Ikoku Meiro no Croisée 12 (Fin)

In the finale, Yune offers to help in the workshop, and when she grabs a pair of gloves, he yells at her and tells her to leave. She goes outside, and later, nobody can find her, and Claude starts to worry. He finds her on the roof of Galerie du Roy, chasing after the sound of a theoretical cat bell. While saving her from a fall through the dome, he reveals why he was angry earlier: the gloves reminded him of his father,who died falling from a scaffold at the Grand Magasin, which is why he didn’t want her to go there. Having found her, he insists all he wants is for her to stay safe and enjoy life in Paris, then changes his mind and offers to take her to the Magasin.

This last episode was a good microcosm of the series, as well as a showcase of everything good and bad about it. First the bad: Claude can be really angsty and impatient at times. Yune is a girl from a foreign land, and she’s very fragile, yet time and time again, he barks at her or scolds her, without telling her the reason. That grew a little repetitive. Also, I believe we’ve already had the “Yune Gets Lost” episode, did we really need another one?

That said, the episode does make the best of things, using the search for Yune as a vehicle to give all the various characters of the show a little sendoff, including Alice and Camilla. As usual, the visuals of the Galerie du Roy are gorgeous, and we get to see them from a new vantage point, the roof. And finally, we learn a little more about what’s eating Claude all the time; anyone who watches their father die is entitled a little angst now and then. Just…try not to frighten the tiny Japanese girl!


Rating: 3.5

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Ikoku Meiro no Croisée 9

Part II of “Hangin’ With the Blanches.” Yune has tea ceremony with Alice while Claude reminisces about his past with Camille. The two were good friends despite the difference in status, but whenever Claude wanted to take her out to explore the city, she’d refuse and get all huffy. It turns out her family only let her hang out with him if she didn’t leave the house. That, combined with the fact they’d never be able to marry, makes for uneasiness on both sides in the present.

I didn’t really get the last couple episodes. Sure Yune has fun with Alice, but Claude has just sitting in a dark room for two episodes, and nothing was ever resolved between him and Camille. True enough, it may never be resolved, but his flashbacks with her felt repetitive. We get it; she’s rich, he’s not-so-rich; it could never be. But she still wanted to be friends with him, and I guess it didn’t turn out that way? What of it? What does that have to do with crossroads in a foreign labyrinth?

Camille is more interesting than Alice, but I fear we’ve seen too much of her. At the end of the day she’s just an angsty aristocrat who tacitly complains about her “plight” while doing absolutely nothing to change it. She’s been stuck in a stuffy mansion her whole life and hasn’t experienced anything new or real. She just pouts like a Persian cat. Bring Yune back into the spotlight. She’s everything Camille isn’t.


Rating: 3