Youkai Apartment no Yuuga na Nichijou – 02

This week Yuushi settles into his strange new life in the titular Youkai Apartment by meeting several of its eccentric tenants, from a painter with an awesome dog and some kind of wizard to a beautiful hard-drinking woman who’s “not ready for heaven.”

Yuushi also meets Ryuu-san, a psychic whom everyone, human and youkai, seems to greatly revere. When he speaks, everyone listens, including Yuushi, and he points out to Yuushi how long his life is, how far out the world stretches, and that the most important thing is to relax, man.

Since losing his parents, Yuushi adopted a resting aggro face that kept most people away, especially women, but Yuushi finds that since he moved into the YA he’s able to speak with people more easily, like his classmate and clubmate Tashiro.

He also learns about a power he didn’t know he had: a kind of precognition that Tashiro is about to be hurt, then a “synchronization” that allows him to take the pain from Tashiro when her leg is injured by a passing motorbike. Akine then takes his pain and disperses it.

What had seemed like a six-month chore has become a kind of journey of self-discovery for Yuushi, as he learns to befriend people other than Hase, whom he is writing to throughout the episode but is certain he’ll find the conditions he describes crazy. YA remains watchable Monday feel-good fluff.

Youkai Apartment no Yuuga na Nichijou – 01 (First Impressions)

Inaba Yuushi, newly graduated from middle school, intends to move out of his aunt, uncle, and cousin’s house, where he’s lived since his parents were killed in a car accident. When his high school’s dormitory burns down, he moves into a grand old apartment building that turns out to be populated by both humans and  youkai, which he didn’t know existed. Thus, Yuushi’s “first step toward independence” has landed him “somewhere incredible.”

That’s a pretty elegant premise, and the simplicity works in Youkai Apartment’s favor. The enjoyment of this premise is to be found in the details, like a seemingly normal, cute Kuga Akine who is actually an exorcist-in-training, or Yuushi’s favorite author being a resident, or his gradual realization that things in these apartments are something other than normal.

There’s a distinct Spirited Away atmosphere to the apartment, especially once the youkai start to appear, mill around, and interact with each other and Yuushi. But rather than not belonging in this nook of the “spirit world”, Yuushi and other humans (albeit weird ones) are welcome to coexist.

At the same time, while Chihiro learned what it meant to grow up, the message to Yuushi, who has always felt like a burden to his relatives, needs to relax and not worry about growing up too fast. He’s just a first-year in high school, after all!

The pleasant, easygoing, whimsical world of Youkai Apartment is, despite the presence of a few scarier youkai, a very warm and cozy place to spend time, and the slice-of-life nature of the narrative makes YA perfect Summer comfort food.

We’ll see how things go with Yuushi, his best friend/rival Hase Mizuki, Akine, and all the other characters human or otherwise we’re sure to meet in future episodes. This first one was an effective hook to draw us into its world.

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Taimadou Gakuen 35 Shiken Shoutai – 08

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Despite how improbable it looked at the end of last week, Takeru (and Ikaruga’s) chastity survives this episode, as her sister is early to pick her up. Before she says “bye-bye” (never a good thing for her) once more, she injects him with a muscle relaxant, telling him not to follow her because she loves him.

She may claim to know nothing about love or romance, but the fact she’s making this deal to protect Takeru and the others is a clear sign she’s evolved beyond the limitations of the design Alchemist intended. She’s gone from making weapons to sacrificing herself to save her new family.

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Naturally, as soon as Takeru gets the use of his legs back, and the girls get their freedom (and clothes) back, he immediately sets about defying Suginami’s wishes not to follow her. The 35th aren’t going to heed her desire to handle things herself, not if there’s a possibility they could lose her.

There’s a lot of great stuff here: Ootori and Mari, usually at each other’s throats, are still able to fight together when push comes to shove. As for Usagi, she convinces Ootori that it doesn’t matter how dark or dastardly Suginami’s past was, or what she intends to do. All Usagi wants is to bring the Suginami the loves back. 

And while yes, Takeru finally makes Lapis blush by praising her, Lapis quickly changes the subject as the platoon heroically deploys to rescue Ikaruga, all to a thumping techno track that really got me fired up for the battle.

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At Alchemist, Ikaruga reveals to Isuka her true intentions: to ensure the Elves are never resurrected, and to do what she should have done four years ago: get her sister the hell out of there. Isuka says she doesn’t want to leave, but she’s had modifications made to her that causes pain whenever she expresses emotions, so she’s not in a condition to think clearly.

She also shoots Ikaruga in the leg, which convinces her sister to use the nanomachines she’s implanted in herself to transform into some kind of Demon-Ikaruga who can wield antimatter. That’s a lot to swallow all at once, but then again Ikaruga is a pretty smart cookie, so fine.

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At any rate, she gradually wears Isuka down into admitting she feels something for her sister. Unfortunately, that’s just when Haunted decides to break up the sisterly chat and bury his arm into Isuka, a blow that turns out to be fatal. All along, Isuka had only been his pawn, and now that she’s of no further use to him, he wants to recruit Ikaruga. Her response is very appropriate: a hearty Go To Hell and a bullet to the head.

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Haunted exits stage right, but leaves a cyberdragon to deal with the platoon. He should have summoned a pair, because with Usagi at the controls of a railgun, Ootori watching Takeru’s back, and Mari replenishing Takeru’s mana when he runs out of his own, the gang is just able to take the dragon out and save Suginami.

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I say just, because Takeru risks everything on the hope one big final blow using all of the mana Mari gave him would be enough to defeat the one dragon. I like that despite the clear skills and teamwork the platoon possesses, they only win by the skin of their teeth. Of course, they were fighting one comrade short.

When the battle is over, the gang can relax, to the pont Mari gloats about saving everyone with her last minute mana infusion, to which Ootori calls her a “fuel tank”…which is a pretty creative insult. As usual, Suginami and Takeru stay above the fray, though she’s glad to be among them once more witnessing said fray.

And despite her earlier assertion she would not fall for Takeru’s smooth words, Sugi does succomb to a comforting head pat and a request that she talk to her friends in the future when she has a problem. She points out that not all girls like having their head patted, but tells him to keep doing it anyway. It’s not intercourse, but right then and there, it’s plenty.

As next week’s episode is titled “Crazy Summer Time”, I’ll be supremely shocked if the girls aren’t in swimsuits for at good part of it.

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Taimadou Gakuen 35 Shiken Shoutai – 07

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This week (and next) is dedicated to Suginami Ikaruga’s personal crisis. But she tells Kusanagi she won’t be “going gaga” over him like the other girls when he tries his noble “I’ll carry half your burden” line on her. He has no idea what she’s talking about, but he has noticed she’s acted different from usual lately, and he would know: the 35th Test Platoon started with just the two of them.

Back then, Kusanagi was beaten by her because he wouldn’t draw his sword on an unarmed opponent. That endeared him to Suginami, who above all seeks and love things that “stick out;” things that are unusual and beg for further study. And Suginami herself is very unusual compared to her fellow platoon-mates; this week we find out just how different.

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Director Ootori calls her a “designer child” created by the lab Alchemist with which Inquisition has always had tense relations. He also suspects Suginami knows of the whereabouts of something called a “Lost Matrix” which could theoretically be used to resurrect the elves, which is apparently a big deal in this world.

Her twin sister Isuka wants to do just that, so now is the time that Ikaruga finally seeks a deal : Isuka gets the matrix, but she gets to watch what becomes of it. Isuka, by the way, is no longer with Alchemist either, having thrown her lot in with Haunted and Valhalla.

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Takeru and the other girls end up following Suginami, but only he and Suginami get away from Isuka’s mercenaries; Ootori, Mari, and Usagi are taken into custody, stripped, poked and prodded by Isuka, who can find nothing exceptional about any of them. She wonders why her sister has become “friends” with such “normal” people (We know they’re not really normal, but Isuka is ignorant to their stories).

As for Ikaruga and Isuka’s story, the two were engineered to be the ultimate scientists; “weapons” with an uncontrollable “impulse for inquiry”. But it was clear in their younger years that Ikaruga got more and more curious about normal humans and their social structures, even “adopting” a wood elf she created (breaking the rules), which was later destroyed.

All this is to say that despite her antiseptic, inhuman upbringing and pre-programmed calling, Ikaruga does have human emotions, or at least more than her sister. She also has a grasp of right and wrong, as she shows despair at the horrors of the lab and, much later, showing affection for her friends by not involving them in her affairs, thus protecting them.

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Knowing her off-limits curiosity would eventually get her labeled as a “defective” Suginami, Young Ikaruga stole the Lost Matrix and broke out of Alchemist, leaving behind Isuka—who had no idea why she couldn’t just stay and keep doing research with her. But as we know from Ikaruga, she and her sister clearly define “things that stick out” in different ways.

She read about a bird who lost her mother, became a human, and had her own child, becoming a mother, and couldn’t help seeing herself in the fairy tale. She befriended Takeru, who thought and acted differently from almost everyone else. Even Usagi’s boobs “stick out”, so to speak, though they’re obviously not the only reason they became friends.

Now, holed up in her safe house with a bandaged Takeru, and little hope of living past the next day or so, Ikaruga wants to go out performing one more experiment of human behavior she wants to try before it’s all over: sex, specifically with Takeru; leading to one hell of a killer smash cut to credits.

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Taimadou Gakuen 35 Shiken Shoutai – 04

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Note: Preston and I have been watching both TG35 and Subete ga F, but we’ve decided to swap reviewing duties of those two shows. So going forward I’m your TG35 reviewer, while Preston will be handling the SgF.

As Preston observed last week, this show is proving very swift and decisive with its character orientation arcs. Ootori was essentially one of the gang last week after a tense gestation, and by this episode’s end, Mari has also become an official member of the 35th.

It’s great when Mari notes how famously Saionji and Suginami get along, Takeru reveals that the two used to be as much at each others throats as Mari and Ootori, and he looks forward to the two settling down, which he’s sure they’ll do in time. Takeru dismisses any notion of abandoning Mari should he, say, find out one day she’s an evil murderer. Instead, he promises to help her.

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Indeed, Ootori learns about Mari’s past and relays it to Takeru, but he goes into mock battle with her all the same, which is interrupted by the necromancer Haunted bursting out of one of their opposing players; a grim, demented entrance if ever there was one. He’s there for Mari, but Takeru won’t let him have her.

Takeru is surprised to find Haunted has an armored suit and legendary sword able to pierce Lapis, and ends up bloodied very early in the fight. But as he fights, Ootori is having words with her adoptive father the director about the circumstances of the crime scene where Mari was arrested. The magic used to kill people wasn’t hers.

This means, witch or not, the director had Mari arrested on false charges. In exchange for overlooking such a crime, Mari makes a certain demand of the director that proves crucial in the battle with Haunted.

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Now we know why Takeru had zero problem heading into battle with Mari, nor did he seem the slightest bit troubled by the news Ootori gave him: she’s innocent. When Haunted restores Mari’s memory, she remembers being surrounded by a lot of death—including that of her family at an orphanage—and blaming herself both for being such a valuable resource to Valhalla, and for not being able to save them.

With all her terrible memories back, Mari must feel like going with Haunted is what she deserves, and it’s what she’s prepared to do in order to stop others from dying because of her. But Takeru will have none of it. As he promised Ootori, if need be, he’ll carry half her burden, but he won’t leave her side or let Valhalla swallow her back up.

Haunted may be a swordsman, but he’s not a Kusaragi, and Takeru cycles through Lapis’ many weapon forms and effectively drives him back.

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Haunted is a tough customer, however, and it’s everything Takeru can do to stay alive in their duel. Mari decides to cast a spell to help Takeru out, even if it means the collar around her neck detonating. But it doesn’t, because Ootori had the director shut it off just in time. Ootori then tells Mari to prove to her that magic can be used for things other than death and suffering. Now’s the chance to change my mind about you.

Naturally, both Mari and Ootori insist they’re not doing this for the other, but in truth, they’ve already warmed to each other and are working as one. Ootori saved Mari so Mari can save Takeru. Ootori provides cover fire so Mari can cast her spell. Suginami wakes Saionji up by riddling her with insults from when they were frenemies, and then Saionji covers Ootori with her sniper rifle.

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Finally, rather than fire her magical attack at Haunted, she sends it to Takeru, and it’s absorbed by a grateful Lapis, whose pride has been impugned by Haunted’s “lost-type” Dainsleif’s trash talk. The attack is enough to push Haunted back and disperse his armor, and he retreats with a smile on his face, intrigued that he has a challenging new foe keeping him from Mari.

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The magical barrier falls, Takeru passes out, goes to hospital, and wakes up with Lapis by his side eating apples (her low-key presence continues to be a nice contrast to the powerful personalities of the other girls). There’s one more “uh-oh” moment this week when Ootori tells Takeru of bad news, but it’s just bad news for her—Mari has officially enrolled at AntiMagic Academy—but it isn’t really such bad news for Ootori either.

In fact, it was Ootori who used her leverage against the director to negotiate Mari’s present status as comrade. I can understand her doing this to stay in Takeru’s good graces, so to speak, but it’s just as much about Ootori being a champion of justice, as well as having her mind about witches changed, if only a little, by Mari, when it mattered most.

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