Fune wo Amu – 07

fun71

After another scene illustrating how hemmed-in Nishioka feels, having to force his girlfriend to walk far ahead of him on the way to work, and decline the squid ink paella place lest they be seen there together, we get into the nitty-gritty of manuscript editing.

Matumoto proudly listens as Nishioka and Majime work like a two-part well-oiled machine as they sift through Professor Oda’s extraneous verbiage and cut to the core of what a certain Great Passage word definition should consist of and why.

fun72

It’s just a shame they only have one more month together. This is a show that seems to shift between Majime and Nishioka; the former too often a prisoner within himself, the latter too often a prisoner to outside forces, like the ones that enabled the Passage to survive.

But while Majime is sad to see Nishioka go, as Nishioka seems sad to be leaving something he felt at the time was very important, they’re still pulling for each other in the future, even if that immediate future doesn’t involve working together.

fun73

We simply don’t see any of the aftermath of Majime and Kaguya connecting; only the indication that things are moving along fine, with Majime going to Apricot to sample the first dinner she has full control over; essentially to support her on her next step on the long road to realizing her goals.

Nishioka has a nice girlfriend in Remi, but definitely seems to dislike how careful they have to be in public (not sure why this is, so I’m assuming it’s company policy). It’s nice to see their domestic scenes together as a contrast to the distance they must flub when out in the world, but it can’t go on this way if Nishioka is to be truly happy.

fun74

When Professor Oda calls Nishioka in to bitch at him about the extreme editing to his manuscript Majime has done, as well as to complain about the lateness of his transfer announcement, Nishioka turns up the charm, flattering Oda by saying most other writers need far more editing than he.

It’s when Oda tries to get Nishioka to kneel down in apology to him that Nishioka finally demurs. He feels such grovelling beneath the noble builders of The Great Passage, and instead essentially blackmails Oda with his knowledge of his young student mistress.

With Oda back under control, Nishioka goes a little further, rebelling against the same structures that give weight to his threats against Oda by texting Remi to meet him for dinner at the squid ink paella place. Appearances be damned: he’s going to live and enjoy himself.

16rating_7

Advertisements

Fune wo Amu – 06

fun61

Majime barely seems to sleep through a night when he’s waiting for Kaguya to reply to his letter, but early in the morning when they finally meet in the hall, he runs away, scared of rejection. If she has bad news for him, he doesn’t want to hear it.

For Nishioka, the time to announce his impending departure from the department comes at an awkward time, but his hand is forced when the elders take stock of the group’s difficulties but looks to the first modern Japanese dictionary, the Genkai, for inspiration, knowing the five of them can do it. Nishioka makes sure they understand it’s four, not five now.

fun62

When Majime hears of this, and of all the extra work not suited for him he may have to take on in Nishioka’s absence, he has a little bit of a freakout, as the pleasant dusk turns dark and foreboding, waves lap at his feet, then solidify into a thick mud into which he slowly descends. All of a sudden he’s become overwhelmed with doubt in both love and life.

fun63

That night, at the boarding house, he goes into the library, a lovely cozy space positively packed with books, to both calm and steel himself. He finds the house copy of the Genkai, and finds an archaic word for chef (translated as “kitchener”).

He realizes a dictionary’s value, like the words within it, change with time. The Genkai is now a repository of Japanese linguistic history. He re-asserts his determination to complete The Great Passage, come hell or high mud.

fun64

He also gains the confidence to ask Kaguya, who has just come home, for an answer to his love letter. Kaguya is caught off guard by his use of that term, and runs up to her room.

Majime is almost certain this means rejection, but it’s the opposite: she merely wanted to read it again, certain that it was a love letter (she wasn’t sure before). In truth, she has feelings for him too.

I loved the subtlety of her motions and the quietness and warmth of this scene. We’ll see how the happy couple proceeds from here.

16rating_8

Fune wo Amu – 05

fun51

Majime decides to take the next step with Kaguya the best way he knows how: with words. Lots of them. He asks Nishioka to look the thick missive over, and Nishioka is initially weary of the stiffness of its contents. Of course, Nishioka is also waiting for the other shoe to drop on the mischief he’s perpetrated on behalf of the Dictionary Editorial department and The Great Passage.

fun52

His punishment turns out to be a transfer to the PR department (where he originally wanted to go when he started out) and the adding of a starter dictionary revision to the department’s already formidable workload. He lets the others know about the latter price, but holds off on telling them he’ll be leaving them in the Spring. Better to let them work, and get excited about their sample pages.

fun53

After a long day of reassuring professors (and possibly some drinking as well), Nishioka returns home to his girlfriend Miyoshi, who works in the PR department he’s transferring to, and who made a rare phone call to him in the middle of the day to check up on him, reinforcing her role as Nishioka’s rock. No matter what becomes of him at the company, it feels like he’ll be okay as long as he has her. And she seems heartened by his determination to do everything he can for his colleagues before he has to go.

fun54

As for Majime’s love letter, Nishioka actually seems to get pretty absorbed in it—that is, the parts that he can understand; there’s some Chinese poetry in there. He gives it the okay, so Majime waits by the boarding house’s genkan for Kaguya to come home from work, then delivers the document containing all his feelings to her personally. We’ll see where this goes.

16rating_8

Fune wo Amu – 04

fun41

Nishioka not only has the unhappy task of relaying the rumor their department’s ship may be scrapped before it gets out of drydock, but also comes up with a solution that might prevent the scrapping from taking place.

That solution requires him to use the skills that make him invaluable to the department outside its dusty walls: the ability to pound the pavement; schmooze and flatter; wheel and deal.

fun42

The idea is, the more rumors spread about The Great Passage, the harder it will be for the publisher to cancel it without causing harm to their reputation. It also sound like a fine way to get on said publisher’s bad side.

The montage of everyone doing their part while Nishioka does his is…a bit sedate, but that’s the point. Like everything in this department, getting favorable result requires intense preparation, attention to detail, and patience. Those results don’t come fast…if they come at all.

fun43

While on a well-earned day off, Nishioka opens up to his girlfriend about the “predicament” he’s in: a normal guy in a weird, “masochistic” job that will keep him busy until he’s bald, sharing an office with a weird guy who seems almost too perfect for the job of writing dictionaries.

I like how his girlfriend is mostly like “Uh-huh, that sounds rough bae, BRB need another beer!” but it’s an interesting and very different peek into Nishioka’s personal life that contrasts sharply with Majime’s in almost every way.

fun44

I say almost because right not Majime also has not one but two women in his life: an old landlady trying to get him to court her granddaughter. Kaguya is pretty and seems nice enough, but she has yet to engender in me the same awe she does in Majime.

And sure, they share a desire to keep fighting for something even though it’s not quick or easy, and do make the episode’s titular “steady progress” by actually having a conversation, but it’s still a bit too steady (and early) for me to buy their romance.

Then again, love has many forms and colors, and theirs just may not be the flying-sparks variety, but something quieter, subtler, more outwardly mundane but inwardly profound.

16rating_7

Fune wo Amu – 03

fun31

Though it felt very dreamlike, Majime’s encounter with a beautiful raven-haired woman under the full moon wasn’t a dream; the woman is his landlady’s granddaughter, Kaguya (who happened to be born under a full moon), who is living at the boarding house for the time being as she trains to be a Japanese chef at Apricot, a nearby restaurant.

Majime’s interaction with her is…minimal so far, to say the least. He isn’t able to get a word out when they meet in the doorway, and he’s very troubled by this. Their initial encounter on the balcony was also portrayed as dramatically and profoundly as it must’ve felt to Majime, who is, after all, still a virgin and a total novice when it comes to women.

fun32

By all indications, Nishioka isn’t exactly a casanova himself, but he’s Hugh freaking Hefner compared to Majime, and vows to take Majime under his wing in this endeavor. While he can claim more experience talking to, courting, and yes, sleeping with women, it’s Majime who’s far more at home and leading the way in the office, and Nishioka can’t help but be swept up in his search for word definitions.

When Matsumoto brings up the necessity of the editors of The Great Passage to check their biases and think about the experiences of those not like them when working on the dictionary, Nishioka can’t resist bringing up Majime’s virginity, and how that could adversely effect his performance on subjects pertaining to romance.

fun33

This leads to the other editors asking about Kaguya, and when Nishioka learns she works at Apricot, the whole gang goes out to eat there, giving Majime a solid in. Kaguya is surprised he picked up on her hint to drop by so soon, but then again, she can clearly see he has friends in his co-workers willing to nudge him along.

Only baby steps are taken here, but Kaguya seems like the patient type. Like the builders of The Great Passage, she is undertaking something that will take years to master, but there’s no other way to feed her passion, so she’s going to do it. Majime can relate: he wants to accomplish something too, no matter how long it takes.

fun34

Unfortunately, if that’s completing the Passage, a wrench is thrown into his goal late in the episode, but very early in the show: while in the bathroom in the new main building, Nishioka overhears that the Passage may be scrapped.

Looks like in addition to building the ship, the Dictionary Department will have to defend her value to the bureaucracy, lest The Great Passage never feel the lapping of the waves against her bow.

16rating_8

Fune wo Amu – 02

fun21

When I was in Tokyo, I availed myself of the impeccable (compared to my city) mass transit, not just to get from Point A to Point B, but because I have an affinity for trains, and subways in particular. It was like I had died and gone to heaven: the unique aesthetics of the individual stations, the elaborate yet useful signage, the machines that sold everything from drinks to books.

Oh, and the people. Never did a single person block the opening doors of a train. People got in tidy lines, often using the lines on the platform, and ingress and egress were smooth and efficient, and ultimately quicker than if it was every person for themselves. Especially in the early mornings, it was a rush and a crush, but it all worked, and it was all polite and precise.

When Majime speaks almost wistfully about the way people on the subway got into neat lines (as if controlled by some unseen power…called courtesy!) and rode the escalators up and down, I could relate. I was on vacation after all; I had no particular place to be, nor any particular time to be there. Majime also takes his time, and Araki and Matsumoto are impressed by how he’s able to express how he enjoys his “hobby” of escalator-watching.

fun22

The point is, everything is “fun” for someone, even if it’s boring for others, or even most people. Majime finds observing humans on the go fun. Matsumoto and Araki find dictionary-making fun—why else be in the business so long? And Majime’s new job, for which he seems preternaturally well-suited, also looks like a lot of fun.

His new office is an old, dim, dusty building (once the main building for the company), and there are stacked books with colored tags and shelves full of tiny cards, containing hundreds of thousands of words and their definitions. It is, to use the symbolism of the show, a shipyard—the place where the ship The Great Passage will be built, patiently, steadily, over a period of ten years.

fun23

Majime seems pleased with his new position, and eager to contribute…but it’s working together with other people (rather than simply observing them) that troubles him. He’s unsure he’ll fit in, and even more worried he’ll let the others down.

His landlady Take asserts that he really shouldn’t be sweating such things at his age. Socializing with people is give-and-take, plain and simple. Take the two of them: she essentially exchanges hot, tasty meals for company, but through multiple encounters over however many months or years he’s lived in the boarding house, and it’s as if a different symbolic ship has been constructed—a friendship, to quote Mr. Burns—and Take’s able to say with confidence dictionary editor is the perfect job for young Majime.

fun24

This episode is called “Encounter”, and it’s not just his new job, his new colleagues, and the great new undertaking he encounters. It’s a beautiful young woman, posed perfectly in front of a huge yellow moon, whom he encounters by chance while looking for his big fat orange cat Tiger.

Majime is literally taken aback by the sight of this striking person, and likely even more intrigued that she’d playfully take the words meant for Tiger (“There you are…I’ve come to get you”) as words he meant for her. No doubt she’ll play a big role in Majime’s growth in the coming episodes.

16rating_8

Fune wo Amu – 01 (First Impressions)

fun11

What is it: The beginnings of a story about building a great ship called The Great Passage to navigate the “sea of words”—in other words, a dictionary. Retiring editor-in-chief Araki Kouhei of Genbu Publishing’s Dictionary Department is looking for a successor. His subbordinate Nishioka Masashi inadvertently discovers one in Majime Mitsuya, an socially awkward salesman with a knack for defining words.

fun12

Why You Should Watch: First of all, this is a grown-up show, and by that I don’t mean it’s full of boobs and curse words. It’s got adult characters with subtle adult problems. The stakes are low, unless you care about one of the many dictionaries on the market one day fizzling out due to a lack of strong leadership or inspiration.

It’s also a show that revels in its ordinariness, making cuts to the proverbial “sea of words” or scenes of words jumping off the page all the more striking. Majime isn’t in the middle of some kind of life crisis, wondering where he went wrong: he’s merely in the wrong job at first. Araki sees him for the talented student of words that he is and puts him in the right one.

By presenting relatively ordinary people with only slightly offbeat jobs (editing dictionaries is specialized work, but not overly strange—someone’s gotta put them together) in an ordinary Tokyo, the world of Fune wo Amu is very easy to settle into and its people easy to empathize with.

fun13

Why You Shouldn’t Watch: If you’re looking for over-the-top drama or comedy, you’re in the wrong place. This is pretty straightforward, almost overly earnest grown-up storytelling. As I said, the only thing at stake is the continued success of a publication.

Parts of the city are nicely rendered but the animation of characters is nothing fancy. And while this episode brough Majime and Araki together pretty quickly, it did it at its own leaisurely pace, giving moments time to breathe.

The Verdict: In order to consider one more Fall show to add to my list this late in the game, Fune wo Amu had to demonstrate it was not only something worth watching, but something perhaps worth knocking another show off to watch.

It didn’t knock my socks off, but I’d say both it, Gi(a)rlish Number, and WWW.Working!! had equally enjoyable starts, but it had the most creative premise, so I’ll keep all three workplace shows for now.

16rating_8