Ao Haru Ride – 02

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When I think back on it, this show’s first episode had its protagonist in a very dark place. Of course, high school can be a dark place for a sizable chunk of youths; a place where you compromise and do what you have to do to just get through it; where you take advice given years ago about “always getting along with your friends” and you make that happen at any cost, because the alternative is being all alone.

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In other words, it’s a pact you make with yourself, and it’s a pact we thought Futaba would continue to honor for some time, both much to our chagrin and, evidently to Mabuchi’s as well. While he’s still hard to read, his words to Futaba about Asumi and Chie being “friends in name only” created a small fissure in the “High School Armor” she’d spent so much time and effort polishing; getting lost in its sheen and forgetting important things like emotional connections and trust.

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Those cracks spread when Futaba finds Makita—a girl who acts all cutesy around guys like she used to and pays for it by having to eat outside in the cold, alone—to have a perfectly reasonable explanation for why she acts the way she does—because that’s just who she is. She’d rather bear the petty ire of her peers than cease being her natural self. She doesn’t deserve the treatment she’s getting, but no one said high school was fair.

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That’s when Futaba, with her now badly-cracked armor, sits down with Asumi and Chie, and she suddenly can’t suffer any more bile directed at Makita. The real Futaba bursts out of the tatters of that false armor, giving her “friends” a thorough piece of her mind, thereby losing them in the process. But good riddance: real friends should be able to be themselves around one another. Futaba couldn’t be that around them, so they weren’t meant to be friends.

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She realizes this too, so it doesn’t hurt much when her relationship with the other two girls is officially rescinded. But while she lost those two vapid gossips, she gained a lot more: the respect, attention, and even affection of Mabuchi Kou (who she finally starts calling “Kou” rather than Tanaka, since that’s his name now), a new, real friend in Makita…and our regard as well. I gotta say; girl did good this week. I’m glad Kou realized that too, giving her a cute hug through the window, shielding her teary-eyed face from passersby.

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Her gesture to cast away the artifice of “getting along at any cost” and its fallout may have been modest in the grand scheme of things, but right here and now, in the jungles of high school, it was a significant, life-altering achievement. And no doubt Mabuchi was a catalyst for that change, whether he intended to be or not. I’m now hopeful there’s something about him that she can fix…no need to keep things one-sided!

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Zankyou no Terror – 01

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Finally we come upon the first episode of “Terror in Resonance”, by the end of which Nine and Twelve make a mini-9/11, and bring a third into their circle. To be honest, it left me a bit morally conflicted, though that’s probably the point. On the one hand, I cannot discount the show’s technical and artistic bona fides, what with Watanabe Shinichiro storyboarding and directing and Kanno Yoko handling the soundtrack. On the other, the supposed “heroes” just blew up half of the Tokyo City Hall.

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After a thrilling, imaginative (snowmobile!), literally cold open in which two masked rogues steal some nuclear fuel from a snowy facility and the most visually complex and beautiful OPs of the season, we transition to a sweltering Summer day in present-day Tokyo. We see the faces of the gents who pulled of the nuke heist: the calm, cool, analytical Kokonoe Shin, and the warm, impish Kumi Fuyuji. In private they call each other “Nine” and “Twelve” respectively, and both the OP and a dream Nine has hints that they’re escaped test subjects.

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Kokonoe and Kumi seem intent on adopting the appearance of normal lives. At their age, that means attending high school. There, they cross paths with Mishima Lisa, a plain girl who is bullied by her peers and her overbearing mother doesn’t seem to help her appetite. She’s trapped, helpless, and miserable. Both Kokonoe and Kumi see that in her, and it reminds them of the people they couldn’t save. So when she happens to be in the building they’re planning to blow up, they give her the choice: die, or join them.

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Unsurprisingly, the desire not to die outweighs whatever reservations she has about becoming the boys’ “accomplice.” She takes a literal leap of faith into Kumi’s waiting arms, and into a new life. And it’s likely City Hall is just the beginning of Kokonoe and Kumi’s plans. So here we are, watching everything go down form the perspective of the “villains,” while also getting a brief taste of the detectives who picked up their scent by chance—a YouTube video.

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This brooding, stark world was presented with nigh impeccable artistry and care; this show is right up there with Aldnoah and DMMd as the Eye Candy Kings of Summer. It also challenges us to root for terrorists while only giving us the slightest hint that they may be justified or at least understandably motivated in their illegal and ultimately murderous activities. So what drives them, why are they so good at terror stuff, what are their goals, and how does Lisa fit into the equation? Moral qualms aside, I won’t deny I’m excited to find out.

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Ao Haru Ride – 01

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Futaba and Tanaka were both quiet, shy, unassuming middle school students. Then Futaba assumed that Tanaka would show up for their date after she yelled “I hate all guys!” in the hallway. He didn’t, then suddenly moved away, because of HER his parents moved. Even though nothing ever came of it, Futaba maintains Tanaka was her first love.

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Fast-forward to non-watercolor present, where Futaba is in the third term of her first year of high school. Little does she know her beloved Tanaka is not only there, but has been all year; he’s just not “Tanaka” anymore, having recently escaped from a secret lab that experimented on him with drugs and implants changed his name to Mabuchi after his parents divorced.

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He’s also taller and hunkier, which is one reason why Futaba never noticed him until the third term. Another big reason is that she wasn’t looking for him, and she was too busy reinventing her personality to fit in with her peers. When she was cute and girly, she got dumped on, so now she maintains a tomboyish persona so as not to offend anyone and risk their ire.

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It’s served her well, but it still seems like a goofy performance she shouldn’t have to force herself to do, let alone get used to, to the point when she can no longer separate who she is from who she’s pretending to be. And while she just noticed Futaba, he’s known she was there all along, and while he feigns indifference, he seems to disapprove of what’s she’s doing.

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While we know a lot less about what makes Mabuchi tick, it’s clear he made some changes of his own, ostensibly to fit in better with his peers. I wouldn’t be surprised if he was caught off guard by her hopeful, excited reaction to finding out he was “Tanaka.” His cold attitude could be more a sign of fluster and frustration it took this long than genuine acrimony.

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The road ahead for these two looks rather rocky; with Mabuchi making some very definitive statements like “that was in the past” right out of the gate. The fact of the matter is, Futaba’s pleasant, if somewhat forced, high school life has been upheaved, and I’m sure the more attention she pays to a guy instead of stuffing her face like a clown, the more she’ll see who among the girls is really her friend and who isn’t (hint: probably not a lot of them.)

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Is this a ride worth staying on? Too early to say. There were some decent moments of comedy and teen drama. It’s certainly very pretty, and the character designs are appealing (as long as you’re not weirded out by everyone’s very round, expressive eyes). But this is a jam-packed Summer season. Both this and Glasslip were serviceable but not outstanding. And between Kimi ni Todoke and Tonari no Kaibutsu-kun, I’ve already watched my fair share of above-average rom-coms that enjoyed better starts. So we’ll see.

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Noragami – OVA 01

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We’re big proponents of the body-swapping episode when done well. In addition to being a refreshing change of pace, it is also an opportunity for the seiyus to show off their talent. Listening to Uchida Maaya successfully imitate the way Kamiya Hiroshi voices Yato is enough to justify watching this OVA (or OAD…whatevs). That’s not the only reason to do so, however. With the immediate crises of the main storyline set aside and the show placed in a sandbox, it decides to have a little fun, which turns out to be infectious.

With the aim of increasing his exposure to humans, creating new delivery god business, and simply staving off boredom and loneliness, Yato decides to impliment a “divine possession” of Hiyori. That would be stressful enough for her on an ordinary day, but he decides to do this on her first day of high school. Even if she’s in class with many familiar faces, she’s brand new to the other three-fourths of the school, so impressions matter.

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Yato’s field day consists of solving a hard math problem (making Hiyori look smart), acting very forthright and brash (confusing those who know her) handing out his number (making Hiyori look a bit loose), singing, dancing, kicking ass in soccer, etc. Kofuku also joins in the mischief, involuntarily causing dozens of accidents and mishaps. Eventually a (weak) phantom shows up causing a voyeuristic student to jump out a window, but Hiyori-Yato catches him heroically.

There’s a great impish energy emanating from Hiyori-Yato, and a gnawing frustration in Hiyori (and Yukine). Calling upon Lord Tenjin and Mayu backfires when the two appear on campus dressed to the nines and become engulfed in bewitched students (though they do eventually put an end to Yato’s fun). When Hiyori returns to school the next day, we appreciate that everyone remembers everything she said and did yesterday. All eyes are upon her, most of them full of admiration and respect. So at the end of the day, Yato did get her high school life off to an auspicious start. All it cost her was a dislocated shoulder!

7_very_goodRating:7 (Very Good)

Noragami – 08

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Last week Hiyori and Yato decided not to give up onf Yukine, but if they’re to survive, Yukine has to not give up on himself. That becomes increasingly difficult when Yato’s next request for help comes from Hiyori’s underclassman, a mercilessly-bullied kid named Manabu. Manabu’s whimpering disgusts Yukine, and when Yato calls him out for harboring similar feelings, he wanders off on his own.

The “Bullied Kid” mission may be relatively routine for Yato, but after we’ve seen a case of someone crossing over to the dark side (i.e. that lost little girl), the possibility Manabu could meet the same fate remains throughout the ordeal. The danger is only compounded by Yukine growing more resentful and alone as he observes the living students. Throughout all this Yato is looking far more sluggish to Hiyori; to the point her playful beatings actually end up hurting him.

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Yato decides to place Manabu’s fate in his own hands in the form of two utility knives: one for him, and one for the bully he confronts. A phantom grows behind Manabu’s shoulder, egging him on with a creepy chorus of voices that he himself joins. But while he scares the bully into wetting himself, he remembers Yato’s words to him: crossing the line means abandoning humanity.

Through his unpleasant school experience Manabu’s cultivated the wrongheaded belief thinking he has no place in the world; but if he used the knife, he really wouldn’t. And while Yukine’s angsty antics (angstics?) are starting to wear thin, there’s still ample motive for them continuing and escalating: unlike Manabu, Yukine has no place in that school.

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The frustration that comes from realizing that truth leads him to smash the school’s windows with a bat. That’s the bat that breaks Yato’s back, as he can no longer hide the blight that covers most of his body. Hiyori is shocked by its progress, but snaps to and heads for Kofuku as instructed by Yato if things turned bad. You can see and hear her bitter disappointment in Yukine, after everything she’s done for him.

Only things are worse than she can imagine, because when they arrive, dripping with blight, Daikoku throws up a borderline. It may only be a quarantine precaution, but it was still surprising, and a gut punch for Hiyori. Earlier Kofuku momentarily switched into badass mode when she told Bishamon there’d be hell to pay if she harmed Yato. But so far Yukine’s doing Bishamon’s work for her.

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Rating: 8 
(Great)

Sakura Trick – 06

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A lot of sewing has to get done for the play the girls will be performing at the culture fest, so the group decides to spend the night at school working. Yuu only really agrees because Haruka will be there, but Shizuku also decides to stay because Kotone’s there. The rationale is, why go home and be alone when you can spend more quality time with the girl you love? It’s a no-brainer.

The second half jumps to the day of the festival itself (there’s no gratuitous sleepover hanky-panky scene), and like Yuu last week, Haruka is left out of the lurch and finds Mitsuki stealing her Yuu-time away. When she finally meets up with her, she’s hurt, but ultimately lets it go, as she appreciates that it’s Mitsuki’s last festival.

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Yuu rewards Yuu’s forgiveness on a secluded balcony where they kiss for the entire duration of a rock concert, and then…simply keep on kissing. Combined with their rolling around on the floor of the room where they shared their first kiss, the makeout quota is most assuredly met this week. Moreover, their matching hairstyles during this scene is another symbol of their steadily progressing love.

Additionally, Haruka’s hair crumbling Laputa-style was awesome, and the entire concert scene was nicely animated—both the band and the couple behind the curtain. Sakura Trick has proven nimble at balancing breezy, relaxing school slice-of-life with energetic yet convincing romance, and guided us through the dreaded “festival episode” with deft efficiency.


Rating: 6 (Good)

Sakura Trick – 05

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We’ve already talked about how Sakura Trick isn’t interested in putting up barriers to its main couple’s happiness for the sake of drama, preferring to focus on all the small yet significant romantic ups and downs they experience daily. The greatest threat had been Mitsuki, but her spying is now motivated just as much by her own unwanted feelings for Haruka than out of any disapproval.

Conflicts between Haruka and Yuu are kept petty, but Yuu is still hurt when Haruka leaves her behind to go to a cafe that in real life would get sued by Starbucks. Again, the show keeps a nice balance between Haruka and Yuu; both have experienced fear of abandonment, even if in all those cases there’s no cause for concern. Yuu admits that she’s being selfish today, but with the belief that she deserves to be now and again. Haruka obviously doesn’t mind her clinginess in the least.

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Looking outside the main couple, Ikeno Kaede is being consistently portrayed as the trickster in Sakura Trick; and this week she exploits Mitsuki’s penchant for snooping on Haruka and Yuu by cornering her after the couple notices her (Kotone later says she’s seen Mitsuki snooping a lot, but had never brought it up). But when Mitsuki is around Haruka, she panics, culminating in her lying down to accept the kiss of the Prince in the Snow White skit practice, unaware it’s a speech-only play.

Haruka would have kissed her, too, had Yuu not performed an emergency headbutt. But while the Mitsuki/Yuu rivalry shows promise, it’s also interesting to note that the pair is growing progrssively bolder, with Yuu dropping her hood over her and Haruka so they can make out…in a room full of classmates. They seem to tacitly grasp the fact the universe seems to be rooting for them, and take full advantage of any and all fortuitous opportunities.


Rating: 6 (Good)

Sakura Trick – 04

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As it turns out, Yuu managed to convince Mitsuki that she tripped and fell on Haruka. If that sounds like a cop-out or delay of the inevitable, it helps to remember that this show does its best to avoid protracted conflicts or drama. Instead, it prefers to focus on the little “mini-dramas” that are always prevalent in loving relationships (regardless of gender) in which separation of feet can feel like miles, or hours of being apart can feel like days.

Haruka stresses out whenever Yuu gets near another girl, but Yuu is always there at the end to assure her there’s nothing to fear. We liked how Haruka admitted that she liked how she and Yuu were different heights, and how Yuu was briefly “taller” than her while sitting on her lap. It’s little details like that which prove the show isn’t simply interested in cheap yuri fanservice, but in fully and carefully illustrating why Haruka loves Yuu so much and vice versa.

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Of course, Yuu’s hasty trip excuse wasn’t all that effective, and ever since, Mitsuki has been suspicious and interrogatory,even conscripting Kaede and Yuzu to spy on them for her. Acknowledging that going behind their friends’ back is wrong, they observe the couple anyway, but they show a sort of unconscious loyalty by delivering a crap report back to Mitsuki. We may see Haruka and Yuu making out all the time, but they’ve typically been careful to do it in seclusion; their only slip-up involving Mitsuki’s walk-in. They also rely on a bit of luck, which is what happens when they’re invited out for fireworks by Kaede.

When Kaede is nowhere to be found and lots are drawn, Haruka thinks a test of courage is afoot, and it’s sweet to see her fantasy comes true when a frightened Yuu turns to her for relief. Of course, the one inadvertently scaring Yuu turns out to be Mitsuki, who was trying to spy on them again but got caught up in the innate creepiness of her dark arboreal surroundings. It’s here when Haruka offers a supportive hand to her, and she realizes Haruka is actually a very kind, caring, person. So much so, in fact, that Mitsuki seems to be involuntarily developing a crush on her.

7_very_goodRating: 7 (Very Good)

Sakura Trick – 03

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In case anyone forgot, this isn’t just a show about the progression of yuri couples, but about a dying school, and the latter provides an opportunity for Haruka to show her love for Yuu. She doesn’t just want to kiss her; she wants to make her happy, even if it means going out of her element. So she joins the school committee and lobbies to have Yuu’s beloved cheerleading reinstated for the Sports Fest. She takes the opportunity when presented; spurred on and inspired by Kotone, who also fought (and won) to live with Shizuku.

Fulfilling Yuu’s wish means going toe to toe with the President, who just happens to be Yuu’s sister Mitsuki. Haruka has never met Mitsuki despite many close calls, who can’t even place a face on her, settling on a penny loafer. But Mitsuki not only meets Haruka this week, but learns that she and Yuu are far closer than she could have imagined. When Yuu learns what Haruka did for her, she rewards her with a make-out session on the floor of her room. Mitsuki walks in on them, but then the A-part simply ends with her surprised reaction.

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As the B-part progresses, Mitsuki is clearly suspicious of the two, but there’s no indication she took a stand on the incident one way or another. Perhaps she meekly slunk away, closing the door she had so briskly opened? In any case, it’s clear she’s not so strict a big sister that she’d put an immediate kibosh on the lovebirds. Haruka gets bolder in the B-part, sewing declarations of her love for Yuu on her and Yuu’s swimsuits. They get some private time in the old pool supply room (another opportunity borne from the dying school) We half-expected Mitsuki to walk in on them in there, but she merely finds the incriminating needlework.

Mitsuki may not be fully aware of the extent of her sister’s relationship with Haruka, and so she may not yet have a concrete position on the matter, but it’s clear enough to us that with each episode the two seem to grow closer. Their friends have long since accepted them as an item (two of which being an item themselves). At the moment, it appears Sakura Trick is more interested in exploring the couple’s love rather than putting obstacles in their path or forcing drama for drama’s sake—something we’re on board with. Introducing Mitsuki was the first, best obstacle so far, but she didn’t get in their way this week, even when she caught them, well, not exactly in flagrante delicto, but certainly not merely combing their hair, either!

7_very_goodRating:7 (Very Good)

Sakura Trick – 02

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The show’s two-parter format continues this week, as the first half centers not on the established item that is Haruka and Yuu, but on Kotone and Shizuku. The first bump in their relationship is bourne out of a simple misunderstanding; Kotone comments that she likes staying at Shizuku’s house because it’s close to school and her mom is nice.

Shizuku takes this to mean Kotone doesn’t really care about her, but once Shizuku makes Kotone aware of this concern, it doesn’t take Kotone long to clear things up: she likes staying at Shizuku’s place primarily because Shizuku is there. It’s a fairly simplistic little dilemma that’s easily mended, but it’s good to see the show is confident it can handle more than one relationship at the same time.

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The second half returned the focus to Haruka and Yuu, who as we know have been into each other from the start. However, they’re very different people: Yuu is more confident and assertive, while Haruka wears her heart on her sleeve and is constantly getting stuck in her head, but also happens to be more academically gifted. As she notes, this isn’t middle school anymore, and if Yuu isn’t careful she could fail her classes and be held back.

While Haruka considers the benefits of an underclassman Yuu addressing her “oneesama”, the fact is, because their school is closing, she’d be expelled and forced to attend another school at the lower grade. The prospect of being torn apart by Yuu’s bad grades compels Haruka to take drastic but ultimately clever measures: using kisses as positive reinforcement while tutoring her. So when Yuu passes her exams, it further validates their relationship as not only something that makes them happy, but also keeps Yuu on track to a bright future, which is more easily attainable when you’re not held back.


Rating: 6 (Good)

Sakura Trick – 01

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First off, what we have here is a silly school romance comedy that’s far better-looking than you’d expect, like Love Lab last Summer. A typical shortcut is employed (not coloring in the extras), but we liked the clever use of symbols to preface actions and lines by characters, be it Yuu’s flower, Haruka’s ribbon, or Yuzu’s…a yuzu for Yuzu. That frees up animation resources for when they counted the most, like when Yuu and Haruka are in close physical contact, which is surprisingly often.

Any hopes of this being a subtle Yuri show along the lines of Aoi Hana or Sasameki Koto surviving past the cold open were were promptly, cruelly defenestrated by the off-putting OP, which was a bit too exhibitionist for our taste. But once that was over, things settled down nicely. There’s no trick to Sakura Trick; it never comes close to anything resembling drama or peril. It’s just a pleasant slice-of-life about two girls starting high school who are Pre-Into each other. Their exploits probably wouldn’t be too scandalous except in more conservative high schools. We’re not sure whether this is one such school, but it can’t hurt to not get caught regardless!

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The episode is split into two stories (a la Kill Me Baby, mais contrairement Kimi ni Todoke). The big event of the A-part—Yuu and Haruka’s first kiss—informs those of the B-part: Haruka is worried Yuu forgot about it, but is ultimately proven otherwise. Yuu (Iguchi Yuka) is the shorter, peppier, more naturally popular one while Haruka (Tomatsu Haruka. Haruka Matata!) is the taller, bustier, clingier, more jealosy-prone one. And even though the A-part is mostly from Haruka’s POV, there’s a good overall balance to their interactions and banter. They work as a couple.

We enjoyed how a big reason Yuu and Haruka got to be alone so early and often was essentially because their school is failing, because there aren’t enough kids to justify keeping it open another year. That means there was a vacant, lightly-guarded classroom to retreat to. They eventually end up in a spot of playful danger when teachers notice the door ajar and lock them in, but Haruka’s initial clumsiness is neutralized by Yuu’s surprising strength and athleticism. Hey, we’re talking about them jumping between verandas—get your minds out of the sewer! On that note, we’re pleased to report that there wasn’t a single panty-shot in the whole installment, which is…kind of amazing.

7_very_goodRating:7 (Very Good)

Chuunibyou demo Koi ga Shitai! Ren – 01

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Chu2Koi Ren may well be another beautifully animated KyoAni guilty pleasure, packed with pretty characters, goofy situations, wry quips, and the occasional magical battles, but that doesn’t diminish our view that the most impressive and complete first episode of the new Winter season, not the least of which because it so brilliantly executes all of those things with equal efficacy in a way few other series can manage.

To be fair, Chu2Koi Ren has a sizable head start on the rest of the season: it’s a direct sequel backed by an entire season of emotional investment; we’re still being introduced to the other Winter shows and trying to remember names. Indeed, we can’t really say how much we’d enjoy this episode if we hadn’t seen its first season. All we know is, we did, a lot. From the clever split screen that reveals that Yuta and Rikka are living together when their mornings merge, we felt like we were curling up with an old friend.

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That’s the appeal of Chu2Koi for us, as well as Kyoukai no Kanata, Hyouka, Suzumiya, etc.: while they may all contain their fare share of perils moral, physical, emotional, and philosophical, there’s an underlying sense of optimism and reassurance that all will be well. It’s the anime equivalent of comfort food, only flashier. Don’t get us wrong: many a favorite show of ours has tortured its characters from start to finish, but can also be gratifying to see a show pamper, even spoil them, along with us. It might even be tougher to make an interesting show that way, but Chu2Koi Ren makes it look easy.

Our primary hope at last season’s end was for Yuta and Rikka’s relationship to endure and progress; it has and it looks like it will. We also wanted the brief but powerful “imagination” battles to carry over; they have. The visuals dazzle, the dialogue crackles, and there’s abundant comedy woven throughout. Every movement major or minor is fussed over, while and the previous season’s worth of experience working together is apparent in the voice actors, who bounce off each other with gusto. Chu2Koi Ren hasn’t missed a beat, reminding us why we fell for its predecessor, leaving us eager for more.

9_superiorRating: 9 (Superior)

Kimi no Iru Machi – 10

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Haruto sees off Asuka, then decides to give Yuzuki the necklace he bought her two years ago, as a birthday present from a ‘friend’. Haruto takes the bus to his hometown. Kaga, Takashi, and Nanami are wating at the stop, and they go to a hot spring. The next day while biking around, he runs into Yuzuki. They go to their old high school where Rin is visiting. That night everyone gathers for a dinner party, with Yuzuki helping Haruto in the kitchen, and then biking to the market to buy snacks. When they return from fireworks, Yuzuki pulls Haruto aside, telling him there’s something she needs to say.

Haruto and Asuka are at a crucial point in their relationship, and they both seem ready to take it to the next level; Asuka dispenses any doubt of this when she coyly promises they’ll “pick up where they left off” when she returns from taking care of her mom. And Haruto wants to move past Yuzuki as an object of romance and start thinking of her as a good – but platonic – friend. He does this in a funny way: by giving Yuzuki a very expensive necklace he was going to give her when they were still dating. While giving it to Asuka instead would have been worse, we still don’t think this was a good idea. Another bad idea? Spending the time you’d planned to spend with your girlfriend with your ex and her flirty devil-spawn sister.

We know, we know, it was just a coincidence. But smaller coincidences have ended up torpedoing stronger relationships. In the OVA we were firmly rooting for Haruto and Yuzuki, but here we find ourselves hoping against hope that Haruto and Asuka can make it. Yuzuki is the past; Asuka is the future. Yet this week Haruto returns to the past in the form of the town where he and Yuzuki lived some of the happier – and definitely simpler – days of their lifetimes. If Yuzuki is pulling Haruto aside to say she still loves him, we wouldn’t be surprised, and at this point, we wouldn’t be surprised if Haruto does something stupid and/or unfaithful.

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Rating: 8 
(Great)

Stray Observations:

  • Haruto gets picked up in a badass van by his high school mates, and all he does is complain? Jackass.
  • This felt like an even more lush and beautifully-drawn episode than usual, likely owing to the change of scenery from urban to rural.
  • Our advice for Takashi vis-a-vis Rin: STAY AWAY, MAN. That girl likes head games.