Our Last Crusade or the Rise of a New World – 07 – Stuck On You

Rin and Alice are in full improv mode, as neither expected to have Iska in their custody at the end of the day at Neutral City. But they do, so they have to deal with it. Even Alice may not be able to protect him from his doom in the Sovereignty’s capital, so they head for Nebulis Province 13, Alcatroz, also known as the Prison Sector.

Risya orders Unit N07 to infiltrate the Sovereignty and rescue Iska as part of the larger plan to capture the Queen. They’ll pass through the border with fake Astral Crests prepared by the research unit. Jhin deftly pantomimes placing a fake crest on Mismis’ hidden real one, hopefully allying suspicion that she’s a real witch…for now.

Once Alice and Rin arrive at Alcatroz’ designated hotel for royals, Rin recommends she stay with the handcuffed prisoner at all times while Alice stays in an adjacent suite. When Iska woke up in the car, he voiced his “disappointment” in Alice, who is clearly hurt by the breach of trust caused by Rin’s meddling.

Rin breaches that trust again, twisting her master’s orders to “take good care” of Iska by cutting her own hand with a fruit knife to serve as an excuse for self-defense when she kills him. It’s clear at this point Rin has gone rogue, believing Alice no longer capable of objectivity. Unfortunately, even a cuffed Iska is able to defend himself from her attacks, and Alice re-enters the room to find the two grappling on the couch and puts an immediate stop to it.

Mismis, Jhin, and Nene successfully pass the border and enter the Prison Sector, where Risya briefly meets up to indicate their next destination, the offshore Ollelugan Prison Tower. But she’s hiding the true nature of her mission when she splits back off from N07. Jhin eventually catches on that their unit may not be here for the explicit reasons Risya stated.

Alice decides to chain herself to Iska (unlike with Rin he’ll be hard-pressed to stop her attacks without his swords), but also turns into a complete airhead when Iska brings up the blatantly glaring question of how the two of them will use the toilet, bathe, and sleep while so connected.

Alice has Rin temporarily disconnect them so she can take a bath, only for that bath to kill even more of her brain cells, such that she comes out of the bathroom butt naked but for a loosely hanging towel. As such, Iska sees the positively massive astral crest on her back, and Alice forgets her modesty altogether, as she’s suddenly primarily concerned with what Iska thinks of both her crest—and her in general.

Iska tells Alice about Mismis (without using her name): his captain and an Imperial soldier who is now a “witch” due to gaining a crest, and how he still respects her regardless of whether she’s a witch or has a crest. He doesn’t place the blame for a century of war on the crests, but due to the ideas and positions that divide them due to their opposite nations of origin.

He’s basically saying he doesn’t consider the crest to be the mark of a witch or devil, and doesn’t fight because of them. As for how he regards Alice, he considers her a “rival on the battlefield”, which is precisely what she wanted to hear: that the two of them are equals in his eyes. Now all she needs to do is strip him down so she can see him naked, and they’ll be even for the night!

As N07 continues their separate infiltration, Risya reaches her destination as laid out by the council: the special cell of Salinger, AKA “The Transcendent Demon”—a ripped but bored-looking bishounen who may just be itching for some action, any action. And since it’s Risya releasing him, he just might fight on her side…for a time. As for me, I’m designating both him and Risya wild cards for now.

HenSuki – 03 – The Third Way

With Sayuki and Yuika declaring themselves masochist and sadist and their intent to make Keiki their master/slave respectively, one thing becomes clear: Keiki isn’t that into this. He avoided dating girls because he felt himself to normal and boring, but now he’s having nightmares as a result of Yuika’s “punishment” last week. He doesn’t even want to go to school, but Mizuha makes him, since he’s not really ill.

Things don’t get any easier for Keiki, as he’s greeted by Yuika’s bra in his shoe locker, followed by a photo of him with his shirt open lying with Sayuki, with the implication it will be distributed if he doesn’t meet with her. When he gets there, Sayuki is dressed as a maid and handcuffed; he must fish the key out of her cleavage.

All the while, the third girl in his life (not counting his sister), Nanjou Mao, keeps watching silently from afar, her gentle blushing going completely unnoticed by Keiki. But when he tells his best mate he doesn’t believe Sayuki or Keiki are the Cinderella, that friend points out Mao’s staring, who it’s directed at, and what that entails.

Mao’s passive role thus far becomes more active by necessity when Keiki is once again summoned to the clubroom by Sayuki, but is intercepted by Yuika, who ties him up and orders him to kiss her foot or she’ll steal his first kiss on the lips. Sayuki barges in to put a stop to it, and the girls, who have known about each other’s proclivities since they met, start to bicker, with Keiki in the middle.

Enter Mao, who drags Keiki, chair, rope and all, into the hall, away from the two warring girls. He blames him for being so nice to both of them and indulging them too much, and in the process betrays that she’s been observing his interactions with them very closely (we dohear a camera click when he’s fishing out the handcuff keys…was that Mao?).

When Keiki asks why this concerns her at all, Mao has no choice but to be more direct: she just plain doesn’t like it when he’s with other girls. That could well be because she’s developed feelings for her childhood friend, but it also means a third girl has decided to try and assert control over him. Perhaps not as a formal master or slave, but it’s definitely possessive and unbidden by Keiki.

Considering how uncomfortable the other two girls’ antics have made Keiki, perhaps Mao is the “Goldilocks” answer, but first he has to determine whether her particular kink (stalking?) is more or less manageable.

Aho Girl – 03

It’s a jam-packed Aho Girl with another not one or two or three but four separate stories, starting with a different opening in which the Disciplinary Committee President (DCP) slowly pans into the shot from the right leering at A-kun, until Yoshiko slowly pans in from the left.

From there, Yoshiko’s mom meets Sayaka, and is immediately suspicious she’ll steal A-kun from her daughter (and by extension, her). Thus she uses two pairs of handcuffs (she normally uses on her husband) and tries to get Sayaka to show them her panties, which will determine what kind of girl she is.

When A-kun threatens violence on Yoshiko and her mom, Sayaka surrenders, and when she finally reveals her panties to the women, they’re so white and pure Mom tells A-kun he’s free to be friends with her: she’s no threat.

Part Deux is another “kids in the playground” segment, with Yoshiko wanting to play and the kids preferring if she just studies, since she needs to get a job at some point. I will never tire of their mature, pragmatic banter.

Then a big white dog shows up—a huge white dog—and Yoshiko protects the little ‘uns…by attempting to ride him. There’s a poetry to her being dragged across the dirt telling the jaded kids to “hold fast to their dreams” as she holds fast to the dog, eventually ending up holding him in the air with her legs.

It’s a stray dog, so naturally Yoshiko intends to keep him, so she can keep riding him, and to the kids’ surprise, she seems to have trained him. The girl even calls Yoshiko “kinda amazing”, which immediately concerns her friends.

Following the dog rodeo, Yoshiko suddenly sounds a lot more bright and sophisticated when talking about her one true love of bananas. Her interest piqued by a bold upstart domestic banana farmer, Satou-san, and the taste is so good she bowls’ over backwards, revealing her panties once more.

The sophistocation quickly fades away when she proposes to run to Satou’s farm to meet him, and Sayaka must tag along…to the tune of 100km. Stopping to buy a drink, Sayaka very unwisely sends Yoshiko into a store that sells far more than just drinks, and the phrase “a fool and her money are soon parted” is elegantly yet devastatingly illustrated. The ugly, dull, expensive, yet not not adorable town mascots of “Middle of Nowhere” were a nice touch.

They finally reach the farm, and Yoshiko draws Satou into a perhaps not appropriate hug for an old man who is a complete stranger. Still, Yoshiko seems convinced she knows the man’s soul intimately after tasting his exquisite banana (that sounds wrong but it’s factually accurate). Then it’s up to Sayaka to get on all fours and beg for train fare home. I can’t blame her for not wanting to sprint another 100km home.

In Numero Quatro things get a little frisky and a little dark, as Yoshiko, seeing A-kun is down from not scoring a full 100 on any of his tests (say what you will about her, she’s good at nice round zeros), and decides to cheer him up…the same way her mom cheers her dad up some nights. Oh dear…

Yoshiko is truly an idiot, but she pays attention when she wants to, and was clearly taking very precise visual notes, judging from the attention to detail in which she handcuffs A-kun, talks to him like he’s a baby with an insufferably cutesy tone while stripping. A-kun is not, for a single moment, turned on by the display, and indeed, looks like he’d rather be anywhere else in the world. I’m sure Yoshiko’s mom would be sad to see him that way!

His sister, on the other hand, manages to walk in just after he’d gotten on his feet and delivered a tremendous knock-out drop kick to Yoshiko, and in the very moment he’s lifting her skirt with his teeth to fetch the key from her panties. Poor Ruri! On the one hand, she shouldn’t have to see that. On the other, well…Yoshiko really shouldn’t have to ever see her parents’ foreplay.

Baby, Please Kill Me! – 13 (Fin)

In the final kill – “Of Kill, Me, and Baby,” the latest thing to catch Yasuna’s interest is cop shows on TV. She brings “toy” handcuffs to school and after cuffing herself to Sonya, breaks the key. Sonya finally slips out and cuffs Yasuna to a tree. Yasuna then guesses Sonya’s birthday is near, and arranges a party with Agiri, who must be assembled from three boxes in the right order (when they don’t later on, it’s not a pretty sight).

The crime theme returns when Yasuna learns Sonya is going off to do a job, and tries to stop her. She falls into a trap, but drags Sonya in with her. When Sonya leaps out, Yasuna makes an impassioned plea not to leave her and not to kill anyone else, as it may negatively affect their friendship and disallow her from continuing the hijinx of the last thirteen episodes.

Sonya lowers a rope for her. As much as Yasuna antagonizes and annoys her, Yasuna’s tearful words move her: she doesn’t want things to change. She wants to keep being teased by Yasuna, and she wants to keep hitting her in retaliation. Perhaps not the healthiest friendship, but a solid one nonetheless.


Rating: 3