This week the girls go to the beach, if only, at first, to work at Sonobe’s beach dessert cafe. It’s not your typical beach episode, because it’s really light on fanservice, but as everyone has such fair skin, it makes practical sense to cover up.
Yu arrives at the beach aboard his yacht, the landing of which strains credulity in a more serious show. But he simply wants to make things easy for his “betrothed”, which means eating way too many desserts and leaving no room for real food. For the first half-day of work, Yoko is dressed like Yoko…Ono!
When a shark sighting keeps the girls from finally relaxing, Yu invites them to a private resort pool, only to run into his nemesis Sakura and become hospitalized from the emotional and physical stresses that result from the encounter. Akiyama also appears, but runs off soon thereafter.
That doesn’t stop the girls from enjoying themselves at the pool, where they finally break out their swimsuits. But again, the male gaze is mostly avoided. A nice running gag is Futaba’s weird tan that never gets evened out, but otherwise not a ton going on here.
Nicknames, olive branches, and sisters who are opposites – San-San’s second episode covers a lot, but at a gentle yet lively pace. We meet Serina, Hayama’s self-appointed rival, whom Hayama always makes a fool of with the sweetest demeanor possible.
Their verbal sparring is quite good, but so is the truce they reach when Hayama, who beneath the blackness within has a kind heart, offers a kitten to replace Serina’s last cat who died.
After Yamagi insists Hayama and Futaba refer to his master as “Yoko-sama”, the nickname sticks, and it’s time for Hayama. When Futaba and Yoko learn her first name is Teru, I like how Futaba has a little fun with it before agreeing with Yoko it’s actually a nice name (and it is!).
The one who yells “Teru” in the hall is Teru’s own big sister Kou, who is part-angel, part-airhead, who likes putting strange combinations of health food ingredients into candy.
The girls end up running into each other in the shopping district, where Yoko shows how serious she is about squeezing every penny (to their embarrassment) and Teru figures out that her (healthy, lucky) sister got on the health food kick in order to ensure her little sister—always sickly and unlucky as a small child—gets proper nourishment.
That doesn’t make her strange onigiri any easier to choke down, but Teru and Yoko choke it down nonetheless. For Yoko, wasting food is an insult and a sin; for Teru, she wants her sister to know she appreciates her care. San-San, like Shounen Maid, is pleasant low-stakes slice-of-life, but edges it out in cast chemistry and comedic pacing.