The Day I Became a God – 04 – Slapping the Winds Together

After a virtually incomprehensible cold open in which Suzuki watches an interview between two scientists that left me scratching my head, we’re back to the Narukami residence, with Youta catching the beautiful, brilliant lawyer Tengan Kakou on the TV.

Before he knows it, Hina is winning an online mahjong preliminary in his name, stamping his ticket to the in-person tournament organized by his TV crush! Even Izanami, a mahjong buff herself, attends along with his best mate Ashura.

I’m just going to put this out there: I don’t know jack-squat about competitive Mahjong, having only played the solitaire version that’s just matching up like tiles. Narukami is similarly a complete novice, but received precise divine instruction from Hina. His resulting tactics in the game do not conform to the traditional competitive play—which just happens to be what Tengan Kakou wants.

This episode seems like a case of me enjoying watching Narukami fall far behind as if he had no idea what he was doing (because he didn’t, he’s just following Hina to the letter) then come roaring back with some frankly ludicrous bending of the rules, which even leads to the adoption of Uno rules. At the same time, I kept feeling a bit left out due to my aforementioned ignorance of Mahjong’s rules and terminology.

Fortunately, what we saw probably couldn’t be described as anything resembling a “normal” game, and indeed there were times when it seemed the show was parodying serious obscure game competition shows like Chihayafuru. Youta simply kept bastardizing the obscure terms until he adopted a game language all his own.

Not only does he win fame (and likely a tidy cash prize), but the attention of Tengan Kakou, who is initially cordial in her congratulations but before long is macking strongly on someone I assumed hasn’t quite reached age 18. Those uncomfortable undertones aside, their use of Mahjong terms as double entendres makes for quite the side-splitting exchange between the two:

“I’d like to see your infinite reiichi.”

“But you can score! An incredibly high-value hand! It’s an extraordinary yaku you may never encounter again!”

“I’m in unrequited love with another woman, which earns me the furiten penalty. Therefore, I am unable to score!”

Sadly for Youta, the unrequited love for whom he spurned the Great Tengan Kakou (leading to her sic’ing her bodyguard on him, who tears off the sleave of the suit he borrowed from his dad) took off for home without waiting for him, rendering this entire enterprise somewhat pointless.

There are thirteen days left until the end of the world. Unless something of genuine substance comes from the hacker-and-scientist side of things, it’s looking like Hina’s goal isn’t for Youta to help her save the world from ending, but simply living his life to the fullest until it does end. Or perhaps these experiences are somehow preparing him to save the world when the time is right?

All we know is, Youta has performed a piece of music for Izanami, rescued a family ramen joint, and won a mahjong tournament all in the same summer, with more to come. He’s having himself quite a summer. Like the ridiculous mahjong match he played, I’m fine just enjoying the crazy ride for now.

The Day I Became a God – 03 – Shouting for the Future of Ramen

Youta’s little sister Sora has a strong sense of justice, since she feels obligated to help her senpai (and film club alumnus) Jinguuji Hikari out at her struggling ramen restaurant. Sora ended up getting chased by an unscrupulous debt collector, but her family and Hina won’t let her fight this fight alone. And by that, they all agree Youta should help her out.

Hina is supremely confident in her plan from the start, almost as if she knows how it will turn out—which I guess she does, seeing as how she’s a god and all. But it requires more strenuous work from Youta, who poses as a babyfaced 40-year-old “revitalization contractor” who promises to turn Hikari’s business around in a week—for the low price of ¥300!

Following Hina’s instructions to the letter, Youta practices tough love as he picks apart all of the flaws in Hikari’s menu and business model, and gets her to reformulate her ramen and develop a cold noodle substitute. He does this while shouting quite a bit, as if to shake the lovely Hikari from complacency.

Youta’s seiyu Hanae Natsuki is up to the task of strict taskmaster, and his detailed explanations for the changes Hikari is making—even changing the name from “Heavanward Ramen” to “Fallen Angel”—are delivered with hilarious conviction and intensity.

With the restaurant now serving food that’s tasty and cheaper to make, Hina’s next phase involves Youta the “40-year-old contractor” doing an interview for TV in order to create media buzz. The resulting segment is extremely well-produced, with Youta not just sitting in a chair between two ferns but in thematically-appropriate settings.

Like the film spoofs last week, Kamisama ni Natta Hi knows when to let its hair down and get silly, but here gets silly with such a stern straight face it accentuates the absurdity of, say, Youta’s claim to have worn the same one suit for ten years, even during his climb up Mt. Everest!

In an interesting segue, we meet a new character while he’s watching Youta’s interview in the back of a car. His fingers are bound and he’s being driven by a MiB handler, and we learn why when a mom calls out for her lost child: he’s some kind of master hacker who uses computer gloves to create a Minority Report-style floating 3D interface wherever he happens to be.

The silver-haired (and silver-tongued) lad quickly locates the lost daughter and reunites her with her mom, after which his handler re-locks his hands and return to the car. How exactly this hacker kid will connect with Youta and Hina, we’re left to speculate.

Meanwhile, Hina’s plan is a huge success, as there’s a line going outside Fallen Angel for its grand re-opening. That only leaves one more matter her plan must account for: the predatory lender. When he arrives to throw his weight around, Hina has Youta fight him.

While this would normally be impossible, as Youta is far more into basketball than martial arts, Hina laid out a sequential series of steps on the floor for Youta to follow so he’s able to dodge the low-level gangster’s punches and land a couple of his own, hastening the tough’s retreat.

With Hikari’s family business saved and the threat of the loan shark neutralized, Youta comes clean about being Sora’s brother, not uncle, and having never won a baby-face contest (as, he hilariously puts it, such contests don’t exist).

Hikari admits she already knew he was putting on an act (thanks to her film club experience) but adds that his efforts were real, as were their effect the restaurant. Youta, in turn, urges her to direct all praise to Hina. He’s not sure if she’s really a god, but is she isn’t that was a lot of coincidences, right down to his fight!

The episode closes with our learning the hacker’s name—Suzuki—as he’s been conscripted to find dirt on a preeminent quantum physicist and computer scientist. Could that be the guy who causes the end of the world, which is now in just seventeen days? We shall see. Until then, this was a fun “project” episode that gave Youta another chance to demonstrate he’s an uncommonly capable lad when following a divine plan.

Rating: 4/5 Stars

The Day I Became a God – 02 – The Skies, the Sun, the Earth, and Time

“Odin”, AKA Hina, makes herself at home at Youta’s, and to his shock neither his mom nor dad have a problem with her staying as long as she likes, both of them insisting she’s a relative without evidence we’re aware of.

Could the fact the Narukami’s all have god-like names be a hint that they’re related to gods? Whatever the case, her interactions with Youta, his parents, and his little sister Sora are wonderfully animated by P.A. Works and performed by Ayane Sakura.

Youta elaborates on his long relationship with Izanami, who became extremely introverted after her mother died young. Once preoccupied with basketball, Youta committed to spending more time with her, and that’s when he realized he loved her—and really had always loved her.

Barring a plan to save the world, Hina comes up with a fresh plan to help Youta win Izanami’s heart and help Sora with her film project. After the baseball fiasco Youta is reluctant to participate, but when beloved little sister asks if he’ll help with her project he immediately agrees.

What results are three wonderfully blatant rip-offs of Armageddon, Rocky, and Edward Scissorhands. Hina’s scripts don’t just open Sora up to unwanted legal action, but the dialogue is written in a David Mamet-esque scattershot rhythm that saps any emotional resonance the scenes had in the movies they’re aping.

Nevertheless, Izanami is surprisingly game, though her movie dialogue seems sprinkled with lines that are actually her own words, like “Doesn’t your father have work?” I found these scenes, and both Youta’s and Izanami’s commentary, hilarious, Sora is licking her chops at the footage she’s amassed.

However, the project utterly fails to move the needle for Youta vis-a-vis Izanami, so Hina comes up with something knew. And again, Youta learns he doesn’t know Izanami as well as he should, as Hina tells him Izanami’s dream is to be a musical director for movies. She ends up writing a moving piece of music that Youta intensely practices at the music store over a period of days.

Youta asks if he can come to Izanami’s house to play it for her, and she seems genuinely intrigued. When he can’t quite get the tempo right, she sits beside him and plays it perfectly, revealing to him just how lovely a piece it is. More importantly, Izanami really seems to come alive, wearing a placid smile as she plays it.

When the time comes to again tell her how he feels, Youta isn’t able to do so, but he at least buys himself another opportunity down the road when she agrees the two of them should study more. I kinda wish he’d actually told her his feelings, so that if she rejected him again he could at least find out why—even if it’s as simple as “I don’t like you that way.”

That night Hina castigates Youta for choking, but just as his father is asking where Sora is and expresses his worry, his mom drops and shatters a plate, increasing the unease. Then Sora’s classmate shows up at the door with a bruised and barely conscious Sora. What could be afoot here, and with twenty-four days before the End of Evangelion?

Rating: 4/5 Stars

The Day I Became a God – 01 (First Impressions) – O Ye of Chibi Faith

From Maeda Jun and Key (Air, Clannad, Angel Beats!, Charlotte) comes a new show with a wonderfully simple premise. Ordinary high school senior Narukami Youta encounters a little girl in nun cosplay claiming to be a god, Odin specifically. She doesn’t explain why she’s approached Youta, just that she has, and that the world will end in 30 days.

Their dynamic is pretty predictable, and your mileage may vary on its level of irritating, but Youta is understandably skeptical of this kid with apparent Chuuniboyou, and his attempts to treat her like a kid are met with shrill tantrums. It works for me, and Ayane Sakura and Hanae Natsuki have good comic timing and chemistry. Then you have Youta’s childhood friend and unrequited love, Mikasa Ack–err, Izanami.

“Odin” hacks away at Youta’s doubting bit by bit, first by predicting rain, then a bus getting stuck in traffic, and finally the entire order of a horse race on TV. Youta removes her from the ramen stand and demands an explanation, but he’s already given him one: she’s an omniscient god.

Now that she’s with him, he has the power of the gods. When asked for his wish, Izanami’s heart comes to mind. Odin can’t make her fall for him, but she can help him to become someone she will fall for.

They start with her love of baseball, with Youta challenging the entire team to a one-out game. Odin correctly predicts every pitch but he strikes out looking since she was unaware you only get three strikes. When he approaches Izanami, who was watching, and asks her out with a dramatically gorgeous and romantic backdrop…she rejects him.

Youta remains in a heap as the sun sets, and Odin eventually says they should be heading home. When Youta declares his parents would never take her in, she has him call them, and his mother swiftly approves once he says she’s an grade schooler in a nun outfit. Does his mom know something he doesn’t?

All of Odin’s predictions indicate she’ll also be correct about the end of the world in 30 days. Maeda Jun’s works usually make you laugh at first and then cry a lot later, so the world’s end may be unavoidable. Perhaps the goal is not about preventing the apocalypse, but Youta simply living the last thirty days to the fullest, with the help and power of a god by his side. We shall see!

Gleipnir – 05 – Man Gotta Have a Code

The cold open establishes the hazards of the woods where the Gatherers are gathered. One of them is searching for coins when she’s surrounded by a group who claim the woods as their turf. But if there’s no risk, there’s no reward. Claire believes the right strategy is to meet the danger head-on, lest the coins all get snatched up while they’re being slow and cautious.

Her strategy is soon put to the test when they encounter a demonic-looking Gatherer with swords for arms. But despite his evil looks there’s a reasonable man inside—a college student named Tadanori Sanbe. He reveals his identity as thanks for when Claire puts her life on the line to fight him; all others have run from him, and with good reason: he’s hella strong.

Claire wonders if she erred here, but when Sanbe reveals he’s a decent guy, and Shuuichi’s gun manages to pierce one of his arms, the duo splits up, with Shuuichi as the bait giving Sanbe a bear hug while Claire holds him at bay with the gun. Sanbe, who is very samurai-like in his outlook, takes the defeat in stride, and is also bashful around a half-naked Claire.

Their friendly chat is suddenly interrupted by another Gatherer in the form of a green Titan. He’s snapped photos of everyone and declared them his new slaves, and promises he and his friends will do all kinds of awful stuff to Claire in particular. This gives Sanbe the chance to reveal another part of his code: he won’t kill needlessly, but a threat from a scumbag is met by swift, deadly force.

Claire is delighted that Sanbe is clearly on the stronger side of the scale, so it’s great that he’s now on their side: he’ll help them collect coins if he can continue testing his strength and honing custom unique martial art. He has no qualms about partnering with two worthy adversaries.

It’s clear now that at least where fights are concerned, Claire is no longer the puppet and Shuuichi the puppeter: there’s true cooperation at play…not to mention Claire remains steadfast in her commitment to die with Shuuichi. Sanbe’s an interesting Chad-like addition to their weird little party.

Gleipnir – 04 – A Place Where She Belongs

Immediately after Elena’s Bad Side rips Shuuichi’s head off, Elena’s Meek Side comes out and apologizes for doing something so rash. Claire, her head now exposed, rushes Elena in a rage but is quickly overpowered and upended. That’s when Elena realizes it’s her sister inside Shuuichi. Elena disputes Claire’s assertion it was wrong for their parents to die since they were both immoral people. After receiving a phone call, she gives Claire a coin and withdraws.

Fearing Shuuichi did not survive his beheading, a tearful Claire prepares to shoot herself, thus honoring their promise to each other. She’s stopped when Shuuichi’s head wakes up. He may not currently be what one would consider “alive”, but he’s not about to let Claire kill herself before he’s dead for sure. It’s a damned close call, but a sign that Claire still takes their promise seriously.

They meet the alien at the abandoned motel, and he gives them a bit of an infodump, though to be fair, the two could use one, as much in the dark as they are. Meeting Elena raised more questions than it answered. He uses the coin Elena gave Claire to produce a healing drink from the vending machine that fuses Shuuichi’s head back to his body.

As he heals, Claire climbs out of him, and the Alien is impressed with her bod. Heck, because he copied the ideal male body so accurately, he even gets a little horny, asking if he can cop a feel before Claire kicks him. Then he uses one of her hairs to copy his body, to show Claire how the coins make you transform into your “ideal self”.

Of course, in Shuuichi’s case, he transformed into Elena’s apparent ideal version of him: the manic cartoon dog strap on her bag. But if they “gather” 100 of the Alien’s coins, which are the embodiment of his fellow aliens in data form, they’ll be able to transform into an invincible superhero, able to bend the world to one’s will.

When Shuuichi’s neck is repaired and he transforms back into a human (with a nasty neck scar) Claire pulls him into a dramatic hug, so glad she is that he’s okay. She tells the Alien they’ll give the offer some thought, and they take their leave. When Shuuichi laments that they’re in such a big mess, Claire retorts that her life has never been better since she met him, and found a place by his side (and yes, inside his mascot form).

As his bond with Claire continues to evolve and deepen—one could say they’re becoming even more of a single unit—Shuuichi finds his personality evolving along with it. At school, he doesn’t suffer bullies and easily overpowers one.

He can smell Mifune coming and makes her attempt to find out what’s up with him as awkward as possible by asking her a not-so-hypothetical question about what she’d do if the world were ending because someone she knew gained the power to end it. Mifune can only nervously laugh it off, but he’s pleased by her very normal answer: she’d do everything she could to protect her family and friends and to get the bad guy to stop.

Shuuichi greatly values normalcy, as much as Claire doesn’t value it. But it’s clear he’s already left the world of the normal, swept into the orbit of the very abnormal Aoki sisters, perhaps never to return. He doesn’t want Claire to die, and yet he doesn’t exactly seem happy about the turn of events that has to tightly tied their fates together.

This results in him musing in meta fashion that he’s not the main character here, and there are things at work of which he and Claire have yet to scratch the surface. But a good start is the mountains where the Alien spaceship crashed. Not only will they find more coins, but more Gatherers like them, and more answers.

It will be dangerous, but Claire assures Shuuichi that he shouldn’t worry, because he has her, ready willing and able to make up for his weaknesses, act when he can’t, and if it all goes horribly wrong, die beside him so they’ll never have to feel alone again.

Vinland Saga – 10 – Dawn in the Age of Twilight

Vinland Saga has become an exercise in guarded patience, centered around the question of how long Thorfinn going to pursue revenge, and when he’s going to wake up and live his own damn life. Maybe that’s what he thinks he’s doing, and his father, both in life and in his dreams, is just wrong that there’s a better path than the one he’s on.

Maybe Thorfinn is simply caught in the inertia of the events surrounding him, and would simply rather put effort in what he sees as a sure thing—one day cutting Askeladd’s throat—than the uncertainty of returning to a life of peace with his mother and sister. After all, Thors tried to live that life, and failed when his past caught up to him.

Whether consciously or not, Thorfinn is drawing nearer to ending up just like his old man: strong and distinguished, but in too deep to ever get out. But he’s still young, and as many lives as he’s taken, it probably doesn’t come close to the number his father took. There is still plenty of time to turn his life around into something worthwhile.

His dreams start as an idyllic life that never was with his family in the endless, rolling, fertile hills that look a lot like England (or possibly Vinland). They end with the skies darkening, his village attacked, and his father run through with arrows. Will Thorfinn ever take that dream to mean stop wasting your life chasing revenge and return to his family?

Maybe, maybe not. As Vinland Saga reaches its midpoint, I’ve found Thorfinn’s quest for revenge misguided and increasingly not that interesting. I’d like to know whether it’s going to reach a point where he either finally manages to kill Askeladd and moves on to something else, or walks away from that quest entirely.

But the cloud of uncertainty persists without any regard for my wishes, and in the meantime, the Danish war with England seems to be winding down. Askeladd’s men have been mopping up lesser villages as the main army has headed north to rest. Canute has failed to do anything with his 4,000 men in London, preferring to pray to Jesus in his tent.

Askeladd’s men are so restless, the smallest insults between them become pointless fights to the death. Having awakened from his beautiful, terrible dream before dawn, Thorfinn stays above the encampment, among Roman ruins, where Askeladd finds him.


It’s there where Askeladd attempts small talk but is rebuked by Thorfinn, asserting “they’re not friends” and that he hasn’t given up his goal of slitting his throat. Askeladd likes Thorfinn’s look, but still isn’t scared. He knows time isn’t on his side, and that his would-be killer will continue to grow stronger as he grows older and weaker.

But by that same token, if the Christians are to be believed, Judgment Day and the end of everyone and everything on earth, could be upon them in as few as twenty years (an event Thorfinn likens to Ragnarok). Considering the Romans were a far more advanced society than the Saxons who defeated them (not to mention the Vikings on the cusp of defeating the Saxons), it certainly seems like humans have had their time in the sun, and now live in an age of twilight.

And yet, the sun still rises just as it always has, bathing the land in light and possibility. With the dawn comes a rider from London, who reports that Canutes forces were routed by the English led by Thorkell, who’d grown impatient waiting on the bridge and is marching his men north to meet the main Danish army.

The war is not over as long as Thorkell is with the English, while Askeladd sees the potential for great riches if he and his men rescue Prince Canute. Not wanting to share the glory or spoils of such a victory, he kills the messenger, and will make do with what he has. He fires his men up, and Thorfinn seems poised to continue following him.

If the end is coming for all, Askeladd will be satisfied with “going out with a bang.” But as we know, the world wouldn’t end in twenty years, meaning final blazes of glory are woefully premature, especially for someone like Thorfinn, who still has a mother and sister to protect, and a family and home of his own to build. With so many dawns he has yet to watch rise above the horizon, it would be a shame to descend into night now.

Shoujo Shuumatsu Ryokou – 12 (Fin)

Aboard the derelict sub, the girls find a clean boat, chocolate…and a kind of patchwork history of everybody and everything that came before them, thanks to the camera auto-syncing with the monitors on the bridge. In addition to all the pictures they took, and those Hanakawa took before them, the camera is a veritable cornucopia of visual (and audiovisual) information.

The content ranges from simple images of life and death, to the reports of a school robotic research club, to news reports of a worsening geopolitical situation that leads to large-scale war and genocide. On the whole, though, Chito and Yuuri feel less lonely, now that they were able to watch how others lived.

Suddenly processing more information than they ever had before proves exhausting for the girls, who fall asleep under the consoles and dream of their escape from their town.

When Chito wakes, she’s too late to do anything about Yuuri getting swallowed up by a giant version of Cut. Chito suspects Cut might’ve been some kind of lure used by the bigger ones, but Cut’s body language suggests that’s not the case.

Chito runs through the submarine, desperate to find her one and only companion, and eventually emerges from the conning tower to find the Big Cut isn’t interested in eating living humans, and spits Yuuri out. It then transforms to reveal it’s a kind of semi-sentient mushroom.

The mushroom has a mix of good and bad news…though I guess it’s mostly bad for humanity. They are systematically ridding the earth of toxins leftover from the human population after it destroyed itself with war. Yuuri and Chito are the last two humans left, by the mushrooms’ reckoning.

All machinery will shut down around them, and after they’ve passed away, the world will enter a period of rest and inactivity, as the mushrooms hibernate. With that all said, mushrooms emerge from the nuclear missile tubes of the sub and they all ascend into the sky, likely to start “cleaning” the higher levels.

There’s not much for Chito and Yuuri to do but continue on their tour, with the goal of reaching the highest level. Even with their companion/pet Cut gone off with its brethren, Chito and Yuuri aren’t lonely, nor do they care if the world ends, because they have one another.

As with so much relating to this show, it’s simultaneously a deeply bittersweet ending, conveying the lesson to not be troubled by things life you can’t control (like the ending of the world) and take comfort in those you can—like who you choose to spend your days with.