GATE – 19

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With Mort out of the picture (he doesn’t seem to be dead, but he’s in no condition to rule), Zolzal takes over and wastes no time stoking anti-peace sentiment among both the armies and masses. Tyuule, who has had proper clothes for a while now (compared to a burlap shift anyway) is overjoyed by this development, because she’s certain Zolzal’s warmongering will lead to his downfall.

Using Zolzal as her pawn, Tyuule has bascially stolen a march on both Pina’s peace negotiations will now only serve as stalling as Zolzal approves unethical tactics in order to weaken the JSDF and its position in the special region. He and his advisors may be fools, but they at least realize a head-on fight won’t work.

Pina wants to try to slow Zolzal’s march to war, but her other brother Diabo flees the capital to round up a force of foreign countries to deal with Zolzal the only way he thinks they can: with the sword. And while I like Pina and appreciate her position as the only sensible member of the royal family, that doesn’t mean I find her character all that compelling.

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That’s why I was glad for the cut back to Rondel, where characters I frankly am far more invested in about are engaged in activities very much unrelated to the interminable palace intrigue of the capital: Lelei’s preparations to become a master. Her big sister Arpeggio comes more into focus as someone who’s always been in her genius little sister’s shadow.

There’s also an unexpected reunion between Rory and Mimoza, the two of whom last met 50 years ago. Rory’s advanced age and natural gregariousness owing to her demigod status, you never know who she’ll bump into next, and I like how Mimoza took her “homework” seriously, devoting years to studying the history and pre-history of the world to determine why there are so many races.

Her conclusions are fascinating: the Gate isn’t just something that connects to the Ginza; it’s a cyclical portal that has dormant periods like a volcano, and each time throughout the centuries, it has opened to a different realm. Beings from those realms would come through, fight, breed, and become a part of society in the world. Even more intriguing? Humans were almost certainly the newest race to come through.

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Other revelations include Arpeggio’s side-job copying books (underlining her pathos relative to her wondersis) and Lelei’s sneaky little pronouncement that Itami is not, in fact, single, since she and he spent three nights in the same room together. She also firmly contends Tuka’s nights didnt’ count because she was insane at the time and thought Itami was her dad. I’m inclined to agree.

But Arpeggio’s inability to snag Itami as a husband because Lelei got to him first is the last straw, and she’s forced to challenge her sister to a magic duel by way of inverted soup bowl (thankfully, not scalding). While Itami is appropriately lost and of the belief the sisters are taking things too far, everyone else carries on as if this was a regular occurrence … because his is the thirteenth such battle between them.

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Arpeggio was a whiny sad-sack for so much of the episode prior to the duel, it was good to see her in action, holding her own against an aggressive Lelei who unveils heretofore unseen abilities like witch-like flight. I also appreciated that the sisters’ distinctive styles match their personalities: Arpeggio grounded and practical, Lelei with her head in the clouds, dreaming big.

Despite its non-lethal nature, the duel is fast and loud and exciting. The girls eventually essentially tie when both their magical defenses are broken (though Arpy’s broke fist), but that’ when things almost do turn lethal – when a cloaked assassin very nearly puts a crossbow bolt between a defenseless Lelei’s eyes.

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His attempt is thwarted by Grey, who has just arrived with Hamilton to protect Lelei and escort her back to the capital, where she’s become an Imperial hero due to her actions in the fire dragon battle. I say her and only her because she’s the only human; as for being an Imperial citizen, Lelei takes exception to that classification, as she still considers herself a member of the Rurudo clan first and foremost.

Regardless, Zolzal no doubt wants to make her another tool in his upcoming war with the Greens. Tyuule is now trusted to meet with senators on his behalf to present them with new laws that will allow him to arrest and convict whomever he chooses – no doubt laws he deems necessary in times of war. As for Itami, he probably has the right idea: simply run for now, while staying appraised of the increasingly volatile political situation.

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GATE – 18

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For abandoning his original mission, Itami is stripped of his command and suspended for two weeks by his immediate superior (the chain is the chain), but he’s also awarded a number of commendations both from the MoD and the local powers who benefitted from the defeat of the Fire Dragon. He also apparently owns Yao Haa Dushi now, which is…interesting.

He’s also given orders to “investigate the Special Region’s resources”, which is basically carte blanche to do whatever the heck he wants (which isn’t all that different from how things have been up to this point). With this new/old power, he has Lelei practice her driving skills as they head to the academy city of Rondel.

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There, Lelei prepares to appeal to the academic authorities for a mastership, which means dressing the part. This requires interaction with the hyper Grand Master Mimoza, but Itami, Rory, Tuka and Yao also end up meeting Lelei’s sister, Arpeggio, with whom Lelei seems to have a strained relationship, at best.

I must say, the transition from the resolution of Tuka’s dilemma to Lelei’s arc seemed a bit…abrupt. It’s also a bit laughable how regularly Itami escapes punishment for breaking protocol. For a show that glorifies the JSDF, a force of thousands working as one, both GATE and the force are awfully forgiving to a single soldier who always acts on his own, simply because it always seems to work out.

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Anyway, that’s all we see of Itami & Co; the rest of the episode is spent with the crew in the capital, including Sugawara, who is being constantly hounded by the 12-year-old noble Sherry, who has fallen in love with him and is committed to being his future husband.

This would be annoying, except that Sherry exhibits wisdom beyond her years, understanding what needs to be done for Japan and the Special Region to achieve peace (though a senior diplomat is clearly concerned with Sugawara’s relationship with the girl). Meanwhile, Prince Zolzal is frustrated with the apparent progress in peace talks, while Tyuule, now allowed to wear more than a burlap shift, continues to barely restrain her contempt for the shitbag.

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The night Pina and Zolzal’s dad emperor Mort (quite the foreboding name) welcomes the Japanese diplomats bearing POWs from the initial attack on Ginza (people Zolzal knows by name), Tyuule’s latest scheme is set in motion. It’s a pretty simple scheme: she poisons the wine the emperor drinks to toast to peace.

With Mort dead, Crown Prince Zolzal is now emperor, and it’s pretty clear from what we’ve seen that he’s not at all up for the job. Of course, that’s just fine with Tyuule; he’ll press for an all-out war against Japan and the JSDF – a war he can’t possibly win – and in his foolhardiness and the arrgance she built up in him, he will hopefully destroy himself and his empire, giving Tyuule the revenge she’s sought all along.

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