself” to a glongur enacts? I’m intrigued by the fact so much has gotten done with two whole episodes remaining. Should be an interesting finish.

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Kuromukuro – 23

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I must say I didn’t expect Yukina, Ken, and Muetta to go to school what with everything that’s going on, but it’s not as if there’s that much more for them to do. The Efidolg are being really really nice in not trying to kill anyone else or attempting to secure either the Kuromukuro or Muetta’s glongur, but the Earthlings don’t really have a plan for how to proceed quite yet. As such, we get a calm-bef0re-the-storm episode, and a fair amount of fanservice, starting with Muetta in Yukina’s spare uni.

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In this calm, both Ken and Muetta try to figure out what they’re going to do with themselves if and when Earth survives the Efidolg onslaught. Again, the timing for a career counseling session seems a bit odd, but I appreciated the practicality of a samurai figuring out something else to do with his life – though I’m pretty sure he could make good money in the modern world demonstrating his fighting skills for education, entertainment, or both.

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As for Muetta, she is even more a fish out of water than Ken, since she’s not sure who or what she is anymore, whereas at least he had his ideals and an object of devotion in Yukihime. Just as the other teacher gives Ken some sage (if somewhat obvious) advice about the future, Marina also flexes her counseling skills by telling Muetta not to despair in her new situation, but to take life by the horns, as all humans do.

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I enjoyed Muetta’s reaction to the deliciousness of omelette rice (and the speed with which she consumed it), her description of the sustenance she’s used to (“square”), and her general bemusement with English loan words and earth technology (like “movies”). Ken is equally amusing as unreliable translator – the blind leading the blind.

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Most importantly, Ken has made peace with the fact that Muetta is not Yukihime, but her own person…and he wants her to fight with them. He expresses this wish during a shoot for a movie, the script for which Carlos has been working on since the attack and by all accounts seems completely absurd and incomprehensible.

I’ve gone on record as not being the biggest fan of Carlos or his desire to be remembered, but the shoot is fine harmless fun, even if it’s mostly a chance to see various characters in different outfits.

This was a quiet, somewhat rambling episode, but it wasn’t entirely pointless, and is likely the last episode of its kind. With only three left, Kuromukuro needs to get down to the business of thwarting the Efidolg threat.

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Tonari no Kaibutsu-kun – 11

Yamaken finds himself unable to explain or control his attraction to Shizuku, but anything she says or does around him turns him on. Her proximity to Yamaken continues to frustrate Haru. On an evening stroll, Haru threatens Yamaken, but he shrugs it off, leaving Haru in a funk. Shizuku appears in a moment of despair. He reiterates his love for her, but expresses his frustration with the current situation. Shizuku isn’t sure how to respond.

She loves him and has told him so. He loves her and has told her so. So everything should work out, right? Only if either of them knew what the hell to do next…and we’re not talking about renting a room at the love motel. Shizuku and Haru are stuck; sedentary; in a holding pattern; static. Declarations lead to…nothing. Both are so new to…whatever it is they have that neither’s sure what to do about it, and whenever one of them makes an attempt, they clash. As Shizuku says, they’re just “out of sync”. He can’t seem to reconcile her loving him and hanging out at cram school with Yamaken. She can’t seem to reconcile the fact that, well, she doesn’t really like to be touched.

Meanwhile, she’s oblivious to Yamaken, who is growing more bold with each passing day as his weird crush intensifies. And let’s not forget Haru clearly has some serious, traumatic issues in his past that he hasn’t begun to deal with. It’s nice that Shizuku is a calming, taming force in his life, but until the underlying issues are resolved, theirs is a doomed romance. The sad part is, we already know the jist of all this; this episode taught us almost nothing new. It’s fine for their relationship to be going nowhere, but if the show itself isn’t going anywhere (or rather, going in circles, or even backwards), then we have problems.


Rating: 6 (Good)

P.S. Ooshima’s friend Yuu wordlessly stares at Yamaken on more than one occasion, while Natsume considers paying a visit to Mitsuyoshi to tell him how she feels. Isn’t he, like, fifteen years older than her?