Sankarea – 06

Rea’s odd behavior culminates in her jumping out the window when she sees Babu; she follows him to a hygrangea bush, and the two return to normal. A momentarily lucid gramps explains the potion isn’t perfect; Furuya will have to perfect it if he wants to keep Sanka around. When his father spots her, he asks if they can shelter her; he agrees. Furuya begins carefully observing and documenting Rea, and takes her out for exercise, where she’s spotted by her father’s butler.

Like the resurreciton potion, this episode wasn’t perfect, but it did competently resolve many of Furuya’s more immediate problems. Rea was rotting and losing her humanity, acting more like an animal than a person, and keeping her a secret forever wasn’t going to happen. Once she’s done freaking out (which we’ll allow her under her circumstances), she takes the news pretty well, and while Furuya’s sister and father don’t know the truth, they at least know she exists, and Furuya won’t have to hide her. The fact his shriveled little grampa knows all about the potion – but only when he’s ‘having a good day’ – is a nice little twist that was hinted at last week. Did he write that old spellbook? Either way, we’re relieved Rea is herself again, if only temporarily.

But while those immediate problems were for the most part resolved, Furuya has other problems. Neither the potion nor supplemental hydrangea leaves will keep Rea animated indefinitely; so she’s still mortal in this regard. His initial attempts at close observation – following her body with his camera and such – was an interesting choice, considering her past trauma posing for her father. He’s not aware of her trauma, so we can’t call him insensitive, but we can call him an idiot for not being more careful with Rea out and about. The first night they do so, her dad’s butler spots them. This is a HUGE fuck-up in our books, and we don’t see a solution beyond their leaving home and going into hiding, because her dad has reach, and isn’t above ruining Furuya’s family to get to him and the treasured daughter he abused and killed.


Rating: 7 (Very Good)

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Usagi Drop 1 – First Impressions

Daikichi’s 79-year-old grandfather has died, leaving behind Rin, his six-year-old illegitimate daughter. One life ends, another hangs in the balance. While gramps was survived by many, they all come up with excuses. They question paternity, they proclaim they’ve already made enough sacrifices, they don’t like how stoic she is (They say all this while she’s in earshot). But despite only exchanging a few looks with her, Daikichi feels compelled to step up. No one else does.

He’s the only one in his family to do the right and decent thing. Why should she be stuffed in some ‘facility’? Why do they think she ‘misbehaves’ when Dai’s niece is a bratty little terror? I dunno; because they’re self-involved assholes, maybe. But there’s no question in Dai’s mind whose daughter Rin is. Throughout the episode, Rin occupies just a tiny portion of the screen. She’s an annoying eyesore to everyone. But Daikichi sees a child in need of love, not ‘dealing with’.

Does this make him a saint overnight? No, but it doesn’t hurt. He didn’t expect to leave his grandfather’s funeral as guardian of his aunt. He has a lot to learn about taking care of a kid. Hell, Rin may have a lot to learn about being a kid. But he had a dream in which he essentially saw his gramps with Rin; this could simply be fate. In any case, I look forward to seeing how their relationship progresses, and whether and how he’ll pursue Rin’s mother, Masako Yoshii.

Any series that isn’t a high school magic triangle comedy is a nice change of pace, and this is already the fourth summer series to fit that bill. It’s also among the most gorgeous, with its airy, watercolored look and breezy score. Both Daikichi and Rin’s performances were subtle and calm. As for the childlike opening and ending, I imagine that’s what’s going on inside Rin’s head. Rating: 3.5