One Punch Man – 03

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As episode three plunges into a detailed backstory for Professor Genus of the House of Evolution, I was wondering “Hey, what’s with all the lame long-winded narration?”—only for Saitama to interrupt the narrator (the cyborg gorilla) and state the exact same thing, followed by Genos telling the gorilla to keep it to “20 words or less.” Nicely played, OPM—I learned about Genus and laughed.

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Anywho, as there’s a big sale at the supermarket tomorrow, Saitama wants to take care of Genus and the HoE ASAP, so he and Genos race to the site, throwing Genus and his many clones into a panic. They have every reason to be concerned, as when they arrive at the HoE’s front door, Genos incinerates the entire above-ground structure, along with the mountain it’s attached to, as a time-saving measure for his sale-hungry boss. Still, Saitama is a bit miffed; it’s not nice to not at least hear the villain out!

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Well below ground, Genus is still kicking, and unleashes his trump card, a highly violent, psychopathic superhuman experimentation gone wrong, Carnage Kabuto. Still, he’s the strongest weapon Genus has, and thus his best bet against the intruders. That strength is demonstrated when CK turns Genos into, as Saitama calls it, “modern art.” But as usual, Saitama doesn’t panic, or even flinch at the sight of his suddenly abstracted apprentice.

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Wanting more room to play, CK invites Saitama to a colossal white training room, a perfect pure, empty canvas against which to make marvelous artwork with their fists. But eager to prove himself, Genos rushes in first, blasting Kabuto with everything he’s got…and getting nothing but a cracked-up face and frightening afro for his trouble. Yet when Genos is out for the count and CK turns on Saitama, he squares up a devastating punch and…scurries into the corner like a frightened bug (indeed, his body resembles a Hercules Beetle).

Why? Well, Genus didn’t just make CK strong, but intelligent as well, and some instinct within him is shouting stay away from Saitama, which is actually a very good idea. It also makes CK ask how he got so damn strong, a question both Genos and Professor Genus also want to know. But they all come away deeply unsatified, since all Saitama can tell them is what he did: undergo a rigorous but not altogether ridiculous training regimen for three years, losing his hair in the process.

I like how the art style becomes more dramatic and intense as he talks not of some kind of super drug or divine encounter, but mere sit-ups, push-ups, squats, runs, and going without mod cons.

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Now not so sure he trusts his instincts, CK goes into “Carnage” mode, powering up into a grotesque, rippling purple and green hulk, brimming with confidence. But it’s CK’s big boasting mouth that gets him in fatal trouble. He says he’ll be in carnage mode for a whole week, and won’t stop his murderous rampage until next Saturday. Saitama takes that to mean today is Saturday, the day of the sale, and he’s missing it!

What’s wonderful about this revelation is how much it’s built up as some kind of fatal mistake Saitama made that relates to his powerful opponent in some way. And CK in Carnage Mode certainly looks like someone who might be able to take a punch. But no, he’s taken out in one punch just like all the others; a punch Saitama really puts his heart into, since he’s so frustrated about missing the sale, though Genos later tells him if they hurry back home they can still make it.

With CK’s demise, decades of Genus’ research goes up in smoke, prompting the professor to consider ending his work on evolution and instead start a personal training regimen. Great stuff.

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Samurai Flamenco – 07

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With attacks and petty crime down to almost nothing, Samurai Flamenco has earned the trust of the city and the Samurai Girls have no more villains to punish. To Sumi’s delight Masayoshi refocuses on his day job, but when he finds a newspaper clipping in his grandfather’s package confirming his parents were murdered, and doesn’t feel the impulse to do anything about it, he wavers.

While discussing it with Goto, the two witness a mobster beating an old man, and Masayoshi wraps him in tape. Masayoshi accepts the police department’s offer to make him Chief for the day, and he oversees a drug bust, but one suspect takes a pill and transforms into a murdrous “Guillotine Gorilla.” Masayoshi and Goto push him out the window, and he self-destructs. A strange figure calling himself “King Torture” appears to challenge Masayoshi.

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We figured with four heroes out there fighting crime every night (with extreme prejudice, in the case of Mari’s Samurai Girls), eventually the amount of crime to fight would dwindle to nothing. Some people are happy about the lull, like the sensible, grounded Goto and Sumi. Mari is bored to the point of near-neurosis. And without even realizing it, Masayoshi is sleeping, modelling and acting better, earning him ever more opportunities. Sumi’s seeing to it his rise is swift yet sustainable. Then Masayoshi keeps digging in grandpa’s Flamenco files, finds something shocking, becomes conflicted, and then re-dedicates himself to opposing evil after a very nice heart-to-heart with Goto (whose point is that Masayoshi’s a freak, but he trusts freaks more than heroes).

And then something even more shocking happens: evil finds him. And it finds him the most bizarre, random form possible: a giant armored gorilla with a guillotine built into its mid-section. For the first time in the series, something truly supernatural happens, and people die horribly. This gorilla and “King Torture” are so abruptly thrust upon us, it’s hard to know how to react. We always knew the show had the potential to depart from reality, we just weren’t expecting it so soon, and so damn strange. We’re not sure it wouldn’t have been ballsier for the show to continue abstaining from such fantastical elements, but we’ll keep an open mind.

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Rating:7 (Very Good)

Stray Observations:

  • Kaname Jouji may be a self-involved flake, but his gift of a cow skull and tequila from America showed that he does actually care about his “student.”
  • It’s also great how all the guys are hanging at Masayoshi’s place all the time now. It’s almost like a club.
  • Konno calls Sumi to say he won’t be calling her anymore, because he’s bored. Something tells us he’s about to get un-bored…which means he’ll be calling Sumi again.
  • “Destroy…Not to Destroy…” Mari isn’t even trying to maintain a facade of sanity anymore, is she? If nothing else, this King Torture business will require her firm boot of justice.
  • Masayoshi took all that carnage pretty damn well…you’d think he’d have at least retched at that beheading.