Dororo – 23 – Chicks Fed by the Hen

Dororo, Nui, and Biwamaru can only watch as Hyakkimaru and Midoro battle the newly demon-possessed Tahoumaru, Hyougou and Mutsu. The latter two meet ignominious ends as Midoro lops Hyougou’s head off and kicks Mutsu to death, but Mutsu at least dies a human.

As the young foal finds and calms her mother, Nui laments her inability to calm either of her sons, as they run off fighting together. Hyakkimaru notably regains his arms, which bleed profusely as he grasps the blades that had up until only recently been his arms.

The three men who were chasing the foal agree it’s wrong to rely on Hyakkimaru’s parts being eaten by a demon – but neither they nor Nui are wrong in valuing an entire domain over one man.

As Lord Daigo abandons his castle and leads his troops to fight the advancing Asakura, Tahoumaru and Hyakkimaru turn the place into the venue of their final battle, setting the place ablaze in the process. Jukai also seems to have one last task to perform, perhaps depending on the outcome of the duel. As for the fighting itself and the dialogue between the brothers…it unfortunately grows repetitive and dull as it drags on.

As for Dororo and the three men who chased the foal, they all agree right then and there not to rely on the samurai (i.e. the strong) to take what they want out of live, but to rather acquire it with their own hands. If three men can get on board with that concept, rather than continuing to mooch on a demon pact (sorry Daigo, you did make the wrong choice) that only ever created only a very fragile prosperity, perhaps the rest of the domain can as well. One way or another, the lands of Daigo are going to change.

Dororo – 22 – Stay The Bro You Are

Things get more and more dire in Dororoland with this week’s events, with Hyakkimaru pushed over the edge in more ways than one by the capture of Dororo. The damage he did to Hyougou and Mutsu seems to render them no longer able to protect Tahoumaru, which means he’s more pissed off than ever.

Mutsu is the worse-off off the two, however, as she’s caught the disease that’s gripped parts of Daigo’s lands, and will soon claim her life. I feel for these siblings, now that I know what they’ve already been through when they were the same age as Dororo. But hey, at least Hyakkimaru doesn’t have to kill the demon horse Midoro right out of the gate.

Nui decides she won’t let another innocent child die for her sake, so she releases him, and hides him in her robes when guards pass by. Dororo lingers under those robes just a bit and called “Nui” mama. Nui can probably tell right there that Dororo has suffered too much already. Nui ends up following Dororo out of Daigo’s castle just as Midoro arrives to wreak havoc, and they take a boat downriver.

Dororo tells her more about Hyakkimaru and how unfair it is that he has to go through with all this, and she tells him how even without skin or limbs, Hyakkimaru was the most precious thing in her life. He hopes Dororo will tell him that. Dororo hopes she can help keep Hyakkimaru from becoming a demon. But due to the rains, they lose control of the boat and crash…

Fortunately, they’re both okay, as Dororo wakes up in the same stable as Midoro’s child; the two of them having to live on without their mothers. Biwamaru is watching over him, and later shows him that Niu is aiding in the care and feeding of the sick and invalid who had nowhere else to go.

Meanwhile, Hyakkimaru is revealed to have taken Midoro as his horse, and the two form a tornado of wrath that cuts through Daigo’s soldiers like softened butter. If Dororo wants to save him, he’d better hurry…if he’s not already too late.

Mutsu, deciding she can’t simply die in a room, heads to the Hall of Hell to offer her body to the one demon who didn’t eat a part of Hyakkimaru. Tahoumaru and Hyougou arrive in the nick of time to stop her, but something far worse happens instead, the three of them desperate beyond words for the power to protect their lands people, and each other.

After Hyakkimaru disposes of the fixer who kidnapped Dororo, he ends up crossing paths with Tahoumaru, Mutsu and Hyougou. Only they’re not the same people anymore. Thanks to a new deal with the demons, Mutsu and Hyougou have their arms back, and Tahoumaru has his eye back, along with a third one.

Those arms and eyes are Hyakkimaru’s. They were no doubt given to the three for one purpose: to get the remaining body parts back. Only then will the demons honor the pact and restore Daigo’s lands to prosperity…or so they probably told Tahoumaru. But it was a mistake for his father to deal with the demons in the first place, and it’s an even bigger mistake to deal with them now.

Dororo – 21 – Dororo Has a Bad Feeling About This

The title of this post says it all: Dororo has stayed alive as long as he has for two reasons: She’s pretended to be a he, and he’s had very good instincts for danger. Sure, he’s gotten himself into innumerable tough spots, but has had the luck to slip out of them, thanks to Hyakkimaru, Biwamaru, and other allies along the way.

So when Dororo says he has a bad feeling about heading to Daigo, Hyakkimaru should use those new ears of his and listen. He doesn’t, and grave misfortune follows, just as Daigo is dealing with the worst misfortune since before he made his demon pact. As epidemics and blights plague his lands, Asakura has fielded a 2,000-strong invasion army, far larger than anything he can muster.

As such, what few troops he has left are forced to recruit any able-bodied men and boys from the healthy villages (leaving too much work for the women and children, which will have serious consequences) and burning the infected villages and shooting anyone who tries to escape. It’s time for desperate measures all around, and not a place Hyakkimaru and Dororo should go anywhere near.

Short-handed as he is, Lord Daigo cannot refuse his son’s demand to hunt down Hyakkimaru with no one but Mutsu and Hyougou—there’s no talking Tahoumaru down—but still assigns his “fixer” to follow them. Speaking from experience when their village was raided, their parents slain in front of them, and taken captive by samurai, Mutsu and Hyougou voice their extreme dislike of war in all its forms. More distressingly, Mutsu’s malady is worsening, and can no longer be hidden.

Hyakkimaru and Tahoumaru’s mother also laments that despite being the wife of a great lord, she is helpless to stop the path of destruction upon which both of her sons have set themselves. Nothing Dororo says can convince Hyakkimaru to reconsider his quest to get all of his body back, not matter how much death and destruction it might cost; not matter how much it might change him into someone Dororo can no longer walk beside.

Hyakkimaru counters by saying he wants to see Dororo with his own eyes and touch him with his own hands, but in the grand scheme of human suffering, it doesn’t seem enough to justify his actions, no matter how unjustly he was treated.

Those looking for two-dimensional heroes or villains will find none in this episode. People may be fighting for or against Hyakkimaru’s interests, but everyone has good motives for doing so. In Mutsu and Hyougou’s case, their loyalty to Lord Daigo and Tahoumaru in particular is the consequence of Lord Daigo having saved them from both from a fate worse than death: to starve as captives among corpses.

I couldn’t help but cheer when Daigo entered that pit of hell and dragged the feral, mangy kids out of there. Yes, he put them to work as Tahoumaru’s official friends and protectors, which might not have been their choice, but theirs are still infinitely better (and longer) lives than they’d have lived had Daigo not saved them. Both have long since made peace with the fact that they won’t always like the orders their lord gives them, or the choices their young master makes, but their loyalty is absolute all the same.

So Mutsu and Hyougou join Tahoumaru in their latest confrontation of Hyakkimaru, as their master’s right and left hands. In a bout of sickening irony, those are the same hands Hyakkimaru chops off of the two of them, now more powerful and enraged than ever. It is Tahoumaru who has to save his own bodyguards from his wrath, and receives a nasty gash on his brow for his trouble.

What I couldn’t stop thinking about thorughout Tahoumaru’s efforts to rid the world of his older brother is that how does he know killing him will solve anything? The demon pact was broken, full stop. Those parts of Hyakkimaru they took were taken from a living baby; killing him won’t necessarily automatically return those parts to them. All of Tahoumaru’s rage and single-mindedness on his destruciton, and it may not end up making any difference. His father’s lands may simply be doomed regardless.


Things look bad for Tahoumaru, but we were never meant to forget about Lord Daigo’s fixer, who arrives on the back of a prized white horse named Midoro stolen from one of the villages and pressed into military service. What does the fixer do with this splendid horse? He blows it up in a cynically efficienty attempt to kill Hyakkimaru.

Yet even this fixer is not an evil man. He’s obeying his lord’s orders, protecting his lord’s son, and defending his lord’s domain and its people the only way he knows how.

Even if it means using Dororo as a hostage, something the maimed Mutsu and Hyougou strongly protest (no doubt because the child reminds them of themselves—and of history repeating itself—neither of them have an alternative for dealing with Hyakkimaru, who is still alive at the bottom of a gorge.

About that gorge: it is filled with the corpses of samurai and their armor, as well as the parts of poor Midoro the horse, all of which undergoes some kind of demonic transformation down there. Like Dororo said: he had a bad feeling about this. Maybe next time someone will listen…if there is a next time.

One parting nitpick: the quality of the horses this week is iffy at best, suggesting limited skill and experience rendering them on the part of the animators. Considering the importance of one particular horse, that was a rather distracting shortcoming, though not a deal-breaker.

Dororo – 20 – Red Autumn

Even with its often subdued, earthy palette, Dororo is a looker of a show, its gorgeous, painterly and serene natural environments forming a backdrop for all the grittier, brutish human-on-demon (or human-on-human) interactions. When the autumn season arrives, it provides a burst of colorful splendor that further elevates the setting.

Of course, Dororo points out that red is also the color of demons for Hyakkimaru. The vivid foliage is foreshadowing for the carnage to come, as the two meet a ronin who is hunting a demon who killed his ma. The fall also represents the beginning of the end of prosperity for Daigo and Tahoumaru’s lands.

When our duo meets the beast—a nue or chimera—we learn the ronin is actually helping it by serving up victims, since when others are dying it helps him forget about the gaping void in his heart after the loss of his mother. It’s just that the victims aren’t usually as tough as Hyakkimaru, who only doesn’t defeat the beast because he and Dororo take a spill of a crrumbling stone cliff.

As Daigo ponders his next move now that the deal with the demons seems to be off (remembering his wife mention the one demon who didn’t claim a part of their son’s body), Dororo wakes up from the fall with his arm trapped under rocks, and my thoughts immediately went to the grisly resolution in 127 Hours.

Worse, the spot where he’s stuck is riverbed, and the water starts to rise. Hyakkimaru can’t get any leverage on the rocks with his false arms, and as Dororo’s head slips below the waterline, Hyakkimaru resorts to slamming his head against it in desperation, screaming in desperation. It’s a sickening scenario, even if we know Dororo will somehow survive it.

That’s thanks to Biwamaru, whose continued following of the duo seems to indicate he still has a role to play with regard to Hyakkimaru. Biwa rescues Dororo, but Hyakkimaru is devastated by the fact that Dororo would have died had Biwa not been there, all because Hyakkimaru’s arms were stolen by demons.

He rushes to the nue to take back what’s his, and as the ronin watches him fight we see the truth of his story with his ma: he sought the nue out to defeat it and prove his worth both to his ma and his village. But things went south, and when the nue grabbed his ma, his ma grabbed him.

In a panic, the ronin cut his own mother’s arm off so he could flee. After that, the village ostracized him, but he ended up filling that hole in his chest by either killing them or feeding them one by one to the monster. As he watches Hyakkimaru fight, he sees the samurai he had hoped to be.

Realizing it’s too late for that, or anything else, he offers himself to the nue, which proceeds to heal the face Hyakki maimed and then sprouts wings.

By the time Dororo catches up, the sun is low, turning the surroundings suitably, intensely red. He sees the aftermath of Dororo’s vicious battle with the nue, walking past various parts of the monster sitting in pools of blood. Before Hyakkimaru kills what’s left of him, it dawns on the ronin why this man doesn’t have any fear: because he’s not entirely human.

Hyakkimaru finishes him off, but receives no new body parts in return, leading him to fume and hack at the monster’s body as Dororo tries to calm him down before he goes too far and loses himself. But Hyakkimaru believes he’ll always be lost as long as the demons have the rest of his body.

So he’s heading to the source of it all: back to Daigo, once again opening up the moral can-of-worms in which he is both justified in taking back what was taken, and Daigo is justified in wanting to stave off the destruction of his people.

Surely another clash with Tahoumaru and his retainers is imminent, all with little Dororo in the middle, doing what he can to keep his bro a human with whom he can walk through the gorgeous autumn woods, and who can live with himself and his actions.

Dororo – 19 – When Words Fail

After a very thematically and emotionally heavy multi-part episode, it felt right to get into some lighter fare. After his battle with Tahoumaru, Hyougou and Mutsu, Hyakkimaru’s arm-swords are ruined, and so with Dororo’s new cash, they set out to find the venerable swordmaker Munetsuna.

A passing peddler told them Munetsuna was the best, but when they arrive in his village, the first villager they meet tells them the hatchet he made for him is crap. Dororo tests it, it cuts perfectly. The guy also says Munetsuna’s daughter Okowa is ugly and has a bad personality, but when they finally meet her, she’s drop-dead gorgeous, warm, and sociable.

Okowa also takes an immediate liking to Hyakkimaru, calling him “Hyaku-sama” and “joking” that he’s come to marry her. Her dad can tell Hyakki’s swords have been used to kill demons, and so they head to a shrine to purify them. That’s where we meet the demon-of-the-week who seems able to manipulate people into saying the opposite of what they mean.

It’s a novel skill for a demon that makes for a delightful rom-com conceit, consisting of the triangle of Dororo, Hyakkimaru and Okowa. Before Dororo knows it, Okowa is proposing to Hyakki, who says he will abandon Dororo their adventures and stay with Okowa. Dororo can’t believe what he’s hearing.

But the next day, he can’t believe what he’s saying: everything that comes out of his mouth is in support of Hyakki and Okowa’s marriage, for which Okowa couldn’t be happier. I can’t place Okowa’s seiyu (I’ll post it when I learn it) but she does a wonderful job bringing the adorable and eminently likable guest star to life.

Even as I sympathized with Dororo after Hyakki’s apparent turn against him, their traveling and/or living with this woman wouldn’t be the end of the world. Still, before Dororo figures out all this opposite-talking is the work of a mischievous demon, he finds an outlet for his frustration and loneliness in Munetsuna.

Ultimately, Dororo figures out something is amiss, and decides he has to stay by Hyakki’s side like he promised, no matter what bro said to make him not want to.

The day of the wedding arrives, and despite saying he was all for it, “Hyaku-sama” has no intention of actually going through with marriage, as he’s not even sure what marriage is. This is all pretty humorous, and the episode makes sure we know it’s okay to find it humorous, as the Amanojaku is far from the killer sharks or lake creatures our duo has fought before. He’s more of a trickster; a nuisance.

Mind you, that nuisance nearly becomes deadly when he makes Hyakki choke Dororo, but Munetsuna bonks him in the head with a log while wearing the mask of Hyottoko, one of their protective deities, and the “spell” he put on both Hyakki and Dororo is lifted. Hyakki embraces Dororo apologetically, and Dororo is happy his bro is back to normal.

As for Okowa, she figures out that Hyakki was saying the opposite of what he meant all that time, which means he never wanted to marry her. Fortunately, with the capture of the Amanojaku, one of the villagers who previously had nothing but unkind words for her is finally able to properly tell her how he really feels, and proposes to her.

As Hyakkimaru tries out his sweet new swords, he demonstrates to Munetsuna and Okowa that it never would have worked out; Hyakkimaru is someone who has dedicated himself to a journey to make himself whole again. So, with a warning to him not to rub his head against anyone unbidden (like he did when he met her), Okowa sees Hyakkimaru off, wishing him and Dororo well on their continuing adventures.

While perhaps not an essential addition to that main journey, this was nonetheless an enjoyable, warm, and above all funny episode that had its “other girl steals Hyakkimaru” cake and ate it too. It reaffirmed both that Dororo need not always be all dark and dire, and that no matter what supernatural foe they face, there’s no breaking up Hyakki and Dororo.

Tokyo Ghoul 2 – 12 (Fin)

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Tokyo Ghoul Root A delivers a finale as still and austere as the previous episodes were flashy and frenetic. It was a hauntingly gorgeous episode so quiet and deliberate, every gesture and breath and ambient sound contained multitudes. Aside from the insert song, a stripped down version of the first season’s OP, there isn’t even any music telling us how to feel. It’s all in the artistry of the camerawork, lighting, and, of course, the characters we’ve come to know.

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More than anything, there’s a palpable feeling of finality to this finale, that a page is about to be turned. Ken starts in a kind of limbo, in the place that held so many happy memories for him. It’s as good a place as any for Hide to finally tell Ken that he knows he’s a ghoul.

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But Hide is in a bad way. The reveal of is injury is a masterpiece of careful unveiling, and the first sign that this truly is the end. Hide was an almost casual, neutral observer of everything Ken and Touka and everyone else have been through. Now that the show is ending, there’s no longer a need for such an observer, so in a way it makes sense for him to die here.

For Ken, his connection and lasting friendship with Hide, someone he had been estranged from going back to the first season, is the only bridge forged between ghoul and human. It was a bridge that was there from the start. If everyone in the CCG had a loved one turned ghoul, they’d likely all be a little more tolerant…and vice versa.

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Touka arrives at Anteiku to find it ablaze, apparently the work of Ken, again closing a door to the past before walking out with Hide. Touka sees his human eye and moves to meet him, but wreckage nearly crushes her; wreckage that came loose due to a ghoul’s weapon.

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Touka still follows Ken and finds him approaching the fortified CCG staging area bearing Hide, who may or may not be dead. At this point Touka’s path is barred again by Yomo, and my suspicion that Ken and Touka might never meet again is confirmed.

The episode really takes its time with Ken’s slow walk, both to and through the CCG ranks, but while it’s not perfect pacing-wise, it’s still some very powerful work, and it’s a credit to the show that it was able to slow things down so we could savor the end rather than choke it down.

Like a carefully-made cup of coffee, it takes quality ingredients, the proper tools, patience, and restraint, and TG exhibited all of the above with aplomb.

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Ken’s final scene is carrying Hide (echoing the show’s promo art) as various CCG soldiers gawk at him and helicopters swoop menacingly above him. These moments were suffused with thick tension as I pondered if and when the CCG would make a move.

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Ultimately, it falls to Arima to face Ken, who stops and puts hide down. But true to this finale’s minimalist atmosphere, we never see a fight, one-sided or no; only the click of the briefcase containing Arima’s quinque. I can’t imagine it’s a coincidence they both have white hair.

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Dawn rises upon Tokyo, Anteiku’s fires are out, and only Arima and a rapier-like quinque stand where Ken once was. The snow has stopped falling, the storm is over, and peace has returned to the city. Was it peace attained by Aogiri’s tactical withdrawal, in which case it’s only temporary? Was some kind of deal struck between Ken and Arima?

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“All we can do is live as we endure loss,” Yomo says to Touka as he stops her from going to Ken, who wasn’t coming back. And he’s right. You can’t just stand still and wallow in despair until it consumes you. The fact som many people on both sides did just that is what put them all on that costly collision course.

After the credits we see Touka has opened a cafe of her own. While cheerfully opening up, she allows a brief moment to gaze wistfully out at the block before her; perhaps she saw something or someone in the corner of her eye? But it’s only a brief moment that passes, and she goes on with her morning with a smile on her face, remembering, but enduring and living. Because that’s just what you gotta do.

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Tokyo Ghoul 2 – 11

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Both the Ghouls and CCG take heavy losses this week—starting with Shinohara in the first two minutes—as the show perpetuates the idea that even those who desire peace are caught up in the tide of war, and be it honor, obligation, revenge, or simply love for one’s family (whatever form it may take) and home, there will never be a shortage of reasons to fight and keep fighting.

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CCG can’t rest on its laurels after defeating Anteiku, as Aogiri Tree descends upon them in force. Ken is among them, but he’d rather Kotarou simply let him pass so he can get to Anteiku. Nothing doing.

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Both remember their first encounter, in which they each blamed the other’s side for continuing the war. Ken spared Koutarou’s life and even saves some CCG grunts from falling debris right in front of him, but such small gestures, while appreciated, cannot make up for all of the death and destruction the Ghouls have caused to those Kotarou knows and loves.

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This unending urge to fight with one’s last breath, in order to pay the enemy back for a wrong, is illustrated by Juuzou’s attempts to fight Eto, who killed his adoptive father Shinohara and laughed about it. Eto flicks Juuzou away dozens of times, and breaks his leg, but Juuzou keeps getting up, until he’s laying hapless punches on Eto. No matter how little effect they have, Juuzou won’t stop fighting until his tank is empty.

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Under less drastic circumstances and with hands less tied by bad blood, Kotarou and Ken could simply sit down and have a nice long chat. But they can’t do anything here and now but fight and try to kill each other.

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And they come very damn close, fighting to a stalemate in which both of them fall. Ken falls last, however, and wanders around later, while Koutarou doesn’t get back up.

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Juuzou, and possibly the rest of the ravaged CCG, are saved by their version of Eto: Arima, a dude who doesn’t wear an Arata but has two ridiculously bad-ass quinques that allow him to calmly and methodically fight on the same level as Eto; perhaps above it, considering Eto is angry about Yoshimura being defeated, while Arima doesn’t seem to express any emotion whatsoever.

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Touka remained out of the fight, which was probably for the best, but while I was hoping she’d find Ken bleeding to death in the alley, the episode ends without them crossing paths. Frankly, I wonder if they’ll ever meet again, considering we only have one more episode to work with.

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No, it turns out to be Hideyoshi who carries Ken to Anteiku, which is ironically a pretty safe place to be now that the battle is pretty much over. It occurs to me I may have been all wrong about Koutarou being the human representative to entreat with Ken to hammer out some kind of peace or at least cease-fire. Hide is human, after all, and by all appearances he continues to consider Ken a friend, if not his best friend.

So after an episode of pointless fighting, death, and despair and futility, we end with an ever-so-slight glimmer of hope, with two old friends reuniting for the first time in a while.

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Even that glimmer is threatened by the post-credits scene, where Eto spits out Yoshimura, who breathes still, and returns to her human form (a pretty awesome sequence to behold, I might add). Another reunion is achieved, though at this point I’m not sure what Eto intends to do with Yoshimura, or if she’d have the slightest interest in peace with humans.

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Tokyo Ghoul 2 – 10

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Unlike the last two episodes’ cold opens, which could have stood alone as masterful short films, this week’s doesn’t even feel necessary, since we already know a concerned Touka is rushing towards CCG siege on Anteiku. On the other hand, it’s only 55 seconds long…because there’s shit to get done this week.

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While the Mall and Prison super-battles felt larger in scale, this one brings more emotional and dramatic weight, because this time it’s Anteiku, which has always striven to live and let live, and the battle isn’t going well, because the CCG are bringing it.

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Koma and Kaya are ready to make their last stand tonight, fighting beside Yoshimura, who brought them together in peace, and going out in a blaze of glory, or at least with one last good fight. Koma and Kaya don’t get their wish, as Kaneki arrives just in time to save them from the finishing moves of the Doves attacking them.

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A lot of the glory this week goes to our two favorite white-heads, Kaneki and Juuozu, who both show just how terrifying they are when they’re serious. It’s kind of a shame that they don’t meet or cross blades this time, but I can see why the two sub-battles were separated. Koma and Kaya were able to be saved by Kaneki because Yoshimura is attracting all the CCG heavies, Juuzou included.

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Even with Shinohara, Iwa, Juuzou, Ui, Houji hacking away at him all night in varying states of coordination, Yoshimura is one tough sonofabitch, which seems to almost work against his plan to pay for his sins and pave the way for the future by all but letting himself get killed. He can’t help but fight back, and his status as the Owl means even if he doesn’t lift a finger in defense (and he very much does), it takes a good long time for him to go down.

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That emotional weight I mentioned? It comes in a flurry of flashes as Yoshimura remembers all the various people in his life he either saved or was saved by. The last thing he sees is his beloved Ukina, the human who accepted him and even bore his child, who is now out there somewhere. You want to hope now that he’s paid for his sins with his life at last, he’ll be able to rest in peace with Ukina in the hereafter.

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Unlike Kaneki, who saves Koma and Kaya, Touka takes no action in the battle. This was probably a good move on her part, as I imagine she would have been outclassed here. Still, she doesn’t particularly look happy about sitting this one out. As for Hide, he’s somehow able to suit up as a CCG grunt to watch, which…well, that doesn’t exactly reflect well on their security procedures, now does it?

As for Kaneki, he isn’t able to simply walk away after dispatching the Second and Third CCG divisions. The Fourth still stands in his way, led by a particularly focused-looking Amon. I don’t imagine he’s in the mood for talk. And while Amon is the underdog in a fight with Kaneki, he’s got friends, and he hung in there versus an admittedly more unstable Kaneki at Cochlea, so he won’t be a slouch.

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Finally, as soon as Yoshimura is defeated, the other Owl, his daughter, arrives on the scene, ready to rumble against the by-now exhausted Doves. Yoshimura’s last request to Kaneki was to not squander his unique status as the one person who bridges the gap between ghouls and humans.

He also told him to try to save his daughter. With Kaneki and Eto about to enter into fierce battles of their own, prospects for either of those things happening seem pretty bleak.

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Tokyo Ghoul 2 – 09

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Last weeks long cold open told Yoshimura’s tale, and it was a stirring one. This week’s even longer cold open focuses on the Doves, how on the eve of their impending raid on Anteiku, are obligated to fill out their last wills and testaments prior to going into battle. But it’s not just a formality this time. You get the sense some of them really won’t be coming back.

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The various Doves, those we know well and those less-so, regard the duty, and cope with the prospect of their imminent doom, in different ways. Takizawa visit his mom. Akira visits graves, then tries to kiss Kotarou, who covers her lips with his hand. Hey, if there is no tomorrow, somethings need to be said and/or done.

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Takizawa, by the way, shows that without any specific vengeance in his heart like Akira’s or Kotarou’s, he can’t quite cope with the enormity of what he’s about to get into. All he can think about is how much he doesn’t want to die. But when going up against Yoshimura, everyone knows dying is a distinct possibility.

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On the other end of the spectrum is Juuzou, who turns his will into paper airplane, which speaks not just to his chaotic nihilism, but to his confidence he’ll come out of this like any other battle; with nary a scratch. What’s chilling is that I believe it.

In a nice bit of character connection across sprawling Tokyo, Ken spots Juuzou’s airplane and watches its flight, leading his eyes to a TV screen announcing the impending battle in the 20th Ward. It’s the same broadcast Touka is watching from a safehouse. Ken and Touka are the only two non-doves in this cold open, alike in the fact they’re both meant to sit this one out, despite how much Anteiku means to them.

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In one final powerful sequence, all the Doves we’ve watched separately are all assembled under the command of Washuu. They’re all there for different reasons and for different people, and despite the fact they’re about to set out to kill our friends, I just can’t see them as the bad guys. It speaks to TG’s fierce devotion to showing us all facets of its characters. In the field of cold opens, TG is locked in; in fact, if this episode were just those first eight minutes of change, I’d probably still give it a 10 despite getting only half the runtime I expected. It’s moving, masterful work.

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But we weren’t cheated. This episode benefited both from some fantastic character moments and some fantastic action. That action is brief, but effective, as we finally see Koma and Kaya in action (at least I think it’s the first time. I don’t recall if they were in the mall battle). They’re pretty badass when it’s just the two of them punching and carving through legions of CCG troops, but then they reveal they have their own ghoul factions fighting for them, this time on the same side, as it’s implied Yoshimura brought the two formerly bitter enemies together.

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Yoshimura himself makes a pretty fantastic entrance, complete with smoke, cloak, and a cool speech about how everyone is evil, because life is a succession of sins, i.e. people taking from other people. I don’t quite agree with him, but he’s right that there is evil in everyone, human and ghoul, and the answer to a peaceful world isn’t “Kill All Ghouls” any more than it’s “Kill All Humans,” as much as either side may want to make that happen.

Yoshimura, Koma and Kaya are fighting, in part, to punish themselves for their sins, but also to protect their younger members who will take their place. I imagine Yoshimura hopes for a time when those successors will find common cause with the Doves the way he was able to broker peace between warring ghoul gangs.

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But it’s clear those people, be they the remnants of Anteiku, members of Aogiri, or both, are a pretty long way from that point, and it doesn’t seem likely they’ll be spared the same suffering and loss that poisoned the previous generations of both sides, and the generations before that.

How can the cycle be broken when Touka won’t simply sit on the sidelines and let the old guard be killed? Touka manages to escape Yomo’s “protection” by pointing out that she too is guilty of sins. She wants to be punished too, even if it’s a futile attempt to hold onto the things slipping away from her. She’s lost enough. But her approach may only lead to losing more.

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Ken doesn’t intend to sit out the battle, either, but he’s not necessarily seeking punishment or revenge. He’s seeking to validate his strength and his agency. Far too many of his friends died and suffered to protect him, and now it’s his turn, come hell or high water. In the only character beat that fell somewhat flat, Ken rejects and defeats a ravenous Shuu, whose desite to eat Ken has driven him even more batshit crazy than he was originally.

Shuu may be a bit of an eyesore, but even in his crazy-ass obsessive state he’s at least pitiable. And in any case, Ken also has a great talk with Nishiki, who plans to honor the ones dying to save them and stay alive, which to him means running.

10_magRABUJOI World Heritage List

Tokyo Ghoul 2 – 08

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This is a different kind of episode of Tokyo Ghoul, made clear by the fact the cold open is over seven minutes long, comprised entirely of the sad tale of the “One-Eyed Owl” as told by Yoshimura to Ken, who is curious about him. These seven minutes are a masterpiece of form and emotional resonance.

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The last time I can remember being as moved, transfixed, and enraptured in an opening as I was here was in the flawlessly spellbinding beginning of Pixar’s Up. Unlike Carl and Ellie, Yoshimura and Ukina are able to successfully conceive despite being Ghoul and Human.

But they are pursued by other ghouls, and Ukina is killed. Yoshimura sets his infant daughter aside to avenge her mother, but when he returns she is gone. And that infant grew up to be Eto. And now I know their connection!

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Honestly, that cold open was about as good as a cold open can get, especially considering how much it opens up the formerly closed mystery that is the owner of Anteiku. The rest of the episode, almost halfway-done, boils down to the Doves’ continued interest in the cafe and in Yoshimura in particular.

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There’s a pall over Anteiku as the Doves, who are always cropped out of the frame to accentuate the fact that they are out of place and a looming threat. Watching Nishio and Kimi, acting like ordinary people, being watched closely by anonymous Doves, sent shivers down my spine.

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Yoma becomes aware of the increased surveillance, so Yoshimura does what he feels he must and sends Touka and Hinami away into the snowy night, to protect them from what could be an impending CCG raid. This entire sequence of events is subtly and impeccably handled, as it should be for someone of Yoshimura’s past and vast experience. Yes, he’s an incredibly badass ghoul, but he’d rather not bare those fangs, for it was over-exuberance that contributed to Ukina’s death.

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Just as Touka and Hinami are out of the picture, the Doves descend on Anteiku, but only one enters: Shinohara, who arrives not as a conqueror or oppressor, but a humble customer. The rapport between him and Yoshimura is steeped in old-school respect and decorum. Neither of them spout a single word of the reality of the situation they find themselves in; they both play it so very cool.

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But the reality is, the CCG now considers Anteiku and its proprietor as ghouls, which makes them a threat to civic peace. The encounter we witness is only the calm before the storm. Yoshimura knows it; Shinohara knows it. Even if Yoshimura was able to connect with a human and even allow her into his heart, such a thing cannot be replicated in the current, volatile environment.

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Kaya and Koma, Yoshimura’s loyal soldiers, make all the preparations necessary before this impending storm, and are both rewarded with cups of Yoshimura’s sublime coffee, every bean of which was treated with the utmost respect and care; a fact Yoshimura attempts to expound upon Shinohara as a symbol of how Doves should deal with ghouls and vice-versa. It isn’t a black-and-white world; there are bad Doves and good ghouls. But perhaps there’s also too much bad blood for that to matter.

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In a dark courtroom, permission is granted to launch an assault on Anteiku. CCG’s instincts aren’t all wrong; Eyepatch did recently visit. One of Ken’s hopes was to protect the cafe and everyone who worked there, but that seems increasingly unlikely after this week. That being said, the people who made Anteiku all remain alive and kicking—for now—so he can’t declare total failure quite yet.

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Tokyo Ghoul 2 – 07

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Rather than thrust us headlong into anothe multi-part dove-ghoul battle, this week’s TG goes the route of more character development, establishing just what it is everyone seems to be after, while getting us even more emotionally invested in what becomes of these people before all hell breaks loose.

Ken was in a bad way last week, and we see why: in his nightmares he’s being eaten by Rize and Jason; by eating other ghouls and humans, he’s become little more than a wretched tool to provide them with nourishment. And yet, this all seems to be part of some kind of training, because Eto seems to be guiding him, and seems pleased with his progress so far.

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The show’s gaze turns back upon the new but somewhat somber normal of Anteiku, with Hinami gazing intently at a news report she knows is about Ken, before making sure Touka doesn’t catch cold at her desk. The next morning she cheerfully opens the place. She’s trying to be strong but wants to do more for him.

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Shuu sets her down that road, where over a cup of coffee and a quick lesson in floriography, he lists all the ways in which Ken is a sweet osmanthus, with the bits about “first and true love” betraying Hinami’s feelings.

While he’s in the bathroom, Takatsuki Sen slips in and offers her two very blunt cents: unlike Ken, Hinami has always come from a place of warmth and love; Sen doesn’t see Hinami being able to do anything for him the way she is now. Because we know Sen is Eto, there’s an interesting complexity in her words; this isn’t merely advice for her new friend, but in a way, it’s staking a claim. Ken is hers; Hinami can stay right out of it.

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Shuu, meanwhile, has a very intimate moment with the hanky stained with Ken’s blood. Shuu is after Ken too, but for his flavor, not his love. Or heck, maybe he demands that those most exquisite things he eats love him, or something. In any case, it’s good to see the ol’ Gourmet hasn’t been completely neutered by his recent playing nice with Anteiku. On the contrary, this establishes pretty clearly that Shuu is a potentially unstable an element as ever, and only in this for his own interests.

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Sen, meanwhile, is a busy little bee this whole episode, buzzing to CCG headquarters and happening to meet Shinohara and Juzo. Since they’re both humans at the end of the day, they have no spidey-sense for ghouls, but Juzo still regards Sen very wearily, and that’s not just his usual shyness. Perhaps a personality to bright and loud as Sen’s seems threatening to him?

Whatever his issue is, Sen is there to plant two ideas in the good doves’ minds: that ghouls can be artificially created from ordinary humans, and that there could be something fishy about a certain cafe in the 20th ward.

Sen kind of steals all of he scenes, and not just because of her distinctive appearance (Juzo still has her in that department); Sakamoto Maaya’s precise and ethereal yet casual voice is a delight to the ears. She’s got the dorky eccentric author down pat.

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From there, the episode really surprises us when Ken steps into the Anteiku doorway, to speak to Yoshimura. When Hinami learns he’s there, her first instinct isn’t to run to him, but to Touka. And when she arrives at the library out of breath and says “onii-chan”, Touka knows exactly what’s up and she breaks into a sprint.

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The entire “will she/won’t she get to him before he disappears” is a well-worn device, but it’s perfectly executed here, as is the moment they finally come face to face on a pedestrian bridge. The scene is so gorgeous and quiet, but it’s a silence bursting with emotions trying to break out.

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Ken puts on his angsty shonen face, telling Touka he can’t come back because he’s not strong enough to protect everyone, and Touka can’t stop herself from attacking him, which is simultaneously hilarious (because he dodges every acrobatic blow), but also profoundly sad, in a “it’s come to this” kind of way. Ken drops his guard momentarily when Touka tells him never to come back, and she lands a few more blows before returning home, where, after she calms down, she realizes how silly she was on the bridge.

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She wants him to come back, but everything she said and did on that bridge will only serve to make it harder. It’s a classic case of someone unsure of quite how to express their love in a way the other person will understand, and so resorts to ambiguity and/or violence out of frustration.

Still, the smile we see as she gets back to studying means that no matter what Ken is doing and whether or when he’ll come back, he’s still alive, and he’s still Ken, and at the moment, that’s enough. Hinami sees her smile too, which causes her to smile in turn. This time she was able to help Ken by helping Touka meet him. Everyone’s spirits have raised…except Ken’s.

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The cherry on top of this awesomeness sundae? Shinohara obviously checks out Sen’s tip and pays a visit to Anteiku with Juzo, where Yoshimura personally serves them while answering some questions. It’s another scene suffused with tension, but not of the romantic kind like Touka and Ken (or Shuu and his hanky). Shinohara gets a familiar vibe from gramps. I should think so; he fought him in another guise back at the mall. And Shinohara’s quiet mention that he’ll be back sent a chill down my spine…but one I appreciated.

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Tokyo Ghoul 2 – 06

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A big two-part battle like Cochlea deserves to be followed by an episode that lets us collect our collective breath, and reminds us what motivates ghoul and dove alike, which, for everyone featured in this exquisitely characters-first episode, is essentially the same: victimhood; starting with Koutarou being raised and betrayed by a priest who turned out to be a ghoul.

Looking at the files of Kuroha and Nashiro, he can still hardly believe humans can become ghouls, but if it’s true, that means there’s a possibility, however slight, that the opposite could happen: that his beloved students and perhaps even Eyepatch can be redeemed. These are the thoughts of someone who’s life and career were shaped by his past trauma, but not to the extent he lost all empathy for the enemy.

Even in his horrifying kakuja form, Eyepatch’s tears are still able to affect Koutarou. Of course, he concludes that he may be overthinking things, even though this is just the kind of thinking needed to reach true peace and understanding with the non-violent ghouls.

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Unlike Koutarou, Juuzou, AKA Rei, never had the chance to retain his empathy, or even his humanity. He’s almost a ghoul in human skin after a childhood of torture and being forced to fight in battles for the rich and powerful ghouls’ entertainment. Shinohara freed the poor wretch and with a light touch, managed to tame him enough for Dove duty. In other words, while he’s still very much morally bankrupt, Juuzou behaves himself for his savior Shinohara’s sake.

Revenge isn’t on his mind so much as wanting to see the cross-sections of various living things. I used to admit I found Juuzou irritating when first introduced, but now that I understand where he’s coming from, I’m big enough to admit I was wrong; he’s a terribly wounded, compelling, and oddly adorable kid.

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Touka had a nice family situation going for a while there with her dad and brother, but then her dad left one night (and was turned into an arata), leaving Touka alone and the only one to protect herself and her little brother. We still don’t know the full story about the siblings, but obviously they fell into a dark place, and while Ayato continues to dwell in that darkness with Aogiri, Touka was more or less saved by Anteiku.

With Kaneki walking away from that, and her, all she can do is continue on, trying to live as human a life as she can, which means she has to study her butt off and not let the rumors about her friend swirling around distract her. In his roundabout quest to protect her, Kaneki has made her life more difficult.

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But from the start of the series, Kaneki was always the most overt victim; only now after he was subjected to treatment similar to Juuzou at the finger-cracking hand of Jason has he descended into villainy. He only wanted to go out with a pretty woman; it was Rize who set him on this path and continues to torture him from within.

He let her out of the cage for the mall and prison battles, but especially in the latter he didn’t even accomplish all that much for his trouble. If it was his intention to become stronger, well, now he’s paying a serious price in the form of uncontrollable kakuja fits. He can’t even enjoy a nice cup of coffee anymore; a powerful symbol of his ultimate allegiance to Touka and Anteiku.

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Holy shit, Koutarou got Akira to finally grab some dinner with him! Luck was on his side, as the timing worked out…not to mention the whole matter of him saving her life and staring down the Owl while protecting her. She kinda has to go out, and she knows it.

Unfortunately, the least interesting victim in this story, Takizawa, accompanies them, and after he gets a couple drinks in him he starts to mouth off about how he’s being victimized by having the valedictorian in the same ward as him. Boo-hoo, dude. If you can cry about the prospect of classmates advancing ahead of you, you can do your paperwork properly before getting lit!

But, somewhat awesomely (what am I saying…nothing somewhat about it) Akira reveals that she’s pretty sloshed herself, and says some (but sadly not all) of the things I wanted to say to him.

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The bottom line is, Koutarou is level-headed enough to be referee between the two young guns. But while Takizawa is a whiny punk (until we learn more about him), Akira is a legitimate victim of both tragedy and her own thirst for revenge, a product of her mom and dad falling to the Owl and Rabbit, respectively. It’s the generational vicious cycle Koutarou is best equipped to break.

When he leaves, Akira turns to her partner and superior, and wonders if, like Takizawa, he’s only concerned with advancement. She mentions her father didn’t care about promotions, but at the same time, he was never offered them, beyond Koutarou’s present rank of Senior Investigator. And Akira isn’t wrong that Koutarou has the ability to keep rising.

Akira then turns on Koutarou, going so far as to call him “the one who killed my father,” while also blaming herself for being the one Mado toiled to protect. Koutarou doesn’t deny that assertion, drunk as Akira is. He uses it as one more reason why he has to become even stronger, so he can protect Akira in Mado’s stead.

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After his declaration, and perhaps remembering everything he’s done for her so far, Akira softens…before straight-up passing out. Again Koutarou must bear her slight frame on his broad back, to take her safely home. When she comes to, he moves to leave, but Akira doesn’t want him to go. For a hot second it looks like something is going to…happen, but it doesn’t quite go in that direction, interesting enough as it may be.

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Akira, with no family save a fluffy, stuck-up cat, really only wants to not be alone that night, nothing more amorous than that. But it does indicate that she trusts him, and has accepted him not only as her superior, but her friend and family too.

Koutarou decides to battle through the awkwardness—and strengthen himself for future challenges—in a very Amon Koutarou way: Push-ups. All-Night push-ups; seven thousand of them. And you know what? With hissize and strength, that count is legit.

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In the morning, Akira wastes no time remarking how the wrong idea could be gleaned by Koutarou doing vigorous physical training all night outside his subordinate’s bedroom…but she’s only teasing; more proof she’s accepted him, along with the fact she makes him breakfast (and is very good at it).

The episode closes with Bureau Director Yoshitoki announcing a ghoul-hunt for the Owl he believes is the leader of Aogiri. The strength of Koutarou and Akira’s bond—and Koutarou’s push-ups—will soon be tested. But before that happens, it was really nice to simply have a meal and get drunk with those two.

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Tokyo Ghoul 2 – 05

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Oh, what a tangled web we watch. I’m starting to get why any kind of reconciliation between Ghouls and Doves is so unlikely: it’s gotten way too personal. Everyone who fights this week seems to have a connection with the one(s) they’re fighting. We start with a somewhat obscure and hastily-sketched dynamic that actually turns out to be engaging because it doesn’t try to do too much: that between the Yasuhisa twins and Juuzou. I mean, just look at how frikkin’ adorable those twins were as humans.

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The twins were once in the same CCG academy class as Juuzou (who was known as “Rei” back then). When the twins’ friend Kawakami Shizuku suddenly died, it created a rift that widened to its current state, with the twins somehow ending up as one-eyed ghouls, and Juuzou ready, willing, and more than able to methodically carve them up like turkeys (portrayed in various states of censorship).

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Houji also seems to have a past with his dueling partner Tatara; specifically, Houji and Takizawa’s quinques were once ghouls Tatara held dear. It’s quite a macabre thing to fight against someone using a friend twisted and repurposed into a weapon…or in Ayato’s case, into Shinohara’s Arata, an armor he can’t pierce no matter how hard he charges.

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When Shinohara’s about to finish him, Ayato touches the Arata with his fist and remembers his father—whom the armor used to be—reading to him and Touka in their little apartment, before disappearing into the night, presumably never to be seen again. Like the scenes of Amon with the twins, we see everyone in what amounts to a previous life, before everything went to shit. It’s more than a little bleak.

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Speaking of turning into stuff, Ken has reached a new level of power, but also new levels of insanity, instability, and irredeemability. Shinohara identifies his form as a kakuja, which sounds pretty badass, like gravija. Even so, Shinohara is a tough sonufabitch, and is able to get his licks in before Ken finally stops playing around and brings the hammer down, or, in his case, the centipede appendages down.

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Having narrowly escaped their battle in one piece, Koutarou and Akira end up crossing paths with two other in a state of retreat: Kuroha and Nashiro. This is maybe my favorite moment of the episode, because there’s so much said in three wordless looks: Amon realizing his former human students, whose names he remembered, are now ghouls, and then Kuro and Shiro’s looks back at him, which are a superb blend of shame and ‘stunned, wounded animal’. Koutarou doesn’t pursue the sisters when they flee, though I wonder if he would have, had a bloodied Akira not been hanging off of him.

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Koutarou and Akira find their way into the same area where Ken and Shinohara battled, and I use the past tense here because the battle is over and Ken is eating Shinohara, armor and all, when Koutarou arrives. Koutarou was keen to find Eyepatch so he could learn why it was he shed tears and spared his life when he could have killed him, but now that he sees what a manic beast Ken has become, he’s ready to put a quinque in his skull.

Preparing to do so brings more tears to Ken’s eyes, and for a second there, it’s as if the kakuja ‘spell’ has been lifted. The One-eyed Owl swoops in and scoops up both Ken and Ayato, but Koutarou probably had the time to finish him. He doesn’t, perhaps because he still wants answers, or because Ken spared him once, so he owes him. Like I said; everyone is way too close to one another in this war.

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