BEATLESS – 02

Arato doesn’t really yet know he has a fugitive in his house, so I’ll forgive him for letting Yuka enroll Lacia in a fashion hIE competition that she then promptly wins. Still, considering all the danger he encountered upon meeting Lacia, you’d think he’d be a bit more careful.

But nope; the fashion thing goes through, Arato tells his friends at school (who agree with me that he’s probably not taking this seriously enough) and even lets Lacia accompany him on the train when he leaves his tablet at school.

Lacia shows him the nice view from the school roof he’s never seen, but the episode suffers from a lack of stakes or impending doom until the very end. Arato doesn’t sense any danger, which makes him less informed than us. If he had any notable qualities, that could be forgiven, but he’s pretty much a big not-steaming pile of meh.

That makes the fact he stumbled backwards into ownership of an elite luxury hIE all the more grating. He hasn’t really done anything but accept ownership; presumably he’ll start to experience the negative consequences of his choice, but this week he doesn’t.

Instead, he merely tags along during a live Lacia fashion shoot and “analog hack” that goes on too long and attracts a dubiously large crowd. It never comes across as anything but a tremendously bad idea.

All the while, I was thinking that at some point, Memeframe will come looking for her in some capacity, although perhaps the destruction caused in their escape hindered their ability to track their property. As for Arato’s nerdy friend Kengo, he’s paid a visit by Kouka, who doesn’t seem particularly interested in having an owner or following commands.

If Memeframe isn’t going to come into the picture soon, maybe Kouka and the other escaped fugitives can bring the storm…because this ep was too heavy on the calm.

BEATLESS – 01 (First Impressions)

Yeah, we usually started in September…

In a technologically-advanced, highly automated future where androids called hIEs serve mankind and are treated as tools, nondescript protagonist Endou Arato does have one unique quality: he has compassion for these “tools” as if they were real humans with souls.

He helps the hIE assisting an elderly woman cross the street, and takes the disembodied arm of an hIE to the police. He’s a good kid, even if his friends scratch their heads at what they see as unnecessary behavior.

In addition to a somewhat cryptic cold open in which he watches hIEs being made and coming to life (and going wrong for that matter), I felt Arato’s ingrained compassion would end up working in his favor even as five Memeframe Corp. elite hIEs violently escape from their cage in Odaiba and scatter, causing chaos and destruction in their wake.

BEATLESS may not be the most groundbreaking stuff, but it does realize and advance quite a few pieces of tech still in their relative infancy today, such as fully autonomous cars, robotic eldercare assistants, and even clothes with built-in climate control.

The way the military operates here in trying to apprehend the hIEs is also well-grounded in existing tech, with the bots doing the fighting while the humans keep a (mostly) safe distance. We also see the downside to dependence on so much technology (the aforementioned chaos and destruction). Kouka (the red hIE) seems to place as much importance on human life as Arato’s friends place on hIEs.

Speaking of chaos and destruction, Arato is cursed with one hell of a piece of work of a little sister in Yuka, who lounges around waiting for dinner, then eats all the meat before Arato is done cooking the rest, forcing him to go out and buy more a mere hour and a half from midnight.

After shopping at a nightmare supermarket with no human employees, he encounters an hIE acquaintance, “Ms. Marie” whom he laments he doesn’t have at home to help deal with household duties (since Yuka presumably does none).

Just as he does, one of the not-so-nice hIEs, Snowdrop, uses “flower petals” to hack every piece of machinery in the area, and both Ms. Marie and the nearby cars start trying to kill Arato…until he’s saved by a nice hIE.

This powder blue-haired hIE, Lacia, determines Arato would make a good “owner”, and she needs such an owner to take responsibility in order for her to take action. After a lengthy, somewhat momentum-killing but still kinda amusing scene in which he accepts the terms of the license agreement (as one does), Lacia eliminates the threat with something akin to an EMP.

Yuka initially wigs out when Arato brings Lacia home, but quickly falls in love after Lacia quickly prepares a sumptuous midnight repast for the Endous. Later, while serving Arato tea, Lacia reiterates to him that she has no soul, and that her “behavior” is just programming. But Arato doesn’t care, because Lacia moved him nevertheless.

‘Treat others as you’d like to be treated, even if those others are artificial’ seems as good a slogan for Arato as any, especially if the not-so-nice fugative hIEs out there start terrorizing the population. I can’t imagine it will be long before Memeframe or the military find Lacia and Arato and Yuka get dragged into a good bit of drama. I suppose I’ll watch on for now and see.