Golden Kamuy – 10 – Spring Thunder

Tanigaki, armed with only one bullet, uses the mountains to assist him in preemptively striking his hunters, using the kill of a bear and a fire to lure Nikaidou out.

The bear takes Nikaidou’s ear off and mauls him, while Tanigaki’s shot goes right through Ogata’s chest. The apparent success of his gambit leads Tanigaki to say “boner” in honor of Nihei.

When one of Tsurumi’s forward scouts finds Tanigaki, he’s sure he’s not involved with the lieutenant’s betrayers. However, Tanigaki’s shot was a little too right down the middle; it missed Ogata’s heart and lungs and he’s able to kill the scout.

Tsurumi and his men arrive in time to capture Nikaidou, with the sadistic L.T. taking off his other ear and eventually gets him to spill the name of the other betrayer by saying he’ll let him kill Sugimoto. Tanigaki uses the chaos to slip away unnoticed.

It’s amazing how gorey and gross this show can be one moment, and how lighthearted an slapsticky the next.  Case in point: Sugimoto, Asirpa and Shiraishi goofily note the blooming of the first flowers of spring as the snow starts to melt, and they come upon a lake where a fish called huchen can be found.

Unfortunately, Shiraishi’s penchant for getting bitten by animals applies to fish as well, as a massive legendary huchen pulls him under the drink right after Asirpa mentioned such a fish kamuy exists.

Shiraishi is saved by Kiroranke Nispa, an old friend of Asirpa’s father, and also a veteran formerly of the 7th (though not Tsurumi’s unit). He also has some shocking news: Nopperabo, the prisoner who tattooed all of the others, is Asirpa’s father; the one who stole all the Ainu gold.

This news is extremely distressing to Asirpa, not to mention it nullifies her entire reason for joining Sugimoto on the hunt for the prisoners—to avenge her father. She wants to learn the truth from Nopperabo’s own mouth, which means they’ll have to travel to Abashiri Prison on the other side of the island.

In their time with Kiroranke, Sugimoto and Asirpa give a lot away, but he seems to be someone they can trust for now; he may well have just been curious how many other tattoo map skins they had. His own goal is to give the gold back to the Ainu; if the others are fine with their fair share not totaling 100%, he’ll gladly join their mission to locate and retrieve it.

To that end, he suggests the group take horses and make for Sapporo in order to secure sufficient arms and other supplies with which to infiltrate the prison in one piece. Shiraishi gets a really little horse. But awaiting them in Sapporo on a stormy night is a very suspicious woman who runs a hotel. Looks like next week will be a murder mystery a la Clue…which will hopefully somehow tie into the search for the gold.

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Golden Kamuy – 09 – Henmi’s Last Gleaming

While Golden Kamuy isn’t the prettiest anime around by any means, it excels at building tension, constructing intricate close shaves, and making coincidence feel more like providence.

Asirpa discovers Henmi’s victim just a hair too late to warn Sugimoto, who follows when Henmi sends him outside so they won’t be interrupted. When the 7th arrives, Henmi takes Sugimoto to the big shot’s mansion, and Asirpa spots them from afar and follows them.

When Henmi and Sugimoto go up the stairs, the two 7th soldiers they find already on the upper floor catch just enough of Sugimoto’s cap to know it’s him. Henmi improvises, using the trusty giant knife he brought to kill them, but gets shot by one before he dies.

Sugimoto assumes the man just defended himself, and is even willing to carry him out when they happen to bump into Lt. Tsurumi (asking the whaling tycoon for weapons factory funds). Even Tsurumi is caught off guard when the old man decides to take matters into his own hands and unleashes the power of his prized Maxim machine gun.

Sugimoto escapes with Henmi in the chaos; Henmi’s infatuation for the Immortal only deepens as they run along the beach hand-in-hand. He’s about to kill Sugimoto with a blow from behind when he’s shot with an arrow from…Asirpa, who had been hanging back and watching things unfold.

Sugimoto proceeds to stab Henmi several times, but their position on the beach makes them vulnerable to orca attack, with one particular specimen chomping up Henmi and taking him away.

Henmi couldn’t be happier with how he’s meeting his end; shot by an Ainu girl, stabbed by Sugimoto the Immortal, to be finished off by an orca. Who could ask for more?

But Sugimoto doesn’t let the orca have the last act; stripping down (as Asirpa kinda sorta averts her eyes) and diving into the ocean to rescue Henmi, depending once again on his apparent inability to die. It pays off, but Tsurumi learns he’s working with the Ainu, while Hijikata learns more about Siraishi’s “friends.”

Back at the Ainu village Tanigaki is back on his feet and has been accepted by elder and child alike, but enters the elder woman’s hut to find Ogata and Nikaidou there, essentially holding the two Ainu hostage. Tanigaki lies (badly), but ultimately Ogata says he’ll let him be—only to fire off a shot from outside, so as to kill only Tanigaki and not the innocent witnesses.

Ogata misses only because Osoma pulled Tanigaki’s head back at just the right time to avoid the bullet. Some cat-and-mouse ensues, with Tanigaki testing Ogata’s accuracy, then putting up a smokescreen to escape the hut.

After retrieving Henmi (whose whimsical insanity I’ll miss), skinning him for the tattoos, and having some dinner at the Yanshuu canteen, Sugimoto, Asirpa and Shiraishi are approached by an old man who turns out to be Hijikata, in a nice bit of up-close-and-personal observation. Shiraishi knows full well who the old man is, but Sugimoto and Asirpa are oblivious. But the message to Shiraishi is clear: copy the tattoos and report back.

Back at the village, Ogata and Nikaidou have retreated after the smokescreen gave Tanigaki the upper hand. But he’s still wounded, and Ogata has no intention of giving up the hunt. Only Tanigaki won’t be unarmed; Osoma presents him with the late Nihei’s rifle, which holds only a single bullet. But hey, one is better than none!

Golden Kamuy – 08 – Gone Whalin’

Needless to say, Uchiyama catches up to Shiraishi. However, their “little chat” is interrupted, both by soldiers of the 7th shooting at Uchiyama, and the fact that Uchiyama’s diversionary role is just one piece with the rest of Hijikata’s plan to rob a bank; specifically, to recover a katana that has a special place in his heart.

Say what you will about Tsurumi’s general sanity; the man knows how to smell out the truth of things, and manages to be in the right position to put a bullet through Hijikata’s hat before the old samurai escapes on the horse Tsurumi borrowed. Having met face to face for the first time, both men like what they see and look forward to the second.

Shiraishi has many tools for escape; here, he used confusion and Uchiyama’s duty to Hijikata. However, he makes sure to stop by the brothel to secure an article of Uchiyama’s clothing so that Retar can help him track the guy. When Asirpa says they’re not bothering the wolves anymore, Shiraishi settles for Ryuu, now a member of the party, who helps catch a plump tanuki Shiraishi let get away.

 

Ryuu leads Shiraishi to Uchiyama, but also makes enough noise to get Shiraishi caught. Hijikata orders his bodyguard not to kill the escape artist; instead, he wants his aid in retrieving the skin of a prisoner; a prolific murderer named Henmi Kazuo.

Shiraishi agrees, is freed, and confers with Sugimoto and Asirpa. He tells them about Henmi, and how he may be hiding amongst the yanshuu, contract herring fishermen who work the coasts.

Asirpa’s uncle is whaling in that same area, so out of worry for his well-being—what with a guy who literally gets off on killing on the prowl—the three head to the beach, leaping joyfully into the sand when they arrive.

The whaling sequence is another simply-yet-effectively realized scenes of Ainu culture, but when the whale takes a turn toward the herring fishing fleet, it drags the Ainu boats along, and Sugimoto, Asirpa, and her uncle must give up the chase to rescue a fisherman who falls overboard.

That fisherman turns out to be Himei Kazuo, whom we learn a lot about in a hurry through his inner monologue. While a relatively normal-looking, soft-spoken guy, his thoughts are anything but. He can smell the same “scent of a killer” wafting off his savior Sugimoto, and takes an immediate interest in him.

The more Himei learns about Sugimoto, the more his crotch starts to glow (subtle!) and the more badly he wants Sugimoto, whom he believes to be “jut like him”, to kill him. He knows that in order get Sugimoto to kill him, Himei will have to try to kill Sugimoto. But that’s a story for next week!

Until then, this was a solid introduction to yet another interesting and oddly likeable prisoner; a guy equal parts goofy and terrifying. Yet he’s not always a walking joke; his nigh unquenchable thirst for homicide stemming from a traumatic moment in his past when he heard his brother struggle in vain against a boar.

Meanwhile, this episode might’ve had the least Sugimoto and Asirpa yet (we don’t even see them until seven minutes in), but while I still like their quiet little story most of all, the show wasn’t hurt by their diminished screen time, as the dance between the 7th and Hijikata’s men commences.