Hundred – 04

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I’ve taken over Hundred from Hannah, but she didn’t say anything about reviewing it seriously, so I won’t be, and if you actually take this show seriously, do not read this.

One thing I think we can ALL agree on is that Hundred’s first three episodes were seriously deficient when it came to the presence of girls in love with Hayato in one form or another. Seriously, where’s the love for this guy?

That starts to change in a hurry, as sparring with Erica und Fritz earns him the adoration of random extras, and famous idol Kirishima Sakura, who is all pink, natch, has seen YouTube videos of his battles and wants him to be her bodyguard.

With three Savage modules believed shot down but still unaccounted for, it’s the perfect time to put 100,000 warm bodies in mortal danger. The show must go on!

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Baaaaw loogit Big Bro Hayato being a Good Big Bro, securing a ticket to the concert for Karen! Sure, she’ll be one of the people in danger if things go wrong, but family should stick together, especially in potential battle zones. Besides, the fresh air might do her some good…or kill her.

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Aww, sorry Emilia. I guess Hayato can’t keep everyone happy all the time; inevitably making some girls who like him happy means making other girls who like him (or in this case, girls disguised as guys who like him) unhappyor at least disappointed. But hey, at least we know Emi didn’t surrender her key to Hayato’s room.

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Sakura’s very very pink, sure: Pink hair, pink eyes, pink flowers, pink cheeks…she’s pink, capiche? Other than that, she’s your typical dime-a-dozen anime idol, without any particularly exceptional qualities…except perhaps the brazen audacity of holding a concert in an unsafe place, putting her fans in danger. But hey, she’s taking their money and the fine print’s right there on the back of the ticket: Kirishima Sakura LLC is not responsible for death or dismemberment by Savage, etc. etc.

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She’s also a total tease and Hayato takes the bait, embarrassing her in the process when he takes her up on her worryingly detailed plan to marry him.

She also leaves her clothes and underwear carefully strewn around the bathroom when she calls him in to hand her her PDA, because this is 1993 and PDAs are a thing and you do NOT just leave them on the countertop and leave the bathroom, no sir, you have to hand the PDA to the naked girl in person while stepping over her bear pantsu which are an “exception” to her usual pantsu, which are vintage PDA-themed.

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Because this is Macross Hundred, Sakura’s fight is on the stage, and her “weapons” are her voice and a sleek flight suit that is extremely skintight and very similar to her skin tone, making it appear like she’s wearing barely anything at all when she’s actually covered neck to toe.

Sakura’s ability is called “Fairy Tale Fairy”, and I don’t know why Hayato doesn’t just say fuck it and storm off after being subjected to such a terrible ability name. Instead, he watches Sakura fly around for approximately seventy hours.

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His duties for the first day thus complete (who needs a bodyguard when they’re ASLEEP?), Hayato returns to his dorm and is elated to find it deserted, hoping to take a bath by himself.

Early on, Karen read Hayato’s fortune in the cards and warned him to be careful with women and water. I’ll just say for the record that he does not follow her advice.

But Emile/ia is in there and invites him to join her, so they get in some nice nakedtime that’s actually quite subdued until she pounces on him, they end up in an awkward position, and she runs away calling him a pervert. But the scar she got in a tragic PDA accident years ago is healing up nicely because he’s around, so it’s all good!

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Well, not ALL good. Three human-looking baddies whom I assume are Savage (or half-Savage variants) are staking out Sakura’s stage, assuring us they’re on humanity’s side, but not coming off as very convincing. I mean, for a start, where are their PDAs?

But hey, I’ll take Hayato & Co. fighting human-ish Savages than slow, lame monster-ish Savages any day. But why wasn’t THIS in Karen’s card-reading?

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Flying Witch – 03

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Flying Witch continues to engross and enchant with a deft, gentle touch. It excels at showing life at the pace a Yokohama girl transplanted into the boonies would see it: much slower, but pleasantly so. I appreciate the dialect barrier: she has no idea what her uncle is saying, so it’s good her cousins do.

When Makoto wants to start a garden, Kei and Chinatsu help prepare a patch of the field out back, neglected since their grandmother’s passing. Like their dad’s accent (and their lack of same), the family’s move away from farming is a sign of the times, but the show doesn’t dwell on it in a negative light; it’s just the way things are.

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Similarly, when Makoto, city girl, sees a pheasant tantalizingly close up for the first time, she and Chito just can’t resist trying to catch it. Makoto exerts almost as much energy chasing the thing (which has nothing to do with her witch training) as she does preparing the earth. But the three get the job done, and now it’s up to the soil to absorb the nutrients, which will take, you guessed it, time.

It’s a testament to just how calm and quiet this show is that Chinatsu later describes Makoto’s world-wandering sister Akane as a typhoon, even though Akane isn’t particularly forceful or stormy or a burden; she’s just not at the same pace as this quiet country life.

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Akane is a mover and a shaker, living as a nomad (currently in Africa); giving everyone unprocessed gifts of cacao, salt, and oil; and correcting her modesty by agreeing with her sister that she is, in fact, a big deal in the witching community.

But like the signs of the times, the show makes no bigger a deal of Akane than anything or anyone else. It’s a rare anime instance where hearing bits and pieces of the larger witching world is more effective than showing everything. It leaves the imagination step in to wonder.

Akane hears (from Chito…the cat) that Makoto hasn’t used any magic since moving there, and only flown on her broom once. This confirms what I’d already suspected: not only is the show downplaying more overt forms of magic, but Makoto herself still isn’t comfortable with them.

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That’s okay with Akane, and even sees it as a boon for her sister, not having to rely on spells the way she does. That being said, she wants Makoto to cast spells from time to time, lest her powers dwindle. I like the the idea that the magic a witch possesses must be nurtured and polished like any non-magical skill.

To that end, Akane shows Makoto and Chinatsu one of the simplest beginner spells there is: summoning a witch with a girl’s black hair, fire, and an incantation written on paper. Makoto uses her own hair and ends up making a huge column of black smoke that summons all crows, which is what happens when a witch’s hair is used.

I’m fascinated by the fact that the power of a witch can be expressed in such a subtle way as her hair burning differently than a non-witch. It’s another detail that enriches the world of the show, a world grounded in reality with little flourishes of magic you’ll miss if you’re not looking.

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Flying Witch – 02

 

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Part travel guide to the magical world of the countryside, part cooking show, this week’s Flying Witch is leisurely and incredibly comfortable. I’ve never been so transfixed by a show with so little drama or humor and has no stakes at all.

What happened? Makoto finally makes it home from school on her own and spends a pleasant afternoon with Chinatsu-chan. Then the Harbinger of Spring arrives and poor Chinatsu is terrified by his mask and great size.

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Later, after learning about the Harbinger’s job (to bring spring) and receiving a gift of spring flowers from him, Chinatsu’s heart warms and she asks if he will return soon.

The second act is presented in 3 small parts. First, Makoto dreams that Nao is marked with a sign of great luck only to wake up, having no idea what the class is being quizzed on. Second, as they walk home talking about witch dreams, Kei stops and shows them Bakke growing beside the road, which they pick for dinner. Finally, Kei deep fries the bakke for Makoto to try while Chinatsu alludes to this being a sign of being an adult.

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Flying Witch reminds me of taking a casual walk with a friend in spring. It’s crisp, un-strenuous, and surrounds you with subtle details to admire and talk about. When picking bakke, Kei reminds us not to pick near utility poles because dogs pee there. While cooking bakke, Kei reminds us that the bubbles on our chopsticks mean the oil is hot enough to cook.

Slow bites, warm smiles, loving conversation.

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It’s worth watching: because each character feels ernest and specific. Its characters are cute, but not KAWAIIIIII over the top and when they are nice, they are nice, not absurdly selfless.

Its all so welcoming, there’s no reason to criticize it for a lack of overall plot, lack of conflict, or clear purpose. Flying Witch is just Makoto’s happy life, observed closely, as if we were sharing the space with her.

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Flying Witch – 01 (First Impressions)

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Like Shounen MaidFlying Witch has a very self-explanatory title, and is also a lighthearted slice-of-life tale about a young person starting a new chapter of their life.

In this case it’s an of-age witch, Kowata Makoto, moving out of her parents’ house in Yokohama to live with her second cousins in sleepy Aomori, where she’ll remain until she becomes full-fledged.

She also brings along her black cat Chito, though he only speaks Cat, not Human. Still, the first thing that came into my head was Kiki’s Delivery Service, only Makoto isn’t living all the way on her own and doesn’t have to worry about money and such.

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I like the excitement of moving to a new place and basking in its newness, though by God Makoto has a lot of moving boxes!

I also like the very realistic way her younger cousin Chinatsu is initially weary of the new freeloader, especially when she hears her talking to her cat.

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That changes when the two girls go out shopping, Makoto picks up a bamboo broom, and starts levitating above the ground, a magical scene full of quiet awe.

Once Makoto takes her on a ride around town (which we unfortunately don’t get to see), Chinatsu’s weariness is replaced by the sheer glee of, well, having been flown around on a broom by a real witch.

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Another girl who doesn’t initially warm to Makoto is her cousin Kei’s childhood friend Ishiwatari Nao, who first meets Makoto while the latter is on her broom.

‘Alarmed’ and ‘cautious’ are the best word to describe Nao’s attitude, though Makoto makes it clear that besides being a witch, she’s just a normal girl who would like to be friends, and would hope that Nao bear with her occasional lapses into…witchiness.

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The latest comes when Makoto smells something and starts bushwhacking in a random lot to procure a “present” for Nao that turns out to be a Mandrake root.

Both the horrifying screams of the root and its bizarre cooing and squirming thoroughly creepy Nao out, and who can blame her? Makoto is her first witch acquaintance.

Flying Witch is a calm, quiet, earnest slice-of-life with tinges of supernatural-ness and comedy dispersed throughout, and Makoto is a kind, likable Amami Hibiki-type with a healthy tinge of eccentricity. A nice little feel-good show if you have the time.

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Charlotte – 05

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This week’s Charlotte begins with a rather unpleasant scene of Nao being dragged out of class and beaten behind the school by a mob of other girls. Yuu follows but doesn’t interfere, but what’s unclear is whether Nao is disappointed or glad about it. He presumes it’s what she gets for messing with people with her invisibility. He knows what it’s like to bear misdeeds; he’s perpetrated plenty of his own with his body-swapping.

And yet, while Yuu doesn’t play the role of the shining knight swooping in to save Nao from her tormentors, with or without his ability, Yusa and Joujirou both agree they’re “not an unpleasant couple to be around” due to their natural chemistry and spouse-like interactions. If they didn’t care about each other one way or another, they wouldn’t fight; that kinda thing.

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Nao believes the Council’s next target is up in the mountains near the city practicing his flying ability (the downside to the power is never mentioned). The best way she believes to do that is to set up camp and stake the place out indefinitely until they either spot him or he comes to them.

In the process of camping the group participates in typical group-bonding activites that take place during camping, like starting a fire, roasting corn, meat, and vegetables, playing video games, and stargazing. The latter is something only Nao and Yuu do, with the latter finding her alone listening to a group called ZHIEND, whose lead vocalist and composer is blind.

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In another indication Yuu and Nao are a somewhat fated couple, he gets the same feeling from the quiet music as she does: that of being in a vast, gorgeous, lonely open space. She even gifts him her music player, excited as she is to find a fellow fan. The music makes Yuu remember the face of girl who looks a lot like a younger Ayumi but who he doesn’t know, but he’s woken from the dream when it’s his turn to keep watch.

On the second night of the camping stakeout, Yuu and Jou bathe in the river, where Jou tells Yuu it’s best if he set romantic plans aside until two years from now, when they’ll lose their abilities. It makes me wonder if this show will let us see that future and how it changes these classmates and colleagues who are gradually becoming friends.

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It really is a journey-not-destination kind of episode, as the flying kid mission is wrapped up extremely easily. Yuu swaps bodies with him and ends up several thousand feet above the ground (an awesome sight, to be sure), and when he comes down softly but slightly banged up, less than a minute of convincing from Nao persuades the guy to stop using his ability.

Back home, there isn’t much pizza sauce left, and so Yuu gets his first tolerable meal frmo Ayumi in a long time. He also manages to convince her not to put it in everything, finally. But then Ayu starts coughing, and her temperature is 37.8, prompting Yuu to get her under a futon. Hopefully Ayumi doesn’t get sicker as a prelude to the awakening of her own power; but I’ll admit that’s not outside the realm of possibility.

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