Charlotte – 09

char91

Judging from the amount of time he spends figuring out what to wear, Yuu is not only looking forward to his concert date with Nao, but also seems to be developing some feelings for her. When they meet, he encounters a much more pleasant and bubbly and less surly Nao who is genuinely excited to see ZHIEND live (and collect their very practical smartphone case!)

char92

As the concert progresses, Yuu’s mind-splinter like nagging feeling of deja vu keeps building until it finally explodes when Sala starts singing a song caled “Trigger”, which just happens to be the trigger that sends Yuu…somewhere, somewhen else. Here, he and and a very alive Ayumi are patients/inmates at the very kind of government facility Nao always warned about, where ability users are rounded up and monitored, while those more powerful (and thus dangerous) are restrained, dissected, and/or disposed of.

char93

Is this a flashback, or an alternate reality? The show doesn’t say for sure, nor does it need to. Suffice it to say this is an awesome new direction for a show featuring characters with all sorts of crazy powers, so the ability to travel through time (Yuu’s “big brother” Shunsuke’s ability) isn’t that far out there.

The episode fully commits to this new, harsh, dystopian setting with abandon, along with the efforts by other users to free Shun with Yuu’s true power, “plunder”, or the ability to steal other abilities. That power makes him uniquely suited when the time comes to race through the corridors of the facility to release Shun. In the process, many of his associates fall to the security forces. The time between 13:55 and 17:30 is a thrilling masterpiece in and of itself.

char94

Everything seems to be worth it though, as Shun is released, his eyes uncovered, and…well, something happens. Yuu wakes up in the hospital with Nao by his side, as if it was all a dream, but the timing of Shun using his powers suggests it’s because of Shun that Yuu is here, and was here in this world living peacefully with Ayumi.

Nao is confused by Yuu’s thinking out loud, until a dry Kumagami (who was in the facility with Yuu and Ayumi) enters the room, offering to take Yuu and Nao somewhere where they’ll learn everything they’ve missed out on so far, including reuniting with Shunsuke, who Yuu learns was the one who set Nao on her path of finding and protecting users, thus helping the overall cause. Kumagami also says he can help Yuu rescue Ayumi, as if she wasn’t dead (and indeed, we never saw a body.)

char95

From post-rock concert to dystopian government facility to comfy hospital room, Yuu then finds himself following Kumagami with Nao to another top-secret underground facility, though in this case, it’s the well-funded but time-deficient headquarters and last stronghold of the “resistance” of ability users against the government, an organization led by Shunsuke, who is now blind.

This is little more than a reveal, with Shuu exchanging pleasantries and preparing to tell Yuu and Nao Everything, but this episode had done more than enough already, completely changing the complexion and expanding the scope, stakes, and very reality of the show. This is no longer just about a school club that rescues kids one at a time. This is about saving them all, including Ayumi. I’m always suspicious of un-killing characters, but in this case I’m very intrigued to see how they do it.

10_magRABUJOI World Heritage List

Advertisements

Charlotte – 08

char81

Charlotte follows its best episode (and one of the best episodes of the Summer) with another powerful outing, though not quite packing the same punch. It has Yuu returning to school and to the routines he had abandoned after Ayumi’s death. It’s all here, from Joujirou’s fanboying and bleeding, Yusarin’s spells and music videos, Tomori’s standoffishness and drop-kicking.

char82

But just when Yuu (and I) think the wet guy is going to show up with the next ability user, Tomori says he’s not coming. Instead, she has a second ticket to a ZHIEND show tomorrow, and wants one of them to go with her. Citing their honest ignorance of and disinterest in post-rock (look it up on Wikipedia), the process of elimination makes Yuu Nao’s “date,” and when she says it’s nice to have a breather now and then, he agrees and accepts.

Later that day while walking home, he bumps into a fuchsia-haired blind woman who mixes English in with her bizarre accent and is on a quest for “modern-yaki.”

char83

Yuu takes her to a okonomiyaki joint for some hiroshima-yaki instead, and learns that she’s none other than Sala Shane, the lead vocalist for ZHIEND. Not only that, Sala is a remarkably down-to-earth person who picks up instantly on Yuu’s still-raw wounds of grief, and decides to spend the whole day with him.

Yuu calls Nao to join them, but she seems utterly disinterested, which I took to mean she might have somehow arranged this, because the fact of the matter is Yuu benefits from hanging out with Sala, even as he still reflexively pulls out his phone to tell Ayumi he won’t be home for dinner.

char84

Sala once had the use of her eyes, and was once far bigger and more popular than she is now with her “dull” little post-rock band. But when things got out of hand with the fame and the money and the way the people around her changed, she gave it all up, making a deal with God to take her sight in exchange for a smaller, more peaceful life.

I couldn’t help but notice the similarity of her sitting in a dark, trash-filled house with nothing but the light of the TV to similar sights of Yuu in the same position. She remarks that the day may come when he too has to make a deal with God, and tells him to “handle it well” when it does.

char85

We learn where Yuu is taking Sala when we see the rest of his phone call with Nao, in which he tells her he’s bringing Sala to her brother’s hospital, betting she might be able to help bring part of him back from the fog. Where Nao almost seemed annoyed earlier in the call that she’d jump at the chance to see her heroine (in stark contrast to Joujirou, who worships the dirt beneath Yusa’s feet), here she expresses gratitude as the sun sets before her.

The highlight of the episode is Sala’s stirring solo a capella performance to an audience of Yuu and Kazuki. Sala is old enough that she would no longer have a power, and yet there she is, soothing the soul of a fellow adult, as someone who still has their power listens intently.

char86

Kazuki does come back; Yuu wins his bet, at least for now. Nao rushes to her brother’s side, then calls Yuu back to thank him from the bottom of her heart. Yuu doesn’t need Sala’s other heightened senses to detect Nao’s sincerity.

As for Yuu, he takes what Sala said to heart about him knowing good people, which have changed him without him knowing it. Last week, Nao straight-up saved him from falling off a cliff of despair. This week, without even thinking about it, Yuu repaid Nao’s kindness by helping her brother. Thanks to his experiences in these first days back in the post-Ayumi world, Yuu can see the light, and himself, and is happy with what he sees.

But he still gets nostalgic when he hears ZHIEND. Will he reach another breakthrough at the concert with Nao?

9_mag