Carole & Tuesday – 06 – Kicked Up to the Big Stage

Right off the heels of their first sparsely attended gig, Gus has a second one for them, courtesy of Hofner (through Beth). They’ll be backing up Omega—and their notoriously flaky drunk frontman—at Cydonia, one of if not the biggest concert on Mars. They’ll be playing to one hundred thousand fans who wanted to hear Omega. The prospect of all those hostile people “breaks” Tuesday.

Oh yeah, the show’s tomorrow, so they have to spend part of the night and the train ride there writing and practicing a song. Everything about this gig is already ridiculously implausible…and I’m not talking about them being on Mars! Even with the explanation that no other band would bother if there’s a chance Joshua will play, it makes no sense for Hofner to not already have a list of professional bands eager for their shot backing up Omega.

But whatever, Carole and Tuesday are super-lucky! Fine. And the place is pretty cool; we finally get a good look at Mars’ rolling red hills and valleys, and Cydonia looks kinda like a Burning Man-style oasis in that wasteland.

Carole and Tuesday have some time before they go on, so they soak it all in, including, hopefully, some of one of their favorite singer Crystal’s air. Meanwhile Roddy does his job as DJ Ertegun’s AI operator, and Ertegun plays the same track we’ve heard to a delirious crowd.

That crowd’s reaction is somewhat outsized for what sounds like someone hitting a 2003 Casio keyboard’s DEMO key, but again, whatever.

Joshua arrives, and there’s a funny sight gag where he seemingly steps surefootedly out of the car, only to crumple into a human slinky; dude is tossed, which means C&T are most likely on. Panicking in their trailer, they eventually go outside, only to run into Roddy and Ertegun.

They run and hide—because he can’t press charges if he can’t catch them, I guess?—and end up in the smoke-filled trailer of “Skip”, who is very spooky and threatening at first, but gives them the most uninspiring inspirational speech before going on stage and performing what was actually the best piece of music in the episode, but which was still pretty bland, with lyrics that might be forgivable if written by a middle schooler.

When Joshua can’t take the stage due to some kind of “Beetle” problem (or is it “Beatle”?), C&T take the stage for him, with the reception you’d expect from people who paid good money to see Omega, not two amateurs with one official gig under their belts.

If I’m sounding overly harsh about this episode, it’s because this episode was harsh. Also, because the show believes C&T to be some kind of generational world-changing talent. But I’ve reached my limit.

Here’s the thing: the “Dancing Laundry” is vapid trash. I wouldn’t throw trash at them if they played it at a concert I attended—that would be despicable—but I would probably walk away to buy some beer or get in line for the toilets…anything to get away from that.

But here’s another thing: C&T actually are good by the standards of music in this world. Ertegun is a hack, Skip is inskipid, and the less said about Omega, the better. The duo still took the stage, played as hard as they good, and endured the abuse of the crowd until Omega took over.

I just couldn’t feel that bad for Tuesday crying afterwards, because from my ears they did nothing to turn that crowd around, and as unfairly impossible as a feat as that might have been, if C&T are as good as everyone says, then why not have them win that crowd over? They like all the other crap we had to listen to!

The last nail in the coffin of this stinker of an episode is Crystal, who to her credit seems like a nice lady, comforting the duo and giving them kudos for persevering in front of such a hateful crowd. But even the mega pop star can’t help but sing lyrics that sound like they were generated by a computer algorithm…a bad one.

Carole & Tuesday draws you in with its lush and intricate setting, warm, likable protagonists, and game supporting cast. But then somebody starts singing and you have to turn down the volume and hope it stops soon, and all the show’s goodwill is spent. It’s a big problem. In the future, on Mars, music is apparently terrible.

Cowboy Bebop and Samurai Champloo featured good music from real artists, and neither of those Watanabe shows were even about music! How could the ball have been dropped so badly here? MAL doesn’t even list anyone on the staff as responsible for music. Maybe computers really did make it…

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Carole & Tuesday – 05 – The Trees in the Wind Will Lead the Way

After burning down a famous DJ’s house and getting taken in by a scambot, the C&T Dream Team needs a win desperately…not to mention some scratch to keep the lights on! So Gus and Roddy set out to meet with their connections in order to arrange the duo’s first gig.

On the Angela front not visited last week, Mama comes to her daughters defense, accusing Tao of treating her like a lab rat due to his background in neuroscience. Tao’s rejoinder is to bring up Mama’s assault charges…and her apparent “androgynous” status.

Finally, Tuesday’s brother has arrived in Alba City, determined to find his sister and bring her home as per their Mama’s orders.

Upon trying to meet with his old pal Hofner without an appontment, Gus is met by stubborn guardbots, whom Hofner himself orders to stand down, after which Gus is able to voice his intent to do business.

Tao takes Angela to Schwarz, an investor at Intergalactic, and asks her to sing an a capella song she learned during the car ride to convince Schwarz to invest 12 million Woolong.

Roddy meets his friend Beth, who owns one of the last independent clubs, and asks her for a slot for C&T. The overarching theme here is, in order to make it big, you’ve got to put in the legwork, and connections are key.

C&T’s only connections are people with connections, who happen to have faith in their talent and charisma. As for Angela, she sings well (though I’m not a fan of the lyrics) and gets the 12 mil…but like us is still unclear exactly what Tao has in store for her.

Tuesday’s brother finds Carole’s landlord utterly unhelpful in positively identifying his sister, who gets a job as a poster girl for a food truck while Carole unsuccessfully walks AI pets. On the bright side (literally) the lights come back on and Carole’s AI suitcase finally makes it back to her.

Finally, there’s C&T’s first gig where they knew they were being watched. Despite the somewhat dingy digs and just ten people in the audience including him, Roddy considers this a seminal moment, the genesis of what will become a great musical duo, where those ten people will be able to say “I was there.”

Mind you, Roddy is pretty much in love with C&T at this point, so he might be biased. I for one found the song perfectly inoffensive but the lyrics were trite and cloying. It’s hard not to be harsh on the pedestrian nature of their tunes when the entire premise is that the duo are some kind of rare and monumental talents that will literally change the world with their music.

But if those in the world of the show say they’re really good, that’s I guess all that really matters. Watching Tuesday perform is enough for her brother to seemingly give up his search and let her be, despite the blowback he’ll get from Mom. I just wish their songs were amazing full stop, not just “amazing” in the context of the show.