Well now, that was pretty damn weird. Dealing with the fairly lame Alien Flamenco, thought to be the next great menace to world peace, was only a one-episode exercise, in which Samurai Flamenco attains new heights of ridiculousness. It aims to fit all of the random stuff that has happened to Masayoshi and Co. up to now into one grand unifying theory of bullshit, and it doesn’t quite pull it off.
In its haste to explain the connections between all of Flamenco’s increasingly strange battles, it inflates Masayoshi to an undesirable god-like status, or at least to the level of a messiah-like instrument of God. Saying the “will of the universe” sent enemy after enemy to Masayoshi because he wished for them is tidy and all, but ultimately not very satisfying. It was all a bit silly, frankly.
While it tries to come off as a “Ha-ha, we’re in on the joke” silly, we got more of a “Meh, we’ll just make it up as we go along” vibe, which can be fine, but it’s harder than it looks. Even if this was all planned from the start, the answers we get this week just weren’t worth all of the whiplash of the past escalations. It’s a nonchalant, overly-meta resolution that does a disservice to the other characters who sweated and bled and cried and struggled by his side all this time. Like the big From Beyond battle, this just wasn’t as clever or ironic as it thought it was.
Take away the window-dressing of the “illusions” and the brief and fairly plain space battle, and this was nothing but Masayoshi standing around talking with a robot who’d finish sentences in English for no reason, followed by somebody who may as well be God, taking the form of Masayoshi’s friends and enemies. But hey, at least he makes what we thought was the right decision: to stop the flow of goofy villains and return to normal life on Earth.
Rating: 5 (Average)
Policeman Goto Hidenori encounters Hazama Masayoshi naked in an alley, having failed in his debut as the superhero “Samurai Flamenco” when a drunk punched him. Goto escorts Masayoshi home, where he learns he’s a model and a hardcore fan of superhero shows, believing them to hold weight in the real world. Goto hears him out and warns him to be careful, but the next night Masayoshi ends up in another spot when he takes on a gang of delinquent kids. He loses but Goto arrives and scatters the kids. Masayoshi continues fighting petty crime, and his legend starts to grow on the web.
In its first of twenty-two episodes, we found a heckuva lot to like about Samurai Flamenco, such that we found it worthy of the first “9” of the season. The realistic urban setting, the likable characters; but we were also impressed with how much logical sense it was making. We believe Masayoshi as one of the rare people who never let society jade him from the idealism of the hero anime he used to watch (and still watches). His comfortable life as a popular model can quench his thirst for justice. Being a model, he has a swanky base of operations and access to a fashion designer who can make him awesome costumes – it’s perfect. But even better is the bond forged between him – an unconventional defender of justice – and Goto, an actual cop living a relatively dull existence.
They’re your classic odd couple; one who eats justice for breakfast and the other ignoring minor offenses like most everyone else because it’s easier. Details like Goto’s long-distance girlfriend and daily quest to the 7-Eleven for dinner and smokes drive home the point that this is a no-nonsense, minimal-excitement kinda guy. Still, he doesn’t dismiss Masayoshi’s nonsense out of hand, because at the end of the day it isn’t nonsense. Give certain bad apples in the city an inch and they’ll take a mile, dragging down society with it. The path of a superhero is not an easy one – Masayoshi has already been on the receiving end of two beatings – but he knows he must walk that path with the utmost resolve – and it seems Goto will have to walk that path with him – a couple steps behind – just in case.
Rating: 9 (Superior)
- Goto might seem like this is all a bit hassle – “why me” and so forth – but he’s kidding no one; we’re certain deep down he’s loving his suddenly spiced-up life.
- A potentially good running joke: if we never see or hear Goto’s GF, making her just as mythical as Harakiri Sunshine…or Santa!
- The food metaphors are awesome, as is the majority of the dialogue.
- Masayoshi mentions a “new suit” in his closet that he uses. We thought that would be the cue to him unleashing some kind of real superpower on the kids. It turned out to be a tease, but a good one.
- FWIW we hope there aren’t any supernatural happenings moving forward – and that the OP and promo art are only puffed-up fantasies of what Masayoshi imagines to be doing, rather than chiding jaywalkers.
- There’s a three-girl idol group that is only present in the ED (which really isn’t bad as j-pop endings go); we’re wondering if Masa’s status as a model will have him crossing paths with them at some point.
- The punk who beat up Masayoshi was wearing…Crocs. Insult to injury…