I. Exclusion Zone
At some point after being with Hori, Miyamura has a dream in which he meets with his old socially awkward, and above all angry self, who was so tired of being left out and made to feel so pointless that he even considered dying. The older Miyamura urges him to hold off on the whole dying thing and hang in there, as he actually ended up doing IRL.
While telling him about all of the wonderful people waiting to be friends, and most importantly, a girl who he’ll need as much as she needs him, Present-day Miyamura takes stock of how far he’s come from those dark brooding middle school days before Shindou reached out. He wakes up with tears in his eyes, likely weeping for that old Miyamura, and wants to see Hori. Who wouldn’t want to see their lover after that dream?
II. Bestselling Tearjerker
From there, we shift to the relationship of Remi and Kakeru, who came as a pre-made couple at the outset. Remi waxes lovingly about why she loves Kakeru, who has never been strong or athletic but always strives and stuggles to be stronger for himself and for Remi, which in turn inspires her to be better. She remembers him being very different back when they first started talking.
Remi recalls a key moment in understanding Kakeru when she overheard his buds talking about the wildly popular Remi and her BFF Sakura as “Beauty and the Beast”. Kakeru refused to subscribe to his mates’ assessment, insisting the two girls both looked “normal.” He wasn’t so much defending Sakura, whom he didn’t know, but he wasn’t going to lie to fit in.
Remi ends up approaching Kakeru first, asking about the old-looking book he has. It turns out to be Goethe, who channeled his own unrequited love into his confessional novel The Sorrows of Young Werther. Assuming her interest in books is genuine (and it is!), he starts lending her and Sakura editions of all kinds, starting with Grimms’ Fairy Tails.
When answering Remi’s question of where all these books come from, Kakeru gives her the perfect opening to invite herself over. Remi finds a book on a high dusty shelf about the last day before the end of the world, and when he asks what she’d do, she says she’d indulge herself by eating desserts and whatnot. Kakeru notices she’s wearing her pigtails slightly higher, and Remi is clearly happy he noticed.
Back at school, Kakeru is grateful that Remi is talking with him on the regular, but makes mention that his friend Kamioka has a crush on her. Remi responds immediately with an indifferent “so” that notably lacks the usual stutter employed to indicate genuine interest. Basically, she doesn’t give a shit about Kamioka! She asks to come over to his house again, but he says he might “get the wrong idea” about her intentions.
Back in the library, Remi asks Kakeru what he’d do if the world was going to end tomorrow. Again, Kakeru cannot lie, and in any case doesn’t want to, as he says he’d tell Remi he liked her. Of course, by answering so truthfully (not to mention blushing like a beet) he makes it clear he does like her, giving her the opening to say she likes him, accompanying her confession with a beautiful smile.
In the present, Kakeru is loved and fawned over by girls and boys alike, and is the damn StuCo President besides. Remi loved him back when he wouldn’t get swept away by others, but she also loves him now, swiping a spider she’s not at all scared of (but he is) from her shoulder when asked.
III. Spicing Things Up
Hori and Miyamura may have slept together, but thankfully that isn’t the end-all, be-all of their relationship, only a key milestone on the long road ahead. While they know each other quite well by now, they’re also still learning. Miyamura uses the excuse of having some old polish lying around to paint her boyfriend’s toenails, a less violent way of marking her man than neck bites!
Through most of their time together, Hori has done most of the “messing around”, so while she’s painting his toes, Miyamura decides to get playful and put his foot on her head, as if stepping on her would make him “level up”. He immediately prostrates himself in apology, but Hori isn’t mad, just confused.
After all, the same Miyamura who rages at Sawada and beats up Shindou is always so calm and well-mannered around her, making her wonder sometimes if he’s “faking it” for her. He asked if he’d rather treat her like he does them, yelling at and hitting them, and in a purely rhetorical sense, Hori imagines it and is kinda turned on, simply because it’s so unlike how Miyamura really treats her.
The next day at school Hori basically has Miyamura act like the wild delinquent that pops out when Sawada Shindo are around, which includes speaking like one—which thoroughly spooks Tooru and Kakeru. When he drops the act and starts to cry, they immediately know: he’s indulging Hori’s whims.
When the couple find themselves in an empty classroom waiting for the next period, Miyamura realizes it might just be the time to bust out “Meanyamura” on Hori. As he yells at her, grabs her collar, and pushes her against the wall, two underclassmen pop into the room, and one look and “Huuuh?” from him send them running away screaming. How does Hori feel about all this? She’s entertained and turned on.
This segment walks a fine line between actual relationship abuse and the mere trappings as a means of spicing things up. Hori loves the kind and gentle Miyamura, but because he’s someone she loves, she loves all sides of him, including the theoretical or fanciful ones. Miyamura, in turn, goes along with her because he loves the big ol’ weirdo who gets a kick out of it.
IV. Love Needs No Stinkin’ Glasses
Another key milestone for lovers is a desire to share and spread that love, doing what they can when they can to help their lovelorn friends (if any). Yuki is asked out by some random guy in Class 6, but keeps quiet about it for four days until Hori and Miyamura both get involved. Knowing how Yuki has a tendency to let things she wants pass her by, Miyamura gets the ball rolling by having Tooru agree to be Yuki’s fake boyfriend.
Tooru is all for this, and even takes Yuki’s hand in a totally platonic way he’s always been with her, unable to see the signs that she likes him. Tooru is ready to help Yuki turn a guy down…up to the point he gets a look at the guy. Horimiya’s bishounen game continues to be solid, as the lad in question—one Yanagi Akane (even his name is cool!)—is so ridiculously gorgeous Hori says even her boy can’t compare!
Tooru is so intimidated by Yanagi’s beauty he utterly fails in his role of possessive boyfriend, but Yanagi senses he’s Yuki’s boyfriend anyway. Could it be he can sense their history, and even Yuki’s unspoken feelings for Tooru? But mostly, Tooru wonders why the heck she’s turning this guy down…if he asked him out he’d say “yes” in a heartbeat—after it stopped skipping, presumably!
While Yuki says Yanagi is “kind of too hot, you know”, the main issue is she just doesn’t know the guy, or why he’d be into someone he didn’t know. Yuki learns from Remi (in a welcome role as Hot Guy Knower) that in addition to being super-hot, he’s also “hilarious”, as evidenced when Yanagi repeatedly bumps into a wall. Turns out the kid is virtually blind without glasses he seems to have misplaced.
Yuki waits for Yanagi at the gate after school to tell him she believes he might’ve had the wrong girl, due to his poor eyesight. Maybe the one he wanted to ask out was Hori, whom she declares to be “much taller and prettier”. C’mon, Yuki. Yanagi says no, he asked the right girl out; he knows what she looks like, and surprisingly for a guy at this school, he doesn’t know Hori at all.
Hori, Miyamura, and Tooru eventually arrive at the gate, resulting in a bit where Yanagi can’t tell Miyamura from Hori or vice versa, even at close range. The others admit this is hilarious, as Remi promised, but it seems Yuki has a choice to make. She can dismiss Yanagi’s confession out of hand and remain in an unpleasant love triangle with Tooru and Sakura. Orrr she could go on a date with the one guy at school who knows her but not Hori, learn more about him, and see how it goes. Like if Tooru were asked out by Yanagi, the choice is clear!