How Heavy are the Dumbbells You Lift? – 08 – Everything Will Probably Be Fine!

After discovering Satomi has been working out at Silverman Gym (she left her pass on her desk), her teacher friends Yakusha and Aina decide to join in the fun, and are surprised to find the four high schoolers getting into weight training. Aina is concerned about her abs, so Machio suggests side bends (bicylce crunches are also recommended).

The oldest of the teachers (and very sensitive about that fact) turns out to be the best of all the women. She won’t reveal why she has such good muscle balance, but perhaps the fact her name is so close to the word yakuza has something to do with it?

The balance of the episode is spent on a school field trip to a very spooky mountain with a trail that’s “probably” fine, as the teachers put it. While Yakusha leads the way, exhibiting prime mountain climbing form (very different from walking on the sidewalk in the city), the other two teachers and Hibiki soon fall far behind, and by the time they adopt the right form, they take the wrong trail and get lost.

While Rumika and Hibiki are ready to write their wills and death poems, Satomi finds the tallest tree and starts to climb it, both so they can get their bearings and in case someone sees them. They pick way too big a tree, and decide the best way to climb it is to strip down to their underwear. That’s when Akemi, Ayaka and Gina spot them with binoculars, and Yakusha assumes they skipped lunch on the summit to continue athletic activities.

The addition of the two teachers made for some fun new dynamics, while Machio, back at the gym, apparently has a target on his back courtesy of a dude so huge and muscular even custom-made reinforced dumbbells are crushed in his fists like limp spaghetti. Perhaps the founder/CEO of Silverman Gym?

Rakudai Kishi no Cavalry – 09

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In addition to getting a win and advancing due to Ayase’s forfeiture, Ikki also gets a week off with Stella at a mountain hotel. Thankfully, we’re well past the point that one or the other must use this golden opportunity to confess their love—they’re already lovers. Rather, it’s more an opportunity for the two to see just how much trouble they can get into, and find out what kind of lovers they’re going to be.

Alas, it also turns out the director tricked them; at least part of their “vacation” consists of helping the Student Council clean the hotel. I maintain the Student Council are all a bunch of shallow cliches with silly exaggerated designs, but it’s good to know they’re not really evil, and as a group bouncing off one another, they’re fun enough.

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…Just not as fun as watching Stella and Ikki when no one else is around. Stella wants to go see a gorgeous waterfall an hour’s walk away, but she didn’t eat enough in the morning, gets tired and weak, and eventually shows symptoms of a cold. Then it starts to rain, and Ikki postpones the waterfall trip and seeks out shelter. Almost too conveniently, they find a clean, unoccupied cabin with a hearth.

Soaking wet and coming down with a fever, the best thing for Stella is to get her clothes off so she can get warm and dry. Ikki knows it’s probably embarassing, so he strips first. It’s a kind and very Ikki gesture, and reminds Stella how they met, with him seeing “everything” right from the start. She doesn’t look on that day with scorn, but with a smile.

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In the firelight, with Stella sweating and breathing heavily, there’s no way to make this situation not incredibly sexy for both parties. Ikki attempts to keep things “businesslike”, but after unclasping her stockings and bra, Ikki pitches a tent; one that Stella not only notices, but is happy she excites him so, especially when he’s exciting her so much. After a pause that lasts seemingly forever during which only the fire snaps and pops, Stella finally puts the question to Ikki: “Do you wanna do it with me?”

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But that doesn’t lead to any slow dissolves, tasteful panning, or overdramatic score drowning out sex noises. In fact, Ikki is taken aback, asking if she’s sure what she’s saying. Without skipping a beat, Stella looks seriously and calmly at Ikki and says she does; she wants him, he wants her, and if he wants, they can have each other right here and now. Stella may be the instigator by posing the question, but she understands the choice of whether to proceed belongs to both of them.

Ikki says no, but it’s not because he doesn’t want to. For one thing, she’s exhausted and needs to rest, but beyond that, Ikki is thinking about their future—both their futures, not just his. Even if you don’t quite agree with Ikki’s somewhat conservative views on the matter, you can still understand his decision as part in parcel of the careful life he has to lead, whether it’s not getting into useless fights, or not risking getting the girl he loves pregnant in a fit of passion just because all the circumstances align.

It’s not that Stella isn’t being clear-headed, or Ikki is being a prude. It’s somewhere in between, which makes it a far more interesting situation. Stella isn’t just disappointed Ikki turned her down this time; she’s also happy he’s so serious about their relationship. This isn’t just a fling for him. She also surprises herself again with her “naughtiness”, though I sensed more acceptance of, rather than shame about, that side of her.

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In any case, they got as close as you could physically and emotionally get to going all the way, and you have to tip your hat to RKC for going there and not giving us easy or one-dimensional answers or resolutions. And from a practical perspective, it’s good they didn’t get into it, because they would have been rudely (and probably painfully) interrupted by a giant stone golem smashing the cabin.

Again, RKC and Asterisk echo one another when this attacking monster splits into several smaller versions of itself when Ikki cuts it, meaning a central controlling element must be taken out to stop it from reviving. Ikki isn’t able to find it, and nearly loses Stella while fighting when the Student Council shows up to rescue them. A very discreet Student Council that doesn’t ask too many questions about why Stella is in such as state of undress and whatnot!

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Even the council finds their backs up against the wall, until their long-talked-about but previously unseen president arrives and takes the golem—and his controller, many miles away—down with authority. The glasses-wearing, twin-braid redhead is named Toudou Touka (not to be confused with Asterisk’s Toudou Kirin), and she makes an immediate impression as a capable badass who naturally was one of the final four in the last Seven Star. Heck, her attacks even dissolve the letterboxingin a subtle visual breaking of the fourth wall.

As for the gangster-type guy who arranged the golem attack, I don’t much care for him at all, but wonder if he’s specifically after Ikki on behalf of the Kuroganes, or more interesting working against them (and the Kurogane clan having to put on a front of loathing to protect Ikki all this time)

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Mercifully, Shizuku isn’t quite obsessive enough to have snuck on the bus with Stella and Ikki and stalked them on their trip (though it would have been somewhat interesting if she had been the one to save them from the golem, I don’t think she could have handled peeking through the window as the lovers stripped and sweated). Instead, she goes home to her big, cold sad room in the big, cold, sad Kurogane Manor, where she’s summoned by her big, cold, sad father.

Her dad claims to want to know how Shizuku is doing, so had her mother write a letter to her on his behalf. In addition to being insulted by being tricked into coming, Shizuku is pissed that her father won’t even speak of Ikki, even though like her he’s won twelve matches in a row without a loss.

He’s quick to express his pride in her, but not Ikki, so she rejects his pride, along with whatever excuses he has for treating her brother like garbage for so long. (Of course, if there is a good reason Ikki’s family does that, which Shizuku isn’t aware of, it would be nice to hear about it.)

This is actually Shizuku at her best, “behind enemy lines”, where the enemy is the entire rest of her family who treat Ikki like an inconvenient eyesore, and taking the fight to that enemy. If they’re not going to treat Ikki like they treat her, she’d rather they treat her like Ikki, and go to the devil while they’re at it. Going home made Shizuku mad, which is why its such perfect timing that her next match will be against Toudou Touka, in a battle of water vs. lighting.

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Glasslip – 11

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—She’s kind and indecisive. She gets pushed around. She has trouble with it. And I’m making her even more confused. She made me realize I don’t know anything.
—I see. You like her.

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That’s one hell of a great line by Kakeru, followed by a great response by his mom. The description of one’s love for someone can and has filled great libraries throughout the ages, but at the end of the day, love is just love. As the Oracle said, you just know when you’re in love, through and through. Kakeru’s heart knows, even if his busy brain hasn’t caught up.

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Hina’s such a good sister. Lucky for her, Touka isn’t up to anything THAT bad.

First of all, this was a great episode for people who don’t like everyone being miserable and mad at each other for extended periods of time in these kind of shows, for every couple is where they should be: together, and more to the point enjoying being together, whether it’s Yuki going to see Yana dance, then running together, Sachi and Hiro going on a hike together, or Kakeru and Touka for nearly the whole episode.

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After their kiss, which neither regrets, Kakeru wonders if he’s just trying to make himself think he likes Touka. All due respect, Dr. Kakeru, Ph.D., but you’re still in friggin’ high school. I think you’re overthinking things. But then again, when you’re seeing what may be flashes of possible futures, perhaps you can’t afford not to be serious.

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When the two decide to watch his mom play piano with her family present, like when they spend the night in the art room, Kakeru and Touka are experimenting; attempting to experience conditions that might stimulate Touka’s ability. But when Touka’s parents (and Hina, who really went to bat for Touka the previous night) actually come, and mingle pleasantly with Kakeru’s, he also wonders that maybe that’s enough.

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All these supernatural flashes and visions are really a more direct manifestation of the fear of loneliness Kakeru would have anyway. Life has given him a choice: his mom is willing to take him abroad with her, or he can go to school and get closer to Touka. But that choice is set aside for now, and they hold hands listening to his mom play, and a vision of snow falling on the town takes over. Is winter coming?

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I don’t want to discount the awesomeness of the other two couples; while they got less time, they made the most of it. During a blissful mountaintop picnic, Sachi apologizes to Hiro, while Yuki and Yana are now much better, to the point Yana isn’t even upset when Yuki says he has to talk with Touko one more time. The couples are all together now, but whether they stay that way depends both on circumstances and the choices they’ll have to make once they run out of summer.

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