Sagrada Reset – 19

This week, in the “Boy, Girl and —” arc finale, Souma Sumire comes to Kei’s place, makes chicken curry, telling him about how Urachi grew up while she cooks. Urachi is basically Kei’s opposite: he wants all abilities to be wiped out, because he believes they’ll hurt, rather than help, the weak in the world (though we’re just talking about one small town here).

Then Souma takes a shower, because, as Kei presumes, she knows she’s going to cry. She tells Kei that Souma Sumire died so that when she was ultimately brought back by Kei’s efforts, she wouldn’t really be Souma Sumire anymore, which allowed her to pass Sakuin’s lie detection.

This “artifact”, as she calls herself, still intends to hinder Urachi, and so did everything possible to give Kei a chance to thwart his plans—except tell him everything before she set her plan into motion.

The fault for this lies in the Souma of two years ago who no longer exists, and though “Souma II” admits she and her are pretty much the same, it was that first Souma who acted “foolishly”, letting Kei get stolen away by Haruki, then forcing all of the “hard parts” onto her replacement. She can’t forgive her, but like her, Kei’s happiness comes first.

Kei expresses his gratitude to both Past Souma and Souma II, and as they eat the curry, he notes how the flavor is “oddly nostalgic.” Souma used her ability to draw from his mother’s know-how, but just as she’s not 100% the Souma Sumire she used to be, something made with “a mother’s love” cannot be 100% replicated.

Kei commits to beating Urachi, which he intends to do by claiming all of the abilities in Sakurada, as the MacGuffin promised to do. The miracles they’ll create will be happy, not a danger or nuisance as Urachi so strongly believes.

Kei made sure to warn Haruki that Oka Eri may pay her a visit, and to let him know if she takes her Reset ability (again). Sure enough, Urachi arrives with Oka, and instead of having Oka take her Reset right there, he uses his own ability on her, “rewinding” her to two-plus-years ago, before she met Asai Kei (and when she had really long hair.)

He leaves the sleeping Haruki with Oka, telling her to take her Reset once she wakes up in the hospital.

Oka Eri wants to beat Senpai, but a part of her still admires, looks up to, and loves Kei, and so when she heard his voice message in her head, telling her he’s been “backed into a corner”, and asks if when the time comes she won’t take Haruki’s reset…it puts Oka in a moral bind.

Just as Souma got around Urachi’s lie detector through rather desperate measures, I wouldn’t be surprised if Kei has to make similar sacrifices in order to succeed in his mission.

The stakes couldn’t be higher: his relationship to Haruki and the abilities of the town hang in the balance, and Urachi, preparing to wake up his “petrified” mother after 20 years, is playing for keeps.

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Ushio to Tora – 26 (Fin until April)

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When Tora arrives, he’s really bored and just wants to smash shit, despite the fact things are more complicated due to the presence of Bal-chan within the Hakumen experiment. The insufferably procedural attitude of the scientists continues, with the three preparing to seal the entire lab and detonate it in order to prevent Hakumen from escaping—without regard to whoever is still inside.

That’s when Asako and Ushio are all like STFU with the science-y emotional detatchment, because it’s getting really old. They manage to convince one scientist, Helena, to stay behind and try to stop Hakumen to allow everyone to escape safely.

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Asako works with Helena up in the control room, but when Helena is seriously wounded, Asako has to take over getting the oscillator up and running. Once they immobilize the Hakumen in its tracks, Ushio and Tora free Bal-chan and smash the Hakumen to pieces. But while everyone is in a good position to be saved, Helena seems to know between her blood loss and the encroaching poisonous gas that her own time is up.

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In her last minutes, she’s enlightened by the power Ushio and Tora draw from each other, those they wish to protect, and the powerful enemies they face. As such, this episode becomes a kind of mission statement for the show and it’s core chemistry as a whole. No one in Ushio to Tora thrives alone. Ushio needs Tora and Asako; Tora needs Ushio and Mayuko (and vice versa all ’round); and Ushio and Tora need Hakumen no Mono to realize their full potential.

Without Asako and Helena’s help, Ushio and Tora wouldn’t have been able to beat Hakumen. When the humans succumb to the gas, it’s up to Tora to get them all out of the lab before it explodes. It’s a “pain in the ass”, but Tora has to do it nonetheless, or he wouldn’t be able to live with himself. More than that, he’d have a lot less fun without these humans around.

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I was glad to see Helena, initially a thoroughly unlikable and immoral mad scientist, redeemed this week, along with her less courageous colleagues, who surrender to the JSDF, ending H.A.M.M.R.’s brief rebellion. They can take solace in knowing their faithful colleague worked tirelessly until the end to get them data on Hakumen vital to developing a weapon against it.

As for Ushio, he’s faked out by the Asako dummy Tora made from his hair, and the real Asako is right behind him to hear him cry out for her. So naturally, the two start bickering in each other’s faces about who was more reckless today, but at the end of the day, aside from Helena, whose sacrifice made it possible, everyone is safe and sound.

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Back to Fugen’in we go, where it’s another day, another threat by Tora to eat Ushio, and another instance of Ushio successfully resisting being eaten by using his Beast Spear. Asako and Mayuko arrive to calm things down, or at least join in the chaos, and Shigure celebrates how back-to-normal life has become, hoping it can stay that way at least a little longer until the final showdown with Hakumen no Mono, who is awake and biding his/her time. We can look forward to that showdown this coming Spring.

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Ushio to Tora – 25

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Okay, now that I’m aware that this show isn’t ending with 26 episodes, I’m a lot more on board with episodes like last week’s which deepen the bonds of the characters through conflicts not directly related to facing and defeating Hakumen no Mono (also, Ushio isn’t quite ready to face the boss yet).

Last week was Mayuko’s time to shine, and shine she did; but I’ve also been itching for a proper Asako-centric episode, and this week delivered. It also re-integrated Hakumen into its conflict by introducing a new adversary not yet seen in the world of Ushio to Tora: Sthe anti-Hakumen scientific organization H.A.M.M.R. (it’s a tortured acronym).

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That’s right, Asako and Tora: these guys are trying to Science the Shit out of the Hakumen problem. But they’ve apparently gone rogue, or so (as Atsukawa, from ep 8, reports to Ushio’s dad), and this week let their hubris get the best of them, believing they can do whatever the hell they want in the name of scientific advancement.

They also don’t fight by the same rules as Ushio and Tora’s former foes, employing unsporting tricks like tranquilizers on the former and a “Kirlian oscillation device” on the latter. But while Ushio is passed out when he’s captured, Tora lets himself be captured, certain they’ll take him and Asako to their base where they can then rescue him.

Ushio uses his magic hair to create a distraction, then make a double of Asako, letting the real Asako loose in the facility, determined to save Ushio.

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Everything about the scientists’ approach once they have the Beast Spear offends Ushio; poking and prodding with machines what he knows was a labor of love and sacrifice. He knew the people whose souls went into the damn thing, and these white coats are desecrating it; but he’s too hopped up on tranqs to do anything about it.

With Tora locked up as well, that leaves it all up to Asako. She’s temporarily sidetracked when she enters a lab where numerous youkai and ghosts are being restrained and experimented on, including a gentle, blue-haired humanoid, Bel-chan, but this is a good opportunity for Asako to show off her profound decency for all beings, be they alive or dead. Like Ushio, everything about this place is just…wrong.

The Scientists have Ushio fighing a robot to test his levels and the spears when Asako is finally reunited with him, but a particle of Hakumen they collected goes berserk, and all their fancy tech can’t bring it down, Ushio has to take a stab at it. And in true Ushio fashion, while the scientists are pretty awful people, he still protects them from the monster they created, because that’s his job.

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Even so, he has to be careful, because Asako’s new friend Bel-chan is among the entities absorbed by the Hakumen fragment, giving him all their powers and abilities. Even though Bel is fine being killed and the scientists don’t know a way to separate the good from the bad, neither Ushio or Asako are keen on the idea of killing him.

That hesitation almost gets them all killed, but Asako still has Ushio’s hair tied around her finger. Once she pulls it, Tora—who’d been waiting impatiently in his cell, wondering if “that woman” forgot him—blasts out of his confinement in a very badass sequence. TORA-KUN HAS ENTERED THE BATTLE.

At first I was a little surprised the fight didn’t get wrapped up this week, but any resolution would’ve been so quick as to diminish the threat of the Hakumen beast. Also, it’s not inconceivable that Ushio’s dad could still show up to help out, since he’s aware of H.A.M.M.R.’s treachery. Finally, I’m game for a part two if it means I get to watch more Asako!

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Sket Dance 19

This week Sket Dance presented two instances of mucking up, then digging the hole ever deeper. First, Bossun needs a haircut for a photo in the school paper. Rather than go to a professional barber, he avails himself of the dubious tonsorial services of Himeko and Switch.

The results are predictable: they take turns ruining his hair, only to grow it back with a potion devised by their advisor. It works too well, growing hair “like a locomotive”, and after replenishing Bossun’s hair too many times, it fuses into a massive afro. While the premise is somewhat tired, the execution makes this sequence, with lots of good sight gags.

The second part featured the antics of the student council as they attempt to remove marker from a bronze bust of the principal and end up trashing it. It reminded me of a scene in the film “Bean” in which Mr. Bean meticulously and systematically ruins the painting Whistler’s Mother trying to clean his sneeze off. Like the magic hair tonic though, the ultimate fix is Minorin’s vast monetary resources. Two in-too-deep storylets, two unconventional resolutions.


Rating: 3

Morita-san wa Mukuchi 3

Hana, who is shy, is initially weary of Morita, who is taciturn. But once Morita straightens Hana’s curly hair, Hana warms up to her more. And that’s pretty much it. Hopefully soon the series will expand beyond the content of the OVA, because I’m still getting Déjà vu from this.


Rating: 2