Domestic na Kanojo – 12 (Fin) – Turning Pain Into Art

When Hina is caught, she doesn’t hesitate to be the adult and put herself at the mercy of her superiors. Sure, it probably wasn’t a good idea to sleep with a student in front of a window while on a school trip, but she doesn’t want that to affect her stepbrother’s future.

So she leaves the school, accepting a transfer far away, and then moves out of her apartment, all without telling Natsuo—who would have obviously tried to stop her and likely made things worse. That’s the second good move Hina made: not letting him have a say in the equation.

After reading a note in which Hina pours her heart out onto the page, Natsuo goes into a state of deep anguish, holing up in his room and not leaving. When Fumiya reads the note, he castigates Natsuo for basically wasting all of the pain and trouble Hina went through for his sake.

On a bathhouse trip with Kobayashi, the former yakuza and cafe owner tells him from experience that you can’t turn back time, and moving forward and continuing to live while shouldering his pain is the only way. But Natsuo manages to find an outlet for all that pain he’s shouldering: writing.

He stops his weekly short stories and instead starts pouring his heart onto the page, as Hina did with her farewell letter. At first it’s such a compulsive thing he doesn’t eat or sleep, but after his talk with Kobayashi he starts accepting Rui’s kindness in the form of cocoa, late night snacks, and other food to keep his health up.

On New Year’s Day, Natsuo finishes his novel, though he also lost track of the days. Rui takes him out where he meets with his friends from the lit club who were silently supporting him as he worked his shit out. Then they go to Kiriya-sensei’s house to deliver the first draft.

Some time later Natsuo is invited back to Kiriya’s on a Sunday, wondering what’s up. Kiriya has him meet Tsutaya, an editorial staff member with Shinkosha, and they go to a ceemony celebrating Natsuo’s first-place amateur award for his novel, which Kiriya secretly submitted.

Just as Hina had hoped, her quick action secured Natsuo’s future and ability to achieve his dream of becoming a novelist, even if it also broke both their hearts, those wounds heal, while a public school sex scandal…notsomuch!

When he gets home, Natsuo is shocked to find Hina waiting there for him…or at least he thinks it’s Hina. Turns out it’s Rui in a wig. She runs to her room to cry, because now she knows how Natsuo’s loving embrace felt to Hina. After congratulating him for his award, Rui has a proposition.

She’s done pretending to hate Natsuo, and she’s done “holding back” for Hina’s sake. When she and Natsuo made love for the first time, she didn’t think much of it, but she seems reasonably sure a second time will feel different to her, now that she has feelings for him and all.

Natsuo looks a bit overwhelmed, but if Hina truly is gone from his life forever, it’s a good idea to move on. Probably not with Rui…but I like Rui so, ah, well there it is. As Picasso said, “Art is born of your dad marrying the mother of the first girl you slept with and your longtime teacher crush.” Or something like that.

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Usagi Drop 10

The days get chillier, and Rin gets sick with fever for the first time under Daikichi’s care, catching a stomach virus that kicks her ass. The ordeal scares the crap out of him, but Hitani is there to help him keep his cool and nurse Rin back to health. With so much proximity, the two parent-and-child pairs are starting to rely on each other more and more, making the group even more closely resemble a family.

When I was a kid, getting sick just plain sucked; enough that you can bet I didn’t care how my parents felt. In fact, I remember them staying calm most of the time, and I can recall several occasions when I thought I was getting sick but they assured me I either wasn’t or it wasn’t that bad. Of course, when I was Rin’s age, I’ll bet they were just as doting (and the same nervous wrecks) Daikichi and Hitani are here.

He knows she’ll get better; that these things happen, but there are often moments when he seems to despair. Hitani is right there to advise him though, having dealt with this kind of thing with Kouki. She proves to be an incredibly caring woman here, and it speaks volumes about how close she and Daikichi are that she knows she can show up without warning and help out. These events only reinforce my prediction that they’ll grow closer still.


Rating: 3.5

Ikoku Meiro no Croisée 7

Yune and Claude hit a bit of a rough patch, and for a while there, in the midst of all the latter’s yelling, I was starting to fear their relationship was going downhill. This week proves that cultural differences aren’t just a matter of comic relief or whimsy, but can be hazardous to your health…and for business. Yune has taken ill, and it’s revealed very subtly at first, with a stumble here and a cough there.

Meanwhile, the little kid who stole a candlestick is back, and this time Claude is there to shoo him off and scold Yune. Yune doesn’t blame the kid for having to steal to eat, but Claude takes a harder line; give Parisian kids an inch and they’ll walk all over you and clean you out. I respect Yune’s basic decency, but she needs to learn more European pragmatism As for concealing her illness…well, if I was a turn-of-the century Parisian like Claude or Oscar, living with a Japanese person could be potentially infuriating

To Yune, not troubling them with her illness is more important than her personal health. Even after Claude has said multiple times her well-being is more important than anything else in the store. Luckily it was just a cold, and thanks to Alice, Claude makes her some Japanese-style rice porridge, but what if it was something worse, and by the time she collapsed it was too late to help her? Speak up, Yune! Oh, I’d also be remiss if I neglected to mention Claude gives Yune a kiss this week…albeit on the cheek, and as the traditional French greeting.


Rating: 3.5