Net-juu no Susume – 05

Last week, Sakurai seemed to have all but figured out that Hayashi is Morioka, and comes so tantalizingly close to asking her about it…only to back away at the last second. AAAARRRRGGGGHHHH!

Ah well, I guess it is bad online manners to guess someone’s identity out of the blue, and who knows how she’d react if he guessed correctly. But while he harbors serious doubts that such a series of coincidences could occur, his suspicions about Hayashi being Morioka IRL still remain (Also, the show apparently wasn’t quite ready to open up that can of worms).

Also, what’s this? Koiwai casually telling Sakurai he can come along? Saying the whole reason he arranged this was for his sake? This is the friend I knew Koiwai was; trying to jump-start a relationship that is stuck in, well, MMO-land (little does he know).

Morioka, meanwhile, tries to relax about the whole prospect of drinks with a guy, realizing it’s no big deal…but when she starts listing in her head all of the things she needs to do regarding her makeup, hair, and attire, she quickly becomes overwhelmed.

She’s snapped out of this state by the friendly clerk Fujimoto, who formally introduces himself. When he learns she and Morioka are on the same server, he comes right out and tells her his name…Kanbe. A guy finally does learn who “Hayashi” is…just not the right guy.

That being said, neither Kanbe nor Lilac (who doesn’t know, but partakes in a rhetorical discussion on the matter) would judge any friend for switching their gender online. Heck, Lilac’s friend at university plays a guy. Morioka is sorry to Kanbe for lying, but Kanbe tells her it’s up to her whether to tell anyone else, including Lily.

When Hayashi mentions he’s going out for drinks tomorrow, Sakurai starts to think maybe he isn’t Morioka, since she and Koiwai aren’t going for drinks until the day after tomorrow. When Hayashi asks Lily what to wear, he gives the best answer he can, only to be pressed further by Kanbe, backing Morioka up.

Kanbe and Lily get into a pretty heated argument about what length of hair is best, and Morioka settles on a medium length. The haircut, along with a new outfit matching Lily’s advice, runs Morioka a pretty penny, and she can’t help but itemize it in terms of loot boxes. She also realizes how rusty she’s become at things like applying mascara.

However, she gets herself made up, dressed, and together, and heads to the agreed-upon meeting place…on the wrong day. Koiwai is away on business until tomorrow, and Sakurai is worried. He’s worried Morioka got the day wrong, wait there, get shown up, and take it the wrong way.

So in the middle of a quest with the other members of the guild, Lily suddenly logs out, and Sakurai heads to the site of the date. I dreaded the fact he might not recognize her after her makeover, but thankfully he does notice her walking away looking sad, and calls out.

Now, this encounter doesn’t immediately, definitively prove to Sakurai that Morioka is Hayashi, nor to Morioka that Sakurai is Lily. But it comes pretty damn close! The question is, did Morioka really get the day mixed up, or did Koiwai arrange it so that only the two of them would meet?

If that’s the case, good-intentioned or not, and even if Sakurai’s a better fit for her, Koiwai will owe Morioka an apology and explanation for his machinations. After all, she expected, and waited an hour, for him, not Sakurai.

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Net-juu no Susume – 04

A new series of cute loot and a bonus point campaign spur Morika, already in high spirits upon becoming partners with Lily, to splurge a little. Only a happy circumstance takes place at the convenience store as she has to wait a few minutes for the store’s e-money system to boot.

Those minutes are spent suddenly learning that the store clerk is also a fan of Fruits de Mer, and goes on and on about it in a way Morioka find very fulfilling. They have so much fun talking, the clerk neglects the fact there’s a guy who needs his cigs!

Even so, it was exhilarating for Morioka to finally talk with someone about MMOs in real life. In the game, Hayashi encounters Kanbe and Lilac, the latter of which has just gone to the loot outlet and picked out some stuff that’s very fluffy and cute, but Kanbe prefers what she usually wears.

We also meet Lilac’s real-life player, who both laments not having snatched up Hayashi as her partner and seems to have a bit of a spark with Kanbe. Hayashi manages to score both rare and common loot, but lucky Lily takes the cake by scoring the whole set.

When in-game, NjS packs a lot of neat details, like the way Lilac sees Hayashi as a sensitive guy (compared to Kanbe) rather than what he actually is—a she; Pokotarou suddenly spawning in the same space as Lilac, obscuring her avatar; or Himeralda’s player playing as her husband, who plays Pokotarou; a surprising and clever occurrence.

But NjS makes good use of both of its worlds, and seems really balanced this week. Sakurai is depressed about not being able to see Morioka, and as he lists off all the ways he’s tried, Koiwai rightly suspects him of stalking, which isn’t good.

But then…Koiwai stakes out the convenience store, bumps into Morioka as planned, and works his businessman magic. Morioka is initially like, “why is this guy talking to me?!” and rightly so, even if she weren’t naturally shy; but once they get to talking they establish a quick rapport, though Koiwai comes off as a little pushy in gaining her contact info.

When Koiwai shows Sakurai what he’s done, how he managed to get a date with Morioka, Sakurai’s expression is of shock, which if the camera had lingered would have surely turns to dejection. Is Koiwai simply helping Sakurai out, or does he want to date Morioka? I hope it’s the former; besides seeming like a nice guy, what kind of friend would stab him in the back like that?

That brings us back into the game, where Hayashi goes to a, yup, dejected-looking Lily, who reminds them that since they’re partners, he can come to her to talk any time. Morioka, through Hayashi, words things very carefully in telling Lily the story of how she ended up in the hospital on an IV all the way to accepting a date from a former work colleague.

The coincidences are far too many, and Sakurai is no fool; he connects the dots, flipping Hayashi’s gender to make her Morioka. Now all he needs to do is believe the deduction he’s just made and proceed from there. After all, despite thinking he’s had no contact with Morioka, all this time he’s had all the contact, and they’re already partners, for gosh sakes. It’s high time the RL players need to catch up to their MMO counterparts.

Net-juu no Susume – 03

Sakurai receives a reply from Morioka first thing in the morning, and he looks nervous, but also excited. We later learn that it’s a gentle and respectful decline on his offer of dinner out of a misplaced sense of not wanting to “cause any more trouble” after he did so much for her post-elbowing. But it’s pretty clear Sakurai wants “trouble” from Morioka. Why offer dinner in the first place?

When he does research on her career at a prestigious Bussan, he learns both from his own research and his co-worker Koiwai (who interacted with before) that Morioka was an exemplary employee and businessperson…who suddenly resigned. A old photo of her confirms she’s the one he accidentally knocked over.

Perhaps he’ll learn, as we have, that despite being damn good at her job, it just wasn’t something she wanted to do anymore. She wants to be a NEET and play MMOs now, and if she can afford to, who’s to say she can’t?

I’ll say, from the perfect structure and syntax of her text message to Sakurai, Morioka’s business skills probably haven’t dulled that much. She’s a talented, capable woman. But she does get a bit nervous in any kind of social situations, which is why after sending her reply, Morioka feels as though a great weight has been lifted from her shoulders, and she goes out to buy some snacks, some beer, and some extra points for FdM.

There, she quickly receives a gift from Lily – a super-expensive coat, and wonders what the underlying purpose of the gift was, considering it will be hard to reciprocate considering its cost. Lily is briefly taken aback by the, well, accusation of ulterior motives, but cannot entirely plead innocence. In fact, she’s come to feel a deep connection for Hayashi and wants him to be her partner in the game.

It’s a big step, and even though it may be a while before Sakurai and Morioka connect the dots on who each other are in the real world, it’s a good sign that they’re growing close enough in-game that a truth-revealing real-world meetup won’t be out of the question down the road. Of course, Morioka needs to realize that she’s not the only one using an avatar of the opposite sex.

NjS is getting better and better as we spend more time with “Mori-Mori” and “Sakura-chan;” particularly their moments of victory and elation when things go well for them. The narrative method of switching between worlds rather than going “full-dive” (ala SAO, NGNL, or KonoSuba) also tethers the story and makes it feel more real. It’s a great balance other shows with similar themes lacked. The music’s pretty bangin’, too.

Net-juu no Susume – 02

Well, first of all, NJS has a solid OP. Great vocals, orchestration, and visuals. Really gets you pumped for the episode!

While exploring a dungeon deep into the night, Hayashi’s fellow guild member Lilac notices she’s always online, and guesses that she’s 21 and a university student, like her. That leads to the guildmaster Kanbe having to pay out for losing the bet on Hayashi’s real age.

Moriko feels bad for lying about her age, but is also relieved it won’t come up anymore. Meanwhile, Lily is pretty upfront about being older than Hayashi, and calls him “serious and kindhearted.” Moriko wants to tell Lily more, and wants to learn more about her, so they make a promise to do just that.

Fate strikes both Moriko and Lily’s player once again when he elbows Moriko (out to get cold medicine) while rounding a corner on his way to work (ironically, because he stayed up playing a netoge with Moriko!)

While out cold, Moriko meets an angel (perhaps her online friend from the previous MMO she played) and also enters a Brazil-style distopia in which endless columns of identitcal salarymen enter the Tower of Bebel only to jump into an abyss. Grim!

Moriko awakens in hospital, with a handsome young man with blond hair  sitting beside her bed. He’s Sakurai Yuuta, and he wants to make amends for accidentaly elbowing her. He leaves her his contact info and assures her she can text or call anytime, for any reason.

Moriko returns to FdM, where his comrades are ready and willing to hear what’s eating Hayashi. When he tells them, Lilac and Himeralda think it sounds like the intro to a romance manga and, thinking Hayashi’s player is a guy, urge him to ask her out…he may even get lucky!

Guildmaster Kanbe is more down-to-earth; nothing need be done except for what must: she should send a text thanking him at the very least and telling him she’s all good; as it would do no good to make him worry. Moriko agrees, and jumps offline to text Sakurai. She’s shocked to get an immediate reply asking if she’d let him take her out to eat as an apology.

Morioka likes this guy, but thinks he’s too good and too “blinding” for her, and a look in the mirror doesn’t help her confidence (though character design-wise, she’s hardly unattractive). Ironically, then it’s another encounter with Lily (i.e. Sakurai) that convinces her to send him a proper reply—which she sends at two in the morning!—though we’ll have to wait and see the contents of said reply.

Lily makes Morioka’s chest feel warm, reminding her that no matter how perfect someone may seem, everyone has problems and doubts, and she need not fear how someone who has already been so kind to her will regard her. The only way to know for sure is to move forward. Even eyebrow-plucking isn’t mandatory!

Net-juu no Susume – 01 (First Impressions)

After a super-catchy OP, we meet 30-year-old corporate dropout and “elite NEET” Morioka Moriko. Being a NEET, she has a lot of time on her hands, but her old go-to MMO, Nanter SG, is no longer available. She checks out a new one, Fruits de Mer, which she choses to play with a male avatar, Hayashi. When she fails again and again to defeat a rodent boss in a dungeon, a cute mage Lily comes to Hayashi’s aid, and Moriko is instantly smitten.

Moriko’s inexperience with interpersonal relationships (particularly romantic ones) is exposed in her dealings with Lily, who takes a liking to Hayashi as well, but Moriko starts avoiding her in order to collect a rare item to give her for Christmas—inadvertently making Lily feel alone and like she did something to make Hayashi avoid her.

Lily confides in Hime, a fellow guild member, and the guildmaster manages to discuss the issue with Hayashi, who never meant to hurt Lily. They meet in a tree and arrange a Christmas Eve date. In the real world, Moriko is out of food, and must venture out to the convenience store at the worst possible time: when it’s full of happy couples.

In that very same store, we meet the player who controls the Lily avatar, and like Moriko, he chose to play as the opposite sex. They both ask for the store’s last piece of Christmas chicken, but the guy yields it to Moriko after hearing her stomach’s “jingle bells.”

Aside from seeing from the in-game cash card she’s buying that she’s also a player of Fruits de Mer, neither the guy nor Moriko know they just cross paths with each other in real life, but when they meet as Hayashi and Lily, you couldn’t ask for a lovelier, more mirthful scene as they exchange gifts.

Having come so close to meeting once, I can’t help but hope Hayashi and Lily meet in the real world in earnest. After all, while both seem content spending their free time playing an MMO and meeting virtual friends, there’s an overarching sense of profound loneliness wafting off the two of them.

Moriko claims to have chosen to be a NEET, and was clearly put off by the couples in the store. But couples tend to be most annoying until you actually find yourself in one. I for one am glad to see an MMO-themed anime that actually spends time in both worlds, rather than just the fantasy one.

Youjo Senki – 12 (Fin)

The Gist: Topping all but the second episode, this week’s Tanya outing owns some lengthy, thoughtful and horrifying dialog. Despite what high command may think, the war will not be over and that is strictly because humans are too animalistic — too emotional — to follow the rational path and surrender.

The Republic rises in Africa, joined by survivors from the Kingdom and Alliance. The Kingdom mobilizes at home, and we see weapons of war rolling along the rail tracks in the Russian federation and in America as well. (Even Anson’s daughter has volunteered for service, yellow magic eyes and all!)

It all threatens to swallow Tanya and her fragile battalion. But Tanya is having none of it. In a fiery speech to her recently deployed African troops, she vows that the battlefield is no place for God. That her soldiers will put him out of work and that she will slice him into pieces personally and feed him to the pigs.

Back at home, among the frustration and angst of high command, the leadership has come to believe in her. She IS a monster in the body of a little girl and, no matter what, nothing will stop her from her goals.

Dun dun duuunnnnnn!

The Verdict: I have tremendous respect for this show ending on a largely talky episode, and in a so very Tanya-talky way. From her cold, calm, and horrifying explanation to high command on why they are wrong, to her frothing mad rant to her soldiers, it’s all very off putting and terrifying.

I do wish Serebryakova got a bit more screen time, and I do wish I had a sense of where any of this was going, or that it had gotten to this point 2-3 episodes earlier, but, if a second season will come our way, I think it will deserve your watching.

At it’s lowest, Tanya is a combat procedural with an unusual aesthetic. At it’s height, it transcends nihilism and delves right into an antagonistic relationship with God, and man’s own nature. Good stuff, that.

Youjo Senki – 11

The Gist: In a lovely bit of symmetry, Colonel Anson tears through Tanya’s forces, followed by a suicide self-destruct gambit when Tanya finally over powers him. Fortunately, the ever loyal Serebryakova is there to save the day and Anson is out of God’s game for good.

It’s a genuinely exciting fight, with vibrant colors, and remarkably effective use of space considering much of it is 3D models rendered over clouds. It’s also full of lovely details, like the Kingdom Mages, who ride steampunk brooms, reinforcements arriving ‘in 600 seconds,’ and Anson’s use of outlawed weapons.

On the emotional front, the battle reasserts an ongoing question in Youjo Senki: “Despite her name and actions, is Tanya truly any more evil than anyone else?” Given Anson’s shallow thirst for revenge, his use of illegal weapons, and the Kingdom troops’ indifference to the war, the answer seems to be ‘not much?’ for the time being…

Following the battle, we get a happy ending of sorts. All 11 of Tanya’s troops have survived, the Republic surrenders, and celebration awaits. At least, until Tanya realizes the Empire is walking into a trap that will cost them the war in the longer term…

The Verdict: despite a general familiarity with World War 1, I’m actually unclear on exactly what Tanya has realized (too late). However, the narrative implication that she now sees the Empire as doomed and, therefore, herself as well, are quite clear. Her faith in the one, logical institution she believes in is shaken and only Serebryakova knows it. What this means for next week, I have no idea?

That said, I see no coherent way for Youjo Senki to resolve itself in a single half and hour. Likewise, the first season has been sluggish enough that I don’t think it warrants a second season. Will it get one anyway? I have no idea.

Will I watch it if it does? …Maybe.

Youjo Senki – 10

The Gist: Team Tanya successfully wipes out the Republic’s forward command, which allows the Empire’s plan to unfold without a hitch. A massive explosion is set off under the Republic’s southern position, Empire tanks surge through the scattered survivors, and the Republic’s main force is encircled.

From inside their submarine escape vessel, Team Tanya has every right to pre-celebrate victory. However, little do they know, Colonel Anson and a boat full of Kingdom Mages is about to run into them, putting their lives, and indeed the success of the entire plan in question.

Following the credits, we flash back to Serebryakova being an un-wakeable weirdo sleeper on the submarine for some humor. Will the improved Anson finally match Tanya’s output? Will her team of 10 stand a chance against a full regiment of broom-riding mages? Beyond this battle, what’s Youjo Senki’s end game? Only a few episodes remaining to see…

The Verdict: Like the battles it features, this week’s episode landed a string of successes, with the caveat that things may go off the rails, structurally, by the end. The flow of battle and strategy was easy to understand and visually interesting, and we got a broader emotional range from Tanya and crew while on the submarine.

However, there’s an over arching haphazardness of editing throughout Youjo Senki. On one hand, it tries to cram a lot in per-episode but what it crams in isn’t always relevant or impactful. The Empire’s board meeting between government officials and the military didn’t really add to any tension over the success of the plan for example. Anson’s scene on the Kingdom ship reduced the surprise impact of his arrival at the end of the episode for another. There are plenty of other short moments in hallways and at tables where characters repeat information we already know too.

Combined, these little delays and wheelspin shave time off of other moments, not always for the better. In some ways, the opening attack from Team Tanya didn’t even feel like a scene in it’s own right, since it was so brief and the potential failure was so brief as to add no tension (It would have been far stronger to end on that in the previous episode, and leave us guessing what Tanya will do if her target was wrong to begin with).

Youjo Senki – 09

The Empire devises a plot lure out the Republic’s main-force, crush it, and end the stalemate in the Rhine. This involves railway logistics and a lot of leg work (flying work?) on Tanya’s troops’ part to deceive the Republican troops, and it looks like there are casualties amongst her unnamed ranks.

However, the big push is that Tanya and eleven of her troops will be riding V1 rockets behind enemy lines to launch a surprise attack against the Republic’s three possible command centers. If her team takes them out, which is likely, the war with the republic will be over in an instant.

Ultimately, this episode is yet another strategy and battle presentation, with an emphasis on setting up more battle for next week. We get a cameo from Tanya’s classmate and Doctor Schugel, and Serebryakova gets a little character development via Tanya’s lieutenants (who see her as bizarrely unflappable and charming amidst what should be horrifying, and what horrifies them) and there’s even a bizarrely lengthy joke after the credits, regarding one of Tanya’s men being removed from active service because he ate a rotten potato.

Unfortunately, the result falls in with Youjo Senki’s more mediocre offerings. It’s not bad, just a straight forward war and internal workings of an army storytelling. Without a focus on Tanja’s inner workings, or giving her agency over the intrigues of the day, or without learning more about God, that makes for a purely watchable experience.

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Youjo Senki – 08

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The Gist: Colonel Sue Anson wakes up in a Kingdom hospital, months after last week’s battle. He’s seen God and has orders to kill Tanya, and his eyes glow yellow with the power to do it. Despite this scene being tucked after the ending credits, and lasting barely 30 seconds, this is the primary purpose of the episode.

The 20 minutes of content leading up to this shows Tanya’s Battalion in the Rhine valley, where they must retake a city that’s being overrun by freedom fighters. The battle is fierce, as the resistance is backed by air-dropped mages of the Republic (the robot horse guys) and the tight quarters of city fighting play against Team Tanya’s advantages in mobility and ranged firepower. Also, because civilian casualties are guaranteed, it plays against her soldiers’ emotional stability.

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This is especially rough on a gung-ho second lieutenant who’s been trying to win Tanya’s approval. Specifically, after the battle is won and after hauling wounded bodies for hours, he’s ordered to eliminate the Republican mages providing cover for evacuating Civilians, in prep for a lethal saturation of artillery fire.

It’s not entirely clear if he’s more upset with Tanya’s logical explanation that the survivors will simply take up arms against him and the Empire, or if the truth of her words is too hard to bear (he can see a young man in the crowd glowering at him, as if telegraphing a thirst for revenge) or if he isn’t upset at Tanya at all but the war itself. Whatever the reason, however broken it makes him, it is strongly implied that he opens fire at Tonya’s command.

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The Verdict: Youjo Senki captures the horrors of war and the process of dehumanizing soldiers to the point that they act more as tools than thinking humans better than previous outings. However, minus Anson waking up, this was still a ‘war is bad’ episode, it still overly reliant on the ‘ain’t it cool’ factors of the show’s technology and Tanya’s badass war fighting skills. Again, without God or a greater view of the conflict from inside Tanya’s head, the tragedy of carnage isn’t especially compelling.

As for Anson waking up, it finally sets a narrative destination in motion, which is good. However, Anson was never developed enough to be a compelling opponent for Tanya in the first place. Sure, losing his country and being a dad give him the basis for conflict in dealing with Tanya, but we don’t see how his mind works, let alone have there been scenes dedicated to emotional conflict for him fighting Tanya.

This leads me to suspect a fairly straightforward combat focus to their conflict in the future. While that may be visually stimulating, it would be a letdown. Youjo Senki, at its best, can do better than that.

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Youjo Senki – 07

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The Gist: Tanya’s Battalion is the leading edge of a surprise naval invasion against the Alliance (alt-Finland). They paradrop on top of what was thought to be the perfect fortress and quickly obliterate all the coastal guns, paving the way for a quick defeat. They engage Colonel Sue Anson along the way and quickly kill him and all his men.

Outside of that event, we learn that Anson has sent his family away to the United States, that his daughter gave him a submachine gun that has his initials on it, and that’s about it.

Roll Credits?

tanyabAnson finally gets the POINT (but I don’t?)

The Verdict: If he’s dead, and that seems like a safe assumption, I’m not sure why Youjo Senki spent so much time with Anson? After all the build up, he presents no challenge for Tanya to defeat, and beyond having a daughter who is now in America, his only lasting impact on the narrative seems to be that Tanya kept his gun? (And his initials appear to be used heavily in the Youjo Senki branding)

There was a glimmer of possibility, when Anson began to pray, that something unexpected would happen, but there was no payoff. Worse, we haven’t see the rest of the world react to Tanya enough to get a sense that Anson is praying because Tanya prays before she slaughters. We certainly haven’t seen enough of Anson to know if this was a change brought on by an outside factor, or if he prayed normally anyway.

What I’m getting at is, battle aside, what was the point of all of this? So the Empire has de facto won against the Alliance, which moves the war along, but who cares? We know the Republic will fall in the Spring, followed by the Kingdom, but that’s just alt-history fantasy stuff that doesn’t carry any tension because no characters or sympathetic evidence has been presented to give us a reason to care. (In fact, from the Empire POV it appears these other powers were the aggressor in the first place)

For a show that’s halfway over, setting up long-game goals seems in order (developing characters, revealing another layer of mystery, or establishing a worthy opponent). Instead, mostly action sequences. Shrug?

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Youjo Senki – 06.5

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It’s recap week and there were no clever mechanisms or twists added to the material. At least it was presented in linear (non-eposidic) order, which makes more sense as a way to bring the audience in.

Less good, the way it was clipped and mashed into a single episode strips the Tanya/God conflict down in favor of maximum action and story-per-frame. Tanya’s inner motivations and emotional conflict with God is, really, the only reason to watch this show.

Curiously, I found ‘episode zero,’ which is a super deformed websclusive superior. There’s basically no animation at all, and 99% of it’s 120 seconds of bobbing along is empty chatter about not liking German food, but the end really nails Tanya’s character. God is with her every moment, keeping her alive and pushing her forward and she loves it. She loves it so much she will kill him for it.

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Youjo Senki – 06

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The Gist: Tanya’s Battalion is deployed to break the Alliance (alt-Finnland) and they arrive just in time to route a large multi-national mage force backed by Bombers. While it is more challenging than their first battle, Team Tanya cleans house without a single casualty.

Meanwhile, while searching for POWs to interrogate, Tanya gets another taste of God. This time she gets a shot in — a brutally quick one into the corpse of a pilot — but it’s barely enough to pause God’s presentation. God’s message is pretty simple: Tanya has a target painted on her back and the whole world is out for her heretical blood.

tanya6_4Soldier Dad is totally screwed… but not till next week

Elsewhere, the Alliance senior council tells each other they are on the brink of collapse, a Republic General hears a report, a Kingdom Colonel tries to get intel on Tanya but gets his observation post blown up in the process, and Anson (the guy with the scar who lead the failed attack on Tanya in episode 2) gets promoted and sent to defend the rear lines… which is where Tanya is being sent next.

Serebryakov and the rest of Team Tanya get screen time, and they all feel a little more believable as soldiers, leaders, and individual people for it. However, God’s visit is the most interesting aspect of the episode. My take on it is that God is not only trying to force Tanya to repent and/or spread God’s word but also share God’s own feeling of being ‘against the whole world.’

I could be reading too much into it, but I get the feeling God’s goal is less to do with Tanya’s humanity and humility, and more to do with shaping a counterpart. Perhaps making a literal devil to co-administer the world with…

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The Verdict: As with last week, your enjoyment of this week’s episode hinges on how much you care about Tanya kicking ass on the battle field verses how much unnecessary, content repeating, conversations amongst the various central and high commands of 5 nations you are willing to sit through.

Also like last week, we get one good visit from God that really highlights how much more interesting that concept is than loli-murder-machine and logistical conversations amongst military commanders…

While I’m looking forward to Tanya’s reunion with Alliance Colonel Sue Anson next week, and I’m digging the weirdly vindictive plot God is throwing at her, this episode can not escape the fact that those two points were it’s only two interesting points, and Anson’s 60 second scene only sets up potential for the next episode.

tanya6_2The scale, depth of field, and bomb dropping action was the best of any war machine we’ve seen rendered so far…

We’ve seen Tanya blow stuff up before. (though seeing Tanya take a bomber down with a hand grenade was pretty bad ass) We’ve seen that the Empire would already have crumbled without her participation.

We didn’t really need to see the Alliance senior council to confirm that they are also holding on by a thread — that they are relying on the Kingdom and Republic for support — because we see that on the battlefield, as evident by the uniforms and tech of those other nations.

We certainly don’t need to a Republican General all the way back in alt-Paris getting a report about the battle and the Alliance’s senior council’s status right after seeing those things. Unfortunately, that’s what we got.

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