Higurashi: When They Cry – Gou – 11 – Tearing Fate Apart

Keiichi can’t snap Satoko out of her panic attack no matter how hard he tries, so Rena steps in, and eventually she stops screaming. But when Chie-sensei returns to the classroom, Satoko literally laughs it off as a practical joke. While it’s probably an animation quirk that the tears and vomit vanish from her face, it’s clear she’d rather pretend her outburst never happened.

Rika again insists Satoko come home with her, but Satoko’s response sounds practiced, even programmed: she lives with her uncle now; there’s nothing she can do about it. That’s not good enough for Keiichi, who wants to do something…anything. Well, not anything, because he draws the line when a furious Shion appears and declares she’s going to simply murder Satoko’s uncle.

Keiichi stands in her way and even takes a chair to the head, telling Shion that’s not how to get back to “the world where everyone is happy”; killing Teppei would destroy that world. Rika’s ears perk up at his phrasing; it’s almost like he’s aware that victory in this route isn’t possible unless they “follow the rules.” She comes between Keiichi and a violent Shion, who finally stands down.

The thing they all settle on is going to Child Welfare Services as a united group to voice their concerns with the process thus far. The employee who receives them does not let their emotions influence the facts: the case is currently being worked on, and she’ll add their concerns to her notes. She also won’t discuss the details of Satoko’s case due to confidentiality.

It’s basically a stonewalling, and Keiichi doesn’t take it well, adopting a defeatist attitude as they walk home at sunset. But Rika won’t someone she believes in—who said earlier he’d “tear fate apart like wet paper”—raise the white flag so easily.

If the five of them weren’t enough to convince CWS of the urgency of Satoko’s case, then they’ll just have to rally more troops to the cause. The next day, Keiichi makes an impassioned speech to the entire class, who are all on board with visiting CWS together. Rika warns Chie-sensei not to stop them, but she won’t. On the contrary, she’ll come with them.

Unfortunately, while a group of sixteen complainants doubtlessly stretches the CWS’ tea and paper cup budget, it does not move the needle tremendously far; at least not proportional to the size of their force. The CWS manager insists that everything is being done with Satoko’s best interests in mind. He also hastens to mention that they have no credible evidence on file that Teppei was ever abusive of Satoko. As far as they’re concerned it was the aunt who allegedly committed the abuse.

That said, Keiichi & Co. won’t take this second defeat lying down. They and the rest of the class commit to asking everyone they know to descend upon CWS at once to insist they do more to protect Satoko. Rika stares semi-maniacally into the middle distance, assured that they are amassing the power to tear through fate and save Satoko.

I appreciated Shion’s infusion of rage into this crisis as a sign that yelling and stabbing is rarely the best way forward; Keiichi is likely 100% right that Satoko would not take her uncle’s death well, especially if a friend killed him, even if he deserves it. That said, Rika’s and Rena’s voices constantly shifting between “cutesy” and “serious” got a bit…silly at times.

Judging from the previous arcs, it’s unlikely the gang will succeed in saving Satoko. Then again, never before has everyone been on the same side working so hard to prevent disaster. “People can’t live without hope,” says Rika…so I’ll hold out hope a bit longer.

Higurashi: When They Cry – Gou – 10 – Leaving No Marks

Keiichi wakes up from a dream of beating Satoko’s Uncle Teppei to death with a metal bat, only to find Satoko is late for school. Keiichi doesn’ have any success asking Rika about her, and instead is approached by Ooishi for the first time in this arc. He asks about Satoko, grabbing Keiichi so hard on the shoulder it hurts despite not leaving a mark.

Dr. Irie rescues Keiichi from Ooishi’s piercing gaze, saying the locals call him “Oyashiro’s familiar” due to his obsession with solving all the crimes attributed to the curse. Irie also tells Keiichi about Satoko’s harsh home life ever since she and her brother Satoshi moved in with their aunt and uncle. Now, of course, it’s just Satoko and her uncle.

Satoko finally arrives, but looks depressed and sleep-deprived, and can barely keep up her peppy formal-speech act. After seeing this clearly-changed Satoko come and go without playing games with them, Keiichi, Mion and Rena finally get Rika to talk about what she knows.

Last night, Satoko didn’t come back from a grocery run until very late, only to tell Rika she had come to collect her things; she was moving back in with her uncle. This time the abuse is likely worse for Satoko, since Satoshi is no longer around to shield her. Mion mentions having called social services last year, but they offered only lip service.

The next day, Satoko is absent from school, and her friends rack their brains for how they can help her from what is clearly a worsening situation. They decide to go to an adult, Chie-sensei, and leave the matter in her hands, but when she visits Satoko’s house the Uncle stonewalls her, not even letting her see Satoko.

The excuse that she was in bed with a fever is repeated by a much more chipper and back-to-normal Satoko the next day, but while horseplaying during lunch Keiichi moves to pat her gently on the head, her hand reflexively slaps his away, and she vomits and has a complete mental breakdown, yelling how sorry she is and how much she “hates it.”

Not knowing exactly what kind of abuse Uncle Teppei is inflicting upon poor Satoko makes it particularly awful, since it forces us to contemplate the extent of it, but even worse is the fact that because Satoko lied about abuse to get her real father removed from the home, social services seems to be skeptical of any subsequent reports.

Satoko’s friends feel crippled by their inability to act, but know that if someone doesn’t do something, Satoko could end up dead. Will the violent events of his dream come to pass, or will he and his friends find another way?

Higurashi: When They Cry – Gou – 09 – Never Make Her Cry

We reset back to before everything turns to shit, but as we’ve learned from the previous arcs, there’s plenty of shit lurking just beneath the shiny happy surface of Keiichi & Co.’s daily life in Hinamizawa. Having had Rika and Mion/Shion-centric arcs, now it’s time for the focus on Satoko.

When Mion brings in fancy leftovers, Mion and Keiichi agree to a cooking duel, but Keiichi is abysmally bad at cooking. Seriously, he’s so clueless he almost burns his house down. Luckily Satoko and Rika are there to not only put out the fire, but salvage his dinner, and Kei-chan is thankful for both.

As Rika puts it to Kei before biking home for the night, Satoko is in need of someone Rika can’t replace: her big brother Satoshi, who ran away from home under myterious circumstances. Despite, or perhaps because of their sibling-like combative manner with each other, Kei makes for the perfect surrogate nii-nii.

Simple things like shopping for ingredients, cooking them, and sharing meals together clearly brightens Satoko’s day immeasurably. Similarly, when Satoko needs someone to cheer her on in a crucial at-bat, Kei arrives just in time, and as a result, she hits the winning home run and wins her team free BBQ.

At this BBQ, during which everyone has fun, Kei meets someone new: Irie, who loves Satoko’s smile, and while he can’t adopt her for “various legal reasons”, has no qualms about citing his plans to eventually ask for Satoko’s hand in marriage when she comes of age. Shion is similarly enamored of Satoko, considering herself a big-sis figure.

Irie’s words to Kei—never make Satoko cry—sound like his prime directive for this arc, which he’ll have to follow to avoid disaster. But that will surely come anyway, since Kei overhears two boys talking about how Satoko’s brother Satoshi was a victim of Oyashiro’s curse.

The destructively-curious Kei is eager to pick at this particular scab, and while Rena will have none of it, Mion tells him more: Satoko’s parents were the leaders of the pro-dam movement, as the gov’t offered big payouts to anyone who agreed to move out of the village. They died falling off an observation deck, which is super-suspicious, while Satoshi is believed to have run away to avoid the curse, but could also have been “demoned away”.

In any case, part of “not letting Satoko cry” means keeping all this under wraps, especially around her. And as we learn, and as I’ve suspected since that unsettling end credits image of her looking frightened as a man in a Hawaiian shirt looms over her, Satoko already has enough to cry about.

As we see the loud, drunk, boorish “Uncle Teppei” lead her into an isolated house, It’s almost a certainty some kind of physical and/or sexual abuse is taking place. For all the people who love Satoko and are watching over her, there’s clearly a huge gap in their blanket of protection. However explicit the arc gets about this, I hope Kei & Co. can manage a way to free Satoko from this particular hell…assuming they ever learn about it.

Higurashi: When They Cry – Gou – 08 – The Safest Place

Suddenly, not long after talking to Keiichi, Rika is missing. The class calls her name around the school grounds. Keiichi prepares to search the outhouse, but Mion asks him to search the roof. Then Mion suddenly grows agitated, declaring she has to “put an end” to Oyashiro’s curse.

Mion calls out Rika, one of the heads of the Three Great Families, for coming to carry the curse out. She’s is shaking the ladder so much it seems likely Keiichi will fall and hurt himself or worse, but their teacher Chie snaps her out of her agitation and sends them both home for the day.

It isn’t long before Mion invites Keiichi to her house, certain there’s something he has to say to her. Sure enough, he breaks down and confesses to entering the ritual tool storeroom. Mion already knows this, but now that he’s confessed, she feels she can trust him now, and asks him to trust her in turn as “the only one on his side.”

That’s because there are “some” in the village who believe anyone who disturbs that storeroom should be “punished”. She leads Kei deep into the bowels of Sonozaki family’s personal underground dungeon, torture chamber, and safe room, then locks Keichii in a cell…for his own protection.

She tells him she loves him, which is why she wants him to be safe while she…takes care of business. If she doesn’t come back, she tells him to say it was she who took him prisoner and locked him up. But especially when he watches Mion pull a giant revolver out of a drawer before she leaves, he can’t and won’t stay put.

He manages to bust himself free from the cell door, and the security monitors show a team of suspicious people in construction jumpsuits amassing on Sonozaki property. The safe room door proves far tougher, and Kei ends up knocking himself out trying to force it. He briefly wakes up to find himself on a gurney, with Ooichi looking down on him.

After Kei is discharged from the hospital, Ooichi meets with him again to give him some rather extensive bad news. The detective dispenses with any sort of tact and even seems to cruelly relish delivering the report, even laughing about the mess: there was a well in the Sonozaki’s dungeon.

At the bottom of the well were the bodies of Sonozaki Oryo, Kimiyoshi Kiiichiro, and Shion. Below them were the skeletal remains of at least three others. Rika was found in the septic tank of the outhouse Kei was going to check but didn’t because of Mion. As for Mion, she and Satoko were found in the Sonozaki mansion, dead from gunshot wounds to the head. Rena’s fate isn’t mentioned, but I assume she’s still alive.

Keiichi manages to survive thanks to Mion, with whom he finally came clean with his sins. But it was too late to save anyone else. The clues all point to Mion killing everyone involved in the rituals—including herself and her twin—in order to end the vicious cycle of Oyashiro’s curse.

Whether she ultimately succeeded, who can say. Kei is now all alone (aside from Rena), with a host of difficult questions that will probably never be answered. In any case, this is the end of the second arc. If we’re going by Rika’s final words, this “loop” ended in abject failure; another Bad Ending. Perhaps the third time will be the charm. Then again…perhaps not!

Rating: 4/5 Stars

Higurashi: When They Cry – Gou – 07 – Four Bad Kitties

Keiichi enters the storeroom with Shion Tanako Miyo, which not only contains an ornate statue of Oyashiro, but also a wide variety of very suspicious “ritual tools”. Clearly relishing every moment of freaking Keiichi the fuck out, Miyo tells them the tale of Onigafuchi, AKA “the demon’s abyss”—the original name of Hinamizawa.

When man-eating demons attacked the townsfolk, Oyashiro intervened, but not by killing the demons. Instead he gave them human forms so they could coexist with humans, and the gene pool of the town mixed from that point on through the generations.

Because the residents of Onigafuchi were descended in part from man-eating demons, they every so often went to other villages to kidnap human sacrifices for Oyashiro…making the “tools” in the storeroom more like…cooking utensils. We even learn the wata in watanagashi can mean both “cotton” and “entrails”…which is what were originally “drifted” back in the day.

It may be a couple weeks after Halloween, but Higurashi decided to whip out one of its spookier scary stories for this episode. Miyo herself is hard to read: is she legitimately overwhelmed by excitement upon discovering this motherlode of killing tools, or intentionally hiking up the creep-factor for the benefit(?) of Keiichi.

In any case, Shion touches the statue and its head slides off and splits in two…which was never going to be a good thing! Tokitake checks in on them, then leaves with Miyo to catch the end of the festival. Shion also takes her leave, making Kei promise not to tell anyone where they were or what they did. Kei reunites with Mion, Rena, Satoko, and Rika, who wonders if he saw her dance; he lies and says he did, but needlessly adds she made “no mistakes”, when in truth she apparently did.

Mion takes Kei by the hand and asks if he was hanging out with Shion, Tanako, or Tomitake. He lies again, and says he wasn’t. Finally, Detective Ooishi asks him if he’s seen Tanako or Tomitake, and mentions that Shion and Mion’s father is a prominent yakuza head. Kei lies once again…but Ooishi knows he’s lying.

Later that night Kei gets a call from Shion, telling him that Tanako and Tomitake have gone missing. While she claimed to be only joking about the four of them being the top candidates for Oyashiro’s curse, the call and her concern reveal otherwise. The curse is real, two of them are already missing, and they may be next. Kei lashes out, claiming he has “nothing to do” with any of this, and Shion hangs up on him.

Keiichi can plead ignorance and innocence all he wants; he did go inside that forbidden storeroom, learned the truth about the village and its deity, and has done nothing but lie about it ever since. It’s clear he’s freaking out to this degree because deep down he knows he fucked up.

The next day at school his friends note neither he nor Mion got much sleep last night—would you if you knew the curse could be coming for you? As Keiichi sulks, Rika comes to pat his head and ask what’s troubling him, and Kei finally owns up to what happened—albeit with a pathetic attempt to make it “rhetorical” and distanct himself by describing the four of them as “bad kitties”.

His story makes Rika laugh and speak in a voice Kei’s never heard from her before, and when he looks at her, her eyes are glowing red. She tells Kei not to worry, because there’s no point: he, she, the world, are all finished anyway. He should’ve just watched her dance…blissfully unaware that the cotton in the ceremony represents the entrails of human sacrifice.

Higurashi: When They Cry – Gou – 06 – There’s Something About Shion

Turns out Shion doesn’t have the power to draw allies to her; Hinamizawa just happens to be super tight-knit, and an attack on one of them is treated like an attack on all. Maybe the village should be called NATOmizawa, eh? Anywho, Shion changes on a dime from some kind of gangstress to a sweet lass when Ooishi and the cops arrive to take the punks away.

Keiichi is treated to a meal with Shion, who tells him the story about the dam project thwarted by that same village solidarity, weathering violent riots and legal wrangling. Later Keiichi gets a call to come be the guinea pig for the new dessert menu, and he defends Shion’s honor against two boorish otaku.

His ass is kicked, but for Shion the fact he defended her is what matters, and she begins to cling to him like a lover. They go out shopping together and end up at the shop where Mion works part-time, marking the first time we’ve seen the twins together and confirming there are in fact two of them, and that Shion was probably impersonating Mion at times.

Shion is the younger of the two yet more mature and refined compared to Mion’s rougher edges. Shion is also pretty blatant about basically stealing Keiichi out from under Mion’s nose, and whether it’s Shion getting Keiichi to buy a doll for her or talking with him after festival preparations the next day, Mion doesn’t seem too thrilled about her flirty twin sister-interloper.

Things get downright sinister when Tanako Miyo and Tomitake Jirou appear for the first time in this arc. Turns out Miyo’s a bit of a sicko, going on about the death and dismemberment kicking off an annual “curse” of one person in the village being murdered and another “sacrificed” (as opposed to “demoned away” in the last arc). Mion tries to get Keiichi away from the “lame story” but is unsuccessful.

Keiichi’s morbid curiosity and susceptibility to peer pressure rear their ugly heads again the night of the Watanagashi festival, when instead of watching Rika he is pulled away by Shion to the location of the shrine storehouse, where they catch Tanako and Tomitake breaking in. Shion and Keiichi decide to be partners in crime and have a look inside, as it supposedly contains “old ritual tools” that might fascinate Keiichi.

When he agrees, Tanako tells him “you’ve made your choice”, which is really what you want to hear when about to break and enter a dark creepy storehouse. I guess it was Shion’s goal all along to lure Keiichi into this very situation, but why she’s doing so, and what things await him remain tantalizing mysteries.

Higurashi: When They Cry – Gou – 05 – Two Not of a Kind

This week the timeline resets back to June 12, long before everyone starts murdering each other. In fact, until the very end of the episode there’s barely a hint of dread to be found here. A lot of time is spent literally playing games at a store. Like the first episode, this is largely table-setting.

Keiichi is saddled with The Game of Life, which unlike his fellow club members’ games, is predominantly luck-based. When Mion, Rena, Satoko and Rika all win their games, Kei decides to win by making a deal with the two younger boys he’s playing with, both of whom like Satoko and Rika, respectively.

The shop’s owner, who is Mion’s uncle, gives everyone gifts for helping to boost the day’s game sales. Keiichi ends up with a western-style doll, and following Rika’s advice, gives it to Mion, who is surprisingly flustered and bashful about receiving it.

The next day, Kei’s dad takes him to a restaurant where all the waitresses are in fantasy cosplay. To his shock, he finds Mion working there—but she reveals she isn’t Mion, she’s Mion’s twin sister Shion, who seems to appreciate Kei’s praise for how she’s rocking her outfit.

Since Shion was so familiar with Keiichi, there’s a distinct possibility she and Shion pose as one another, so from that point on I kept wondering who was who while interacting with Keiichi. When he praises Shion’s outfit, Mion blushes, and while Mion goes to her part-time job, it’s apparently Shion who comes to Keiichi’s house to drop off some dinner.

Throughout this, Keiichi is kind of a jerk in how he treats Mion as somehow “rougher” or more “tomboyish” than Shion…but even he can’t be certain with which twin he’s been interacting, nor could he know how good Shion is at acting like Mion, or vice versa.

At school the next day, Kei returns the dishes to Mion, whom everyone notes is acting more “kind and gentle” than usual. Rena ends up giving Keiichi a friendly reminder not to always tell a book by its cover. When Kei asks what he’s to make of that warning given Rena’s “cover”, she changes the subject.

That said, Rena notably maintains her “cute” Rena persona, never betraying any kind of malice as she did in the previous arc. It could be that instead of Rena, it’s Mion, or rather the Sonozaki Twins Keiichi will have to watch out for.

That brings us to the foreboding yet cryptic ending: when Keiichi is distracted by the restaurant where he met Shion, he stumbles into a row of motorcycles, angering their delinquent owners, who seem to be itching for a fight.

Just when they seem poised to start roughing him up, they’re stopped by a suddenly very pissed-off and assertive Mion…or is it Shion? Whoever it is, they tell the three punks to piss off, and when they move to challenge her, they’re surrounded by dozens of ordinary townsfolk, all wearing the same hostile expression as her.

Is this simply a factor of there being so many Sonozakis in the town? Does Mion/Shion have some kind of power to bring allies to her side? Is she a secret delinquent with more clout than these three grunts? Which twin even is it, considering we’ve apparently seen both “normal” and “reserved” versions of Mion? Could it be we never really met the real Mion until now?