Re:Creators – 21

Thanks to Magane, Souta was able to create a miracle in bringing Shimazaki Setsuna back to reunite with her creation Altair. But early in the reunion, I was filled with a constant uneasiness—and was no doubt meant to be—would the all powerful Altair truly accept this?

If not, how long would it take before the spell was broken, she breaks the train station world, and returns to the real world. What the heck will Team Meteora do then? Everything is on the line here.

Well fortunately, there are no further twists or turns or defeats for Souta and the team; this really is it, and as soon as Setsuna speaks, Altair is well and truly neutralized as a mustache-twirling, world-ending villain. She becomes something far more complicated and interesting; something she only could have become by meeting her creator.

Setsuna doesn’t transparently beg Altair not to destroy the world. Instead, she starts by apologizing for making Altair carry the burden of “curses” she carried with her until death and transferred to Altair. Without judging her, Setsuna earnestly thanks Altair for her efforts, even if they were ultimately misguided.

Setsuna also impresses upon Altair the fact that she is no longer simply her creation; she’s become accepted and loved by everyone as a “king” or “knight of the weak” who took her weaknesses and made them strengths. Altair will always have power, and never be alone, as long as those others exist.

So, realizing her presence is a miracle, but a “twisted” one that shouldn’t be (at least in her world), when the train alarm sounds, she walks to the same spot where she walked before and leaps out over the tracks. Only this time, because she’s not alone, Altair rushes in front of the train and destroys it with her Holopiscon.

When she finds no matter how much she hacks at it, the train will still come in a fraction of a second, Altair redirects the infinite power Setsuna and the world has bestowed on her, into creating Setsuna’s story from now on.

That means creating a world where she and Setsuna can live—them, and no one else, it would seem. Altair is no longer interested in destroying worlds, only creating one world where she and Setsuna can be together, and where her story can continue. They’re basically gods now.

There, in the water, Altair finds a pair of glasses, but they’re not Setsuna’s—they’re Souta’s. Setsuna recognizes them as such, and without saying his name, tells Altair that she was drawn in the first place because of Souta, and others who liked her creations and wanted to see more.

Whether the Setsuna we saw was a combination of who she really was and Souta’s own interpretation of who she was, or one or the other, Souta poured his own heart and soul into creating her, which makes her basically the opposite of Sirius.

All Souta wanted was to “see the same world” as Setsuna. And he did, thanks not just to his own efforts, but to those of the other Creators, their Creations, and the people whose acceptance made them endure.

With one more strum of her Holopiscon, Altair and Setsuna are transported away to their own little infinite world, leaving the normal world safe and bringing a happy (if somewhat bittersweet) ending to Chamber Festival. The hosts sign off, the stadium roars with approval, and the creators and Meteora stand in the control room, basking in the knowledge they saved their world.

While Altair’s transformation was quite sudden, and doesn’t fully absolve the fact that she was fairly one-dimensional up to this point, the means by which she transformed were credible and even, at times, genuinely affecting, for which a lot of the credit goes to seiyus Toyosaki Aki and Ohashi Ayaka.

I also appreciate that the main conflict of the story came to a climax and was resolved with one episode to go, which means there’s time for a closure-giving epilogue.

Advertisements

Re:Creators – 20

One by one, Team Meteora’s bag of tricks are neutralized or absorbed by Altair, who unlike other creations, never had a backstory or any distinct story at all that she is tied to. Instead, she’s an open source character whose abilities and power are as infinite as the internet.

She is, as she says, a product of emotion, not logic, both in her sole motivation (to avenge her creator by destroying the world that rejected her), and the way the vast and ever-expanding network of creators who fuel her existence and acceptance has reached a near-relativistic scale.

This is why she can take away Hikayu’s new martial arts abilities with one strum of her rifle and even turn the tables on Sirius, her essential copy and the last remnants of Shimazaki Setsuna’s original creations, turning their secret weapon into one of her own to restore herself, complete with new outfit.

Throughout their struggles, Meteora and the Creators and Creations on their side have had to abide by certain rules, which means they were never going to be able to defeat an entity that surpasses those rules and can change them or make new ones on the fly.

Enter Chikujouin Magane and Mizushino Souta, with the last weapon against Altair, one that, if it’s ineffective like the previous ones, will result in them resigning themselves to the fact the world really will end.

A lie about a lie (in this case, the impossibility of beating Altair) turns inside out, transporting Altair and the others to the day Setsuna took her life, just as she is approaching the train platform from which she intends to jump.

This development, prepared mostly in the background by Magane and Souta, totally flips the script, as it messes with cause, effect, and reality in ways nothing else in their arsenal had been able to touch.

Will Altair find a way around this as well, her rage further fueled by her foes’ readiness to drag her dead creator ‘out of her grave’? Are hours numbered? Or will she stand down on her own, without having to be destroyed?

Sousei no Onmyouji – 09

sno91

At the end of last week, Rokuro and Benio’s slowly burgeoning friendship looked to be in absolute tatters with the news that Rokuro indeed killed everyone at Hinatsuki Dorm, including her twin brother Ijika Yuto.

It seems like the only thing that can turn things around is if Yuto were to suddenly show up, not only not dead, but so frikking evil that Benio would be left wondering how the hell she ever cared for him in the first place.

Well…that’s pretty much exactly what happens! Though I’m sure why Yuto is showing up right here and now just as Seigen is in the middle of a story that was painting Rokuro in such a bad light, only to go “that’s not the whole story!”…except to put poor Benio through the emotional wringer.

sno92

And speaking of emotional wringers, Rokuro certainly went through one two years ago. The night of the Hinatsuki massacre, when Yuto shows his true colors and turns all his fellow trainee exorcists into Kegare, is straight out of a horror film, complete with drab palette and grisly deaths of cute girls.

Frankly, I don’t see what Rokuro could have done in this situation. As Seigen states with certainty, the only thing for a person who’s been corrupted by Kegare is to give them a quick death before they can commit any atrocities that further mar your memory of them.

sno93

Yuto speaks of these times with such detachment and nonchalance, grinning his stupid evil grin the whole time, to the point that Rokuro simply can’t take anymore, arms up, and starts attacking him.

A stunned Benio looks on but sees that Rokuro is only doing damage to himself (Yuto, who has a blue gauntlet to Roku’s red, parries every strike with the flick of a finger), so she stops the fight, taking a hit that Rokuro can’t hold back in time.

Then Yuto…kinda calls it a day and fucks off, hoping Rokuro will “entertain” him better next time.

sno94

When Rokuro and Benio emerge from Magano and Seigen takes Mayura home, Benio can’t think to do anything but prostrate herself before Rokuro and ask that he forgive her for all of the pain and grief and trauma her brother caused.

Rokuro is stunned by this sight, and repeatedly tells Benio to raise her head; they were both hoodwinked by the little blue-haired bastard, all their lives, and if anything, they share the blame for being ignorant to the evil within him.

Still, I think they’re being a bit hard on themselves. These two strike me as too young to feel responsible for what happened years ago when they were still younger and less attuned to the world, let alone their own selves.

I liked their commitment to becoming stronger together at the end, but Yuto is a brutally dull and tired manic villain archetype, and a great deal of the episode was merely exposition and reaction shots.

16rating_7

Sousei no Onmyouji – 08

sno81

As expected, Mayura confronts Rokuro and Benio over their sudden change in living arrangements. What I didn’t expect is that the episode didn’t go for goofy comedy in the sparring between the girls. Instead, they represent two different philosophies of life.

Mayura thinks Rokuro’s suffered enough already; Benio respects his abilities and believes he’s obligated to use them, and Rokuro, when pressed, sides with Benio, believing the benefits of being an exorcist outweighs any personal costs.

While Mayura rushes out, believing she’s been rejected all over again, the reality is both she and Benio make good points.

As for Rokuro failing to notice her feelings, well girl, that’s because you have to tell him, in no uncertain terms, about those feelings, while he has your undivided attention. Mayura should know this having spent most of her life by Rokuro’s side.

sno82

While storming out, however, Mayura leaves her good luck charm behind, which is actually a legit charm that hides her spiritual power from hungry Kegare. Considering how important it is, I can’t imagine how she could have misplaced it so easily, unless she’s unaware of how important it is to her safety.

In any case, she gets captured and yes, tentacled, by a nasty little Kegare that becomes a nasty BIG Kegare, chortling the whole time. Of course, I never thought for a second Mayura was going to buy it (as gutsy a move as that would’ve been), and right on cue Rokuro swoops in to save her, then swears to protect her no matter what.

sno83

Losing Mayura would have been a brutal blow to a kid who’s already received a few, but we simply didn’t know the extent of the trauma in his past…until this week, when his former master (and Mayura’s Dad!) Seigen appears to clean up Rokuro’s mess, run him down a bit, and challenge him to a duel in which he must exhibit intent to kill; a tall order for someone who’s still getting back on his exorcist feet.

sno84

We cut away from the reunion of master and student in Magano numerous times to check in with the guys at the dorm, who prove far more useful at asking questions that lead to extensive (but unfortunately inartful) info-dumping by Jissama (Seigen’s father-in-law).

The final third of the episode suffers from being bogged down in all this exposition, but things do pay off a bit at the end, if you were someone who wanted a fresh wedge between Rokuro and Benio (for the record, I’m not that someone).

Benio learns the tragedy that killed numerous promising students at the Hinatsuki dorm was not the result of a Kegare attack, but the result of Rokuro killing them, the victim of something called “Kegare corruption.”

Since Benio’s whole reason for being is to destroy the Kegare who took away her family, learning Rokuro is to blame for the tragedy, this is definitely an, er…setback for the future parents of the Miko.

Of course, the jury’s still out about whether Rokuro chose to go berserk or if it was something outside his control—I’m guessing the latter—I’m still not convinced Benio’s twin brother is dead. Let the kid explain, Benio! Well, if he’s even willing or able to.

16rating_7