As the town prepares bamboo lanterns for the annual Walk of Longing, a high school friend of Potte’s father, Natsume Nozomu, pays a long put-off visit. He doesn’t mince words while criticizing Potte’s work. When she and Kanae bump into Shihomi while snapping pictures, she tells them she’s also endured her share of criticism, and encourages her to keep cultivating her love for photography. Potte, Kanae and the others have okonomiyaki at Hoboro’s with Nozomu. Later he tells Potte a little about what her dad was like in high school, and is glad he visited, and lets her take a parting photo of him.
This week is an interesting new exercise in subjecting Potte to perhaps the prickliest person she’s had to deal with all season, someone immune to her charms and seems determined to pop her pleasant little bubble, and Kanae’s along with it. He says what some of us may have been thinking all along: all she does is impulsively point and shoot at things, keeping her subjects right in the center, just like her dad. As a guy who has no qualms about dispensing with pleasantries and picking on his dead mate’s daughter, having missed his wedding, her birth, and his funeral. He also stopped taking photos, even though he was the one who inspired her dad in the first place.
So this guy’s just a pompous dick, right? Well, fortunately, the more we see him interact with Takehara and Potte, the more he softens and becomes (slightly) more likable. His other mate Hinomaru knows the sourpuss is just a front. Kanae talks a lot about how Potte’s heart races when taking photos, which leads to the hearts of the people who see them also racing, as if catching a wave. Nozomu admits that while Potte’s dad’s (and her) photos aren’t the most technically adventurous, he admits that they’re all “overflowing with love.” Enough that they, along with a nostalgic taste of okonomiyaki and a wistful tour of the Walk of Longing, touch his heart.
Rating: 8 (Great)