Arpeggio of Blue Steel: Ars Nova – 07

blue7

With Makie, Haruna, and Kirishima aboard, I-401 docks at her secret home base on Iwoto. The fast battleship Hyuuga, a former fog flagship, is there to welcome them, and she has the wayward Takao in custody. In a virtual meeting with Kongou, Haruna refuses to return to the fleet, vowing to stay by Makie’s side, while Kirishima wishes to continue observing Haruna. Chihaya gives Takao the choice to return to the Fog or stay with what Hyuuga calls the “Blue Fleet.” As repairs on Iona near completion, Kongou orders Maya to rendezvous at Iwoto. Gunzou intends to abandon the base and get the vibration warhead to America.

“Where do we come from? What are we? Where are we going?” Those are the words that precede the end credits, the visuals of which this week went from being the Fog ships’ mental models to their true ship forms, which we thought was an interestingly-timed switch. Those same three questions are recited by Hyuuga, discussing with Takao why she’s abandoned her the original mission. From the first time she spots and gropes Iona, Hyuuga’s hots for her are played for laughs that never occur, but she’s genuinely interested in Iona; at this point, more interested than she ever was in subjugating humans, because that route was never going to help her answer those nagging questions. Hyuuga isn’t the only one with those questions rattling around in her head.

At this point, Iona’s crew has basically been supplanted in show precedence by all the Fog ships, now wrestling with emotions. Chihaya & Co. were merely the catalyst that started what could be a major Fog revolution, or evolution, as Hyuuga supposes it could be. Iona was a mutation: a Fog ship that rather than destroy humans, sought one out and was genetically predisposed to following every order. Iona’s always been comfortable in this role, but when the competitive Takao asks her if she has feelings for her, she can’t answer, and it troubles her. Meanwhile, Kongou is clearly getting annoyed by losing so many Fog ships. But all the events since Iona and Chihaya joined forces suggests she could be on the wrong side of history. Iona is most likely the harbinger (intentional or not) of a future in which Fog and human coexist in harmony.

7_very_good
Rating:7 (Very Good)

Stray Observations:

  • Chihaya is delivering the warhead to America in hopes that its mass-production will even the playing field and force Kongou to enter negotiations. But that’s pretty naive of him. Who’s to say the humans won’t use their new superweapon to simply annihilate the Fleet of Fog?
  • This show is no stranger to superfluous fanservice, and this week it drives that point home with Hyuuga’s attempted undressing of Iona as well as Takao, Haruna, and Iona relaxing on the beach in swimsuits, just ’cause…
  • That said, we hope Kirishima gets her regular body back at some point.
  • We really enjoyed the dinner scene: humans and Fog putting aside their past conflicts and simply sitting down for a meal. This could be a glimpse of the future.
Advertisements

Arpeggio of Blue Steel: Ars Nova – 02

blue2

In order to reach the port of Yokosuka, the I-401 must get past the Fog heavy cruiser Takao. Gunzou orders a direct attack in concert with their decoys in order to test Takao’s detection abilities. Takao fires her supergravity cannon at 401, which Gunzou predicts and dodges. Hiding along the seabed, the crew determine Takao’s sonar profile must be shrouding a stealth sub. Gunzou surprises Takao by using the supergravity cannon they took from Hyuuga – a previously defeated Fog ship. The sub hiding below her is sunk, but Takao herself is spared, retreating with weapons locked.

Ships in this series bear the same names as WWII warships, but aside from resemblance and the fact they ply the seas, the similarities pretty much end there, with transforming elements and futuristic weaponry. This week we’re treated to a full-on sub-versus-cruiser battle in which the creativity and pluck of the human crew aboard the outgunned patrol sub outwit the haughty, overconfident Takao, whose intense precision and attempt to be sneaky by hiding a sub below her ended up working against her. We also see that whether preparing for battle or in crunch time, Gunzou proves a singular tactician, and his crew is a well-oiled machine. They’re all exceedingly good at their jobs and trust their Captain – and Iona – implicitly.

The battle itself is gripping to behold from start to riveting finish, with crisp, polished animation and impressive weapons effects. The overall aesthetic remains straight-laced and video-gamey, but we prefer of seasons that are diverse in animation styles, and this one certainly stands out. We also found Takao’s progression from imperious, single-minded predator out for I-401’s pelt to chastened, demoralized ship on the run, to actually growing envious of and even smitten with 401’s “human unit” Gunzou, X-factor who not only beat her, but let her live. That sudden change in thinking might just represent a greater weapon the struggle with Fog than any firepower Iona can muster.

7_very_good
Rating:7 (Very Good)