It’s the end of Seraph of the End, but what actually ended? Not the war between humans and vampires, nor the extinguishing of many lives on both sides for dubious purposes. And it isn’t really the end of the world, either.
No, the things that end are a bit smaller than all that. It’s the end of the pretense that the Moon Demon Company has the best interests of mankind in mind…if it even ever was. It’s apparently the end of Krul Tepes’ rule. It’s also the end of Guren’s place in Yu’s family; a bond that could not overcome the influence of Mahiru.
And as a result, it’s the end of Yu and the Shinoa Team’s affiliation to the Moon Demon Company. Things…just got too weird. And boy did they ever: Kureto finally unleashes his Seraph of the End on the world, and it uses Shiho’s poor little sister Mirai as its vessel, killing human and vampire indiscriminately and randomly.
With Shiho, Mika, and Yu all skewered at various times during this ordeal, Yu decides he needs more than Ashuramaru to defeat the seraph. So he picks up the mystical “second trumpet” and blows it, summoning the “Salt King” who uses him as a vessel to similarly kill human and vampire indiscriminately, turning them into pillars of salt, along with Abaddon, the demon summoned by the Mirai-Seraph.
With Kureto’s big experiment seemingly ruined and the end of the world postponed indefinitely, there’s a little more scuffling around; Kureto tries to go after Yu and fails; Yu refuses to kill Guren even in his state (he also spared his family); and Ferid, with Crowley’s help, sucks Krul’s blood until she’s unconscious, then accuses her of high treason in the Seraph of the End affair and names himself the new leader.
As for Yu, Shinoa & Co., thanks to Mika and Narumi they are able to simply get the hell out of there, which is probably the best move. It’s enough for Shiho that his sister is back to her human form, while Yu is in no condition to protest leaving Guren behind, even if he didn’t want to. As for Mitsu and her sister Aoi, well…there’s just nothing more said about that.
Then, curiously, four months pass. Why four? No idea. But they pass, and Kureto and Aoi and Guren are still up to their old tricks, only they’ve got some nice evil red cloaks now. Ferid seems to have successfully consolidated his power, and is meeting with other nobles to join the apparent fight.
And Shinoa, Mitsu, Shiho, Yoichi, Narumi, Mika, and Yu are in street clothes on a remote beach, now fully healed and preparing to head back into the shit, apparently to save Mirai and Guren. They all gang up on Yu with playful barbs at his intellect; with even Mika joining in.
They’re still a family, for now, and they want to rescue the rest of it. But whether they will, and how, and what will become of Ferid’s new dynasty and Kureto’s continued mystical machinations, are all tales for another time.
This episode runs somewhat concurrent with Yuu and Mika’s reunion and re-alliance, focusing on Teams Shinoa, Narumi, and Guren. Shinoa in particular provokes the deadly ire of Rika, who blames her and her team for the death of her comrades. Narumi relieves Rika, only to step in an threaten to kill Shinoa himself, and bristles when Shinya, in charge in Guren’s absense tries to stop him.
At that point this becomes about more than fallen comrades and who is to blame, but how had it Narumi is with the all-knowing, all-powerful Hiiragis ordering humanity around and deciding who lives and dies. He’ll ignore orders to “stand by” (i.e. die) and instead head back to try to rescue Guren.
What Narumi didn’t expect was that Shinya, Hiiragi Shinya, a general and a part of the cabal he hates so much, not only doesn’t try to stop him, but thinks they should all go together. Shinya’s fought and bled with these guys, and we’ve been able to see the gradual change from almost vampire-like nonchalance to a solemn, haunted determination. Screw his orders and his last name; Shinya’s going to fight for his comrades here and now.
Meanwhile, Guren is still alive, and still managing to be defiant in the face of the vampire nobles who take turns scooping him up. He’s going to give them false intel to lure them into a trap in Shinjuku, but needs the vamps to believe it’s because he’s been beated badly enough to not be able to go on keeping his silence.
Crowley, who saw through the machinations going on and correctly suspected Ferid, is bemused when Ferid admits he gave the Demon Army the locations of the nobles, including his old chum Crow. Ferid even has the audacity to tell Crowley to thank him, since he had a fun fight thanks to him.
Once Guren has been beaten enough, he goes into his Happy Place with his demon companion and dead ex-girlfriend Mahiru, who decides its time to awaken and fight back. I must say she show’s always done a good job portraying Mahiru as imminently mysterious, seductive (moreso even than the other demons) and ethereal, like a dark angel.
She is also the reason for Guren’s dual personalities: one dedicated to his family, the other thirsty for power. When Krul takes him down and gets in close, out of earshot of the others, Guren/Mahiru discuss the plan Krul had been a party to all along, betraying her people in the process, and how that plan hasn’t changed: she still needs the Seraph of the End.
On the other side, Kureto arrives at the airport (with Mitsu’s stern sister Aoi by his side) to relieve the teams assembled there, saying “they’ll take it from here.” It’s clear Kureto has a new toy he wants to try out; he even admits he’s in a good enough mood he won’t summarily execute Narumi & Co. for questioning his orders.
But what he does do is open the Big Box he flew in, out of which come hundreds of interconnected swing hangars with blades on the ends, many of which pierce through Kureto’s own soldiers, including Rika, who definitely looks like a goner. The blade go after Narumi when he lunges forward for revenge, but to his shock, he’s saved by Yoichi and Shiho, while Shinoa’s blind spot is covered in the nick of time by Yuu, who has arrived with Mika to help out.
Mika doesn’t waste any time saying it was a bad idea to come back, as he sees the humans fighting amongst one another. But that fight is tabled when hordes of vampires drop from the skies and it becomes a giant line battle. Amidst all the chaos, Yuu catches sight of Guren, safe and sound, and runs toward him, beaming with joy.
Only Guren isn’t quite himself anymore, drawing his sword and bringing it down, followed by a cut to black. With dual personalities, crazy experiments, and betrayal and intrigue on both sides, what probably won’t be black—or white—is the impending finale, which looks to be a good one.
Shinoa has the feeling “something horrible’s about to happen” in a world with human experimentation and war with vampires, but that something doesn’t happen this week, so in the meantime, the gang trains. Specifically, with Yoichi having already achieved control and balance with his demon, Yu and Shiho’s turn to attempt to achieve “manifestation.” Once Yu passes out, it’s a waiting game for his friends.
Now at the mercy of Ashuramaru, she tries to get him to break down, by first showing him a vision of his parents lamenting they created a “devil child”, the “Seraph of the End”, and his dad trying to kill him with a kitchen knife. Then she shows him the strewn bodies of the dead members of his family, who he’s told died because he ran away.
But Yu’s already been through something like this (as have we), and he’s not so easily falling for it this time. He breaks out of Ashuramaru’s illusion, and when she rushes to kill him, he tosses his sword at her, not in surrender, but in understanding: he was once alone; now he isn’t. The same is true of his demon.
He has family in Shinoa and the others. He still has Mika, who he knows wants him to save him. He asks Ashuramaru to be his blade, and in return, he’ll be her friend. She’s a bit annoyed by his new “whatever” attitude, but can’t deny his strength, and agrees to the deal.
Between Yu and Shiho’s manifestation training sessions, we get a useful look back into the world of vampire politics, with Ferid parading Mikaela about and showing video evidence of Yu-as-Seraph during Kurl’s vampire conference call, making her look bad by undermining her claim she dealt with the Hyakuya clan and anyone who might’ve been the Seraph the humans could use against the vampires.
After a call that got her challenged by one of her peers and placed under a stronger microscope, Krul fumes at Ferid’s apparent insubordination. But Ferid has even more secrets, and even if she kills him, they’ll get out and ruin her. Similarly, she knows Ferid let Yu escape. So the two are bound by secrets with a pawnish Mika between them.
That’s a grim contrast to the bonds of mutual respect made not just between Yu and his comrades, but between wielder and demon. When it’s Shiho’s turn, his demon Kiseki-o, like Ashuramaru, thinks she’s got his number; the key to enslaving his body: his bedridden sister. In his illusion, Shiho’s friends say they have to move on to find more food, and his sister will only slow him down, they tell him to put her out of her misery. Heck, she told them to tell him.
It almost works—for about a nanosecond—then Kiseki-o makes the mistake of speaking through Shiho’s sister, all but confirming this is just an illusion; a test, and he needs to look at it that way. Just as Yu threw his sword away when Ashuramaru rushed him, he gives up the power the demon thinks he wants so bad, and will be able to move on and wield once he kills his sister, by turning the knife on himself.
The message to Kiseki-o is clear: Shiho will never see his sister as a burden. Watching how hard Yu fought to protect non-blood family, he would never forgive himself if he didn’t do all he could to protect his blood family, even at the cost of his life. It’s enough strength and conviction to convince Kiseki-o that Shiho is worthy.
When Shiho wakes up, he immediately challenges Yu to a duel, to see who’s stronger. Shinoa lets them, since they’re only playing around, but she and Mitsu are amazed how all three guys were able to achieve manifestation so (relatively) easily, leading the girls to do some digging on their pasts…only to find those pasts have been erased. Hence, something horrible’s probably about to happen, but at least they’re more prepared for it.
“It’s no longer clear who’s on your side and who’s not.”
That line by Shinoa reflects the main theme of this new episode of Owari no Seraph, and possibly of the season to come. On the battlefield, it was humans vs. vampires. Off it, all bets are off. Shinoa is worried Guren is using Yu for some dark purpose; Guren is worried about Yu switching sides when the Hiiragis summon him for an interview; the powerful Hiiragis, who essentially run the human resistance against vampiredom, have clearly been spooked by recent events, and suspect spies are in their midst.
Meanwhile, Yu has pretty much fully recovered form his battle wounds, Shinoa is her usual, artificially bubbly and chipper self around him, always deflecting more serious matters…until it comes to the Hiiragis. She warns Yu that they’re scary. Guren makes an appeal to Yu’s loyalty to his family, which now consists of his unit. Mitsu warns Yu that they’re terrifying.
But Mitsu also laments that she was promoted despite not doing anything of note on the battlefield. The New Yu who was born last season comes out here, expressing his support for her promotion rather than mocking her family connections. A lot of this show revolves around things the protagonist has little or no idea of, and the fact both Shinoa and Mitsu come from big families escaped him all this time, and in any case wouldn’t have affected their status as his family.
Still, even if she’s half-joking in deadpan, it’s a little unsettling for Shinoa to accuse Mitsu of ratting Yu out in exchange for that promotion.
When Yu arrives at the Hiiragi “interview”, he first has to dispose of a captive vampire, then cross swords with both Hiiragi Kureto and Hiiragi Shinya. Kureto in particular isn’t all that pleased with Yu flaunting his ignorance, both of who Kureto is, and how much he still has to learn about Cursed Gear.
But the trio of Hiiragi’s in that office aren’t half as scary as the ones who enter a dark room with a one-way mirror, revealing Shiho and Yoichi, bound and beaten. Kureto is convinced Yu is a vampire spy, and if he can’t convince him otherwise, he’s going to kill the two them. It’s a taut, tense scene, one in which the classic shonen hero is put on trial by the bureaucracy that has been in the shadows all along.
Yu doesn’t say anything particularly convincing, but the answers he does give help Kureto figure out for himself that Yu was rescued by Guren for a purpose, which must have something to do with the fact Yu was a human experimentation subject for the Hyakuya vampires. Yu dismisses all this as some bullshit feud between Kureto and Guren.
When Yu finally emerges with Shiho and Yoichi to a relieved Mitsu and Shinoa, the camera pans around to reveal Guren is there too, only far away. The distance signified to me the lack of trust everyone in the unit has for him right now. But he admits he rescued Yu because he had value, and he says all the other right things to keep Yu on his side, for now.
As for Mika, who it seems will always be on Yu’s side if he has any say in the matter, is dealing with blood withdrawal, but refuses a human child Ferid offers as food to arrest his aging. This scene seemed to me a way to again portray Ferid as an awful guy, while the possibility exists he’s working with Guren—perhaps the very vampire spy the Hiiragis are looking for—against the vampire leadership.
The Hiiragis are Guren and Ferid’s enemy. Tepes is Guren and Ferid’s enemy. So are they operating in an “enemy of my enemy is my friend” mode? Whatever the case may be, Yu, Shinoa & Co. will clearly need to watch their backs vigilantly this season, and not just against vampires.
Mika screwed up, in part because he put everything on his shoulders. His plan to free his family, which was more than fine going along with it, ended up killing them all except for Yuu. Mika himself would have bled out, were it not for the intervention of Krul Tepes, Loli Vampire Queen, offering him, nay, forcing upon him, her blood.
Now he’s a vampire, and the pain and guilt could stay with him for centuries, potentially twisting him into a wretch. Yet he still carries out his duties alone, eliciting resentment form his vamp peers but gratitude from a single girl he saved from a monster, who gladly offers her blood to him as thanks. Once his escape plan failed he had no choice in becoming a vampire (Tepes wouldn’t let him die), but he can choose what kind of vampire to be. It’s a choice that’s perhaps lost on someone so racked with guilt.
From checking in on Vampire Mikaela the episode segues to Yuu and Yoichi transferring to the Moon Demon class, where he makes the most ridiculous overbaked shonen speech possible about not being there to make friends and declaring he’ll get the best gear. His seat happens to be positioned right in front of that of Kimizuki Shiho, the dude who picked a fight with him earlier to test his ability.
And so we have our two arrogant, hotheaded rivals who both have something to learn from one another and will become tentative pals by the end of the episode through greater understanding of where they’re coming from. If this sounds somewhat rote, it’s because it is; nothing out of the blue here.
Like Yuu, Shiho lusts for power…all of the power, though not for revenge, but to save his sister, who is dying from the Apocalypse virus. But Guren warns him, with demonic visual aids, no less, that Shiho can’t go anywhere near cursed gear as long as that lust for power drives him. Like Yuu, Guren needs him to make friends and learn to rely on the strength of others. Going it alone won’t end well for anyone.
Shinoa fixes it so at their first major evaluation, Yuu and Shiho are paired up. Predictably, they try rushing in opposite directions despite the fact they’re handcuffed to each other. Seriously is their mutual lust for ultimate power so strong, it affects their basic understanding of the physical limitations of handcuffs?
Apparently, but they don’t get to demonstrate just how badly they fight together, because word comes Shiho’s sister has taken a turn for the worse. Suddenly understanding why Shiho is so gung ho about beating him, Yuu insists, with prejudice, that they go to the hospital. Being with his family is more important than the evaluation.
Shiho relents and goes, and doesn’t regret it. His sister pulls through, but the doctors warn regular medical equipment will only keep her alive so long. The military has tech that might be able to cure her, but the military, like society, is transactional: if Shiho wants that tech, he’ll have to distinguish himself in the Moon Demon Squad.
Yuu, jerk that he is, still won’t back down on claiming the best demon gear the army has to offer, but he won’t stop Shiho from taking the second-best, now that he understands what Shiho is fighting for. Both guys failed the evaluaiton, but while Shiho feels defeated, Yuu tells him it’s no time to give up. He’s going to do everything he can to avenge his family, regardless of evaluation scores or moon squads. He expects Shiho to do no less to save his sister.
Mind you, I’m not sure the lesson about teamwork has quite stuck, since both seem dug into their own separate aspirational trenches, but the seeds of a alliance or possible friendship were certainly sown.
That’s good, because Yuu and Shiho can ill afford to stay ineligible for handling cursed gear. They need to get into good fighting shape soon, because Tepes has formally declared war on the humans who would organize into armies to oppose them. A rancher wouldn’t let thier cows join a union barring slaughter, now would they?
As for Mika, he’s determined to “rescue” Yuu, and while I’m not sure what that entails, if he’s planning on loading everything back on his shoulders once again, he hasn’t learned much. As repugnant as Ferid is, he could be a valuable ally against Tepes, the mutual thorn in their side.
Episode three opens with Yui receiving a love letter from a cute girl. Falling for a not unattractive young lad who saved you from being drained by an escaped vampire prisoner is not an unreasonable thing for this girl to do, but as strong and brave as he is, she still doesn’t know him, and he’s too busy with his quest for vengeance to notice or deal with romance.
While this girl sees him as a hero, Shinoa continues to look down at him as a novice, as well as a frustrated virgin. She points out the Demon Army isn’t just about killing vamps, but also creating an environment suitable for human procreation. The virus killed 9/10ths of them, after all, so the remaining tenth “needs to make babies”, to quote Commander Adama.
Shinoa doesn’t doubt Yui’s physical strength or his courage, but warns him he shouldn’t move to fast with his training. Only those with cursed gear can fight vampires, and the demons within them will consume, rather than contract with, those with “weak hearts.” Shinoa believes Yui’s unyielding thirst for vengeance makes his heart weak. Not a bad conclusion, but incomplete, as we see.
When one of their classmates wanders into a forbidden dungeon below the school, where demons roam ready to take the souls of the weak, Yui, Shinoa and Yoichi head down there. Shiona reveals it’s really a training ground for the VEU, and the whole school is a human experiment for recruiting VEU members, who are naturally drawn to said dungeon.
So while there are bullies and love letters and cut euniforms, the school isn’t just a regular school after all. Shinoa even mocks Yui for potentially thinking “such a peaceful place” as the school appears on the surfact could ever exist in such a messed up world.
If Shinoa was hoping to intimidate Yui with all this show-and-tell, she failed, and if she didn’t want him to do anything rash, she shouldn’t have let him in the dungeon at all. Then again, when Yui goes through the forbidden door, she doesn’t stop him, suggesting she’s letting him make his own choices. Once there she insists he not touch he demon gear his classmate is holding, lest he become consumed by a demon. Again, Yui ignores her warnings and grabs the ax with a nifty little move.
Then all of a sudden he’s gone back in time with Mika and his family. Shinoa didn’t say how the demon would consume him, but creating a very real illusion of his past is a good way to start. But where both Shinoa and the demon underestimate Yui is in not in their calculation of his desire for revenge—which is high—but the fact such a desire is a weakness.
Yui knows his desire is wrong, so it can’t hurt him as badly. He also knows it’s something Mika wouldn’t want, so as soon as Mika and the other kids are acting totally out of character, Yui knows he’s in an illusion and breaks free.Doing so impresses Shinoa once again, who again seems put out that he proved her wrong yet again.
Yui’s heart isn’t as weak as she thought, but will see what happens if and when he learns Mikaela not only wasn’t killed, but became the very thing Yui wants to wipe off the face of the earth. We finally get a good look at Vampire Mika, who doesn’t seem particularly friendly with Ferid. More likely, he’s done what he’s done all this time to survive. He always put others before himself, so I’d like to think a few years of being a vampire hasn’t bleached out that inherent goodness.
As the credits rolled and SawanoHiroyuki[nZk]:Yosh’s excellent ending theme “scaPEGoat” played (the OP was also dope), four words blazed through my mind: “Are You Not Entertained?!” I certainly was.
This ambitious, thrilling episode had a complete and compelling arc and aced all the fundamentals, giving it the feeling of a rich, self-contained short film when combined with the premiere.That premiere was key in setting the brutal tone of the human/vampire conflict while creating solid kinship and sympathy with young Yuu and buying into his motivations for wanting to live a life of revenge. This episode would not have been nearly as emotionally resonant without it.
Owari also surprised me quite a bit with its deftness with bait-and-switches. Last week’s cold close created an It’s On Like Donkey Kong vibe, but Private Hyakuya Yuuichirou proves to be a rough fit in the demon army, where soldiers are expected to put their personal feelings or vendettas aside and obey orders. Yuu breaks the rules, and so he’s punished…by being sent to school.
This sudden addition of the school drama allows the show to let its hair down a little after a stodgy start and finds a pretty strong comic voice in the process. Yuu isn’t just banished to school, but there’s a soldier posing as a classmate whose tasked with supervising his progress in making a friend. If he keeps breaking rules, his suspension from the army will only be extended.
That soldier/classmate is Hiiragi Shinoa, deftly voiced by Hayami Saori, whose standout performance blends military formality and authority with feminine grace and sly humor. Her character design and eyes in particular somewhat remind me of Steins;Gate‘s: clean, attractive, and stylish.
Yuu’s punishment makes sense. Yes, he’s scarred by past traumas, but if he wants a future fighting vampires, he needs to learn how to engage people and work in a team, which means forming bonds. That’s not going to be easy for someone who lost his whole damn family, and you could say the show’s being tough on him, but I think Yuu has just the right amount of arrogant, rebellious dickishness to allay that concern for me.
And just because humanity’s population has literally been decimated (not entirely wiped out as Yuu thought; but then he grew up absorbing vamp-prop), high school is still high school, so there are bullies and weenies and he decides he won’t let the former have their way with the latter…which is when Shinoa helpfully warns him his suspension will be extended if he harms a civilian. This guy can’t win!
But in another glorious case of the good kind of bait-and-switch, the would-be victim of bullying, Saotome Yoichi, turned out not to be a weenie after all, nor was he being bullied: he wanted the non-bully to put in a good word for him with the demon army. Yoichi tried to enlist and failed the exam, but he wants to keep trying so he can avenge his sister, who died to protect him, as we witness in a grim micro-flashback that made my heart sink.
This externalizes Yuu’s own desire for revenge, but in this case, he justifies his own desire as backed up by his strength and ability. On the other hand, he still thinks Yoichi is a whiny little weakling who’d only get killed, and in any case, his sister probably wouldn’t want him avenging her. The discussion is put on hold when a bomb goes off and the city P.A. alerts everyone of an escaped vampire test subject.
Seeing this as a perfect opportunity to prove he belongs in the extermination unit, Yuu runs to school to seek out the vampire, stopping her from feeding on a student. The non-bully is there too, but in this moment of crisis, he’s paralyzed, and admits he lied about wanting to enlist.
Here, the show shows off its readily apparent action combat chops, as well as the inherent trickiness of fighting a vamp with a regular katana when her wounds and severed limbs quickly grow back, and any bystanders are like phoenix down for her. Yuu needs help, and he gets it when Yoichi tackles the vamp minx. When Yuu asks why, Yoichi calls him a friend. Yuu then holds the vamp back and they go out the window, Spring Break-style.
Yuu is able to get the vamp to land on his sword, but it’s still just a sword. Enter the anti-vampire spell-dosed sword of Lt. Col. Ichinose Guren, commander of the Vampire Extermination Unit, Shinoa’s superior, and the man who rescued Yuu four years ago. When he pulls out that sword, the vamp dissolves into a cloud of gore and ash.
Ichinose thinks Yuu looks every bit the helpless little kid he saved back then, but he can’t deny the fact he held his own with that vamp pretty well, and also minimized causalties. He also can’t go back on his promise to lift Yuu’s suspension if he makes a friend, both because Shinoa won’t let him, and because Yoichi is so happy his friend Yuu is okay he pounces on him like a cat, knocking his head on the pavement.
In the episode’s beginnings, Yuu remarks how every time he closes his eyes he sees the faces of his family before they’re murdered by vampires. So while he’s out cold after a life-changing day, there they are. Only this time, they express their relief Yuu was able to live and fight for something other than revenge. Just as Mikaela put his life on the line for Yuu, and Yoichi’s sister for him, Yoichi and Yuu protected each other.
From now on, he won’t be living just to avenge his family, but to protect the two friends he’s made today, all the other friends he’s sure to make in the Vampire Extermination Squad (which he and Yoichi are assigned to, joining Shinoa), and to protect a humanity in resurrection. This looks like the start of something great…especially if we take the hints that Mikaela didn’t die, and is now a vampire.
Owari no Seraph’s opening episode was a swift, merciless Saturday afternoon gut punch. It was all about getting things done. I mean, the entire population of earth over thirteen years old simply keels over in the first minute. No messing around!
As for the little ones who are left, well…my heart’s not made of stone; it’s hard not to sympathize with their plight as they cower in their home and are taken captive by scary red-eyed vampires in robes. The power differential is simply staggering.
The episode jumps forward four years to when Yuuichirou and his “family” of fellow orphans, including Mikaela and Akane who are his age, live a dreadful underground existence as living blood bags to be periodically squeezed for the vamps’ use. But everyone adapted and made the best of a shitty situation. Yuuichirou is always talking of fighting back one day, and while it’s all talk, the smaller kids believe him, and that hope sustains them.
It turns out to be Mikaela who actually does something, acquiring a pistol and a map from a vampire noble and suggesting they book it out of there. Nobody here on RABUJOI cared enough for Rolling Girls to watch it all the way through, but that certainly wasn’t because of Wit Studio’s animation, which was very crisp and zany and pretty.
Wit shows RG was no fluke with another gorgeous presentation, only this time the big backgrounds are filled out with lush detail of the subterranean city. Sawano Hiroyuki (Kill la Kill, Aldnoah.Zero, etc.) contributes another soaring score that lends gravitas to the proceedings.
Unsurprisingly, the kids end up caught by the very noble who liked the taste of Mikaela’s blood so much he kept him around. So far at least, this is not one of those shows with grey areas in the affiliations, as Ferid is pretty much pure evil and likes the look of despair and hopelessness in the kids’ eyes. As they try to run for it, he kills them one by one with lightning speed.
All of them except Yuuichirou. Mikaela is able to distract Ferid long enough for his brother to get a clean headshot off, but as Ferid had just put his hand through Mikaela, all Yuuichirou can do now is RUN, alone, out into the unknown world. Ideally, twelve-year-olds shouldn’t have to deal with this kind of trauma, but kids are all that’s left of humanity, and those kids have been dealt a tough hand.
Upon emerging from the caverns, Yuuichirou finds three adult humans in uniform who have been waiting for him, following some kind of “prophesy.” How long have they been out their waiting? Did they take shifts? No matter, they were here when they were supposed to be, and the kid emerged on schedule.
Now they intend to use him to defeat vampires, something Yuuichirou, who may be in shock but is still lucid enough to express his interest in helping them. After all, he pretty much has every reason in the world to want to dedicate the rest of his life to exacting revenge.
We jump forward another four years, and we see Yuuichirou more grown up and in a very slick-looking suit, patrolling what looks like the ruins of Tokyo. It’s a wordless, music-less scene made all the more powerful by its use of silence and the white noise of the wind, a silence that continues into the credits.
Presumably we’ll watch Yuuichiro’s life as a budding professional punisher of vampires in the episodes to come, but it was a good idea to begin with a prologue that shows us just how much torment he, and probably everyone else who managed to escape the vamps, went through. After all that darkness, I won’t begrudge them their righteous vengeance. Even so, less one-dimensional vamps would make for more compelling foes.