Carole & Tuesday – 13 – Army of Two Steps Back

I’m not sure why every episode of Carole & Tuesday needs to begin by reminding us about the “Miraculous Seven Minutes” that haven’t happened yet, as if we forgot. We get it: they’ll set it into motion! It will change Mars forever! Shut up about it, would ya?!

For now, all C&T get for not winning, but also not quite losing, Mars Brightest is a lot of notoriety, not all of it welcome. They muddle through talk shows and interviews, while Angela, owner of a new contract with a 20 million Woolong singing bonus, has already released her first single.

It features such stirring slogans as “breaking chains”, “keep moving”, “taking control”, “today’s a new day”, and “find my heaven,” collections of words no one has ever thought to put together before! New day, same crappy lyrics.

C&T’s new fame is earning them zero Woolongs but plenty of headaches. At a laundromat, Tuesday is surrounded by brusque gents, and is only saved further harassment by the intervention of a fellow clothes-washer who is probably Carole’s long-lost father (or at least, we’re supposed to wonder if that’s who he is).

When Gus and Dahlia cross paths, they’re all smiles and passive aggression, but Angela cuts through the crap: C&T better get their heads out of the clouds and start making hits soon, or else she’s going to leave them in the dust come Mars Grammy time. Heck, she’ll probably leave them in the dust anyway, but like Mars Brightest, she still wants a fair fight.

There’s nothing fair about the contract meeting at Brightest Records, the studio run by Catherine. As Tuesday’s suddenly very Trump-like mom starts talking about deporting illegal immigrants (which makes one ask the uncomfortable, what exactly is Carole’s official immigration status?) Gus rejects Cathy’s offer without consulting the girls, taking money out pockets and food out of their mouths without any guarantee of alternate sources of income.

Daddy Gus has simply decided, unilaterally, that C&T are going to be an indie group, selling their songs online to “boost their commercial value” and make their negotiating position better. And the girls just…allow it. It’s baffling; they’re just not developed enough as a group to be turning down reasonable offers; not when it’s really past time they started, you know, earning money to “live” and “eat”.

And don’t get me started on Gus dragging them to the rougher side of town to play an impromptu concert no one there asked for, all to lure out a “genius producer” who loves swinging a goddamned ax around. But hey, I guess it will all work out. Those Miraculous Seven Minutes are coming, or so they say! I just don’t know if I’m going to make it there…

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Michiko to Hatchin – 03

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Michiko consults with a fortune teller who gives several prophecies to both her and Hatchin, she also sells a “miracle stone” that Michiko gives an unconvinced Hatchin. When Hatchin steps in dog doo, Michiko steals her a new pair of shoes. Hatchin convinces a Chinese restaurateur to give her a chance. As Michiko asks around for Hiroshi, Hatchin works for free to prove she’s serious. She runs after a dine-and-dasher to his favela (going against the fortune teller’s warnings) and is then chased by his friend with a gun. Cornered, she stuns him with her stone. Michiko arrives to pick her up and scare the others off. They go to the shanty where Michiko believes Hiroshi lives, but when a woman answers the door, Michiko storms off with Hatchin in tow, insisting it wasn’t her dad after all.

After shooting down helicopters riding motorbikes through windows and Rube Goldberg-like police chases through town, this episode is a lot quieter (there are some gunshots, but they’re poorly aimed). Now in a relatively safe place where they don’t have to be in survival mode, Michiko sets about her mission to find her man. It’s charming how much faith she puts in the old lady compared to Hatchin’s naked skepticism, and we knew when she started spouting off vague prophesies in her trance, that the episode would unfold much as she said, only with results different than Michiko and Hatchin interpreted them. We also see that Hatchin is still not ready to lead a life of crime, refusing to wear her shiny new shoes until she’s paid for them with a part-time job.

Hatchin’s oppressor-of-the-week is Ramu, but it’s different that she’s there by choice. Being a little kid with no ID, Ramu’s about as kind to you as you’d expect someone in his position to be (he also has a daughter). We also liked Hatchin shearing her pom-poms, a gesture symbolizing that the old put-upon Hana is gone (even if that’s not really true, at least not yet). Her enthusiasm in her quasi-job (she’s never actually paid) and her failure to heed the warning about “climbing the mountain” almost got her killed, but she finally gives in to the superstition, and her miracle stone flies true. As for Hiroshi, we’re guessing that really wasn’t him – just a white guy who resembled the sketch – we’ll know for sure if Michiko continues her search.

9_superiorRating: 9 (Superior)

Stray Observations:

  • This is a show that keeps track of its days and locations, so we know it’s been nearly two weeks since Michiko escaped and not even a week since she and Hatchin teamed up, which explains why Hana and Michiko aren’t quite best buds yet.
  • Hana’s cat-and-mouse chase with the boy who stole lunch (and her shoes) was excellent, especially when the tables were turned and Hana became the mouse in the favela.
  • Where is Michiko getting all these outfits? Never mind, we won’t ask…
  • Like the previous episodes, the built-up, lived-in environs are exquisitely detailed. It’s clear Brazil itself (at least an animated version of it) will be a major character in this series.