Tokyo Ghoul:re – 09 – Awful Superheroes

Tsukiyama Shuu……is BACK, YA’LL! He knows Kaneki Ken when he sees him…and “Sasaki Haise” IS Kaneki Ken and Shuu will have him. He’ll chase him round the Moons of Nibia and round the Antares Maelstrom and round Perdition’s flames before he gives him up!

Even if he doesn’t know who he is. That means striding right up to the pack of young Doves that surrounds him…and having to be scooped up and whisked away by Kanae. No matter; it’s great to see the Gourmet has his appetite and vigor back…all thanks to Hori Chie (Kanae seemed particularly clueless about how to quell their master’s slump).

The Quinx are in that ward because Kan…er, Sasaki wants to have them all fitted for masks at Uta’s shop, so they can infiltrate ghouls. Uta is glad to be of service, and has a high opinion of every Quinx member. Kori officially denies Sasaki’s request to go forward on such a plan, but cannot deny it’s a good idea considering how similar the Quinx are to Ghouls.

Meanwhile, creepy-looking Kijima has released a gruesome video of him torturing a member of Shuu’s household staff, presumably out securing food for him. Kijima is dangling his captive as bait, no doubt hoping to snag more important Ghouls. Not the most pleasant methods!

Within a day or so, Shuu’s Kaneki-fueled recovery is complete. The kid’s alive, and so he can keep on living. The hard part will be to get someone who’s forgotten who they are to remember who he is.

Shuu arranges for a number of “chance encounters”, but if we’re generous, he’s basically just stalking Sasaki, and coming to the same roadblock every time: the pesky Quinx kids that keep him from being alone with Kaneki.

Kanae hires a team from Aogiri Tree, including Torso, to eliminate the Quinx Squad so her master can have what he wants (Kanae also gives Shuu a second photo, at which point a much more lucid Shuu realizes his little friend Hori is supplying the pics for his benefit).

Quinx ends up scattered, with Sasaki taking on the bulk of the Ghouls in a parking lot; Tooru and Saiko go one way, while Urie and Shirazu go another. Among the mercs is the “Grave Robber”, who is a fan of burgundy nail polish and, presumably, stealing quinques from the Doves she’s killed.

When up against Kanae, Shirazu’s kagune is damaged and he has to use Nutcracker…but he just can’t. He’s still not okay with how things went down, and especially not okay with using what amounts to her corpse as a weapon. Luckily, a stronger Urie is up to the task of forcing Kanae to retreat, and then intervenes in the battle between Tooru and Grave Robber.

Saiko, who was told to hide, is found by…someone, who proceeds to try to choke her out until she’s saved by…someone else. So many new (or old?) faces to keep up with! Her vague description of her savior causes Sasaki stare into space thoughtfully, as Eto, who we know wants Kaneki to get his memories back, perches atop a building not far away.

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Tokyo Ghoul:re – 08 – Live Like a Rose

It’s always more complicated than “good” and “evil” in Tokyo Ghoul; there are plenty sympathetic ghouls and detestable doves, and everything in between. Somewhere on that spectrum lies Kanae, a ghoul who became the ward and attendant of Tsukiyama Shuu.

Shuu taught Kanae to live proudly “like a rose” and never cry alone. But with Shuu withering away, Kanae is worried about being left alone (again). Enter Hori Chie, who may have just the thing to save her friend Shuu’s life.

Meanwhile, not all is ducky at Aogiri Tree, as Ayato’s request to retrieve Hinami from Cochlea is denied by Tatara. Tatara decides they’ll simply have to replace her with someone else, but that doesn’t sit well with Ayato, who has an emotional bond with Hinami and feels responsible for her being caught. Haise tells Hinami that he can’t be Kaneki Ken…but is he sure he has a choice in the matter?

Back at Casa de Tsukiyama, Chie hands Kanae an envelope that contains something that will help Shuu, then goes on her way. She’s very nearly apprehended by CCG for suspected aiding of ghouls, but demonstrates her talent for elusiveness, as well as her stalwart vow to have as much fun in life as she can before dying.

At CCG, Shirazu receives his new quinque derived from Nutcracker…and he can’t handle it. He still has nightmares about how she said all she wanted was to be beautiful. Quinx hooks up with the elite S1 Squad to take care of a group called “Rose.” S1 is led by Special Class Investigator Ui Koori and his pink-haired partner Ihei Hairu.

That creepy-ass dude Kijira Shiki is also there, looking more like the bad guy in some Lerche anime. Saiko, who didn’t have breakfast and is flagging fast, insists that she, Shirazu, and Kuroiwa stop at a bakery for sustenance; one of the bakers there knows Kuroiwa from way back.

S1 corners a squad from Rose, and we see Hairu in action; Urie may think her an “airhead”, but she knows what she’s doing when it comes to fighting ghouls. However, only one of the three is captured; one returns to base to have her injuries treated, and she’s visited by Kanae.

Later, Kanae shows Shuu the item Chie provided: a photo of Sasaki Haise. Seemingly able to discern that there’s something (or rather someone) verrry familiar about the guy, Shuu, demonstrating admirable restraint and calm, asks Kanae to be shown more of this Sasaki Haise guy.

It’s just not right that Shuu should stay in such a state; I’d love to see the guy return to his former vitality. At any rate, whether you’re a ghoul, a dove, or one of the people in between just trying to survive and thrive, the work is never done.

Tokyo Ghoul:re – 07 – Congratulations and Recollections

The sheer number of players big and small in the Tokyo Ghoul universe can make darting from one group to another a daunting task, especially for one not versed in the manga upon which :re is based. Still, the sight of all those myriad faces, most of them familiar, lend the world a lived-in, oddly comforting atmosphere.

Then there’s the new faces, our Quinx Squad, who come out of the great Auction Raid not only none the worse for wear (relatively), but having distinguished themselves to a man (and in Saiko’s case, to a woman). The raid ends abruptly—which I was hoping for. Sasaki takes Hinami into custody (after Arima allows it), and Rabbit and the other members of Aogiri Tree retreat.

Most of the surviving CCG investigators are promoted in a ceremony, with Tooru jumping from 3rd to 1st class for his conspicuous valor (no doubt irking Urie, who probably wishes he outranked his Quinxmate) Their leader Sasaki becomes a Senior Investigator at a very young age.

As the Doves celebrate their victory, Akira visits her father’s grave, eager new members join a “cursed” squad, Tooru is coached in knifesmanship by Juuzou, and a familiar green-haired lady leaves something in the Quinx Squad’s house’s mailbox.

The celebrations continue when Sasaki invites Akira and Arima over for a dinner party, preparing a sumptuous feast for them and his squad, and giving everyone gifts to commemorate their promotions (or in Arima’s case, just ’cause). After so much peril, blood, and death, I liked the return to the warm and cozy home life of the squad.

Even stick-in-the-mud Prince Urie, who manages to be both insufferable and sympathetic, chips in, while the higher-ranked investigators seem happy for the respite; there’s no other motive for Sasaki inviting them except perhaps to show them  how much his ragtag squad has gelled.

Then Sasaki opens the package addressed to him. It contains Kaneki Ken’s mask, as well as a novel by Takatsuki Sen (who also happened to be the deliverer of the package). If this is an effort by her to help Sasaki remember more about Ken, it seems to work in a very specific and poignant way.

As Shirazu visits his injured, unconscious sister in the hospital (something Urie also happens to see) Sasaki ends up in a cafe being served coffee by Touka at the Cafe :re, and thinking how familiar the coffee, the waitress, and the other patrons of the cafe feel.

Then walks past Anteiku in its prime, with Yoshimura looking on before walking in. Sasaki looks again, and the cafe is gone, replaced by a cleared lot and orange cone barriers. He must have been seeing through Ken’s eyes.

Tokyo Ghoul:re – 06 – Filling the Void

The Quinx Squad remains split into thirds as the raid enters its final stages—and you get the sense that they’d do better as a single unit. Thankfully, Urie is not all alone when he decides it’s time to unleash his “Frame 4” power…because it doesn’t go all too well for him!

Once Big Madam can gauge his power, she realizes he’s punching way above his weight, and takes him out with a barrage of blows. Tooru is there to comfort Urie in his defeat (when “ME! ME! ME!” becomes “O Woe is Me!”), while Juuzou has backup and no qualms about bringing down his former “Mama”.

Meanwhile, Shirazu and Saiko are fighting Nutcracker with Hayashimura…only Saiko…isn’t really doing anything; simply asking what she should do. Shirazu knows what I’ve come to suspect (and which was kind of obvious): Saiko has the highest latent ability among the Quinx Squad members not named Sasaki Haise.

Saiko is also motivated by a desire to help Haise, and her burst of violence, while off-camera, puts the Nutcracker on her ass. Shirazu finishes her off, but not before Nut says something very “human” about always wanting to be pretty.

As Shirazu and Saiko defeat Nutcracker, Juuzou and the XIIIth take out Madam, leaving Owl and Haise as the one remaining main event of the raid.

Haise is scared of giving in too much to the Kaneki Ken within him lest he lose himself, but Owl takes advantage of his hesitation by utterly laying waste to him, while one of his associates broadcasts Haise’s screams of pain over the P.A. system, leading Saiko to race to where he is.

Saving Haise from an early grave is none other than Fueguchi Hinami, who states that Haise is too valuable for Owl to simply eliminate on a whim. Owl doesn’t like that, but Hinami can hold her own against him, at least long enough for Haise to get his shit together and summon enough of Kaneki’s power to fight back against Owl himself.

The process whereby Haise does this is by realizing that while he fears Kaneki—and rightly so—there’s a part of Kaneki within him that is still a child, and similarly terrified. It’s not about competing with the guy; it’s about relating to him. He shouldn’t fear the void, he should embrace it, and Ken. If he doesn’t, he and his squad are toast.

I’ll be honest, the raid lost a bit of steam from the first episode to the second, and between Big Madam’s wildly variable mouth size and the huge number of seemingly mortal wounds that turn out not to be not that bad, the decline in my enthusiasm has continued into the third. The fourth will surely mark the end the raid (one can hope). We’ll see where Haise and the Quinx Squad stands then.

Tokyo Ghoul – 11

That guy with the light stick is one of the lucky ones
That guy with the light stick is one of the lucky ones

As the CCG, a thousand strong, stages a massive raid of Aogiri Tree, who number around half that, Anteiku wisely decides to use the ensuing chaos as cover for their rescue mission. Rather than dump us right into the middle of the biggest battle TG has attempted yet, we get a little bit of the waiting time that precedes it, followed by a pretty impressive (and somewhat terrifying) display of police force.

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Things start out pretty orderly, with lines of CCG and Aogiri exchanging gunfire and hiding behind shields. But the battle keeps from getting stale or boring by keeping things moving and jumping from one matchup to another. Juzo proves his worth and viciousness by eliminating An Aogiri sniper’s nest single-handedly, sacrificing his boss Harude’s prized motorcycle (whom he regards as “the perfect partner” in the omake) in the process.

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Okay, Suzu is nuts and his stitches are a bit gross, but he’s also pretty bad-ass

One notable face-off is between Touka and Amon, who is still so torn up over Mado that his thirst for revenge, along with the extreme present conditions outweighs whatever desire to reconcile with ghouls Ken might’ve instilled in him. He wants Touka dead. Fortunately for her, the S-rated Bin Brothers interrupt the fight, allowing her to escape. Using Kura, the two-handed quinque Mado left him, he dispatches the Bins, but there’s still a lot of bad guys left to slay, so there’s no time for congratulations.

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Doesn’t anyone want my giant satay stick?

Other matchups include Yomo and provisional ally Shuu teaming up against an Aogiri elite, Touka bumping into her brother Ayato yet again, and the climactic meeting of Harude’s right-hand man with the legendary “One-Eyed Owl”, which is shy of the camera but resembles a huge, horrific beast. Harude orders his man to fight the Owl with as few men as possible; no point in too much needless death…right?

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One takeaway from the battle is that the humans could have possibly taken the ghouls by being “wily”, as Mado told Amon when they were first paired up. But Harude isn’t particularly wily; he assumed having double the numbers and rushing in at full power would be enough to deal with Aogiri. Something tells me they rushed in too fast and too recklessly, and while they’ve taken out scores of foot soldier-level ghouls, most of the far more powerful higher-ups remain extant. But if Harude wanted to bomb the mall into the stone age, he could have. But he wanted a true battle, and he gets one.

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For the entire episode, Ken is tied to a chair in a large domed hall in the heart of the mall, and Yamori/Jason is using him as a plaything, subjecting him to the same sickening, brutal torture methods he himself underwent as a prisoner of the humans. It would seem that experience made him stronger and crazier. Ken seems to be getting broken pretty badly both physically and mentally himself, but Banjo and his underlings assure him he’ll be rescued. I’m sure he will be, but the Ken Anteiku will end up won’t be quite the same Ken that was taken from him.

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Tokyo Ghoul – 10

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Our friends at Anteiku may have enjoyed a period of peace and calm in the time between Mado’s death and the previous episode…we just don’t get to see a lot of it. Thus, in this way, despite the disorientation of a time-jump and a crapload of new characters—some more interesting than others—the tension is kept up in a show that needs tension and peril to thrive.

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An all-out war between Ghouls and Doves isn’t just “coming”, it’s already here, as Aogiri Tree riads the CCG’s 11th Ward precinct and slaughters every last Dove. Marude, the guy put in charge of the response who very much looks like he’s trying to pop his skull out of his face, has decided to evacuate the ward of all humans in preparation for a massive strike.

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There’s a lot of sneering, eye-bulging, and yelling going on this week, as tempers run short and hot. Worse, Aogiri Tree’s aggression is utterly destroying any chance of detente between the races of the kind Anteiku has successfully achieved. Of course, by harboring Rize’s vessel Kaneki Kei, they made themselves a target of radical ghouls and “special” Doves like Suzuya Juzo, who I hope is insufferably repulsive on purpose.

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This episode also marks the end of a good run of episodes in which Ken wasn’t kidnapped, as a sequence of n’er-do-wells darken Anteiku’s door, starting with Banjou (who resembles a DRAMAtical Murder character), his three masked and numbered underlings, Touka’s brother Ayato, and then, in a case of Bad Guy Overkill, the comically huge and comically-attired Yamori (why a leisure suit?) and his gay stereotype partner Nico.

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We like Banjo’s volatile personality, kooky underlings, funny swirl beard, but he’s too quickly edged out by Ayato, who’s your typical cliched Evil Sibling who only seems to exist to make life more miserable for Touka, and the less seen of Yamori and Nico the better; they really class down the joint with their ridiculous, bordering-on-silly over-the-topness.

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Case in point, an inordinate amount of time is spent on Yamori beating the ever-loving shit out of Ken because, oh I don’t know, the episode has time to kill. And yet, despite varying between seven and ten feet tall, the bear-like Yamori isn’t even able to do much physical damage to Ken.We see showers of blood, but it’s hard to care about the beating when we know Ken isn’t really at risk of being killed. The show just likes using him as a punching bag a little too much.

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In a nice grasping of the concept of gender balance many other shows struggle with, this results in a case of the girl (Touka) having to go save the guy. She won’t be going alone, though. Yoshimura is tired of all these nutjobs messing up his lawn and hurting his friends. He’s closing Anteiku until further notice, and along with Yomo, Nishio, and even ‘lil Hinami, he’s going to help rescue Ken. We’ve seen the bad guys’ teeth, now it’s time to see what the good guys can do when fully mustered.

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Tokyo Ghoul – 09

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After everything that went down last week with Mado, Touka, Hinami, Amon and Ken, you’d expect some kind of respite to follow, and to a degree, that’s true of this week. No one is fighting for their lives, and instead of lots of action and drama, we get backstory and new characters. It almost feels like a new season, with much that is familiar, but details great and small that show that life has gone on in the month-and-a-half since those brutal battles.

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The episode starts, strangely enough, from Amon’s perspective as he first joins the Doves Home Office and is paired up with Mado, who has a reputation for being a kook. Mado teaches him vigilance, in that he suspects an adorable old lady to be behind a string of predatory Ghoul attacks. Amon can’t possibly believe that until he almost becomes a victim, but Mado saves his life, after ostensibly using him as bait.

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Amon seemed more bemused than moved by Ken’s mercy, and he clearly hasn’t stopped idolizing Mado, who he considers to be a hero and “his pride.” I hope Amon’s aggression towards Ghouls won’t grow as twisted as his mentor’s had, but Mado is probably the way he is because he lost everyone he loved and cared about; if the same thing happens to Amon, well, the cycle will continue.

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Meanwhile, Hinami has moved in with Touka and has nursed a pet cockatiel back to health. The bird has really lifted Hinami’s spirits, but despite the fact Touka fought to save Hinami, she still seems to regret having to kill Mado. He was a wretch, but as the ring indicated, even he had a family. That and the bird make her think of her own childhood, when she and her timid little brother Ayato also helped a bird, while living with their dad.

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It’s such a lovely family scene, and it also happens to be the first time we see Ayato. When we see him in the 11th ward licking blood off his arm and calling his sister a “peace-loving wimp.” It’s likely whatever went down between digging for worms as kids and the present, it made both siblings do things they didn’t want to do, but eventually came to enjoy. Touka is through with that part of her life, but her bro clearly isn’t. I imagine he wants Rize back in the fight.

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Other changes in our quasi-season premiere: Amon gets reassigned to a special task force in the increasingly unstable 11th Ward, and two new Doves take over in his old 20th Ward post. A very weird dude with pale skin and red stiches pickpockets Ken, who is probably his prey, a white-haired girl visits Mado’s grave after Mado, and Hide pretty clearly knows what Ken is, but doesn’t seem to have decided what to do about it yet. Lots of table-setting going on. I can only hope the show remembers to stagger the bookings, lest the kitchen get overloadedand chaos reign.

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Tokyo Ghoul – 08

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Overcome by grief and loneliness, Hinami breaks out of Anteiku to wander Tokyo. This is an extraordinarily bad decision, but it’s one a young girl in her state is more than capable of, and in any case, its the catalyst for two crucial and simultaneous showdowns, which in their combined form we consider to be the best the show has presented to date.

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I want to say that none of this would have happened had everyone taken turns being by Hinami’s side in her fragile state, rather than keeping her in a dark room alone (She’s not a stray cat!), but Mado was gunning for her big time, and ultimately would have found her anyway. She just makes confrontations that have to happen happen sooner, and I don’t have a problem with that.

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One showdown is between Touka and Mado, as Hinami cowers in the corner. The other is between Mado’s partner Amon and Ken. Both showdowns feature the same conversations. Amon decries how Ghouls heartlessly tear apart families and are messing up the world; Touka says pretty much the same things about humans to Mado, trying to get him to see her point of view.

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Touka’s words fall on ears that aren’t necessarily deaf by choice, but it’s hinted that they’ve been permanently closed by decades of torment. It’s simply too late for Mado. With that in mind, morals aside Mado is a brilliant genius for figuring out how to make quinques out of the kagunes of dead ghouls. One can’t help but wonder the good that genius could have done had it not been twisted by decades of grief and anguish.

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Alright, enough sympathizing with Mado, the bastard tries to use parts of Hinami’s dead parents to kill her and Touka. NOT COOL. You can’t spell Mado without “Mad”, right? Touka, still recovering from her last fight with him, is again overpowered by Mado’s dual-wield quinques, but his killing coup-de-grace is nullified by Hinami, of all people.

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She finally reveals her own kagunes, showing she possesses the combined powers of both her loving parents. She uses them, and Mado goes down, but she doesn’t finish him, not wanting to become a killer. Mado bleeds out and dies on his own—a welcome nod to the fact that humans are far more fragile than ghouls, and all but defenseless without quinques.

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Whereas it’s too late for Mado and he won’t listen to anything Touka says, Ken is more than receptive of Amon’s words. He knows them well, since they’re the exact same words that describe what’s happened to Hinami. What Amon doesn’t understand yet, but isn’t beyond understanding like Mado, given time, is that ghouls have the same feelings humans do. Amon is so caught up on the minority of evil ghouls that he’s blind to the fact most of them are just trying to live.

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He’s also so caught up in the grief and victimhood that he’s also blind to the fact that there’s a minority of bad humans that, along with the bad ghouls, are messing up the world together. Neither side is innocent here, and there’s plenty of middle ground to be had if only cooler heads on either side sat down and listened. As he’s being beaten to a pulp, Ken realizes that having both ghoul and human makes him singularly equipped to be the bridge the two races desperately need before they destroy each other.

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At first, he tries to make Amon understand by letting himself get beaten up. When that doesn’t work, he grudgingly summons Rize’s power and attacks Amon, but like Hinami, holds back, not wanting to become a killer. Rize, as mad as Mado, fights hard to take over Ken’s body, but Amon isn’t mortally wounded, and heeds Ken’s desperate cries to run away. Amon sees the tears and the pain Ken is in, and knows Ken just had mercy on him. Maybe that’s the beginning of him starting to understand.

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I just hope Amon finding Mado’s body doesn’t undo all of the progress (such as it was) Ken made with him. Ken, meanwhile, is saved from flying off the handle by Yomo, who takes Ken’s strike like it’s nothing (though it probably is something), calmly states he now sees what Yoshimura saw in him, and asks him to come home. They reunite with Touka and Hinami. When the latter asks if “it’s okay for her to be alive”, Ken is ready with an apt reponse: “your mom was telling you to live.” Is it okay to be alive? Absolutely. Is it easy? Not a chance.

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Tokyo Ghoul – 07

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After six weeks of building up our affinity for the Ghouls, we finally get a more in-depth look at the Doves. Like the Ghouls, not all of them are remorseless killers. If you forget the overarching fact that they’re a force tasked with subjugating and eliminating another race, they occupy a comparable amount of shades of grey as the Ghouls.

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Both sides have their extremes. Mado is very much the Dove equivalent of Rize and Shuu: unhinged and completely detached from morality. Both sides have their innocents, whether it’s Hinami and her mom on the Ghoul side or Amon’s two colleagues, who always seem to be the ones who pay the price for the action or inaction of a third group. “The more earnest they are, the sooner they lose their lives.”

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Amon and Touka belong to that third group: far stronger and more capable than the innocents, but still aware that their actions are wrong, but must be taken anyway. I don’t think Mado was born rotten any more than Shuu was; time and the horrors they witnessed and committed over the years, twisted all of them gradually.

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When Hinami’s mom is killed senselessly, Touka cannot stop herself from retaliating, even though Mado is a walking ghoul encyclopedia armed with a deadly zabimaru-esque quinque that seems to be fueled by ghoul blood. In other words, she’s no match. Touka is as indiscriminate in her victims as Mado was.

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Murdering the affable “dove schlub” Kusaba sets off Amon the same way Ryoko’s murder set her off. This is a cycle of violence that is very much in practice in several parts of the real world, and that’s just between factions of humans; It’s not surprising coexistence between humans and ghouls is equally untenable.

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This isn’t just a case of evil people doing evil things and good people doing nothing to stop them; it’s about people who could be good becoming seduced by anger and revenge and letting it drive them to commit evil themselves. Ken still hasn’t made sense of it all, nor does he know who, if anyone, to endorse. All he knows is that Touka is his friend and he doesn’t want her or anyone else to die.

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He’s also sick of doing nothing, so he collects his spooky mask from Uta and accompanies Touka; not to kill investigators, he says, but to do something. He’s not sure what he’ll do—it will greatly depend on what Touka is up to—but at least he’ll be in the position to do it.

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P.S.: The illustrations during the end credits have always been a feast for the eyes, and we get a new set this week. If only the characters looked this awesome all the time!

Tokyo Ghoul – 06

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Ken’s flesh really does the trick, as Touka unleashes her kagune at full strength and is able to take a good-size chunk out of Shuu. He’ll probably heal, but it will take a long time, during which everyone can escape. But Touka goes one step further: she wants to kill Kimi for seeing what she wasn’t supposed to see.

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Only when Touka’s about to kill her, Kimi doesn’t recoil or scream; she calls Touka “pretty”, something Touka simply didn’t have the capacity to process in that moment. Unable to kill her, she flies off, and later spends all her time locked in her room. Later, Ken tells her he hopes Kimi and Nishiki are, like her and Yoriko, examples of how humans and ghouls can coexist: as friends and family.

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Speaking of families, the Fueguchi’s do not have a good week. Hinami gets in a fight with her mom over not being able to see her dad, but eventually they make up. Meanwhile her dad Asaki is used as bait by Mado and Amon to lure the S-Class ghoul Jason into the light. They aren’t able to subdue him, and Jason escapes, but they kill Asaki as consolation, and start looking for his wife and daughter, using his scent to lure the latter.

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So far, Ken’s been teaching Hinami how to read the tougher kanji in her book; trying to contribute to some semblance of a normal life the girl should be able to lead, because aside from needing flesh to survive, that’s what she is: a normal, innocent girl. On this point, the Doves vehemently disagree, to the point of proclaiming disgust at the sight of the “mother-daughter act” before them.

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Hinami’s mom goes into Protector Mode, unleashing her kagune in an effort to buy time for Hinami’s escape that could well lead to her death, and while she doesn’t look like a pushover in the ghoul department, she’s outnumbered four-to-one. Now, as Hinami is about to be fresh out of parents, Ken will have to do a bit more than teach her kanji.

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Tokyo Ghoul – 03

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Tokyo Ghoul got back on track this week by teaching us a lot more about Ghoul society, introducing a far more compelling adversary in the CCG (Customizable Card Game?), and having Ken come to terms with his new status and finally find a way to contribute. Overall it was a far more efficient, purposeful, and interesting outing than last week’s boss-of-the-week.

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First, Ken is lucky he was “turned” in the 20th Ward, which has the reputation of being one of the most peaceful Ghoul communities. He thought things were bad there, but it’s worse almost everywhere else, something he learns when Touka takes him to a rougher part of town to meet Uta, who measures him for a mask.

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Uta starts the realignment of Ken’s thinking by saying Touka’s far more than just a scary girl; she works diligently to balance her ghoul existence with her human life, as her boss Yoshimura has. There’s a neat scene where Yoshimura tells him how to eat human food. Appearences must be kept up; if Hide finds out Ken’s a ghoul, Touka has promised to kill Hide on the spot. (I enjoyed watching the many sides of Touka this week, from prickly to affable).

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The purpose of the mask is to hide one’s face in case the “Doves” descend upon you. The doves are what they call the CCG, a police-like organization operating out of a gleaming skyscraper that seems to have one goal in mind: ghoul-busting. Whether they only mean to keep the ghouls disorganized and in check or exterminate them outright, it’s a pretty odious business and a pretty strong allegory for racist social policy.

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These swine would even consider little Hinami, frightened daughter of the ward’s ghoul doctor who is being kept in hiding at Yoshimura’s cafe. Aside from her need for human flesh, she’s harmless and deserves to live as normal a life as she can. She and Ken bond over their mutual love of books. Yoshimura even has ghouls go on “shopping trips” to pick up suicide victims, avoiding killing. It’s a philosophy of “mainstreaming”; playing by as many of mankind’s rules as they possibly can.

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It’s also tremendously difficult, as Ken is quickly learning, and those who pull it off like Yoshimura and Touka deserve his admiration. We witness what happens to bold, reckless ghouls who cross the lines; they’re taken out one by one by the odd couple of CCG detectives: the young, stoic Amon and the slightly mad-scientist-y Mado. They’re ultimately after Rize, which means they’ll soon be on Ken’s trail.

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This episode excels in that it underlines how many new threats and hazards and difficulties Ken now faces, right up to the end when a menacing-looking guy in a blazing red suit barges in the cafe, apparently drawn there by Ken’s scent. But at the same time, it shows us that Ken’s life isn’t really that bad, that he’s starting to get that others have it far worse, and shows him all of the ways he can make this work.

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