Tokyo Ghoul:re – 13 – Scattershot

One of the disadvantages of never reading any source material is that sometimes anime come along that are harder to follow than others unless the viewer has a good deal of knowledge about the characters and/or plot. Tokyo Ghoul is one of those anime, and I have to admit, there were times in this somewhat breathless episode that I was simply…lost, and Tokyo Ghoul had no interest in filling me in.

But for all I didn’t quite follow, three major story points were pretty obvious: Eto AKA Takatsuki Sen publically reveals that she’s a ghoul and surrenders to Kaneki Ken, “Sasaki Haise” seems to be gone or at least repressed and replaced by Ken, and the Doves have launched a final assault on Aogiri Tree’s HQ in Tokyo Bay, intending to eliminate them once and for all.

We get a bit of Eto’s backstory as a homeless aspiring author who is “discovered” by Shiono, who eventually becomes her editor. Her latest (and stated final) novel, while ostensibly fiction, indirectly points to the real-life Washuu clan as Ghoul sympathizers.

They, like Eto, her father Yoshimura, Kamishiro Rize (haven’t heard that name in a while) and her very badass father Orca are/were all members of an organization called “V.” However, in the present, Orca is slain by Arima Kishou, while Rize’s whereabouts are unknown.

Furuta Nimura, a Washuu clan member, serves Eto her editor Shiono, whom he turned into pate, which is…not cool? Eto simply quietly stews, as outside Ayato and others prepare another assault on Cochlea. Ken, meanwhile, is poised to release Fueguchi Hinami (who pointedly calls him nii-san).

Eto is willing to help Ken with “what he wants to do” (whatever that is) in exchange for him killing the One-Eyed Owl, meaning…herself? Ah well, I can only blame myself for not being sufficiently well-versed in the source material—even if this was a weird episode for manga readers as well!

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Tokyo Ghoul:re – 12 – Say My Name

Eto, AKA The One-Eyed Owl, decides to join the fray on the rooftop, siccing Kanae on Sasaki, and the two combine to beat him up enough to send him into his head, where a young Kaneki Ken waits for him. I wonder if that was the whole point: for Eto to re-awaken the Ken in the Sasaki; to rid the Doves of one of their most durable weapons.

The Sasaki inside his mind comes to think of all the sweet dreams he’s had as a corrupting agent; deluding him into thinking “it’s okay to want.” He discards those dreams, and returns to reality with all of Ken’s power, but while seeming to remain Sasaki Haise. He dispatches Kanae, then attacks Shuu as an enemy, forcing Eto to intervene personally, her various puppets bested.

Back in the building, Shirazu summons previously unsummoned powers in order to create an opening for Urie to kill Noro, but in the process, Shirazu is mortally wounded and slowly dies in front of Urie, Mitsuki and Saiko, without doubt the toughest blow the young Quinx Squad has ever had to face.

Saiko can’t stop sobbing, but the loss might hurt Urie most of all…not to mention someone has to make sure Shirazu’s poor little sister is taken care of. Back on the rooftop, Sasaki fights Eto to a draw and forces her to retreat in pieces, leading her to confess her love for Kaneki Ken, who is honored, using her other name, Takatsuki-sensei. This is surely not the last we’ve seen of Eto.

The Sasaki Haise who emerges from the battle turns back into the model CCG investigator once his superior Ui arrives, claiming Shuu for himself while ceding Kanae to him. Sasaki throws Shuu off the building, but Kanae jumps off right behind him, revealing her true identity as Karen and confessing her love for Shuu before saving him from falling to his death at the cost of her own life.

The hardened Sasaki who meets back up with his Quinx Squad, now one man shorter, has no mercy for a crying Urie, blaming him for not being strong enough to keep Shirazu safe. With the loss of Shirazu and Sasaki’s transformative rooftop battle, the fun times are most certainly over. On the bright side, Shuu is still, somehow, alive, and is picked up by Tooka and Chie.

Needless to say, this felt less like an ending and more like a mid-season wrap-up, because Tokyo Ghoul re: will be back in the Fall. I’ll be sure to tune back in.

Tokyo Ghoul:re – 11 – Forest of Thorns

Tsukiyama’s underlings will do everything they can to keeping him alive as long as possible—no easy task when you have some of CCG’s finest after him. Having already lost so many people, Shuu all but begs Matsumae to make him a promise to come back alive along with Mairo, but she can’t keep it.

Kijima and Ihei await Matsumae and Mairo, while Shuu ends up encountering Sasaki on the rooftop helipad. Sasaki urges Shuu to surrender. Shuu doesn’t comply. He can’t. His life is no longer his own, if it ever was. Shuu has decided that honoring the sacrifices made in his name by living is more important than trying to wring Ken out of Sasaki Haise. So they fight.

It’s a bloody outing, as expected. The two new recruits Shimoguchi reluctantly accepted into his “cursed” squad are taken out by a masked Kanae; killed protecting him, who did nothing but shit-talk them till the end. Ihei is simply having fun fighting Matsumae…until she fails to mind her surroundings, slips on some blood, and gets run through.

Noro, one of Aogiri’s top ghouls, has also arrived, and the Quinx squad along with some others are unlucky enough to face his constantly-regenerating ponytailed ass. And get this: Saiko actually gets to demonstrate her power for once, rather than just stand there with her giant hammer waiting to be rescued (though she does that too, and her big attack has no effect on Noro).

Somewhat surprisingly, two of the most cocky and confident Doves in Ihei and Kijima meet most inauspicious and gruesome deaths; Ihei by a last minute suicide assist from Mairo; Kijima by his own chainsaw quinque, which happens to land right down the middle of his oddly-proportioned head. I wont miss either of them?

When everyone’s in deep shit and there’s seemingly no answer for Goro’s regenerating, Shirazu volunteers to cast away his fear and wield Nutcracker, but like Saiko’s kagune, it’s a lot of sound and fury signifying (and settling) nothing. Noro is simply blown into tiny pieces that are reformed into something even more grotesque and deadly.

Back up on the roof, the Eto-coached Kanae joins the fight, relieving Sasaki of his arm. Sasaki, for his part, was able to correctly predict every move Shuu made, though he didn’t dodge them. We learn that like Shuu is now, Kanae was once a girl, and the last living member of her family, but shed the gender of her birth in order to take on the Rosewald mantle.

But whether Sasaki, remembering Arima’s tough-love training, will show Kanae or Shuu any mercy is up for debate. And we have another ghoul incoming who will shift the momentum once more. But so far this is turning out to be a win for no one.

Tokyo Ghoul:re – 10 – The Things We’re Taking are Lives

Eto confronts Kanae and proceeds to read them like the open book they are. She seems intent on changing Kanae’s fruitless course to make Shuu love them. Eto offers them an apple, or “fruit of knowledge”, in the form of one of her “bones.”

This will likely make Kanae more powerful and thus capable of taking away that “something precious” from Shuu—namely Sasaki Haise—in order to take their place as Shuu’s “precious person.” It’s also sure to come at a heavy cost: Kanae’s remaining humanity, sanity, et cetera. Like Rize and Ken, the deal seems a bit…Faustian.

We also learn the core of Shirazu’s hesitance to use Nutcracker. The final words of the first ghoul he killed echoed what his sister said, once what had been a mole under her eye turned into a life-changing growth: “I want to be pretty.” He’s in CCG and the Quinx Squad only to make enough money for her considerable care.

Fura comes upon him, and relays to him the commonality of investigators having trouble with quinques from their first kills. He says it’s perfectly normal, and even healthy, as someone who felt nothing for taking another life is probably not a great way to start one’s CCG career.

As we’ve seen, the opinions on morality vis-a-vis ghouls within the organization run the gamut from “ghouls are people” to “ghouls are targets to be eliminated.” Shirazu would seem to be oriented more towards the former; S1 investigators Ui and Ihei the latter.

As Haise deals with his worsening identity crisis, he continues to do his job, wanting both himself and Quinx to be useful to S1 in the operation to take down Rose. To that end, Ui allows him and Quinx to don the masks Uta made them (or in Haise’s case, made for Ken) and mingle with the ghouls for intel.

They learn that all the ghouls on the street are uneasy, guarded, distrustful of newcomers, and in Haise’s case, deathly afraid of his mask, which is that of the “Eyepatch Ghoul.” He learns the name “Kotarou Amon”, then meets with Shuu, wanting to learn more about Kaneki Ken so that he can accept him.

But despite having been restored to health by Haise, Shuu has no idea what to tell him about Ken, and ends up running away. Besides, his hands are full; his servant Yuma is still being held by Kijima. In a sickeningly brutal scene that shows where on the spectrum Kijima falls, he executes an already brutally tortured Yuma.

As Ui receives permission from CCG Chairman Washu to implement the Tsukiyama Family Eradication plan (with S2 head Washu breathing down his neck), Haise searches the archives for more info on Kotarou Amon and the Eyepatch Ghoul, fearing that in reality he was the latter and murdered the former. Akira draws him into a hug, comforting him without confirming any of his (correct) assumptions.

That night, Shuu’s Papa Mirumo gives him a cup of coffee, which makes him pass out instantly. The Doves surround the mansion, and Mirumo greets them in the grand foyer, claiming he does not intend to fight or resist, but only asks that he and his family be left alone and allowed to live out their lives as people, as they have done. Ui isn’t having it.

When Shuu wakes up, his world has been inverted. He’s in a car, being driven by Matsumae at top speed away from the mansion, where Papa and all the other servants are making a stand for Shuu’s sake. Shuu wants to go back; Matsumae won’t comply. It’s imperative Shuu survive.

They arrive at the headquarters of one of the Tsukiyama Group’s many subsidiaries, where an army of Ghouls loyal to Shuu’s Papa stand ready to fight to the last man to keep him safe. All Shuu can do is admire the greatness that inspired such loyalty, greatness he likely doubts he himself possesses.

The three Tsukiyama veterans in charge of the defense get prepare for what may be their final night alive, as a smug-as-hell Ihei orders the commencement of the extermination operation.

As the aggressors in this latest conflict, led by those who made the decision long ago that Ghouls are not to be empathized with or shown mercy, the Doves definitely felt like the Bad Guys this week—which means Haise and our Quinx Squad are fighting on the wrong side.

Tokyo Ghoul:re – 06 – Filling the Void

The Quinx Squad remains split into thirds as the raid enters its final stages—and you get the sense that they’d do better as a single unit. Thankfully, Urie is not all alone when he decides it’s time to unleash his “Frame 4” power…because it doesn’t go all too well for him!

Once Big Madam can gauge his power, she realizes he’s punching way above his weight, and takes him out with a barrage of blows. Tooru is there to comfort Urie in his defeat (when “ME! ME! ME!” becomes “O Woe is Me!”), while Juuzou has backup and no qualms about bringing down his former “Mama”.

Meanwhile, Shirazu and Saiko are fighting Nutcracker with Hayashimura…only Saiko…isn’t really doing anything; simply asking what she should do. Shirazu knows what I’ve come to suspect (and which was kind of obvious): Saiko has the highest latent ability among the Quinx Squad members not named Sasaki Haise.

Saiko is also motivated by a desire to help Haise, and her burst of violence, while off-camera, puts the Nutcracker on her ass. Shirazu finishes her off, but not before Nut says something very “human” about always wanting to be pretty.

As Shirazu and Saiko defeat Nutcracker, Juuzou and the XIIIth take out Madam, leaving Owl and Haise as the one remaining main event of the raid.

Haise is scared of giving in too much to the Kaneki Ken within him lest he lose himself, but Owl takes advantage of his hesitation by utterly laying waste to him, while one of his associates broadcasts Haise’s screams of pain over the P.A. system, leading Saiko to race to where he is.

Saving Haise from an early grave is none other than Fueguchi Hinami, who states that Haise is too valuable for Owl to simply eliminate on a whim. Owl doesn’t like that, but Hinami can hold her own against him, at least long enough for Haise to get his shit together and summon enough of Kaneki’s power to fight back against Owl himself.

The process whereby Haise does this is by realizing that while he fears Kaneki—and rightly so—there’s a part of Kaneki within him that is still a child, and similarly terrified. It’s not about competing with the guy; it’s about relating to him. He shouldn’t fear the void, he should embrace it, and Ken. If he doesn’t, he and his squad are toast.

I’ll be honest, the raid lost a bit of steam from the first episode to the second, and between Big Madam’s wildly variable mouth size and the huge number of seemingly mortal wounds that turn out not to be not that bad, the decline in my enthusiasm has continued into the third. The fourth will surely mark the end the raid (one can hope). We’ll see where Haise and the Quinx Squad stands then.

Tokyo Ghoul:re – 05 – Damn You and Your Sexy Body!

The battle continues on numerous fronts—almost too many, to be honest—but this scattered episode manages to linger long enough on the important ones. Kanae learns how fast Tooru heals and aims to relieve him of his limbs, but is thwarted by Haise, backed by Shiazu, Urie, and Saiko. The Quinx squad fares much better than other squads, and one particularly unlucky one must square off against the certifiable Owl.

Another squad bites off more than they can chew in trying to take out Nutcracker, and get their, er…nuts cracked. Naki is certain he’s done for courtesy of Akira, but gets bailed out by Rabbit, who decides to break off from his stalemated duel with Juuzou.

The Quinx manage to do a number on Kanae, but their quarry is retrieved by Matsumae. When Washu orders Quinx to engage Nutcracker, Haise requests Tooru be evacuated out of the shit, and Washi recommends Urie for this purpose—much, initially, to Urie’s annoyance. He’s trying to “distinguish” himself as an investigator, and being relegated to escort duty is hella lame for the self-involved, triangle-eyed brat.

One doomed member of the unlucky squad recognizes Owl as former investigator Takizawa, whose lectures she once attended. Recalling that she talked in class, he impales her with his hand. Meanwhile, Urie does exactly what Washu thought he would do and goes looking for a way to earn some glory by finding a hidden passageway beneath the auction stage.

Juuzou is already down there, and along with Urie and Tooru, start hacking away at the masked auction attendees, whose whereabouts had previously been unknown. Urie is happy he can unleash his full power with someone of Juuzou’s caliber fighting beside him, while Tooru is just trying to contribute in any way he can.

Throughout the battles and dialogue, Yamada Yutaka’s electronic score pulses along, providing a stylish rhythm for the bloody chaos. While the animation is a little iffy, I have zero complaints about TG:re’s soundtrack.

Urie’s hubris gets the best of him, as he ends up falling victim to Big Madam’s predation, and when Tooru catches up to him, she’s in the process of gulping him down like a snake swallowing a rat…so not exactly distinguishing himself!

Finally, the rest of Quinx squad never makes it to Nutcracker; instead, Haise is ordered by Washu to fight Owl one-on-one, no doubt to test the limits of his abilities. Unfortunately, Saiko does absolutely nothing with her giant hammer, and is escorted away by Shirazu.

Even if we assume Haise can handle Owl or at least fight him to a draw, there’s still a lot of players left on the board for next week: Big Madam, Nutcracker, and Rabbit chief among them.

Tokyo Ghoul:re – 04 – It’s Party Time

Oh man, I do love a good big Tokyo Ghoul raid. This week, we get the start of a doozy. Things start out quietly yet ominously, as the pageantry of the Eyes Wide Shut-style human auction commences with a washed up actor and then Tooru in disguise.

As a one-eyed Ghoul, Tooru induces a huge 200 million bid, much to the scantily-clad Nutcracker’s delight. That winning bid belongs to the Doves’ primary target tonight: Big Madam, just beating out Master Shuu’s servant.

One of the trio of Ghoul “Clown” MCs whispers to Tooru that no one is coming to save him, but that’s nonsense, as the very next lot is Juuzou, who’s already seen enough of the auction and decides to get the real party started, unleashing a fusillade of daggers at all the Ghouls around him.

Outside the venue (and shouldn’t the Ghouls have picked a less conspicuous place?) The CCG raiding parties are ready to commence the operation, including the Quinx Squad. Their primary goal: Eliminate All Ghouls—but Big Madam in particular—and rescue any human captives.

As Juuzou ditches the wig and attracts the attention of Rabbit (now Ayato, not Touka), Tooru sheds the Nutcracker and runs, but is pursued not just by Master Shuu’s servant, still sore over losing the bid, but by Torso, who splits off from Ayato (and Hinami, who’s with Aogiri Tree now) who simply wants Tooru’s torso all to himself.

What we don’t see much of at all is the Quinx Squad in action. What we do see is pretty much everyone else. We see how the new young blood among the Doves are the source of some resentment from the old “fogeys”, but when a young hotshot over-confidently rushes into the Clowns and gets himself killed, it’s up to the fogey to clean up the mess, even though he’s also killed by the sudden arrival of Owl.

There’s a lot of pieces being set up this week, as new and old faces prepare to go at it. The whole raid is crackling with electricity. And this is just the beginning, with no clear victor yet in sight. Should be a fun resolution.

Tokyo Ghoul:re – 03

Urie lies and gets his enhancement, confident he can become stronger than Haise and remain in control. Something tells me his internal isolation from his Quinx-mates and massive chip on his shoulder suggest he’ll probably fall flat on his ass again and need bailing out from the people he’s constantly looking down upon in his thoughts.

But meanwhile, there’s an op, and Quinx Squad needs to be at full strength. That means Shirazu, Mutsuki and Urie must join forces to draw Saiko out of her physical isolation, both from them and the rest of the world. Urie ends up convincing Saiko that she’ll be fired and thrown out on the street if she doesn’t do her job.

This is another lie; even if she retired tomorrow the fact she agreed to be in the Quinx squad means the CCG will always look after her…she just doesn’t know that because she didn’t read the handbook!

Regardless, while Urie and his aloofness are kinda bumming me out, I kinda love Saiko. She’s got a great energy…or I should say lack of energy to her, and is utterly unapologetic in her desire to live the NEET’s life of leisure. Whether she’s still hiding heretofore unseen wondrous powers or talents as an investigator or is simply meant to be comic relief…we shall see.

In any event, the whole Quinx Squad is mustered for the briefing about the Nutcracker. Specifically, Haise’s Squad will join two others and Division II in raiding an underground auction for young women the Nutcracker collects at clubs. While Urie goes off for some “tests”, Haise, Mutsuki, Shirazu and Saiko hit up the club, the former three posing as women.

It’s ultimately Mutsuki who manages to make contact and get on the auction list (after a little—or a lot—of liquid courage), so they have their in. Our old weird friend Suzuya Juuzou is also involved in the operation, and will pose as a woman for sale at the auction beside Mutsuki—no doubt to back up the far less-experienced investigator if things go pear-shaped.

After about a week of training (which Urie mostly stays out of), Haise’s squad and the others are all ready to execute the plan, and move in. Meanwhile, Ayato is tasked with bodyguard duty for the Class AA Ghoul “Big Mama”, who will also attend the auction, and has a very Mutsuki-obsessed Torso tag along.

Did I mention our other old friend Tsukiyama Shuu is gravely ill and no longer seems to have any “gourmet” sense, much to his servant’s distress? Well, he doesn’t, so I guess he won’t be at the auction. But with all the parties who are involved, plus a few who may not have shown their faces, it’s shaping up to be quite an op.

Tokyo Ghoul 2 – 12 (Fin)

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Tokyo Ghoul Root A delivers a finale as still and austere as the previous episodes were flashy and frenetic. It was a hauntingly gorgeous episode so quiet and deliberate, every gesture and breath and ambient sound contained multitudes. Aside from the insert song, a stripped down version of the first season’s OP, there isn’t even any music telling us how to feel. It’s all in the artistry of the camerawork, lighting, and, of course, the characters we’ve come to know.

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More than anything, there’s a palpable feeling of finality to this finale, that a page is about to be turned. Ken starts in a kind of limbo, in the place that held so many happy memories for him. It’s as good a place as any for Hide to finally tell Ken that he knows he’s a ghoul.

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But Hide is in a bad way. The reveal of is injury is a masterpiece of careful unveiling, and the first sign that this truly is the end. Hide was an almost casual, neutral observer of everything Ken and Touka and everyone else have been through. Now that the show is ending, there’s no longer a need for such an observer, so in a way it makes sense for him to die here.

For Ken, his connection and lasting friendship with Hide, someone he had been estranged from going back to the first season, is the only bridge forged between ghoul and human. It was a bridge that was there from the start. If everyone in the CCG had a loved one turned ghoul, they’d likely all be a little more tolerant…and vice versa.

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Touka arrives at Anteiku to find it ablaze, apparently the work of Ken, again closing a door to the past before walking out with Hide. Touka sees his human eye and moves to meet him, but wreckage nearly crushes her; wreckage that came loose due to a ghoul’s weapon.

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Touka still follows Ken and finds him approaching the fortified CCG staging area bearing Hide, who may or may not be dead. At this point Touka’s path is barred again by Yomo, and my suspicion that Ken and Touka might never meet again is confirmed.

The episode really takes its time with Ken’s slow walk, both to and through the CCG ranks, but while it’s not perfect pacing-wise, it’s still some very powerful work, and it’s a credit to the show that it was able to slow things down so we could savor the end rather than choke it down.

Like a carefully-made cup of coffee, it takes quality ingredients, the proper tools, patience, and restraint, and TG exhibited all of the above with aplomb.

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Ken’s final scene is carrying Hide (echoing the show’s promo art) as various CCG soldiers gawk at him and helicopters swoop menacingly above him. These moments were suffused with thick tension as I pondered if and when the CCG would make a move.

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Ultimately, it falls to Arima to face Ken, who stops and puts hide down. But true to this finale’s minimalist atmosphere, we never see a fight, one-sided or no; only the click of the briefcase containing Arima’s quinque. I can’t imagine it’s a coincidence they both have white hair.

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Dawn rises upon Tokyo, Anteiku’s fires are out, and only Arima and a rapier-like quinque stand where Ken once was. The snow has stopped falling, the storm is over, and peace has returned to the city. Was it peace attained by Aogiri’s tactical withdrawal, in which case it’s only temporary? Was some kind of deal struck between Ken and Arima?

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“All we can do is live as we endure loss,” Yomo says to Touka as he stops her from going to Ken, who wasn’t coming back. And he’s right. You can’t just stand still and wallow in despair until it consumes you. The fact som many people on both sides did just that is what put them all on that costly collision course.

After the credits we see Touka has opened a cafe of her own. While cheerfully opening up, she allows a brief moment to gaze wistfully out at the block before her; perhaps she saw something or someone in the corner of her eye? But it’s only a brief moment that passes, and she goes on with her morning with a smile on her face, remembering, but enduring and living. Because that’s just what you gotta do.

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Tokyo Ghoul 2 – 11

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Both the Ghouls and CCG take heavy losses this week—starting with Shinohara in the first two minutes—as the show perpetuates the idea that even those who desire peace are caught up in the tide of war, and be it honor, obligation, revenge, or simply love for one’s family (whatever form it may take) and home, there will never be a shortage of reasons to fight and keep fighting.

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CCG can’t rest on its laurels after defeating Anteiku, as Aogiri Tree descends upon them in force. Ken is among them, but he’d rather Kotarou simply let him pass so he can get to Anteiku. Nothing doing.

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Both remember their first encounter, in which they each blamed the other’s side for continuing the war. Ken spared Koutarou’s life and even saves some CCG grunts from falling debris right in front of him, but such small gestures, while appreciated, cannot make up for all of the death and destruction the Ghouls have caused to those Kotarou knows and loves.

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This unending urge to fight with one’s last breath, in order to pay the enemy back for a wrong, is illustrated by Juuzou’s attempts to fight Eto, who killed his adoptive father Shinohara and laughed about it. Eto flicks Juuzou away dozens of times, and breaks his leg, but Juuzou keeps getting up, until he’s laying hapless punches on Eto. No matter how little effect they have, Juuzou won’t stop fighting until his tank is empty.

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Under less drastic circumstances and with hands less tied by bad blood, Kotarou and Ken could simply sit down and have a nice long chat. But they can’t do anything here and now but fight and try to kill each other.

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And they come very damn close, fighting to a stalemate in which both of them fall. Ken falls last, however, and wanders around later, while Koutarou doesn’t get back up.

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Juuzou, and possibly the rest of the ravaged CCG, are saved by their version of Eto: Arima, a dude who doesn’t wear an Arata but has two ridiculously bad-ass quinques that allow him to calmly and methodically fight on the same level as Eto; perhaps above it, considering Eto is angry about Yoshimura being defeated, while Arima doesn’t seem to express any emotion whatsoever.

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Touka remained out of the fight, which was probably for the best, but while I was hoping she’d find Ken bleeding to death in the alley, the episode ends without them crossing paths. Frankly, I wonder if they’ll ever meet again, considering we only have one more episode to work with.

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No, it turns out to be Hideyoshi who carries Ken to Anteiku, which is ironically a pretty safe place to be now that the battle is pretty much over. It occurs to me I may have been all wrong about Koutarou being the human representative to entreat with Ken to hammer out some kind of peace or at least cease-fire. Hide is human, after all, and by all appearances he continues to consider Ken a friend, if not his best friend.

So after an episode of pointless fighting, death, and despair and futility, we end with an ever-so-slight glimmer of hope, with two old friends reuniting for the first time in a while.

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Even that glimmer is threatened by the post-credits scene, where Eto spits out Yoshimura, who breathes still, and returns to her human form (a pretty awesome sequence to behold, I might add). Another reunion is achieved, though at this point I’m not sure what Eto intends to do with Yoshimura, or if she’d have the slightest interest in peace with humans.

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Tokyo Ghoul 2 – 10

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Unlike the last two episodes’ cold opens, which could have stood alone as masterful short films, this week’s doesn’t even feel necessary, since we already know a concerned Touka is rushing towards CCG siege on Anteiku. On the other hand, it’s only 55 seconds long…because there’s shit to get done this week.

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While the Mall and Prison super-battles felt larger in scale, this one brings more emotional and dramatic weight, because this time it’s Anteiku, which has always striven to live and let live, and the battle isn’t going well, because the CCG are bringing it.

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Koma and Kaya are ready to make their last stand tonight, fighting beside Yoshimura, who brought them together in peace, and going out in a blaze of glory, or at least with one last good fight. Koma and Kaya don’t get their wish, as Kaneki arrives just in time to save them from the finishing moves of the Doves attacking them.

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A lot of the glory this week goes to our two favorite white-heads, Kaneki and Juuozu, who both show just how terrifying they are when they’re serious. It’s kind of a shame that they don’t meet or cross blades this time, but I can see why the two sub-battles were separated. Koma and Kaya were able to be saved by Kaneki because Yoshimura is attracting all the CCG heavies, Juuzou included.

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Even with Shinohara, Iwa, Juuzou, Ui, Houji hacking away at him all night in varying states of coordination, Yoshimura is one tough sonofabitch, which seems to almost work against his plan to pay for his sins and pave the way for the future by all but letting himself get killed. He can’t help but fight back, and his status as the Owl means even if he doesn’t lift a finger in defense (and he very much does), it takes a good long time for him to go down.

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That emotional weight I mentioned? It comes in a flurry of flashes as Yoshimura remembers all the various people in his life he either saved or was saved by. The last thing he sees is his beloved Ukina, the human who accepted him and even bore his child, who is now out there somewhere. You want to hope now that he’s paid for his sins with his life at last, he’ll be able to rest in peace with Ukina in the hereafter.

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Unlike Kaneki, who saves Koma and Kaya, Touka takes no action in the battle. This was probably a good move on her part, as I imagine she would have been outclassed here. Still, she doesn’t particularly look happy about sitting this one out. As for Hide, he’s somehow able to suit up as a CCG grunt to watch, which…well, that doesn’t exactly reflect well on their security procedures, now does it?

As for Kaneki, he isn’t able to simply walk away after dispatching the Second and Third CCG divisions. The Fourth still stands in his way, led by a particularly focused-looking Amon. I don’t imagine he’s in the mood for talk. And while Amon is the underdog in a fight with Kaneki, he’s got friends, and he hung in there versus an admittedly more unstable Kaneki at Cochlea, so he won’t be a slouch.

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Finally, as soon as Yoshimura is defeated, the other Owl, his daughter, arrives on the scene, ready to rumble against the by-now exhausted Doves. Yoshimura’s last request to Kaneki was to not squander his unique status as the one person who bridges the gap between ghouls and humans.

He also told him to try to save his daughter. With Kaneki and Eto about to enter into fierce battles of their own, prospects for either of those things happening seem pretty bleak.

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Tokyo Ghoul 2 – 09

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Last weeks long cold open told Yoshimura’s tale, and it was a stirring one. This week’s even longer cold open focuses on the Doves, how on the eve of their impending raid on Anteiku, are obligated to fill out their last wills and testaments prior to going into battle. But it’s not just a formality this time. You get the sense some of them really won’t be coming back.

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The various Doves, those we know well and those less-so, regard the duty, and cope with the prospect of their imminent doom, in different ways. Takizawa visit his mom. Akira visits graves, then tries to kiss Kotarou, who covers her lips with his hand. Hey, if there is no tomorrow, somethings need to be said and/or done.

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Takizawa, by the way, shows that without any specific vengeance in his heart like Akira’s or Kotarou’s, he can’t quite cope with the enormity of what he’s about to get into. All he can think about is how much he doesn’t want to die. But when going up against Yoshimura, everyone knows dying is a distinct possibility.

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On the other end of the spectrum is Juuzou, who turns his will into paper airplane, which speaks not just to his chaotic nihilism, but to his confidence he’ll come out of this like any other battle; with nary a scratch. What’s chilling is that I believe it.

In a nice bit of character connection across sprawling Tokyo, Ken spots Juuzou’s airplane and watches its flight, leading his eyes to a TV screen announcing the impending battle in the 20th Ward. It’s the same broadcast Touka is watching from a safehouse. Ken and Touka are the only two non-doves in this cold open, alike in the fact they’re both meant to sit this one out, despite how much Anteiku means to them.

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In one final powerful sequence, all the Doves we’ve watched separately are all assembled under the command of Washuu. They’re all there for different reasons and for different people, and despite the fact they’re about to set out to kill our friends, I just can’t see them as the bad guys. It speaks to TG’s fierce devotion to showing us all facets of its characters. In the field of cold opens, TG is locked in; in fact, if this episode were just those first eight minutes of change, I’d probably still give it a 10 despite getting only half the runtime I expected. It’s moving, masterful work.

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But we weren’t cheated. This episode benefited both from some fantastic character moments and some fantastic action. That action is brief, but effective, as we finally see Koma and Kaya in action (at least I think it’s the first time. I don’t recall if they were in the mall battle). They’re pretty badass when it’s just the two of them punching and carving through legions of CCG troops, but then they reveal they have their own ghoul factions fighting for them, this time on the same side, as it’s implied Yoshimura brought the two formerly bitter enemies together.

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Yoshimura himself makes a pretty fantastic entrance, complete with smoke, cloak, and a cool speech about how everyone is evil, because life is a succession of sins, i.e. people taking from other people. I don’t quite agree with him, but he’s right that there is evil in everyone, human and ghoul, and the answer to a peaceful world isn’t “Kill All Ghouls” any more than it’s “Kill All Humans,” as much as either side may want to make that happen.

Yoshimura, Koma and Kaya are fighting, in part, to punish themselves for their sins, but also to protect their younger members who will take their place. I imagine Yoshimura hopes for a time when those successors will find common cause with the Doves the way he was able to broker peace between warring ghoul gangs.

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But it’s clear those people, be they the remnants of Anteiku, members of Aogiri, or both, are a pretty long way from that point, and it doesn’t seem likely they’ll be spared the same suffering and loss that poisoned the previous generations of both sides, and the generations before that.

How can the cycle be broken when Touka won’t simply sit on the sidelines and let the old guard be killed? Touka manages to escape Yomo’s “protection” by pointing out that she too is guilty of sins. She wants to be punished too, even if it’s a futile attempt to hold onto the things slipping away from her. She’s lost enough. But her approach may only lead to losing more.

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Ken doesn’t intend to sit out the battle, either, but he’s not necessarily seeking punishment or revenge. He’s seeking to validate his strength and his agency. Far too many of his friends died and suffered to protect him, and now it’s his turn, come hell or high water. In the only character beat that fell somewhat flat, Ken rejects and defeats a ravenous Shuu, whose desite to eat Ken has driven him even more batshit crazy than he was originally.

Shuu may be a bit of an eyesore, but even in his crazy-ass obsessive state he’s at least pitiable. And in any case, Ken also has a great talk with Nishiki, who plans to honor the ones dying to save them and stay alive, which to him means running.

10_magRABUJOI World Heritage List

Tokyo Ghoul 2 – 08

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This is a different kind of episode of Tokyo Ghoul, made clear by the fact the cold open is over seven minutes long, comprised entirely of the sad tale of the “One-Eyed Owl” as told by Yoshimura to Ken, who is curious about him. These seven minutes are a masterpiece of form and emotional resonance.

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The last time I can remember being as moved, transfixed, and enraptured in an opening as I was here was in the flawlessly spellbinding beginning of Pixar’s Up. Unlike Carl and Ellie, Yoshimura and Ukina are able to successfully conceive despite being Ghoul and Human.

But they are pursued by other ghouls, and Ukina is killed. Yoshimura sets his infant daughter aside to avenge her mother, but when he returns she is gone. And that infant grew up to be Eto. And now I know their connection!

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Honestly, that cold open was about as good as a cold open can get, especially considering how much it opens up the formerly closed mystery that is the owner of Anteiku. The rest of the episode, almost halfway-done, boils down to the Doves’ continued interest in the cafe and in Yoshimura in particular.

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There’s a pall over Anteiku as the Doves, who are always cropped out of the frame to accentuate the fact that they are out of place and a looming threat. Watching Nishio and Kimi, acting like ordinary people, being watched closely by anonymous Doves, sent shivers down my spine.

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Yoma becomes aware of the increased surveillance, so Yoshimura does what he feels he must and sends Touka and Hinami away into the snowy night, to protect them from what could be an impending CCG raid. This entire sequence of events is subtly and impeccably handled, as it should be for someone of Yoshimura’s past and vast experience. Yes, he’s an incredibly badass ghoul, but he’d rather not bare those fangs, for it was over-exuberance that contributed to Ukina’s death.

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Just as Touka and Hinami are out of the picture, the Doves descend on Anteiku, but only one enters: Shinohara, who arrives not as a conqueror or oppressor, but a humble customer. The rapport between him and Yoshimura is steeped in old-school respect and decorum. Neither of them spout a single word of the reality of the situation they find themselves in; they both play it so very cool.

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But the reality is, the CCG now considers Anteiku and its proprietor as ghouls, which makes them a threat to civic peace. The encounter we witness is only the calm before the storm. Yoshimura knows it; Shinohara knows it. Even if Yoshimura was able to connect with a human and even allow her into his heart, such a thing cannot be replicated in the current, volatile environment.

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Kaya and Koma, Yoshimura’s loyal soldiers, make all the preparations necessary before this impending storm, and are both rewarded with cups of Yoshimura’s sublime coffee, every bean of which was treated with the utmost respect and care; a fact Yoshimura attempts to expound upon Shinohara as a symbol of how Doves should deal with ghouls and vice-versa. It isn’t a black-and-white world; there are bad Doves and good ghouls. But perhaps there’s also too much bad blood for that to matter.

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In a dark courtroom, permission is granted to launch an assault on Anteiku. CCG’s instincts aren’t all wrong; Eyepatch did recently visit. One of Ken’s hopes was to protect the cafe and everyone who worked there, but that seems increasingly unlikely after this week. That being said, the people who made Anteiku all remain alive and kicking—for now—so he can’t declare total failure quite yet.

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