Bakuman 2 – 25 (Fin)

The manuscript for the first chapter of Perfect Crime Club is ready, but Hattori believes the character names and design needs work, as does the title of the manga itself. Ashirogi Muto misses the New Years party to perfect their work, as does Fukuda with a motorcycle shonen one shot that will appear in the same issue. Ashirogi meet their new assistants, Orihara, Moriya, and Shriatori; the latter two get into a debate about why to draw manga.

Takagi finally comes up with the name PCP (Perfect Crime Party), and the team belts out the first chapter. It takes first place in Jack by a landslide, earning more votes than either CROW or +Natural’s first chapters, an encouraging start. Mashiro shows the rankings to his uncle’s grave, but the real challenge has only begun, as the chief editor vows to cancel PCP if it can’t consistently keep up with CROW or +Natural.

First, lets get this out of the way: PCP (the drug) must not be a bug problem in Japan, otherwise, Hattori or someone else would surely have discouraged the use of that particular acronym to title anew manga. That said, this second season was going to end on one of two notes: either PCP took first place, or it didn’t. Victory or defeat. Hope or despair. Thankfully, it took first place, as it was meant to do. What we didn’t expect was for it to win by such a large margin. Nobody did; not even the setback-fatigued authors.

The battle has only begun. The competition is stiffer than ever, with two Niizuma Eiji drawn mangas, one of which is written by a girl who considers Takagi and now Hattori her nemeses. Hell hath no fury and all that. Not to mention Fukuda, who has a much more straightforward mainstream manga about motorcycles that the kids will love.

They also have to contend with a chief editor who is still not happy about Ashirogi quitting Tanto, and even more unhappy that he was rebuked in the vote to allow PCP’s serialization. Moritaka Mashiro is a step closer to making his dreams come true, and PCP has the makings of an anime…but there’s still at least a third season’s worth of tribulations to contend with before that happens. He sure hasn’t made it easy for himself.


Rating: 3.5

Bakuman 2 – 24

The editors in the serialization meeting change their votes one by one until the chief is the only one to vote against it, and Ashirogi Muto’s Perfect Crime Club is approved for serialization. After recieving the news and being congratulated by Team Fukuda, Mashiro finds a USB in the slice of cake Miho made for him, on which is a recording of her singing “We Wish You a Merry Christmas.”

The news also comes down that Hattori and Miura will switch places, so Hattori will continue to be Ashirogi’s editor, while Miura takes on Iwase, who is none to happy. After hearing about the initial losing vote to Niizuma, Mashiro decides that Takagi will only give him scripts without layout, so he can better utilize his own imagination. Takagi agrees, and they prepare the first chapter.

Ah, for once, another Ashirogi Muto defeat is turned around at the last minute (or rather, the first minute of this episode), and in an unlikely adaptation of “12 Angry Men” (seven in this case). they get their shot. It’s almost as if the editors had forgotten about the readers and put Ashirogi Muto’s fate in their own hands, rather than those readers, which would have been totally unfair.

But getting those initial doubters to come around will require revision to Perfect Crime Club: enter Hattori, who immediately makes an impact with Ashirogi before officially taking the reins from Miura (who is also impressed with his authors’ professionalism.) When Takagi tells Hattori Mashiro is “saying crazy things”, we worry momentarily, but the drama is quickly dispelled once he explains himself. The ball is in their court.


Rating: 3.5

Bakuman 2 – 22

Hattori advises Ashirogi Muto to play to their strengths: Takagi should try to find “serious humor”, which Ashirogi could enliven with his serious art. A clear direction fires them up, but coming up with a storyboard proves difficult, so Takagi suggests he and Mashiro tail Hattori in secret for a day. They witness him go about his business, learn new and unexpected things, and get further encouraged. After their adventure, Takagi knows what he wants to do: a ‘perfect crime’ manga. They swap Kaya’s present for Miho with an identical one to further experience the thrill and accomplishment of pulling small crimes off. They whip up a storyboard and deliver it to Miura…

After quite a few failures in a row and their careers on the line, finally a little optimism and excitement. Hattori’s “serious humor” advice really caused a light to go off in Takagi’s head. Both he and Mashiro are certain this is their best idea yet. We especially like how Takagi makes sure they’re on the right track by literally acting out the idea by tailing Hattori, then making the ol’ switcheroo. The whole episode was brimming with positive energy and discovery.

There are lots of nice touches: Takagi and Mashiro finally find out about Hattori’s “Iwase Problem”, when she meets him in a restaurant in a come-hither outfit – that Takagi has his back to her is an even better touch. We also like that Aoki and Kaya remain in touch, and how Aoki innocently leaks that it’s Ashirogi’s last chance. A concerned Kaya calls Miho, but rather than feel betrayed for Mashiro keeping something from her, she takes the high road and tells Kaya to chill out and believe in them. The dress-for-drawing swap was also pretty romantic. Of course, next week, we can expect this Perfect Crime Club manga


Rating: 3.5

Bakuman 2 – 21

As Tanto winds down, Ashirogi Muto struggle to find a new idea, until Miura suggests they bring back Money & Intelligence, but add “Appearence” to make it KTM. Takagi is fired up and has loads of ideas, butwhen they submit the manuscript for serialization, it fails. Rather than improve KTM, Miura orders them to do a mainstream fantasy in the vein of One Piece, but the resulting manuscript doesn’t even make it to the serialization meeting. Miura arrives with Hattori, who wants to help in anyway he can. Meanwhile, Iwase reiterates her ‘interest’ in him, and he gives her a set amount of time to win his heart.

When we learned there’d be three serialization meetings, we imagined three episodes in which Mashiro and Takagi come up with three manga ideas, and naturally the first and second would be rejected. But things went faster than we expected, with them breezing through two manga concepts in one week, leaving them with one more shot: if they fail again, they’re through with Jack. One annoyance of this series is how it’s paced: earlier in the first season, an episode would only cover a day or two – now weeks can pass with nary a label to indicate it.

Pacing aside, clearly there’s plenty more material to come – there’s a third season coming later this year – and that makes us wonder, just how long is Ashirogi Muto going to continue these cycles of small victories followed by failures. When will they finaly surpass Niizuma Eiji, like Hattori and others believe they can? As viewers, we’re starting to get a little antsy. Is Bakuman merely stringing us along, or will there be some eventual gratification? We know, for one thing, Mashiro’s goal of getting an anime with Miho voicing it is still a long way off, and their marriage with it. So until then Bakuman has to make a case for itself. Something good’s gotta happen.


Rating: 3

Bakuman 2 – 19

Meeting her father so he can ask him permission to marry Kaya, Takagi learns that her father was best friends with Mashiro’s uncle Nobu. After meeting with both Takagi and Mashiro, he gives his approval. At the Jack party that night, all eyes are on Iwase and Niizuma, further firing up Ashirogi. Natural+ gets of online buzz and on its first day Jack is sold out everywhere and it hits first place. When the next issue comes out, Tanto #1 only gets fifth, then descends from there, levelling out below both of Niizuma’s manga. At their new flat, Takagi and Kaya are visited by Iwase, who comes to ‘congratulate’ them, then suddenly names Hattori as her next ‘interest’. Niizuma stops reading Tanto, apparently bored with it.

It’s a mixed bag this week, with good news, bad news, and some serious coincidences. This anime program would have you believe, for instance, that Kaya’s dad was best friends with Mashiro’s uncle who pined for the mother of Kaya’s best friend Miho, who Mashiro has promised to marry. Small world, yeah? But while it’s good news that Takagi and Kaya can finally tie the knot (I guess Takagi’s parents are dead, or something), there’s still the matter of making a living with manga, and Hattori, Niizuma, and Iwase aren’t making it easy.

In fact, Ashirogi is shown no mercy whatsoever, as the cool indie Natural+ screams past their comparitively childish gag manga, which Iwase says proves Takagi doesn’t have talent anymore and therefore she doesn’t love him – because that’s what loves all about AMARITE? Hinamaru even has his Otters 11 turned into an anime, albeit a late night one, while Crow already has one and Aoki’s manga has a shot at adaptation too. With all the mounting hardships, Takagi is even finding it hard to come up with ideas, never good when you’re already behind. And apparently their manga is so uninspiring, Niizuma, their #1 fan, has stopped reading. Really not good. This week almost seemed like piling on.


Rating: 3.5

Car Cameo: In front of the venue for the Shounen Jack party
sit a trio of stately Toyota Crown Majestas.

Bakuman. 2 – 01

Everything picks up where the first season left off, with Mashiro and Takagi getting serialized. Hattori hands them over to a new supervisor, who immediately delves into the logistics of serializing a manga. He hires three assistants for them, sets the deadlines, salaries, and expenses of the enterprise. They are also treated to VIP service as they attend Yoeisha’s New Year’s party, where they meet rivals Hiramaru and Niizuma as well as Mr. Torishima, board of directors. Mashiro sets high goals that impress both him and the Editor-in-chief.

This was a great continuation of the story we’d left last fall, and introduced a lot of new characters and challenges for Ashirogi Muto. It cleverly begins with the OP of Detective Trap, as seen in Mashiro’s head. None of the trials he and Takagi have gone through have jaded him from his ultimate goal. “Hard work, confidence (or conceit) and luck” are the weapons of any successful mangaka, and so confident is he (at least on the surface), Mashrio promises the editor-and-chief and (a very subtly hilarious) Mr. Torishima that he’ll do what his uncle couldn’t – make a living off manga – and do what he left undone – winning first place in the Jack survey.

Lofty goals, but after witnessing the professionalism of his new team – Editor Miura, Chief Assistant Ogawa, Kato the Girl, and Takahama the Quiet – he has cause to strive for them. The party is the perfect vehicle to introduce Kazuya Hiramaru, who some have claimed is even more of a genius than Niizuma – but when they meet him he insists he’d rather be a NEET. The charisma at the party is palpable, as is the cautious optimism. I love how this show doesn’t merely have course enemies as the leads’ rivals; their relationships are often more complicated. Punctuating the episode with a brief cut to Azuki getting Mashiro’s vow via text was also well done.


Rating: 3.5