Sora no Method – 05

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With help from Koharu and Noel, Nonoka starts to implement her plan to bring everyone back together and apologize for breaking her promise, by making a new promise to Yuzuki: that they’ll launch fireworks from the lake in a week’s time.

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Yuzuki is dubious and quick to run away from Nonoka, Koharu, and Souta, an action that’s grown somewhat repetitive these last two episodes, to the point that if you took a shot every time she ran away in a huff, you’d be pretty boiled. But Nonoka and Koharu’s concerted efforts to make the fireworks happen ultimately manage to draw out what’s been eating Yuzuki all along.

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Even Shione agrees to come in a week…if Nonoka can make the fireworks happen, which she doubts, meaning she thinks Nonoka is lying again, because she’s a liar. Shione has been feeling lied to an abandoned for so long, it’s formed a cold, hard, cynical crust. But we learn her and Yuzuki are not angry for the same reasons at all.

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Yuzuki has really been angry at herself, ever since she ran away from home with fireworks and Souta rode off, desperately looking for her. In the process, he crashes his bike and badly hurts his leg, ending up in the hospital. Yet when their parents ask what he was doing, he protects Yuzuki and shoulders the blame himself.

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Even before that, when the five friends were to meet at the pier for fireworks, nobody was able to make it. Yuzuki and Souta got separated at the festival, while Shione and Koharu stayed home. The only one who actually got to the pier was Nonoka, who was at the waterfront with her mom. When Yuzuki sees the dated photo proving she was there, she’s compelled to apologize to her too.

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I for one am glad Yuzuki figured stuff out and there was finally a cathartic reunion. Even more significant, the four friends together (minus Shione, who’s still loitering around nearby, ever at a distance) actually get to see fireworks courtesy of Noel, who projects them off the saucer. This time, Nonoka was able to keep her promise. She’s made up with Yuzuki; but is that enough to move Shione?

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[C]: Control: The Money and Soul of Possibility 9

[C] finally makes its apearance as a menacing force of nature that devolves whatever civilization it comes into contact with. We saw a glimpse of this when the Tokyo skyline shrunk, but this week it happened all over East Asia; Singapore was totally wiped out and Shanghai became a shadow of its former self. Mikuni, backed by his guild, makes a deal with the devil (Masakaki) to secure funds to stage a last-minute buy that saves Japan from utter ruin, but at a humongous price. The GDP, economy, and infrastructure devolve more than a decade (this is obviously a reference to the real-life “lost decade”, birth rates plummet, and Tokyo is steeped in poverty and squalor.

This was another “jumper” like episode three in its first half, going back and forth through the timeline, unfolding how Mikuni managed to do what he did. But it was only a band-aid, and Yoga doesn’t believe it was worth it. Satou agrees, and they both agree to work to restore the future they had lost. Enter Mashyu: Yoga learns from Mr. Goldteeth that his father had an asset called Mua that looked just like Mashyu. He changed his tune about his father, who clearly had far nobler designs than he initially thought. Similarly, Yoga gets the idea that Mashyu was meant to be his own daughter, but joining Midas meant selling her for collateral. Assets are lost dreams personified.

As much as Mashyu has grown, she is still only an asset. Yoga wants her to be a real girl, and he wants everyone still in his life to have their futures repaired. This includes a Hanabi and a store manager who have totally given up. Indeed, the whole country has, which is why no one is being born. He can’t accept this Japan, and he won’t let it stay that way. They tried it Mikuni’s way, now it’s time for him to spring into action. No more sitting on the sidelines, no more soul-searching. Only…what are they going to do? Rating: 4

[C]: Control: The Money and Soul of Possibility 2

This week Yoga is acquainted with his “asset” (Mashu, a cybernymph, of sorts) and has to fight in his first “deal” (duel) with another fellow player of the game. Losing means going bankrupt, which isn’t pleasant, either in the financial or real world. Fortunately, Mashu is an extraordinarily strong asset, and with her guidance he’s able to win. Also fortunately, while she’s scantily clad, she’s not a squeaky-voiced goofball, but actually quite surly, and fanservice is kept to a minimum.

Winning means a payoff. A considerable one, as when he returns to the real world (the whole ordeal was like a dream), he finds more than 33 million yen in his bank account and starts spending a little freer. His friend Hanabi notices his unfrugal-for-him behavior. He’s also able to talk with Mashu just by talking to the funky card he’s been given. He also suddenly sees banknotes that look normal to everyone else as strange, sinister, black notes from the Midas Bank.

One of his potential rivals, Mikuni, is the only other person his asset Q can recall winning his first deal. She also points out that it was while he was trying to save her, just as Yoga was treating Mashu like a human. But while Mikuni’s gained ambition and rises to challenges, Yoga still wants a normal life with normal pay, and no more. It’s pretty clear that aiming that low could get him hurt in the financial world. While not nearly in as dire a situation as Deadman Wonderland’s Ganta, Yoga nevertheless has stepped into something much bigger than himself, and must adjust to survive. Rating: 4