Lord El-Melloi II Case Files – 02 – Nothing is Eternal

One of Lord El-Melloi II’s basic lessons in his class is “nothing is eternal; everything changes,” and he should know, having once been the master of a heroic spirit of whose vast empire nearly nothing remains. And it is a former student, Mary Lil Fargo (subfamily of the Aminuspheres) who summons him to her mansion, which is the site of her father Ernest’s murder and dismemberment.

The seven parts of the body that were separated and arranged throughout the house indicate the same kind of planetary magic the Fargo family specializes in, but the arrangement is all wrong. Of the four people in the mansion when Ernest died, all have a motive to kill him, be it revenge for abuse (Claire the maid), jealousy over his research (Fernando Li), money to pay debts (his nephew Alec), and of course, his heir, Mary herself.

While this seems at first like a classic whodunit with El-Melloi picking the least likely suspect as the culprit, the murder mystery takes an entirely different and unexpected turn: no one murdered Ernest; he murdered and dismembered himself, all in the service of setting up an experimental spell that would grant him immortality.

El-Melloi confirms this when a hidden section of the rotunda’s floor reveals the part of a human associated with the planet Earth: the soul, not of the body. Once revealed, it contacts the other seven parts and reconstructs Ernest, but it is far from perfect, being his first and only attempt: he’s a grotesque monster, seeking Mary’s life force to complete his immortality.

El-Melloi doesn’t do anything to protect Mary, but he doesn’t have to: his apprentice Gray is on the job. After an incantation, her lantern-dwelling sidekick Add transforms into a mighty scythe, and its power blows her up to then ever-present hood off her head, revealing she bears an uncanny resemblance to Saber, AKA Artoria Pendragon.

While the reasons for this have yet to be revealed, knowing a little more about Gray certainly makes things more interesting. It also explains why she’s such a skilled fighter, such that El-Melloi only needs to step back with Mary and let her do her thing.

Once she dispatches the demented undead Ernest (creepily reciting words that rhyme with “Gray” in the process), she smiles in self-satisfaction before realizing her hood is down, and promptly pulls it back up. El-Melloi—Waver—apparently can’t look at a face that brings up such terrible memories of the Holy Grail War.

Before parting, El-Melloi deduces that Mary is a talented enough mage to know what her father was up to…and that it wouldn’t work and result in his death. El-Melloi won’t be able to prove it, but still wants to know why she did nothing to stop him.

Mary’s answer is rooted in the lessons she learned from El-Melloi himself: nothing is eternal. Letting her father go through with a doomed, incomplete immortality experiment was her way of relaying that lesson to him. Mages shouldn’t seek immortality, except in the indirect way they pass on their knowledge to the next generation.

If Ernest had succeeded, he’d have rendered that generation—made Mary, and her future and that of her children—redundant. Not only that, if I’m interpreting Mary holding hands with Claire at the end, letting Ernest essentially kill himself freed the maid from his abuse.

As first cases go (not counting episode 00) this wasn’t too bad at all; it introduced El-Melloi’s investigative process, showed off his knowledge of magecraft and deductive facilities, had an interesting twist, and of course, revealed Gray’s “Silver Saber” mode. A good week’s work. On to the next case!

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Boogiepop wa Warawanai – 18 (Fin) – No Time To Worry About Getting Lonely

Just when Habara is about to open the Moon Temple, he’s stopped—by the real King of Distortion, in the flesh, inhabiting the body of Tanaka Shirou, who was beside him all along. The King “collaborated” with the late Teratsuki for the purposes of a grand experiment in healing the distortion in peoples’ hearts, by first drawing it out and giving it form.

In Kei’s case, the distortion is Saotome Masami, but it’s her unrequited feelings for Takeda Keiji that caused the distortion. To be more precise, it was the embarrassment from having those feelings, then creating a personality that would uphold the fiction that it didn’t matter, when all that did was bottle up her pain and facilitate the distortion.

But Kei isn’t embarrassed by her feelings anymore, and she’s done running and hiding from them. She is able to walk away from the King, who applauds her effort, and she ends up with Shirou—and Boogiepop—in the control room.

There, Boogiepop deduces that the King of Distortion has been imprecise with his abilities (see: Zooragi) because he was only recently “born” when Shirou came to the Moon Temple that morning. He was born from Shirou’s guilt over not knowing what the late Kamikishirou Naoko, whom he used to date (and who died in the Manticore incident).

Kei can attest to Shirou’s guilt and pain, but not just for not knowing what Naoko thought. Boogiepop antagonizes the King into transporting the three of them into a suspended state several hundred feet above the city, warning him that, like other possibilities that took form in the human world, if he becomes a threat she’ll deal with it.

Kei, ever the disciplinary committee president (AKA “Natural Police“) plays peacemaker, and Boogiepop follows her lead. They don’t want to fight him; they still aren’t even sure he is a threat, just a possible one. But Kei manages to “free” Shirou from the King by getting to the root of his guilt: it’s less about knowing Naoko’s heart and more about his own.

The truth is, Shirou didn’t know how he felt about Naoko, even in the end. She then tells him what she thinks Naoko would say if she were there: “Before you start worrying about other people, you need to take care of yourself!” The King suddenly plummets to the ground, and suddenly Kei is back in the control room with the code to unlock the Temple.

People start waking up and exiting the Temple, all of them with some kind of great weight they once bore having been lifted. It could be said that even though it was cut short sooner than originally desired, the King of Distortion’s experiment was a success. Sakiko bids goodbye to Boogiepop, asking what they’d do if she became an “enemy” (Boogie wouldn’t hold back, natch).

While Keiji is scouring the Temple looking for Touka, he runs into Kei, who tells him she followed someone she was worried about, but that person wasn’t Keiji. With her distortion healed, she can smile and shake hands and remain friends with Keiji without any trouble.

Keiji and Touka eventually reunite, and Touka falls asleep on Keiji’s shoulder as they take the train home. In a dream, or something else, back on that ruined earth of the distant future, Keiji climbs up a hill to meet Boogiepop, who asks “how did you know it was me?”, to which he replies that he wouldn’t mistake “a friend’s face.” Like the King with Shirou, Touka is Boogie’s vessel in the human world, and Keiji is dating Touka. That’s never not going to be an interesting experience.

And that’s all for Boogiepop wa Warawanai, a bizarre, ambitious, and intriguing show that asked big questions and wasn’t afraid to philosophize at great length in between spurts of action. It was a pleasantly offbeat show in the same vein as Sakurada Reset, Subete ga F ni Naru,  or ACCA, other shows that are comfortable and confident spinning dense tapestries of their own quirky reality.

Mahoutsukai no Yome – 08

When Chise goes down, Ulysse fears the worst as he recalls the fate of his sister Isabelle, chased into a street by bullies and killed in a car accident. Isabelle never woke up, but Chise does, could see his thoughts, and tells him she’s okay.

Meanwhile, an enraged Elias in his true(r) form tears the chimera of the ageless sorcerer (whom Elia later calls Cartaphilus) to pieces, while Renfred shoots him in the head, giving everyone a bit of time to rest and Elias to return to a less terrifying (and more importantly, shorter) form.

Cartaphilus heals quickly, however, and summons another chimera: this one with the body of a giant spider and the head of none other than Isabelle, to capture Ulysse.

Chise isn’t having it, using her masses of magical power to summon a swarm of tarantula wasps from the ether; Elias warns her not to mess with the laws of nature in such a way, and manages to hold her back, but she’s super cheesed-off.

A blue flame fairy spirits them away from Carty and the chimera to a safe place, and lends Chise a lump of his coal to calm her racing blood.

When Carty appears once more with his Isabella-headed chimera, Chise forms a pact with Ulysse in a stirring ritual to make him her familiar, whom she renames Ruth. Their hearts, minds, and lives now bound together, Ruth attacks the chimera without reservation, knowing the Isabelle he knew and loved isn’t there and won’t be coming back.

Alice shoots off Cartaphilus’s arm, and with Chise and Ruth now in a familiar pact, decides they’re no longer worth his time, and he apparates away. Being an undying force of nature more than a human or beast, may well return if and when his interest is re-sparked.

But for now the threat has passed, and Elias bids that he, Chise, and Ruth all return home, where Chise will be healed, scolded, and told more about everything that went down, as well as the ins and outs of having a familiar.

Mahoutsukai no Yome – 07

This week the sorcerer Renfred and his apprentice are cast in a slightly more sympathetic light, as they are operating under the command of the same ageless sorcerer who led Matthew to murder cats in an attempt to save Mina. Renfred puts keeping Alice safe over resisting the guy, and that seems like a good idea…provided keeping Alice safe is possible.

Meanwhile in the countryside, Chise continues to learn magic from Elias, and even helps out with potions and remedies…though her nightmare ward is brewed with too much magic, making it a sleeping agent. Elias provides Chise with a ring that will absorb some of her deep stores of magic, easing the strain on her body as long as she can remain calm.

Of course, Chise almost constantly finds herself in situations in which it is very difficult to stay calm: news of a “grim” or black dog on church grounds; a corpse that looks decidedly like it was mauled by said dog, and in the cemetery, a creepy multi-legged monster with a face like a fresh-shaven Guy Fawkes mask. She is saved by the black dog, who assumes a human form.

When the man transforms back into a dog and passes out, Chise heals and stays with him. When Alice shows up and demands Chise surrender the dog, Chise uses her failed nightmare ward to knock her out then tie her up.

When Alice comes to, she tells Chise she needs the black dog as “material” for making a chimera, citing these as the “weird brat” sorcerer’s orders. Elias emerges from Chise’s shadow, having gotten the gist of Renfred’s dilemma (along with the reason he lost an arm).

But just then, out of the blue, the weird brat shows up, and attempts to kill Alice. Chise shoves her out of the way and gets impaled by what looks like a spiked vine or giant mantis leg. In either case, it looks like the kind of wound that would be mortal if the person being impaled wasn’t the title of the show.

So yeah, Chise isn’t going to die anytime soon, but she’s certainly in bad shape, and the sight of her getting wounded sends Elias into a rage unlike any we’ve ever seen from him, perhaps revealing a form more indicative of who—or rather what—he truly is, which most certainly isn’t human.

Mahoutsukai no Yome – 06

After Chise succeeds in cleansing the corruption, Renfred withdraws. Chise asks Elias how long she has; Elias states three years if nothing changes, but he doesn’t expect nothing to change, and didn’t tell her because her dying so soon isn’t “part of his plans.”

Having so thoroughly exerted herself magically again, Chise passes out, and doesn’t wake up even two weeks later. Elias stashes her in the middle of a forest where her magic can regenerate faster, and Titania, Queen of the Faeries, Titania, emerges from the woods.

Titania is best described as having weird boobs that are drawn one way in one shot and another way in another; they seem to be contained by her bodice one moment, but are spilling out another. It’s a bit distracting, frankly. She also has a very irritating husband in the Faerie King Oberon.

Annoying though he may be, Oberon, along with his wife, seem to approve of Elias’ new human hatchling/mate, and Oberon restores all of Chise’s magic, allowing her to finally awaken.

Having restored Chise and heard that she’s fine with Elias, Oberon and Titania take their leave, inviting Elias and Chise to visit them for a banquet in their realm; an offer their Spriggan guard warns them not to redeem, nor does Elias intend to. He already had to stop faeries from luring Chise into their realm, after all.

After saying goodbye to Simon (who was banished from the encounter by the faeries and made to roam the forest until their business was concluded), Chise tells Elias how she wishes he bought her ten years ago, when Simon first started observing him.

Elias assures her they’ll be together more than ten years, and that his “experiment” to lengthen her lifespan will not fail; together, they’ll make it work. What role Christmas pudding plays in that venture, I don’t know. All I know is, while it had a few interesting moments, this episode felt a bit thin!

Sagrada Reset – 18

Now that Kei knows that Urachi Masamune is trying to eliminate abilities from Sakurada, he tries to determine what Urachi’s next move will be…and that inevitably leads to Ukawa Sasane, quietly the most powerful—and thus most potentially dangerous—of all the town’s ability users.

Urachi indeed pursues Ukawa, but not directly. He sends Tsushima, a non-user, to convince her to join the cause, siting the potential danger of ability users unconsciously and spontaneously activating their powers.

As Kei enlists the help of Murase and Nonoo to locate Ukawa, Haruki, whom he doesn’t enlist, just happens to visit the cat shrine, just for the heck of it.

Haruki expresses how she feels and how she’s worried her recent increased “selfishness” will annoy Kei. Nonoo doesn’t think it will, nor does she subscribe to Haruki’s notions of “being good enough.”

Haruki already has become more than Kei could ever have hoped for. The emotions she now feels are still new, but fiercely felt; a warm fire now burns within her cool, calm exterior. If she were to kiss Kei now, as opposed to the first time, I don’t doubt she’d actually feel something…feel quite a bit, for that matter.

As for Kei’s attempt to get to Ukawa before the Bureau, it fails. Ukawa unleashes her ability, and the rainy clouds part. Kei’s entreaties to Tsushima, about why abilities are the one problem out of all of the problems in the world, that must be dealt with, are largely brushed aside.

Tsushima urges Kei to embrace becoming a normal high school student, which also means being a normal boyfriend, and eventually a normal salaryman and husband and father. And as I’ve mentioned in earlier reviews…would that really be the worst thing? Kei and Haruki are, as their advisor says, burdened with too many unnecessary things.

Those things are very much putting a lot of strain on someone, trying to be a hero, but sacrificing his own life and happiness in the process. Tsushima thinks that’s wrong, and it’s why he convinced Ukawa to use her ability, thus compelling the Bureau to eliminate abilities.

But this episode presents a new and potentially terrifying prospect: Asai Kei can’t ever be normal. Urachi and the Bureau will eliminate abilities by eliminating memories of them in every man, woman, and child in Sakurada. But Kei’s memories won’t be affected.

Kei alone will remember the forty years of time Sakurada was a town of ability users. He is a loose end, and the way he sees it, killing him is the only way to eliminate his memories. Will Urachi stoop that low? Can he really call the town he’s trying to bring about “sacred” after that?

I’m gonna say no. I’m also gonna say…Poor Kei and Haruki! These kids can’t catch a damn break.

Sagrada Reset – 17

Another week, another dense, intricate Sakurada Reset. Let’s wade in, shall we? First of all, Souma’s second voice message to Kei leads to another incident involving abilities – specifically, an entire supermarket breaks out in laughter, including Kei and Haruki, which is actually pretty momentous considering how subtly the two usually express emotion.

That night, Hitsuchi calls just when Kei is about to call him, asking him for a head shot of Souma Sumire. He also tells Kei about about the Bureau’s current fear of every ability user in Sakurada using their abilities simultaneously.

Kei then remembers what he read in Manuscript 407, which is about the events of 40 years ago when the Bureau was first founded by the only three ability users who were aware of their abilities. Two were a married couple; the husband could “take something” from the entire world at once, and the wife could “retain” something. The third would later be known as the Nameless Witch.

Because of the husband, none of the people in Sakurada know of their abilities, but when he dies, the “spell will be broken”, and there will be chaos. So the Witch proposes they work together to expand the boundary of the wife’s ability (which negates memory loss the husband is causing worldwide), so that when the husband does die, people will know about abilities and they’ll be in a position to keep them under control; thus the Bureau was born.

Back in the present, Hitsuchi eventually sends Kei info on the ability users involved in the last two incidents, then calls Kei to report that after seeing Souma’s photo, he remembered certain things about two years ago. before Souma died, she went to Hitsuchi, who she used to borrow the ability of Tomoki to create voice messages without Tomoki remembering what he did. The messages, then, are from the Souma of the past, before she died.

Traveling with Sakuin, Souma engages with the human lie detector in non-superficial conversation, asking her opinion on the Bureau. Sakuin believes the Bureau’s foundation has started to crumble, even going so far as to call her boss Urachi a “monster” that nothing can be done about. Urachi’s plan is to eliminate information on abilities from the town, which would, after all turn Souma back into a “normal student,” which is her intent.

Despite knowing Urachi’s methods may not be the most moral, Sakuin is of the mind that abilities are “unnecessary,” but as she lacks the means to remove them from the town, she leaves it in Urachi’s hands. As for Kei, all the remembering of information—including the realizaiton Souma may have died for him—has led to him having a rough time; something Haruki can sense when he visits her house.

Why does he visit her house? No, not for a booty call…Souma’s third voice message instructs him to deliver a copy of his favorite book to Haruki. We don’t learn what that book is, nor does Haruki (he left it in her mailbox to look at later), but when Kei opens up about his problems to her, Haruki is heartened. She suggests he rests, but there’s more he needs to do, and Haruki isn’t about to stop him that.

That ‘something more to do’ apparently involves returning to Haruki’s dreamworld, where he finds both Michiru and Chiruchiru “locked” by Urachi’s underling. According to a blue bird Chiruchiru created to tell Kei what happened, the Bureau entered the dream world and locked Michiru, Chiruchiru, and the world’s Souma.

The bird implores Kei to help Michiru escape the lock, and also gives him the name of his “nemesis”, which he hadn’t known was Urachi until just then. It’s a name he knows, because two of the three founders, the husband and wife, had the same name, making Masamune their son.

After his parents basically kicked the abilities can down the road, Masamune is looking for a permanent fix, and seems to be getting closer. It remains to be seen if he’ll succeed, or what succeeding will mean for Kei, Haruki, Souma, and everyone else in Sakurada.

Sagrada Reset – 16

Urachi has a plan. His plan is to wipe out all of the abilities of Sakurada and start everything anew as if the last forty years of people with abilities never happened. In effect, it’s a plan to “fix” something that is not in its natural state. Sakurada should be a normal town, and yet it isn’t, and hasn’t been for four decades. He merely plans to fix that.

Considering it’s the job of our protagonists, or ‘heroes’, Kei and Haruki, to use their abilities to help people and improve lives, Urachi’s plan would seem to be at odds with their reason for being…and yet I can’t regard Urachi as a ‘villain’, no matter how much he may smirk (in his sleep or otherwise).

For if there were no abilities, Kei and Haruki would no longer have the responsibilities that come with them; they could merely carry on as normal humans, as a normal couple, in normal love with each other. What’s so wrong with that?

Nothing, IMO, which is why I won’t be “held hostage” emotionally by this latest four-episode arc, in which Souma believes “everything will end in a few more days.” I’m game for any outcome. I’m along for the ride.

Souma reaches out to Urachi, agreeing to identify herself (though only as the “second witch”) if he halted investigations into her (and Kei) for one month; he agrees. Meanwhile, Kei takes stock of his relationship with Haruki, and concludes that while she has progressed a great deal despite all the resets (they save all the time, after all), he has “stopped”, keeping what they have as a collaboration of ability users.

He is his own worst enemy, so during the cultural festival at school (in which he and Haruki will play lovers on stage despite not really being lovers), he makes a concerted effort to get moving again; to progress, as Haruki has progressed. Meeting her on the rooftop, Haruki is the first to speak, apologizing for the reality that she has come to hate Souma as a rival for his attention, both ability-wise and romantically.

But Kei makes it clear to her that he’d want to be with her even if she didn’t have her ability. I think that’s huge, becaue all signs seem to be pointing to that anyway. It’s not Souma he wants to be with; it’s Haruki. Upon hearing these words, out loud, and not having to worry or create scenarios in her head, Haruki blushes and beams…while Souma stews in a dark bedroom, accusing Haruki of being in a place where she “can’t get hurt” while she, Souma, feels all of that hurt. She’s tired.

After Kei and Haruki save (not wanting to risk resetting their time on the roof), Kei receives a voice message from Souma that Tomoki says he didn’t send, suggesting someone else out there can send such messages. She tells Kei to go to a very specific intersection with Haruki and collect trash.

Souma then meets with Urachi in person, and he brings along not just his lie detecting underling, but another who can “lock things” in time, whether to give them a private instance in which to talk over things, or to prevent his notes from being reset. Urachi’s notes are key, because his ability is “memory cancellation,” making it hard for a precog like Souma to use her ability on him specifically.

However, Urachi and Souma seem to be in agreement that abilities should disappear from the town; and she says she’ll do nothing to impede him. When his lie detector confirms Souma is speaking the truth, he’s satisfied his plan will succeed. Will it actually succeed? Well, we’ll just have to keep watching, won’t we!

The next morning Kei and Haruki do clean up duty and…a very odd sequence of events occurs: A girl trips on the sidewalk, a car backs into another car, causing minor damage and minor injuries to one man…but neither Kei nor Haruki can turn their heads to see the actual accident, almost as if they’re being prevented from doing so by some unknown ability.

Souma is as close to Urachi and his associates as she can be, and his lie detector is always confirming she’s being truthful…but that’s only because Souma didn’t tell Kei anything face-to-face; she relied on a voice messaging ability. She uses it again to instruct Kei to go shopping with Haruki at a certain mall, at a certain time. It’s almost as if she’s lulled Urachi into a sense of supreme confidence…but she’s clearly up to something she’s not telling him.

 

Sagrada Reset – 15

Katagiri Honoka has gotten to a state where she’ll soon stop using her ability, essentially rejecting her “Fake Eden”, an action akin to suicide. The Stray Cat House Man is awake, but insists to Nonoo that she carry on and not worry about him; he doesn’t mind being alone.

Kei calls for a Reset, but before doing so, asks Haruki if there’s anything of note she told Chiruchiru. She lies to his face that there’s nothing, despite the fact the talk with the fake god led to the discovery of her true desire: to “grow up” and become the person with the “greatest worth” to him.

Kei knows she’s hiding something, but lets it go, and the Reset happens. Kei and the others go back in, and Kei tells the Michiru who greets him he wants to help her find her blue bird—her real blue bird.

With the help of Souma, Kei gets a meeting with Chiruchiru and informs him of Katagiri’s impending rejection of the world and the steps that need to be taken to save her—part of their deal where he helps with Michiru’s problem and Chiruchiru will lend him a hand with his “Souma Exit Project” research.

Meanwhile, Nonoo meets back with the STHM and they talk again of friendship, specifically the role of friends: to rid one another of their loneliness. As she asks him for a favor, Michiru, who ran away from Kei, is chased by the monster, only to be rescued in heroic fashion by…Kei.

It’s all part of Kei’s plan to show Michiru, or rather Katagiri Honoka, that the “One Hand Eden” will never be as stable as a “Two Hand” one, of the kind that can only be made and shared between friends, not on one’s own.

While Kei carries out his plan, Haruki has nothing to do so she confronts Souma on a rooftop, asking her her objective (a secret), whether her actions will sadden Kei (maybe, but so be it), and whether she’s Kei’s enemy (she’s not). Okay then, glad we had that little chat! I tell ya, this is one bizarre love triangle…

Kei bows out and is replaced by SHCM, who tells Michiru he was sent to help his friend’s friend who was crying. He talks of the difference between gods (smile for others) and demons (for themselves), and that he considers her the god of this world.

As such, he asks the god to do something about the monster, which destroyed his house…and she does. Katagiri has her real blue bird back and now accepts who she is. The monster is gone, SHCM’s house is back. It would seem Kei has fulfilled his end of the bargain, which means now Chiruchiru will help him with his Souma experiment.

Only we don’t see Chiruchiru again, and Souma herself doesn’t actually want to leave Sakurada, ever. Furthermore, as if twisting a knife, Souma casually points out what Kei erased in the last reset: a Haruki on the cusp of escaping her own One Hand Eden and becoming the “normal girl he had wanted two years ago”.


Ouch. Of course, that’s not to say she’ll never reach that point again; just that it took a unique individual like Chiruchiru to bring it out there and then. And the fact remains, no one is affected more by a reset than Haruki herself.

By resetting again and again, one could say she is going two steps back after one step forward; forever the ideal, perfectly “pure good” human that would otherwise be impossible. And Kei is the one directing those resets.

That final jab by Souma—both its implications for Haruki’s growth and its role in bringing into focus what kind of character Souma has become (or always was)—was compelling, but I’m not sure four episodes of dream world lead-up were quite worth it.

Rather than crescendo, this arc was pretty steady and level throughout before falling off, groaning under the weight all of its plot machinations. I’ll also admit to having not gotten much out of the B-plot involving Nonoo and the SCHM.

Sagrada Reset – 14

As was fairly evident the first time we entered Michiru’s Dream World, said world is a kind of prison (or birdcage) isolating her from the outside world and from any connections to anyone.

Ukawa, who can alter anything that’s not living, decides this isn’t any kind of world to live in, and so, by placing a ring on her finger and activating her ability, erases all of the buildings in the world in an effort to “rectify” it.

In doing so, Ukawa doesn’t really destroy the dream world but only the buildings, but hopes that the shock will drive Michiru to remember that she’s Katagiri Honoka.

As Urachi uses abilities like Ukawa’s and Kagaya’s to further his goals, he tells his underling Sakuin that it’s good that she hates her ability, because all ability users should hate their own abilities. It makes me wonder what, if anything, is Urachi’s ability…beyond being an ominous jerk.


But hey, at least he doesn’t follow through on his desire to “snuff out” a troublemaker like Kei…at least this week. Rather, he pretty much leaves Kei alone, and Kei capitalizes by figuring out that the inverted world they’ve been in is actually a world within the dream world, which isn’t inverted.

Approaching the wall of white wind with Haruki (who describes the building-less place they’re in as looking “like the end of the world”), Kei appeals to Chiruchiru for an audience, and a hole in the wall appears.

Kei and Haruki go through, and after jumping on a bus with a destination marked “Chiruchiru” find themselves at school… another Monogatari quality to go with all the lengthy dialogue.

In a dark classroom, Chiruchiru, fake god and creation of Michiru, isolates Kei and Haruki, and tries to play some mind games with both, perhaps to test their mettle. He hits a lot of nails on the head with Haruki in particular, even taking her form, resulting in Haruki debating with Haruki the merits of—and threats to—her special relationship with Kei.

While it’s clear she just plain likes the guy, it’s never been as explicitly stated what her situation is than by Chiruchiru: “strongly tied down by one boy”; a “facade of not wanting anything”; “two contradicting selves” (hence the two Harukis); the thought of Souma Sumire dominating Kei’s attentions; “the possibility that [she] personally might not be making Kei’s happiness [her] top priority”; hating “the geeling of wanting to keep him all to [her]self”…

“Chiruchiru Haruki” tries to make the argument that Haruki, like Katagiri Honoka, created an “easygoing paradise”—the titular “one-handed Eden”—but Haruki is never all that fazed by her pseudo-self-grilling, adamantly standing by her man; abiding by his decision, and claiming not to let jealousy or some perceived competition with Souma play a factor (Souma is notably absent all episode).

As for Kei, he turns his one-on-one with Chiruchiru into a negotiation; the “god” doesn’t take his form. Chiruchiru admits “the true objective [he] was meant to fulfill” is the only one he never can…but Kei believes he may be able to. Michiru wants to connect with people, but having created a god—and a monster, something the god must protect her from—has had the opposite effect.

So Kei tells Chiruchiru he’ll come up with a way to solve Michiru’s problem and erase her lonliness, if Chiruchiru helps him with Souma’s case, using the dream world as his testbed.

The dream world isn’t just Katagiri Honoka’s birdcage…it’s Katagiri Honoka. The buildings, the white wall, Chiruchiru, even the monster, it’s all her, because it’s all her dream. The monster represents the part of her that is sad, alone, and lashing out at world she’s made, which is a poor substitute for the real thing at the moment.

We’ll see what Kei manages to come up with. Whatever it is, Haruki seems sure to abide by it, while Urachi will continue to sneer at Kei and possibly even try to undermine his efforts. Just one episode left in this four-episode arc, which is already Sagrada’s most dense, ambitious, introspective, and intriguing.

Sagrada Reset – 13

After seeing the monster, and being told the monster is a monster by Dream Haruki, Kei wakes up…and that’s it for the monster this week. After a new, jauntier OP with a latin-inspired beat (replacing the old whispery one), the story jumps from place to place and opaque, metaphor-laded conversation to conversation seemingly involving everything and anything but the monster.

Kei talks with the revived Sumire about how he’s happy in the current situation (what with her being alive), but due mostly to his retained memories of the process by which she returned, it still doesn’t feel real to him, and he doesn’t see how he can stay living in that kind of world forever. Sumire reads it as a kind of rejection.

There’s also precious little Michiru in this episode, as Sumire visits her in the dream world and talks about things she’s not that interested in, and which Chiruchiru (in blue bird form) warns Sumire not to bring up around her. Chiru wants to protect Michiru by not upsetting her with things like the fact there’s a way to save her from her present state.

Rather than Michiru or the monster, Kei, Haruki, and Nonoo investigate the “Stray Cat House Man” (SCHM) who, the way he’s described, is nothing less than one of the most powerful beings in the world, as his ability is to write “The Script”, which governs all people, things and events in the world, even resets and predictions of the future.

He’s even ahead of the Witch or Sumire in that their ability is governed by his. There’s also the fact he’s more of a humble vessel for the ability than an arrogant braggart; after all, the pen in his hand moves on its own, filling books. His physical body has deteriorated to the point he can no longer write, so starting with Book No. 852, he’s worked in the dream world exclusively.

Nonoo remembers him (and he her) from their interactions about five years ago, when she was the only visitor to his house, and whom he tried in his own small way to guide her on how to exist, live, and be happy in the world. In the present she tells him he “saved” her, because now she has people like Kei and Haruki she can call friends.

Kei goes through the manuscripts for The Script, but can find nothing before No. 852, while Sumire instructed him to find and carefully read No. 407. That, and all manuscripts before SCHM entered the dream world, are in the possession of the Bureau, members of which arrive to basically cordially kick Kei out of the SCHM’s house.

Once Kei leaves, the leader of the Bureau members there isn’t coy about his true feelings about Kei: he thinks his ability is a nuisance, especially when used in concert with Haruki or others, and he’s generally an eyesore he’d like to “snuff out” if necessary. Who knows what that entails (he joked about stabbing him in the heart, but was that just a joke), but it’s clear this cour has a more reliable villain than Oka Eri.

Like many earlier episodes of the first cour and a few there in the middle, I only really understood a little more than half of everything that was said and done, but as I refuse to let my enjoyment of this deeply intriguing and offbeat show be governed by my level of understanding, that’s not really of great concern.

Still, moments like Kei calmly pointing out to Haruki and Nonoo that they should pay more attention to the fact they’re wearing skirts while crawling through a drain to get into the SCHM’s house, or Sumire’s apparent displeasure with how things are with Kei (hinted at in the new ED as well), are easier to understand and appreciated.

With all the different players and agendas in play, combined with the new dream world setting, Sagrada Reset is poised to have an even more ambitious, and possibly more baffling, second cour. I’ll be here to attempt to make some kind of sense of it.

Sagrada Reset – 12

Last week was seemingly an indication that Sagrada Reset was content with a quiet end to its first cour, as it has an entire second cour with which to work. It slowed things way down to allow us to spend some more quality, non-perilous time with Haruki—as well as inside her head.

There was no indication in the episode that “Something Big” was looming in the shadows or lurking around the corner…that was just Mirai stalking Haruki. The question is, would the twelfth and final Spring episode of Reset maintain that casual tone, or would that Something Big turn up after all?

Ah…well…Something Big it is! Let’s get right to it, shall we?

The episode sure does, having more of a connection to the tenth than the eleventh with its Souma-heavy opening. Now that Kei has brought Souma back, he wants her to live a normal life as a normal girl…in the normal world. That is, he means to send her away from Sakurada. Only then, he believes, will her death disappear, both from the world and from her memories.

It is then Souma, not Haruki, who primarily drives Kei’s latest mission. That mission is a little nebulous at first, as we start off with that mission in progress. Sakuin has instructed Kei to investigate Katagiri Honoka, a girl who has been asleep for nine years, but whose ability has created a dream world in which she now resides.

Because it’s a dream world, and thus not “real”, Kei believes it’s the perfect “test facility” to experiment with his theory about sending Souma away. After all, there are no do-overs in the real world; in Katagiri’s world, he can simply wake up, Reset, and try something else the next time. And it just so happens Kei goes on a long date with Haruki on the day they reset.

Before starting off on this journey to the dream world, Kei receives an unexpected visitor, Nonoo, who was sent by Souma to make contact with…someone who may well be…another Souma. But before that, she, Kei and Haruki go to the hospital and fall asleep in a room adjacent to Katagiri’s. It’s notable that we never see her in the real world.

There’s a Wizard of Oz-like quality to the trio nodding off then awakening in another world…a world where left and right, east and west are reversed. Kei is actually the last to arrive, while Nonoo doesn’t appear to have come along for the ride. Along with Haruki, there’s a new person in the room: a girl who goes by Michiru, with a bluebird on her shoulder.

 

Ebulliently voiced by Uchida Maaya (this show has great casting), Michiru insists she’s Michiru and not Katagiri Honoka, and asks Kei and Haruki if there’s anything they wish they could have. She’ll contact “Chiruchiru” who will then grant that wish. It’s a case of Katagiri, a god of her own world, abdicated her power to a surrogate, so that she could feel the joy of having her dreams granted by a god.

The bureau doesn’t approve of the “fake” happiness such a “closed eden” provides, perhaps fearing its grip would cause people to lose their grip on reality. That certainly seems to be the case with Katagiri. After Kei and Haruki leave the hospital to explore this mirror image of the real world, they discover a wall of fog that surrounds this version of Sakurada, ostensibly preventing Kei from performing his experiment.

As for Souma, she shows up in the hospital to read Chiruchiru’s future, which looks the same as always. “Michiru” never changes (this is an Eden, after all). Chiruchiru voices his frustration with the apparent pointlessness of his efforts, but Souma tells him they’ll be rewarded—but it’s up to Kei, not her.

Kei and Haruki encounter Ukawa, sent by the bureau for an initial report, who states ominously that, depending on the circumstances, she’s supposed to “crush” the dream world. While having dinner with Haruki in a restaurant the reverse of the one in the real world (like everything else), Kei gets a call from Chiruchiru, warning them not to go out at night.

Since they’re already out, Chiruchiru teleports them to Kei’s bedroom. Kei manages to get him to answer two questions: the white wall is an “isolated birdcage” for the “blue bird”, and Michiru is definitely Katagiri Honoka, only she’s forgotten that fact.

With that, Kei and Haruki start yawning and rubbing their eyes, meaning it’s getting to be time to wake up in the real world. After Kei frets a bit over the proper sleeping arrangements (he offers Haruki the bed and takes the floor, but Haruki wants to be on the floor too), Haruki dozes off before him, just as she did in the real world.

But she’s not asleep long, as a tremendous racket emanates from outside. Kei watches with quiet awe as a colossal, grotesque, slimy monster emerges from the white wall and starts wreaking havoc in the town. A suddenly awake Haruki calls the monster a monster, which appears at night to “destroy the world”.

Reset’s second cour starts off an episode early, with style…and in Top Bizarro form. With an ability user apparently trapped in such a world, does it fall to Kei to free her and restore the memory of who she was, even if it means destroying the Eden she created? Is Chiruchiru the monster? How will this mission further his desire to “finish saving” Souma?

It seems we’ve got three more episodes of this arc to sort through it all. I don’t doubt things will get stranger before they get…less strange.

ReLIFE – 06

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With Hishiro and Kariu now friends, and Hishiro looking up her feelings on Google (then scoffing at the result that it’s “love”) I was looking forward to the show pivoting to focus on the third girl in Kaizaki’s circle: Onoya An. This episode certainly did that, but not at all the way I thought.

Things start innocently enough, with the possibility of Kaizaki’s friends visiting his bachelor pad becoming a very abrupt reality when Oga and An arrive for a study session. It’s great to watch him squirm as he hides any evidence of his true age, even as I knew in his haste he’d forget something.

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Two things he missed: his MD player and a calendar with work stuff. The first can be explained away by the simple fact he’s a fan of vintage electronics; the second he sidestepped by using the calendar to “kill a bug.”

The true test for Kaizaki comes when Oga is called away for work, leaving him and An all alone in his apartment (which Oga is too dense/pure to notice could be a problem). Yoake, who has Kaizaki’s phone mic tapped, does, and races to Kaizaki’s aid when he believes his cover is at risk.

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What ensues plays out like a high school version of a spy thriller, with An removing her childish braids and glasses, revealing she fell in love with Kaizaki at first sight back when she saw him working at the convenience store, and starts coming on to him, all while Yoake navigates the busy streets to race to Kaizaki’s place.

The entire premise of ReLIFE seems a little creepy at first, until a scene like this comes around and you realize there’s nothing to be concerned about, because Kaizaki is a good guy who knows his boundaries. Even if An thinks he’s 17 like her, and even if consensual sex with her is legal, he’s not going to do that, and not just because he doesn’t love her.

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At the same time, An’s long look at the MD, probing, knowing questions, and her little hair-and-glasses trick were all clues that she’s not 17 either, but rather another ReLIFE agent like Yoake—a far more reckless and cavalier agent than Yoake, to boot. But this was a legitimate test on how to deal with romantic advances from high school girls, and Kaizaki passed with flying colors.

I liked this reveal, a lot actually, because it was earned. It explains why An was so friendly and close to Kaizaki all this time without ever being the main focus. It explains her equally awful test scores. It eliminates the love triangle with Hishino for the duration of the experiment, while also opening the possibility of Kaizaki and An remaining friends when the experiment is over, since she won’t be losing her memories of him.

Even the show’s poster was a clue about An. And she wasn’t even entirely lying about “love at first sight” either. When she saw Kaizaki’s case file, she knew she had her ReLIFE subject. Only she couldn’t be his support because her training wasn’t quite complete, hence the transfer to Yoake.

While the cat is out of the bag about her identity, the other four members of Kaizaki’s circle are still in the dark, which should make for an interesting new dynamic; it also makes the episodes with An in them worth another watch.

At the same time, a great many cats remain securely in bags, like the details of how Kaizaki was found and selected, why An really isn’t his primary support, and who the heck Sample #001 was, and how and why he failed. Heck, An could be Sample #001, for all I know. And what do you know: the next episode looks to be a prequel of sorts, so those mysteries may not be mysteries for long.

One thing’s for sure: I’m barrelling through ReLIFE like there’s no tomorrow…but I can’t help it. Show’s too damn good!

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