Black Lagoon: Roberta’s Blood Trail 5

Roberta’s blood trail ends in one final bloody stand deep in the golden triangle. With help from the team of American soliders, Garcia confronts his maid – riddled with bullet holes and almost entirely mad – and persuades her to stand down. Rock gets the ending he wanted, Revy is as angry and bitter as ever, and Roberta returns to Venezuela with her master and Fabiola, where the physical and emotional healing can begin.

I always assumed that Roberta’s story would end pretty much like Scarface’s…propped up by drugs but eventually without enough limbs attached to her or blood left in her veins to maintain life. That’s how this last womanhunt initially goes down, as the soldiers are able to take little bites out of her here and there in exchange for their lives. But it’s his lordship, Garcia Lovelace, who finally grows a pair and takes a gun – and matters – into his own hands. He doesn’t want revenge anymore…he just wants his maid back.

Due to the time between installments of this OVA, a lot of the stuff Rock was talking about and his bet with Chang escaped me, so I pretty much ignored his increasingly annoying ramblings (though I liked how both Revy and Fabiola got in his face about it). No, I focused on the excellent action, in which military discipline and precision clash against the wild animal that was Roberta, prior to being snapped out of it by Garcia. I’m pleased that a relatively happy ending was reached that didn’t feel like a cheat, without anyone major dying.


Rating: 3.5

Advertisements

Deadman Wonderland 12 (Fin?)

Well, I guess that was a kind of an ending, but it certainly didn’t answer all that many questions that were posited in the build-up of this series. Karako and Ganta manage to get Nagi to snap out of it; Ganta protects Shiro and asks for her forgiveness, and then proceeds to kill Genkaku (whom we get a little background on) with his best Ganta Gun bullet yet. And then…the series just kinda…ends.

Toto, who had just been introduced, just shows off how deadly he/she is by totally wasting the second grader, and he/she seems to want to kill Ganta, but none of that happens. Everybody seemingly runs out of time. The only sure thing is that Ganta and Shiro are friends again. But even that isn’t certain, because we know that Shiro is Red Man, and if Ganta ever found out that she was the one who killed his class, he’ll surely be none the kinder.

So what, are we supposed to expect a second season? I’m not all that okay with that. I was invested for twelve episodes, and even though by the tenth or eleventh it was pretty clear things weren’t going to be resolved, that doesn’t mean I have to like it. AnoHana was a brillant series that managed to accomplish everything it set out to do and then some, in only eleven episodes. Now after twelve of this, I feel like more effort should have gone into bringing the story to a conclusion, It’s a good story; why drag it out? Rating: 3.5

AnoHana 11 (Fin)

That was a properly fitting and satisfying finale. It cemented its place as the best series of the season by far, along with perhaps the most consistent, moving and best-executed eleven-episode series I’ve ever seen. I was expecting a good ending, but I could never have predicted just how totally it would kick all ass. Nothing in it felt the slightest bit contrived or out of place; it remained fiercely true to its characters, and above all, was a surprisingly happy ending, and the perfect place to close the book.

After Menma fails to pass to heaven, the busters regroup and it turns into an all out cryfest, with everyone pouring their guts out. Even Tsuruko gets worked up for the first time. Even Poppo lost his composure. And in this mega-catharsis, they all finally realize that none of them are alone in their inconsolable grief or guilt. They’re all in the same boat. They can all forgive each other, and themselves. They all love her. And I’m sorry, but Anaru’s little eyelash moment was the perfect way to re-lighten the mood.

After this, Jintan races home to collect Menma so they can finish things and say goodbye. But she’s fading fast; it turns out, her wish was inadvertently granted: the wish to make Jintan cry. She promised his mom she’d do it. More specifically, to make him break out of his shell and properly grief, embrace the pain and the love that’s released, and to be able to live his life. By the time he reaches the base, he can’t see her anymore, and is sent into a panic. “Oh no,” I thought; “Will this just end with him still crazy?”

Thankfully, I had no reason to worry. She says goodbye to them all by hastily scrawling goodbyes to everyone, which sets off another cryfest. All that’s left is to finish the game of “hide and seek” – at the end of which everyone can see Menma – and get Jintan to cry once more, and then she disappears, content and with her wish fulfilled. Closure at last!

What follows is a phenomenal end-credits epilogue, in which Jintan goes back to school and shows signs of giving Anaru a chance; Poppo is working construction and studying for a diploma; and Yukiatsu and Tsuruko become an item (her tiny smirk is genius. I honestly wouldn’t mind these two as the focus of a spin-off).  This series was an emotional roller coaster, and its makers knew the viewers wanted and deserved this ending and wrap-up. Menma’s ultimate gift was bringing these friends back together.

So what have we learned? Well, first of all, director Tatsuyuki Nagai and scriptwriter Mari Okada put on a romantic drama clinic, and I shall most definitely be looking out for their next works. Secondly, don’t collapse within your own grief. Everyone has it; let it out and make your true feelings known. Don’t let ghosts haunt you. Er…don’t go up to a hotel with a guy you just met. And, of course stay in school! Rating: 4 ~Series elevated to Favorites~