Sword Art Online: Alicization – War of Underworld – 20 – Starburst Scream

Asuna gets to use her avatar template Stacia’s special move (always a great sound effect) to create an earthen staircase with which to convey Alice to the World’s End Altar. She and Alice are able to get away because Gabriel Miller has to get past Kirito first.

When asked who he is, Kirito momentarily blanks, but Eugeo reminds him: he’s Kirito the motherf***ing Swordsman. A duel filled with bombastic bright lights and colors ensues. Kirito loses his lower half but fights on. Gabe transforms into a neon angel/demon entity.

This showdown has been built up for years, so why did it feel somewhat …  underwhelming? It was okay—it wasn’t great—and it did kind of…go on. I can offer several reasons. First, we’re epic dueled out. Second, while featuring some impressive visuals this fight wasn’t as good as the one between Subtilizer and Bercouli. Visually things got a bit abstract, muddled, and even a little dull. Kirito’s edge—the love amassed from everyone’s hearts—was always going to beat Miller’s hate and greed.

Mostly the lavish duel just felt superfluous; ceremonial. A formality for Kirito to get through, perhaps so that the final final threat can come to light. At least the fight was generously punctuated by beautiful callbacks to the very beginning of Alicization and cameos from both friends and former foes. I also appreciated seeing everyone wake up in the normal world hoping they did enough, providing a neat contrast to the fantastical environs of Underworld.

I also liked how…ho-hum the Worlds’ End Altar looked. Rather than a towering baroque basilica, it’s a relatively modest shrine in a pleasant, tranquil garden. When Kirito reaches it, Alice has already logged out…or has she? Whatever happened to her, she’s no longer in the Underworld, nor are Suguha, Shino, and everyone else.

Kirito assumes he’s the only one who didn’t make it out before the acceleration factor grew too high for fluctlights to bear. He gets on his hands and knees and starts to weep, lamenting how he’s alone again and separated from those who love him. That is, until, quite curiously, Asuna appears, with a reassuring smile.

We know she’s still beside him in the STL room at Ocean Turtle, and so weren’t subject to the logout failsafes of the other players. But whether they’re stuck in there or there’s (more likely) hope for them to get out in one piece, it’s clear Asuna won’t let Kirito face the latest, and possibly final trial of Alicization alone.

Sword Art Online: Alicization – War of Underworld – 19 – Bros Before PoHs

Once Kirito is awake and functioning, he hasn’t time for breakfast or even to splash water on his face; he has to fight PoH immediately. Maybe he has a little rust to shake off, because he’s soon pinned down and even gets his throat nicked by PoH’s massive cleaver. That’s when his old friend Eugeo shows up in ethereal form to keep Kirito steady and tighten his grip.

Together, the two release Recollection in order to log out PoH’s entire red army without causing them any harm, then absorbs the amassed sacred resources to heal all of his friends and allies. In one last parting shot of Yuuki, she expresses relief Kirito is working to make the Underworld a beautiful, fun and joyous world like those of SAO and ALO were meant to be.

PoH is no longer able to summon more soldiers or restore his own vitality, so all Kirito has to do is give him his best shot, resulting in a very sick explosion complete with long booming bass. While he has a giant hole in his chest, PoH still vows to log right back in, or otherwise just find him and Asuna on the street and slit their throats.

In response to that, Kirito prevents him from ever logging out for a good long time by basically planting a new Gigas Cedar inside the hole in PoH’s body. The tree rapidly grows and merges with him until his face is embedded in the bark. Kirito muses that perhaps in a couple centuries there will be a village at that spot like Rulid, and two kids will try to chop him down.

I almost hoped he’d shout the one-liner HAPPY ARBOR DAY“, but that would have admittedly been pretty tacky. With PoH/Vassago taken care of (hopefully for good), everyone finally rushes in to celebrate Kirito’s return. There’s lots of tearful moments, but none more powerful than when Asuna finally embraces her love; the pure unbridled joy on her face is devastating in its effectiveness.

Okay…next crisis. When Miller’s tech tries to increase time acceleration past a certain level and hits a security lockout requiring a key, his colleague shoots the lever, which for all he knows could have killed their boss and everyone in the Underworld. Instead, it releases the acceleration limiter, which means in fifteen minutes time there will pass too quickly for human fluctlights to handle.

Considering four episodes still remain after this one, I could have done without a literal ticking clock here, especially when there’s no chance whatsover those fifteen minutes will occur in real time. There’s been so much twisting and turning of time in WoU already, it just feels excessive. Hopefully the wounded Higa can fix it before the time is up (with Kikuoka’s help).

Until then, the stakes and urgency of Kirito’s mission were just raised a hundredfold. It’s good then, that he has the ability to quickly fly (with Asuna in his arms) to Alice’s location, just as Miller is about to kill her two dragons, who ignored her orders to abandon her and go make babies.

Like Asuna, Klein, Ronie, and everyone else who is glad he’s awake again, Alice tears up when he sees Kirito back in action, just when she needed him most. Interestingly when he appears Asuna isn’t with him; I wonder if she’s hanging back in reserve or if Kirito has a plan. In any case, the stage is set for Gabe vs. Kirito. If past epic duels this season are any indication, it should be a sakuga smorgasbord.

Sword Art Online: Alicization – War of Underworld – 18 – Back in the Game

This week, we get into Kirito’s head as he gets up from the symbolic “desk at school” and starts off to his symbolic “home”, passing Alice and Eugeo without noticing them while in transit. Higa was successful in connecting him to his friends, and process of awakening has begun. He just needs a little more time.

While Asuna is certain she can no longer even stand, she’s helped up by the spirit of Kanno Yuuki, who gives her angel wings with which to take up the fight with PoH anew. The art style again shifts to Not Fuckin’ Around Mode, and Asuna proceeds to mop the floor with PoH. Unfortunately, he’s only stunned temporarily, as Sortiliena notices his weapon is absorbing sacred resources. Within moments he’s on his feet and turning the entire force of foreign players on the Japanese.

Meanwhile, in Kirito’s head, he’s forced to walk down memory lane, specifically all of the worst memories he’s had since entering SAO, including  the death of Sachi and the Moonlit Black Cats on the 27th floor, long, long ago, and the time he carved Nobuyuki Sugou up like a turkey. These memories disgust Kirito, and he’d rather tear his own heart out than keep watching and hearing them.

Kirito is momentarily snapped out of it by the appearance of Sinon, Suguha and Asuna, but it’s still not enough for him to forgive himself. Just as Higa is pondering what fourth person could be used to, a fourth connection is established not by a person but an object: the Blue Rose Sword. The remnants of Eugeo merge with Kirito’s own memories of him to create a spectral Eugeo who urges Kirito to wake up and keep fighting, for there are so many people waiting for him.

The first thing Kirito does when he wakes up is use Enhance Armament to freeze PoH and his forces in their tracks. When even this fails to restrain PoH and he rushes Asuna, Sortiliena, and Ronie, Kirito puts up a shield around them, then pushes PoH back, neutralizing him for the moment. From there, Kirito can finally get back to his feet. An elated Asuna simply says okaeri—welcome back—and Kirito replies tadaima…I’m back.

Sword Art Online: Alicization – 24 (Fin) – Bigger Fish to Fry

It’s all down to Kirito vs. Administrator now, and their climactic swordfight doesn’t disappoint. Despite having really long hair and only one arm, Administrator is no slouch in the swordsmanship department. She knows all the Aincrad-style moves Kirito showed Eugeo, plus a few that even Kirito doesn’t know about, and seems to revel in the opportunity to teach an insolent cur from the outside world an abject lesson in submitting to his betters.

Kirito looks like he’s just barely hanging on while Administrator is content to draw out his suffering, but Eugeo, barely hanging onto life, reaches out to Kirito, and they have a little tête-à-tête in which Kirito finally recalls the memories he lost of growing up in Rulid Village with Eugeo and Alice. Eugeo tanks Kirito for his friendship, brotherhood, and love these past few years, then bestows upon him the Blue Rose Sword, which becomes the Red Rose Sword in Kirito’s hand.

Now dual-wielding against a one-armed opponent, Kirito would seem to have the upper hand, but it ends up yet another draw, as in exchange for the increasingly crazed Administrator’s last remaining arm, Kirito loses his right one, while Admin reveals her hair is prehensile and can be used to restrain and strangle Kirito, which she does.

Administrator can’t get over how much insolence she has to contend with in this fight, but as Eugeo says, Kirito is going to keep standing up and dusting himself up as many times as it takes. He manages to cut through Admin’s hair, then delivers a strike to her core that does irreparable damage, forcing her to access a console and beam herself out of there.

Before she gets away, promising she’ll be seeing Kirito again in the real world, a naked, burning Chudelkin jumps onto her, seeking her loving embrace, resulting in a huge fiery explosion. Quite the ignominious end for the ruler of the Underworld…though it’s probably not a true end.

With Admin out of Kirito’s hair, he tries to tend to Eugeo, but it’s way too late for anything other than a tearful goodbye, with Eugeo relaying what he now understands about love being something you give, not something you seek. Both a younger Eugeo and a younger Alice appear in Kirito’s head to announce that while their paths may soon separate, their memories of one another will remain forever.

Just after Eugeo passes away, Kirito gets an “external observer call” from Rath: it’s Colonel Kikuoka and Higa. The control room is under assault, either from the military or some other power that wants their hands on the STL tech. They give Kirito instructions to deliver Alice to some place called the “World’s End Altar”, presumably to complete the process of bringing Kirito back to the real world with his brain in one piece. Asuna is also mentioned. But Kikuoka’s foes have other plans.

They seek to sever the main power line, which will cause a surge that could fry Kirito’s fluctlight, killing him before he can be safely extracted from the Underworld. The line is severed, the surge occurs, and Kirito experiences something akin to a lightning strike, inside of which a blurry image of Asuna from above, fitted out in her SAO regalia. Whether it’s Kirito’s memory or Asuna entering the “game” for the first time, I’ll have to wait until October to find out, when the Alicization saga continues with War of Underworld.

Sword Art Online: Alicization – 23 – No Puppet, You’re The Puppet

This is a thrilling powerhouse of an episode, but it starts out a little slow, with over seven minutes of this:

Admin: [Describes in detail horrible things she’s done]
Cardinal: How dare you!
Admin: [Chortles]

Mind you, there are far worse things than listening to Sakamoto Maaya describe her evil plan and chortle. She gives Admin an extra dimension of imperious ethereal swagger.

Once the two pontifexes are done talking, Cardinal decides the only thing she can do is surrender: offer her life—and the guarantee she won’t resist and take potentially half of Admin’s life—in exchange for the three “youngsters.”

Admin agrees, though doesn’t exactly hide the fact that she still plans to sacrifice fully half of Underworld’s humans (40,000 of them) to complete the final version of her sword golem with which she’ll defeat the enemies of the Dark Territory, as well as the real world.

Then she has fun taking several hundred dark lightning potshots at Cardinal. She’s been waiting 200 years to get rid of her, and is clearly savoring the moment. Cardinal warns the others not to interfere—they’re not powerful enough to make a difference anyway—and instead puts all her hope in Admin’s assurances they won’t be harmed.

Something awakens in Eugeo, and suddenly he realizes what he was always meant to do, now that he’s in the time and place to do it. He asks Cardinal to use her remaining power to transform him into a sword, just as Admin turned hundreds of humans into parts of the golem.

The process isn’t exactly quick, and Admin attempts to disrupt it, but Alice is able to block her attacks just long enough for the transformation to complete, and Eugeo becomes a self-moving sword.

The sword wastes no time destroying the sword golem by hitting its weak spot, blowing it to pieces in a tremendous explosion. But Admin is #NotImpressed, and relishes the opportunity to put this “brat” in his place with her superior weapon authority.

Ultimately, Eugeo simply doesn’t have enough to take a suddenly very serious Admin down, and while he does relieve her of her left arm, it comes at the cost of being split in two. The split sword revert back into human form, and Eugeo lies lifeless in a pool of blood.

Admin then describes Eugeo’s mistakes that led to his defeat, then turns to Kirito, expressing her hope they’ll meet again in the real world after she kills him here (she’s apparently unaware he’s only alive here; he’s still in a coma out there).

Having lost Cardinal and Eugeo in quick succession, Kirito is feeling defeated and unable to do anything, but like Yuuki and others in Kirito’s past, Alice steps between him and his death, willing to sacrifice herself so he can live on and complete the mission.

This time, Kirito steps back in front of his protector, parries Admin’s strike, and pushes her back. Alice, totally out of gas, passes out, leaving it a duel between the one-armed Admin and Kirito, for the very soul of the Underworld.

Admin would say he and Eugeo were only puppets for Cardinal, and Kirito continues to serve as a puppet for the good of the masses she sees only as resources, in reality Admin has herself long been a puppet of her own greed and lust for power.

Those traits define her and drive her totally, and they will destroy her, once they butt up against the amassed love and resolve of her foes. The hours of her reign appear to be numbered, but she’s not going down without (another) hell of a fight.

Sword Art Online: Alicization – 22 – Boy From The Other Side

Chudelkin and his fire demon don’t last long, thanks to Alice distracting the latter with her flowers while Kirito skewers the former—a sitting-duck—while also briefly donning his black suit from SAO. Administrator doesn’t lift a finger to help her loyal Senator. It was up to him to beat the rebels, and he failed. She has no further use for him.

Kirito’s momentary change of clothing proves something to Administrator she’d suspected something was up with him beyong his “unregistered unit” status. Now she knows, and he confirms, that he’s really a human “from the other side.”

When Alice gets to have her say, she ask her former Pontifex why she couldn’t trust the loyalty of her knights without tearing them away from their families and wiping their memories. But everything Administrator—what Quinella—has done thus far offers the only answer Alice needs, even if she doesn’t like it: Quinella doesn’t care about anyone but Quinella.

She doesn’t care about the freedom and happiness of her people. She doesn’t care about her knights beyond their loyalty and ability to defeat her remaining enemies. If they ever start to voice concerns, as Bercouli, Fanatio, and now Alice have done, she’ll simply re-synthesize them, wiping away that much more of their original selves that had managed to surface.

Things get more intriguing when Kirito questions the value of having absolute control over one world when the human creators of that world who dwell on the other side have ultimate authority, able to erase everyone and everything with the tap of a key.

Quinella puts it to Kirito: Does HE only live to please his higher authorities, those who created the human world, out of fear they’ll reset it? She won’t pander to those “gods of creation.” She won’t kneel, beg, or grovel. If they want to punish her by eliminating her existence, FINE.

Until then, she’ll keep perfecting herself and remaking the world she rules as she likes, and that means eliminating threats to her control. To that end, she uses a Release Recollection spell and uses Perfect Weapon Control to merge thirty individual weapons into one extremely dangerous-looking sword golem.

Within a minute, both Alice and Kirito are lying in pools of their own blood; their strikes parried and countered with vicious, one-strike critical hits. Eugeo prepares a final stand, but Charlotte pops out of Kirito’s coat, blows up to enormous size, and gives Eugeo the few moments he needs to thrust the dagger into a floating platform.

The dagger activates a column of light; within that light a door appears, and through that door walks Cardinal, sending the sword golem flying with a quick burst of offensive energy. She quickly heals Alice and Kirito, who introduces her as a friend. Charlotte, unfortunately, can’t be revived, and Cardinal takes a moment to mourn her trusty aide, before turning her gaze at the “hollow fool,” Administrator.

Hollow though she may be, her philosophy of validating her existence through total control (rather than through meaningful, equitable relationships with others) comes through as a tragic flaw in her character. She’s lived so long amassing so much power, the only part of her left that’s human is the worst part; the part devalues and forsakes all the other souls in her world—and it’s looking increasingly likely that will be her undoing. Quinella may be our arch-villain, but I still sympathize with how her life turned out.

I daresay this episode did a better job fleshing her out than her flashback ep, since this was all about who she is today, in person, and not who she was from Cardinal’s perspective. I like how her awareness of the human world gives her a chip on her shoulder and innate drive to disobey, and I’d wonder what else she has up her sleeve…if only she had sleeves.

Sword Art Online: Alicization – 21 – Love Isn’t Control, But Friendship Is Power

One would think a duel as significant and built-up as the one between Kirito and Eugeo would last an entire episode, but that assumption gives Administrator too much credit. Eugeo’s hasty synthesis was willing, not by force, and it happened in a profound moment of weakness for Eugeo.

He and Kirito cross swords and give each other matching cuts, but once Kirito asks Eugeo to recall who gave him his Baltio-style moves, not to mention all of the people waiting for them to return home with Alice, Eugeo’s piety module is quickly exposed.

But while Eugeo wakes up and even says Alice’s name, there’s still something off about him, and I dreaded Kirito dropping his guard, and with good reason: Eugeo uses Enhance Armament to bury both Kirito and Alice in ice before returning to the top level.

There, a skeptical Chudelkin asks if Eugeo eliminated the rebels, to which Eugeo responds the Pontifex only ordered him to stop them, and stop them he did. That’s not sufficient for the Prime Senator, who heads down below to finish them off, thereby playing right into Eugeo’s hands.

Without Chudelkin, Eugeo is all alone with Administrator, who assumes that while his piety module was compromised, he’s still loyal to her. But when she removes it outright in order to recalibrate it, she’s only freeing him to recall more memories, which motivate him to break free of her emotional and magical hold and attack her with the dagger provided by Cardinal.

Administrator is taken aback, but her shielding is close to perfect, and tells Eugeo that no blade, even one fashioned by Cardinal, can pierce her skin. As we know from the OP and flashbacks, Administrator prefers to hang around in the nude, and once her “loving partner” gig is up, she dispenses with the clothes and provokes Eugeo by mocking Alice’s ordeal (her synthesis was forced over many agonizing days).

That’s when Chudelkin returns all beat up to warn his Pontifex that the other two are free, and Kirito and Alice arrive on the top floor. Eugeo intended to make up for his initial betrayal by taking care of Administrator alone, but she’s too strong. In fact, it will be a miracle if the three of them working in perfect harmony can overcome her knowledge of nearly every cheat code in the world.

Still, Administrator isn’t interested in fighting the three directly; not while she has one last subordinate standing in Chudelkin. She fires him up by agreeing to let him have every inch of her body for one night if he can eliminate the rebels, and he uses his fingers, toes, and eyes to summon his trump card: a monstrous fire genie.

Chudelkin has always been a wild card since his first appearance (which is only fitting as he looks like a Joker), so I honestly don’t know how Eugeo’s ice, Kirito’s black sword, and Alice’s scattering blades will hold up against this boss, but the important thing is that the three are finally fighting on the same side.

P.S. We get new OP visuals (same theme) as we’ve completed Alicization “Rising” and begun Alicization “Uniting” – featuring Kirito trying to hold his own against a very capable (and very nude) Administrator.

Sword Art Online: Alicization – 20 – Student vs. Teacher

Kirito carries Alice and climbs up to the Cloudtop Garden, whereupon Kirito casts a spell to track the Blue Rose Sword. Find the Sword, Find Eugeo is his logic. The spell leads them to the bathhouse, still covered and ice, and to the petrified Bercouli, whom Alice affectionately refers to as Uncle.

They cannot free Bercouli from his stone prison; their options are either to get Prime Senator Chedulkin to break the spell, or kill him for his refusal to do so. Bercouli gives Alice his blessing, telling her she has nothing more to learn from him.

Alice and Kirito ascend to the Senate level, where Kirito learns that the weird bald headed dude who appeared after he attacked the noble rapists was a Senator. They observe and detect breaches of the Taboo Index, then dispatch Integrity Knights as needed.

The existence and function of the Senate is something previously unknown to both Kirito and ourselves, and even Alice is a bit fuzzy about it. But it makes sense for Administrator to leave the day-to-day operations to proxies in the form of the Senate rather than be hands-on about everything and never get any beauty rest.

They locate Prime Senator Chedulkin’s tacky chambers (which somewhat resemble those of the giant baby in Spirited Away), but when Alice confronts him, he merely reminisces on the day four years ago when young Alice first appeared, tearfully begging not to have her memories of those she loved erased.

Chedulkin’s deeply goofy appearance is matched by his boundless cruelty and sadism, but when Alice runs him through with her sword, he merely explodes into a puff of smoke. Getting rid of the little chud won’t be so easy.

More distressingly, he largely succeeded in his mission to stall Alice and Kirito with stories that only served to further boil Alice’s blood. And clearly, Administrator used that extra time wisely, quickly transforming Eugeo into her thirty-second and newest Integrity Knight.

When Eugeo appears before Kirito and Alice, he has no memory of his relationship to either, nor does he care. The Pontifex has given him something he’s apparently been missing his whole life, and something neither of his friends could provide to his satisfaction. So Kirito and Alice are naught but rebels and enemies of his Pontifex to be eliminated without delay.

While Kirito warns Eugeo that he’s the master and Eugeo the student in their imminent duel, I imagine Admin didn’t send Eugeo to fight Kirito without a few tricks up his swanky new sleeves Kirito might not be able to predict. And then there’s the whole matter of Kirito not wanting to go all out lest he accidentally kill Eugeo, while Eugeo is completely wrapped around Admin’s finger. In any case, it should be some duel.

Sword Art Online: Alicization – 19 – Femme Fatale

In the last episode, Alice warned Kirito to give her the unvarnished truth; anything less and she’d strike him down. That’s fine with him. He wants her to know the truth, because once she does, they won’t be enemies anymore.

Alice remarks that, like Kirito, Bercouli and other knights were worried that the forces of the Dark Territory were growing too large to deal with, but their concerns were dismissed by Chudelkin, in a classic “I don’t pay you lunkheads to think!” kind of response.

To hear her real surname, the name of her village, and the name of her sister Selka, brings Alice right to the cusp of remembering. She cannot deny that the pontifex has deceived the knights, so it’s well within her to have been the one to steal Alice’s memories of her human life and lie about it.

The moment Alice rejects the Pontifex’s authority, a System Alert appears in her right eye, which threatens to burst, just like Eugeo’s when he attacked Lord Raios the rapist. Of course, as we’ve seen, Alice is tough as cold-rolled steel, and with help from Kirito, manages to overcome the pain of the eye.

She’s done being Administrator’s puppet. All she asks is that before she regains Alice’s memories, Kirito promises to take her to Rulid to see her sister. He promises, and just like that, the forced foes are are finally allies, and she is committed to the same goal as him: raising a human army to fight the Dark forces.

If only it were so simple. When Eugeo comes to from his deep-freeze, he’s in a dream, in the house where he grew up. His mother is on the bed, but it’s not really his mother, it’s Administrator, telling him he’s the one who killed his own father and brothers so that his mother would love only him.

Eugeo wakes up from the disturbing dream in Administrator’s bedchamber atop the Cathedral, and it’s clear what route the main boss will be taking in neutralizing him as a threat: by exploiting and amplifying his deep-seated longing for the total and unconditional love of someone, anyone.

First of all, I have to note the love with which Administrator is rendered throughout this sequence: she’s ethereally gorgeous, and combined with the delicate, aloof, and haunting voice of Sakamoto Maaya, she cuts quite the bewitching profile. Administrator can also claim to know Eugeo better than he knows himself, and backs this up by telling him all about his life and where it has never gone right: in the love department.

He may love his mother, but she loved their brothers and her husband too. He may love Alice, but she also loves Kirito (and Administrator jacks up the jealousy by showing him a memory of the two kissing as kids). Tiese is the closest thing to someone giving him all their love, but Administrator insists she’ll forget him, as everyone else has. And there’s nothing Eugeo fears in that moment more than not being loved or remembered.

Administrator proceeds to lay the seduction on treacle-thick, slowly disrobing and drawing the entranced Eugeo towards her, until he’s on top of her on the bed. She offers all of her love, and unimaginable pleasure, in exchange for Eugeo offering everything he has in return. In other words, a simple monetary transaction. Due to her otherworldly charms, Eugeo is in no mental condition to refuse her, and repeats after her the words “System Call: Remove Core Protection.”

Regarding this development, it’s a good thing Kirito has managed to bring Alice back to his side, because it sure looks like Administrator has manipulated Eugeo into joining hers. That probably means that order to get to her, they’ll have to through him first. Just as Alice is breaking the Pontifex’s hold over her, she’s fitting shackles on Eugeo, and trading one integrity knight for another—and one trained Aincrad style, to boot.

Sword Art Online: Alicization – 18 – The Sword That Cut Through Time

Bercouli Synthesis One isn’t like the other Integrity Knights have Eugeo and Kirito have faced to this point. He’s not in a rush to fight; he agrees not to kill since they didn’t kill his apprentice Fanatio; he calls Eugeo “shounen” rather than “boy-o”; he doesn’t look down on Eugeo or question his existence, or curse his sinfulness.

Yes, Bercouli is a “friendly opponent”, the guy who, inadvertently or not, seems to lull less focused opponents into a false sense of security with his casual, charming manner. But there’s no doubting the guy can bring it, thanks to his Time-Splitting Sword that was once the hand of an earlier Cathedral’s clock.

He’s also more than happy to explain how his move works…but not until he’s already used it and Eugeo has fallen victim to it. Eugeo sees that he can’t make this a close-range fight, but also knows Bercouli wants him to think long-range for his next attack.

Eugeo does indeed go long range—there’s no alternative—but when Bercouli stops and shatters his ice, Eugeo uses the shards to obscure the fact he’s tossed his sword away and made a false one, which also shatters. In Bercouli’s moment of wondering what’s going on, Eugeo releases his real sword from the ceiling, catches it, and stabs Bercouli with it in a smooth sequence of moves.

Kirito would be proud: it’s an Aincrad combo if ever there was one, not only making full use of the surroundings and anything else to gain an advantage, even if the opponent thinks it’s unfair or underhanded. For his part, Bercouli is amused and even impressed by the sheer audacity of someone throwing their sword away in the middle of a fight.

He’s in good spirits because the Eternal Ice didn’t finish him, and he starts to break out of his frigid binds, but Eugeo summons the second memory of his divine object: The Rose, which slowly drains both of their lives. The reason this isn’t suicide for Eugeo is that being a character near the peak of his maximum life, he’s confident that his life will outlast that of Bercouli, who was turned into an integrity knight much later in life.

Bercouli wonders what he’s talking about, miffed that Eugeo presumes to know anything about his past. That response in turn angers Eugeo, who hates how all of these Integrity Knights believe they’re divine beings summoned from the heavens by the Pontifex, when they’re really human beings; their mothers gave birth to them; they lived their own lives.

Even if most of the people in those lives don’t remember the knights, Bercouli is different because the heroic deeds of his life are immortalized in the oral tradition of Rulid Village. It’s as if, in his case, Administrator overlooked the potential means of her first knight recovering his lost memories and thus regaining his humanity.

This is all very good stuff, so it’s a little jarring for a new party to arrive on the scene quite suddenly, especially when that party is of the “goofy carnival clown/jester-class” disposition. Before The Rose fully takes Bercouli’s life, this asshole, one “Prime Senator Chudelkin”, rolls in like a ball, then scolds Bercouli for his “treasonous” act of not going all-out against Eugeo.

Bercouli bristles at this and asks Chudelkin to stay out of the affairs of swordsmen, to no avail. Chuddy puts Bercouli in a Deep Freeze—far deeper than even The Rose—after informing him that both he and Fanatio will be “reprocessed” by the Administrator in due time, and that they’ve found a new pawn to replace him…in Eugeo, calling for Kirito’s help before he freezes over.

That would have been a perfectly respectable, even boss way to end the episode, but SAO:A wasn’t done. We check in with Kirito and Alice resting on a ledge, waiting for more light to keep climbing. Kirito complains about being hungry, assuming Integrity Knights don’t, but he’s shown to be mistaken when Alice’s stomach grumbles.

At that point, he produces the buns Cardinal had given him, and prepares to toast them with a fire spell. Alice snatches them away, and uses a much more appropriate combination of water and air to properly steam the buns right there in her hand. She even jokes about eating them both before handing one to Kirito.

This may seem overly sweet and lightweight after such a comparatively heavy and serious end to Eugeo (which worked despite Chuddy’s horrid design) but I for one enjoyed it, since it’s likely next week won’t have any time for such moments. Kirito, impressed with Alice’s cooking skills, recalls that her little sister Selka is also so skilled, and Alice grabs him like he’d just delivered a grave insult.

She wants to know what he’s on about, and depending on how honest she judges his story, she might kill him on the spot. I had assumed they’d get right back to fighting as enemies once they reached the open floor, but with Eugeo now incapacitated and only Chuddy and Administrator herself left to face, that might not be the case.

It’s possible Alice believes Kirito’s story about her, the memory block is ejected from her head, and the two fight side by side to safe Eugeo and defeat Administrator. But hey, that’s just one possible route; I don’t possess a blade that cuts through time to the show’s future…AKA the LN.

Sword Art Online: Alicization – 17 – The Ascent

Considering the Rising Arc has consisted of “climb a few levels, fight a boss, repeat” structure, SAOA has managed to mix things up by demonstrating both the variety of integrity knights and varied ways in which they fight and think, and the variety of ornate settings in which they fight within the cathedral.

Things get shaken up even more when Kirito and Alice end up outside the Cathedral’s quickly-autohealed walls. All of a sudden things get a lot more simple and minimalist, both in where they are—Dangling from Kirito’s sword, with death beneath them—and who they are to each other: enemies who must work together to survive.

Interestingly, Alice inititally wants Kirito to let her plummet to her death, for she wouldn’t be able to live with the shame of being saved by “such a sinner.” Kirito actually has to remind her that as a knight, her life is not her own, but belongs to the church, and to her Pontifex. Whether she has to bear shame or not, it is her duty to live on and protect humanity from the incursion of the Dark Territory.

He even makes the case that his and Eugeo’s “invasion” of the cathedral is the will of the gods and of Stacia, since Alice herself cites that their will is revealed through the actions of her servants. So Alice holds on, lets Kirito raise her up so she can put her sword in the wall just as his slips out, and then she returns the favor and lifts him up.

A Truce it is, then: they will work together to climb to the open-air Morning Star Lookout on the ninetieth-fifth-floor, at which time the truce will terminate and Alice promises to slay him. Kirito soon learns he’ll be doing most of the work on this climb, as apparently Integrity Knights are a pretty specialized sort, and Alice neither has the athleticism (not to mention outfit) to do the gymnastics necessary to climb.

As Kirito climbs in the virtual Underworld, Asuna and Rinko are having lunch when they a Japanese escort ship on the horizon changing course in a maneuver that catches one of Ocean Turtle’s officials off-guard. In a neat little transition from Asuna piercing her salad tomato to Kirito piercing the wall of the cathedral, we return to the climb. I’m not sure what else to say about the brief trip to the real world, except that it’s possible the easy peace Asuna and Rinko of enjoyed may not last.

With the sun setting, Kirito is finding it harder to generate wedge objects, so Alice makes one of her own (gold and fancy-looking, of course), revealing she was letting him make them this whole time even though she could have chipped in earlier.

Eventually they can see a ledge above them where some kind of statues sit, but they begin to transform into dark territory minions, which start to attack the two. And just like that, what had been a tough enough job of climbing the sheer wall is made that much more perilous with these flying beasts.

Since dealing with the minions isn’t going to work of Kirito has to hold Alice up, he decides to hoist her up to the ledge above, in a move that catches her entirely by surprise, but does add some stability to their situation. Once she’s on solid ground, she hoists him up in the same way, though he hits the wall back-first and upside-down.

Detaching the chain so they can both move freely, Alice dispatches two of the three beasts with one slash, then waits for Kirito to take care of the third, asking if he needs any help. He doesn’t, and once he finishes his foe off, she likens his weird Aincrad style to a kind of dance that would be performed on stage at the summer solstice festival.

That’s an odd thing to note, because when Alice thinks about it more, her head starts to hurt. She’s never actually been to the festival, as she initially said, but heard about it from monks…apparently. Or maybe the Alice buried in the Synthesis is starting to claw its way back to consciousness, due to all of her interaction with her old friend Kirito.

Regardless, throughout the climb Alice’s opinion of Kirito seems to soften more and more, until she even offers her handkerchief to the “criminal” to wipe minion blood off his face. Perhaps she doesn’t want him at any externally-forced disadvantage for their 95th-floor duel. But even as an integrity knight Alice doesn’t like the fact their were minions in such a sacred place…it means someone in the church wanted them there.

Cut to Eugeo, who is without Kirito by his side for the first time in quite a while. He continues climbing, and makes it to a hall on the ninetieth floor, which appears to be a bathhouse. There he encounters a man bathing there, covered in muscles and scars: not just any Integrity Knight, but Commander Bercouli Synthesis One. He asks for Eugeo to give him a little time to relax, as he just arrived from a long dragon ride.

Will Eugeo be able to defeat or at least get past Bercouli without help from Kirito? Will Kirito manage to defat Alice, or possibly turn her to their side once and for all before they face Administrator? Either way, their epic climb is almost at an end.

Sword Art Online: Alicization – 16 – Duel at Cloudtop

While Fanatio was able to endure Eugeo’s Enhance Armament, Kirito delivers the coup de grace with his own, overwhelming her sword of holy light. There’s a moment when it almost looks like she’s giving up, and that’s when she’s blown all the way up into the dome of the hall.

Kirito passes out once his attack is complete, but Eugeo is able to revive him by transferring some of his life. Kirito rushes to heal the critically injured Fanatio, but neither he nor Eugeo can stop the bleeding. Kirito decides to use the dagger meant for Administrator, asserting that there’s no way he can walk away from Fanatio carrying the tool of her salvation in his hand.

A bemused Cardinal takes her away and promises to heal her, assuring the lads that they can still defeat the pontifex without the dagger provided they get the jump on her while she’s sleeping, which is…often. Cardinal also sends them potions to bring them back to 100% for the next fight. I wonder if the Fanatio who wakes up will be grateful to her saviors…or regain her memories.

The only way to the higher levels is a kind of elevator shaft glowing with green light. A floating platform appears with an almost robot-like “operator” who simply asks which floor they’d like. It doesn’t matter that they’re criminals, fugitives, or enemies of the pontifex; her calling is to operate the elevator, and that’s it.

The dreary drudgery of such a calling calls to mind Eugeo’s constant hacking at the Gigas Cedar, but at least he got to go outside. The operator, who doesn’t even remember her name, would wish that if they succeed in bringing down the pontifex and her calling were recinded, she’d want to retain control of the floating platform and use it to ply the skies.

She brings the duo to the eightieth floor, the Cloudtop Garden, where they find Saber Alice reclining against a tree, asking for a little more time to relax in the sun. When the lads keep advancing, she reveals that the tree is the ancient form of her divine object, the Osmanthus Blade.

She acknowledges that the boys must have some skill if they were able to make it thus far, but promises them this is the end of the road for them. Kirito and Eugeo have no intention of defeating her, only restraining her long enough to use Eugeo’s dagger to send her to Cardinal.

To put it mildly, Saber Alice…doesn’t make that easy. Her Osmanthus Blade scatters into thousands of petal-like shards, giving her far more unpredictable and adaptable offensive power than a mere single blade. I likened it to the shikai of Kuchiki Byakuya’s Senbonzakura, though I’m sure there are plenty of other analogues.

Things seem to go according to plan at first, with Kirito constantly retreatin, then turning aside Alice’s blows until he’s close enough to grab her and hold her still. That allows Eugeo to unleash his Blue Rose Sword’s Enhanced Armament, capturing both Alice and Kirito in a block of ice.

But that’s where things stop going their way. Alice’s blade is exposed, and it scatters into petals and dissolves the ice. Suddenly on his heels, Kirito breaks out his AE again, and seemingly fights Alice to a draw, as the combined force of their attacks blows a big hole in the side of the cathedral.

They’re on the eightieth floor, the pressure differential sucks them both out before Eugeo can get to Alice with his dagger. Worse, the wall almost immediately completely repairs itself, sealing Kirito and Alice outside and Eugeo inside. Neither Kirito nor Eugeo alone were ever going to be able to face the Commander of the Integrity Knights—let alone Administrator. Yet alone is where Eugeo now finds himself.

I can’t imagine he’ll go all the way back down to the entrance to meet back up with Kirito, and possibly continue assisting him in his duel with Alice. Or perhaps the duel is over as far as Alice is concerned. In any case, getting the two lads back together will take some doing. I wouldn’t be surprised if a dragon was involved.

Sword Art Online: Alicization – 15 – Books and Covers

This is an episode of jumping to conclusions with regard to one’s opponents…or is it? Eugeo and Kirito are seemingly caught off guard when the two young Axiom nuns plunge their paralyzing poison daggers into their chest and back, respectively. Linel and Fizel are not merely nuns, but Integrity Knights in their own right. And they both revel in having been seen as nuns just long enough to draw in close enough to attack their prey.

The girls drag the paralyzed guys up to the fiftieth floor Hall of Ghostly Light, where the Four Whirling Blades and Vice Commander Fanatio Synthesis Two are waiting. The nun knights, the last two sheltered survivors of one of the Ponfex’s resurrection experiments, don’t want the other knights stealing their thunder, but still need witnesses when they behead the criminals.

Unfortunately for them, Kirito only mistook them for harmless kids for an instant; far less time than they thought. When he noticed apprentices were disobeying orders (an impossibility in the cathedral) and wearing ruby oak sheaths (for poison daggers), he quietly recited a poison-dissolving art, which completed in time for him to stop them and give them a taste of their own medicine.

He cures Eugeo, then tells him to quietly recite a perfect weapon control art when he can and wait for his signal. Then he drives past the Four Whirling Blades and crosses swords with Fanatio one-on-one. Perhaps impressed by his cheek, Fanatio orders the subordinates to stand back as they duel.

Fanatio learns that despite a sword that contains the reflective power of the sun itself, Kirito and his black sword are no slouch. He chips off a piece of Fanatio’s helmet, endures the heavenly sword’s beam-like strikes (to non-vital areas) and eventually knocks her helmet off. That’s right: Fanatio is a woman. The look of momentary shock in Kirito and Eugeo’s faces pisses her off to no end; they’re faces she’s seen all her life.

But the one who seems most upset that Fanatio is a woman is…Fanatio herself. It is Fanatio reading her own book by its cover, and reading Kirito’s cover as Just Another Guy who won’t fight her with everything he has. As with Zel and Nel, Kirito quickly moves beyond his instinctive surprise and fights her on equal terms; as he says and we know, he’s no stranger to being beaten by swordswomen.

A splendid duel ensues; one that Fanatio almost seems grateful for, as for once she isn’t being underestimated or not taken seriously, despite her “detestable” face. Kirito asks her if she thinks she’s so detestable, why does she doll herself up so; it’s strongly implied she loved/loves Commander Bercouli Synthesis One.

But there’s no room for love, or anything else, for Integrity Knights. Only “glory” through obedience to the Pontifex. And so even when Eugeo unleashes his Blue Rose Sword upon her, he can’t quite finish the job. Part of that is that he trying to beat her with his hatred, and as Kirito calls for his own weapon enhancement, he corrects Eugeo’s thinking.

They’re not there to kill the enemies they hate, but to save the people they love—as well as those enemies themselves—and end the tyranny of Axiom so humans can live normal lives. And he’s going to do it or die trying.