Koi to Uso – 01 (First Impressions)

To combat its low birth rate, the Japanese government institutes a system of arranged marriage, selecting partners for its citizens when they turn sixteen. Romance between unassigned partners is FORBIDDEN. This…is a comically ludicrous system, but in Koi to Uso (Love and Lies) it’s the law of the land, and apparently it’s not only okay with most of the population, but has actually stabilized the population.

But c’mon, what the heck is up with that system? That’s straight-up eugenics right there. And when you dabble in that, you invariably end up with evil warlords like Khan. Thankfully, our two protagonists, Nejima Yukari (who has the same damn name as the system) and Takasaki Misaki (Hanazawa Kana), are among those who don’t subscribe to a system that coldly forbids them from being with the one they love; namely each other.

Unfortunately, the “romance” of Takasaki Misaki and Nejima Yukari is almost as big a farce as the Yukari Law. Consider: one day, years ago, after four class periods of hesitation, Yukari lends Misaki half of his eraser. She whispers “thank you” in his ear and smiles, and he falls deeply in love. Okay, he’s a little boy; she’s a pretty girl; fine.

But…But…that’s the extent of their contact together…for years, until he approaches her in the hall and asks her to meet up with him after school. After waiting about four hours, Yukari gets up to leave (after building sand burial mounds [??????]), but Misaki shows up at the last second.

When Yukari confesses, Misaki not only quickly returns his feelings, but the two embrace, have their first kiss, and then start french kissing in the space of a couple of minutes. After watching the slow development of a first romance in Tsuki ga Kirei, this development is waaay too fast and unearned. I don’t know either of these jokers! They barely know each other! I’m usually the one who thinks it takes too long to get to first-name basis or hand-holding or kissing…but this didn’t take enough time by half.

As if that wasn’t enough ludicrousness, right in the middle of making out, Yukari gets his government notice, but his phone is on the fritz like a TV, and he thinks he sees Misaki’s name before it cuts out completely.  Moments later, government officials appear in the park, at midnight, to personally deliver Yukari’s notice, which does not name Misaki, but someone named Sanada Lilina.

Did they use his GPS to find him? Couldn’t it wait till morning? Would a system as strict as this really allow such loose language about never marrying in its schools, like the kind we heard earlier in the episode. Devastated by the fake-out, Yukari then finds himself having to chase a distraught Misaki, and because she’s not on the track team, he catches her and they embrace once more.

So there you go: really bizarre authoritarian breeding system in an otherwise normal Japanese society; forbidden love that’s extremely fast-paced in its development, leaving no room for suspension of disbelief…and REALLY BIG EYES. Interested? No lying!

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Taimadou Gakuen 35 Shiken Shoutai – 08

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Despite how improbable it looked at the end of last week, Takeru (and Ikaruga’s) chastity survives this episode, as her sister is early to pick her up. Before she says “bye-bye” (never a good thing for her) once more, she injects him with a muscle relaxant, telling him not to follow her because she loves him.

She may claim to know nothing about love or romance, but the fact she’s making this deal to protect Takeru and the others is a clear sign she’s evolved beyond the limitations of the design Alchemist intended. She’s gone from making weapons to sacrificing herself to save her new family.

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Naturally, as soon as Takeru gets the use of his legs back, and the girls get their freedom (and clothes) back, he immediately sets about defying Suginami’s wishes not to follow her. The 35th aren’t going to heed her desire to handle things herself, not if there’s a possibility they could lose her.

There’s a lot of great stuff here: Ootori and Mari, usually at each other’s throats, are still able to fight together when push comes to shove. As for Usagi, she convinces Ootori that it doesn’t matter how dark or dastardly Suginami’s past was, or what she intends to do. All Usagi wants is to bring the Suginami the loves back. 

And while yes, Takeru finally makes Lapis blush by praising her, Lapis quickly changes the subject as the platoon heroically deploys to rescue Ikaruga, all to a thumping techno track that really got me fired up for the battle.

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At Alchemist, Ikaruga reveals to Isuka her true intentions: to ensure the Elves are never resurrected, and to do what she should have done four years ago: get her sister the hell out of there. Isuka says she doesn’t want to leave, but she’s had modifications made to her that causes pain whenever she expresses emotions, so she’s not in a condition to think clearly.

She also shoots Ikaruga in the leg, which convinces her sister to use the nanomachines she’s implanted in herself to transform into some kind of Demon-Ikaruga who can wield antimatter. That’s a lot to swallow all at once, but then again Ikaruga is a pretty smart cookie, so fine.

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At any rate, she gradually wears Isuka down into admitting she feels something for her sister. Unfortunately, that’s just when Haunted decides to break up the sisterly chat and bury his arm into Isuka, a blow that turns out to be fatal. All along, Isuka had only been his pawn, and now that she’s of no further use to him, he wants to recruit Ikaruga. Her response is very appropriate: a hearty Go To Hell and a bullet to the head.

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Haunted exits stage right, but leaves a cyberdragon to deal with the platoon. He should have summoned a pair, because with Usagi at the controls of a railgun, Ootori watching Takeru’s back, and Mari replenishing Takeru’s mana when he runs out of his own, the gang is just able to take the dragon out and save Suginami.

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I say just, because Takeru risks everything on the hope one big final blow using all of the mana Mari gave him would be enough to defeat the one dragon. I like that despite the clear skills and teamwork the platoon possesses, they only win by the skin of their teeth. Of course, they were fighting one comrade short.

When the battle is over, the gang can relax, to the pont Mari gloats about saving everyone with her last minute mana infusion, to which Ootori calls her a “fuel tank”…which is a pretty creative insult. As usual, Suginami and Takeru stay above the fray, though she’s glad to be among them once more witnessing said fray.

And despite her earlier assertion she would not fall for Takeru’s smooth words, Sugi does succomb to a comforting head pat and a request that she talk to her friends in the future when she has a problem. She points out that not all girls like having their head patted, but tells him to keep doing it anyway. It’s not intercourse, but right then and there, it’s plenty.

As next week’s episode is titled “Crazy Summer Time”, I’ll be supremely shocked if the girls aren’t in swimsuits for at good part of it.

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Taimadou Gakuen 35 Shiken Shoutai – 07

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This week (and next) is dedicated to Suginami Ikaruga’s personal crisis. But she tells Kusanagi she won’t be “going gaga” over him like the other girls when he tries his noble “I’ll carry half your burden” line on her. He has no idea what she’s talking about, but he has noticed she’s acted different from usual lately, and he would know: the 35th Test Platoon started with just the two of them.

Back then, Kusanagi was beaten by her because he wouldn’t draw his sword on an unarmed opponent. That endeared him to Suginami, who above all seeks and love things that “stick out;” things that are unusual and beg for further study. And Suginami herself is very unusual compared to her fellow platoon-mates; this week we find out just how different.

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Director Ootori calls her a “designer child” created by the lab Alchemist with which Inquisition has always had tense relations. He also suspects Suginami knows of the whereabouts of something called a “Lost Matrix” which could theoretically be used to resurrect the elves, which is apparently a big deal in this world.

Her twin sister Isuka wants to do just that, so now is the time that Ikaruga finally seeks a deal : Isuka gets the matrix, but she gets to watch what becomes of it. Isuka, by the way, is no longer with Alchemist either, having thrown her lot in with Haunted and Valhalla.

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Takeru and the other girls end up following Suginami, but only he and Suginami get away from Isuka’s mercenaries; Ootori, Mari, and Usagi are taken into custody, stripped, poked and prodded by Isuka, who can find nothing exceptional about any of them. She wonders why her sister has become “friends” with such “normal” people (We know they’re not really normal, but Isuka is ignorant to their stories).

As for Ikaruga and Isuka’s story, the two were engineered to be the ultimate scientists; “weapons” with an uncontrollable “impulse for inquiry”. But it was clear in their younger years that Ikaruga got more and more curious about normal humans and their social structures, even “adopting” a wood elf she created (breaking the rules), which was later destroyed.

All this is to say that despite her antiseptic, inhuman upbringing and pre-programmed calling, Ikaruga does have human emotions, or at least more than her sister. She also has a grasp of right and wrong, as she shows despair at the horrors of the lab and, much later, showing affection for her friends by not involving them in her affairs, thus protecting them.

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Knowing her off-limits curiosity would eventually get her labeled as a “defective” Suginami, Young Ikaruga stole the Lost Matrix and broke out of Alchemist, leaving behind Isuka—who had no idea why she couldn’t just stay and keep doing research with her. But as we know from Ikaruga, she and her sister clearly define “things that stick out” in different ways.

She read about a bird who lost her mother, became a human, and had her own child, becoming a mother, and couldn’t help seeing herself in the fairy tale. She befriended Takeru, who thought and acted differently from almost everyone else. Even Usagi’s boobs “stick out”, so to speak, though they’re obviously not the only reason they became friends.

Now, holed up in her safe house with a bandaged Takeru, and little hope of living past the next day or so, Ikaruga wants to go out performing one more experiment of human behavior she wants to try before it’s all over: sex, specifically with Takeru; leading to one hell of a killer smash cut to credits.

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From the New World (Shin Sekai yori) – 05

Rijin is killed fighting the blowdog, and the queerat horde returns. Without Cantus, the kids are powerless, and must flee. Saki trips and falls down a hill, and is found by Satoru, but they’re captured by the queerats. In their tree prison they start to vent their stress an anxiety with intimate behavior, but the guard is watching. Satoru gives it a haythatcher egg, which it eats and is killed. They excape, and are led into a rival queerat colony by a talking queerat named Squealer. He begs the two “gods” to help them against the invading queerats, who attack the colony that night. Satoru and Saki use the confusion to escape, and Satoru ignites poison gas to take out their pursuers. Satoru pokes a hole in the liquid-like ceiling of the cave, which collapses on them.

When Saki and Satoru are taken prisoner by the roving queerats, they find themselves up a tree in very close quarters, and they start to feel very…amarous. They’ve been friends for a long time and both probably find each other attractive, but that isn’t all that’s going on. In a very carefully-animated scene, Saki realizes as she’s with Satoru that she’s doing exactly what the library slug said she’d do if faced with undue stress and anxiety: engage in intimate sexual behavior, like bonobos. She’s doing what her genetic makeup programmed her to do, not what she wants to do. She stops herself.

Before she learned about humanity’s bloody history and the nature of the society she lives in, Saki was into Shun, not Satoru. If she’s going to be intimate, it’ll be with someone she truly likes like him, not whoever happens to be nearby in order to blow off steam. Her mind fights her body. But this is just the first of many situations she and Satoru face this week that puts them into survival mode. She also learns that humans and kids in particular should steer clear of queerats, because they’ll be exhalted as gods and brought into their wars – and war is something most humans can no longer physically wage.


Rating: 9 (Superior)

P.S. Saki’s adventure garb is really cool-looking, giving off some serious Nausicaä vibes.