Tomo-chan Is a Girl! – 02 – Enemies Becoming Friends

When Tomo boards a bus with Jirou and sits right beside him, the closeness makes her heart race too much, so she stands, bitter that he doesn’t conside her a girl enough to be equally flusterd. However, he shows he’s very much aware she’s a girl when he spots a pervert groping her and puts a stop to it.

Unfortunately for Tomo, his solution is for her to stop wearing skirts, because they “look wrong” on her. What Jirou isn’t sharing with Tomo is that the reason it looks “wrong” is because Jirou is still uncomfortable with his “best bud” being a woman—especially one with legs to the damn moon!

After slugging Jirou, Tomo reports this injustice to Misuzu the next day. She determines that the problem isn’t the skirt, but the bike shorts underneath. She tells Tomo that the key to a skirt is basically the reality that there’s nothing but underwear underneath. In other words, no half-measures allowed.

Misuzu arranges for Tomo to walk home with Jirou (who is eager to make up), but without the bike shorts. Misuzu’s original observation that the skirt is simply too short to wear on its own without errant winds rendering her unmentionables visible. It’s doubly a shame this happens during an otherwise romantic sakura-strewn sunset stroll.

They later make up again, with Jirou rightfully apologizing for presuming he can tell Tomo what to wear. That said, he doesn’t think she should wear anything she doesn’t feel comfortable in. But as we see from his version of a blush, the main reason he’d rather Tomo wear slacks is because he’s just not ready for those endless gams.

The second part of the episode introduces Carol Olston, a blonde student from Britain. Half of the boys in class are in her thrall, while the other half prefer Misuzu’s cool beauty—we know Jirou is interested in neither. She’s also voiced by Sally Amaki, who is bilingual, so I was a little disappointed she didn’t have any English lines.

Carol is introduced to Tomo via Misaki, and Carol is quick to declare that she and Misaki are engaged and have in face already been married three times. Misaki clarifies that they’re childhood friends, hence all the weddings, but it’s clear Carol considers their engagement legally binding—and views Tomo as an enemy who might steal her Misaki away.

This is only half-true and half-nonsense; the latter because Tomo doesn’t like Misaki that way and has eyes only for Jirou, and the former because Misaki does seem to have a little thing for Tomo. In any case, Carol is sharper than her cotton candy looks and ditzy affectation suggest.

When Tomo reports her encounter with Misuzu, it’s plain as day to Misuzu why Carol keeps calling her a baaaka. Then Carol gathers intel on Tomo by speaking to both Misuzu and Jirou, demonstrating her genral oddness by sitting on Misuzu’s desk and hiding in Jirou’s locker.

Carol ends up hiring Jirou to help get her into shape “to defeat an enemy”, but on the surface, and unbeknownst to him, it totally looks like the two are going steady. Tomo is genuinely freaked out by this, and Misuzu, shit-stirrer that she is, sucks up all that sweet sweet energy.

Watching Carol utterly fail to run more than ten feet or do even one push-up or sit-up is amusing, but not as hilarious as a distracted Tomo unknowingly and lazily turning Misaki—who is likely no slouch, karate-wise—into a pretzel.

Misuzu egged Tomo on to confront Jirou and Carol partly for her own amusement, but also because she wants Tomo to display more urgency in trying to win Jirou over, which means defending her claim to him.

But when she does confront the two, it only takes a moment for Carol to read Tomo’s reactions and conclude that she is absolutely no threat to her vis-a-vis Misaki, as she’s only interested in Jirou.

That afternoon, Carol invites Misuzu out for coffee and cake in what Misuzu calls an “unnecessarily long car” as thanks for her advice. Carol confides that she doesn’t have a single friend, so Misuzu suggests she reach out to Tomo, who will surely be glad to have her as one.

The next day Carol thinks about all the times her open hand of friendship was rejected by those who thought she was too pretty, or too rich, or too weird. But just as Misuzu said, Tomo welcomes Carol’s friendship, and thus appears to her like an angel. Misuzu also agrees to be Carol’s friend, because Carol is loaded, and can likely also help her in even more complex and entertaining schemes to make Tomo and Jirou squirm!

Speaking of, the episode ends with Tomo learning for the first time that Jirou and Misuzu briefly dated years ago, which not only explains their cool-yet-close attitude towards one another, but also draws another parallel between Hidaka Rina’s Misuzu and her character Yume from My Stepmom’s Daughter Is My Ex!

Rating: 4/5 Stars

Call of the Night – 05 – Feel Them for Me

This week starts off with a day/night in the life of Nanakusa Nazuna…at least before the sun goes down. It’s not even 17:00 when she sun wakes her (but notably does not burn her). The ensuing events are a glorious festival of boredom as she tries to fill time she’d normally be asleep.

When she’s sick of video games and TV and considering cleaning, she heads out into the night (at just 20:00), plays with a kitty, then hits up a not-busy-at-all bathhouse where she finally releases her lilac locks from her trademark braid loops and laments her inability to see her reflection.

While she asks the desk guy to tell her when her watch beeps, his reflexes are no match for hers (though for a split second when she threw open the bath door he saw her nude, the next split second she’d wrapped herself in a towel). Her coat, sneakers, and long hair make for an entirely new, cute look Kou isn’t ready for.

They head back into the bath (on separate sides, natch) and an inner monologue from Kou ensues. His nights of late have been fun and amazing, but his “heart is always busy” with thoughts good and bad, conflicting and confusing. He’s so busy sifting through those emotions he completely blanks out…until Nazuna gets right in his face.

That’s when he asks her to drink his blood. Because as it turns out, when she does, it clears his head, calms him down, and allows him time to assess the feelings he normally couldn’t untangle. He gets his blood sucked to know his own feelings. But precisely because he’s so riled up, his blood tastes so good Nazuna drinks more than usual.

Not in a discriminating mood due to his fatigue, Kou suggests they rest as the nearest place that says it’s for “rest”…which turns out to be a love hotel. The pink neon lights were a dead giveaway to me, but I didn’t just get my neck drained, now did I? That said, once they’re in the room, the fact Nazuna is jumping on the bed like a kid makes things a little less tense.

Nazuna then reveals to Kou that when she drinks his blood, she can also get an idea of what he’s thinking and feeling from the taste, including the desires he has when he looks at her, a woman. Kou tells her it feels “immoral” to feel that way with a “friend”, but she retorts that enjoying the night the way they are is immoral to most.

Nazuna reminds them they have a deal because his blood tastes so good, and now he knows why: because of the intensity and diversity of emotions hanging out with her creates. She wants to taste all of his fun, pain, joy, sadness, and everything in between.

Another night, Kou’s mind starts churning again, deducing that because she finds his blood so tasty, it means she’s drunk the blood of others in order to compare. Even if he weren’t an open book, Nazuna knows his feelings through his blood, so she teases him for being jealous, but also makes it clear it’s a much more businesslike affair for other men and women since she makes her living…as a professional snuggler.

The whole idea of this is super raunchy, but that’s reductive thinking for someone who has only begun to enjoy the call of the night. She offers a friend’s discount for her services, and he orders the massage course. Not only does he learn something new about Nazuna, which he’s always eager to do, but he learns she’s actually quite good at massage, and using various pressure points to redirect blood and oxygen flow.

Nazuna is about to transition from massage to blood drinking (and the lights in the room suddenly go dark and everything is suffused with that intense, intimate red light) when there’s an unexpected ring of the doorbell: one of her clients. Nazuna has not been working since she met Kou (resulting in her being a little light on funds, but after working on Kou, she’s tired, so she asks him to take care of the client.

…The twenty-four-year-old, raven-haired, stressed office worker client Shirakawa Kiyosumi, that is. Kou is worried about not knowing what to do (among other things), but Nazuna tells him just to emulate what she did to him and he’ll be fine. Also, since she knows a healthy measure of his thoughts and feelings every time she goes to the red well, she offers him the reward of another kiss if he does this for her.

Kiyosumi may ether be throwing her money away tonight, or Kou may be a natural at massage and just not know it. The bottom line is that both the night and Nazuna are opening new doors and new experiences for Kou.

Call of the Night – 04 – Lay Your Troubles Down

Asai Akira can’t sleep. She gets up way too early, and with nothing else to do, simply goes to school early. Her home life seems lonely. There’s nothing for her there but a roof, a bath, and a bed.

For once, Kou doesn’t have to wander all over the city looking for Nazuna; she’s waiting for him in the park. But she doesn’t spot him, so he wanders around anyway. He isn’t ready to see her yet, but when they do meet in the night, he confidently offers her his neck in a way she finds lewd. You see, he believes he’s in love, so drinking his blood now will turn him. He’s ready.

So she drinks his blood as he stands there, half-confident, half-terrified, and…nothing happens. He’s still a human, and his blood still tastes great. Turns out he’s not in love with Nazuna; not yet. Nazuna tells him it’s love’s wild sibling lust. Also, she thinks kissing is just something friends do!

The next night, Akira wakes up before midnight and knows she’ll never get back to sleep, so she heads to school as usual, except she runs into Kou, who invites her to join him in answering the proverbial call of the night. They hang at Nazuna’s for some late-night PSOne games. Nazuna is unbeatable at Street Fighter, while a dating sim leads to talk of bosoms.

Akira was initially worried about what Kou was getting up to of nights, but if this night is any indication, his nights are pretty wholesome. Then Nazuna invites both of them to sleep in her bed, and it’s extremely awkward for Akira, especially when Nazuna drinks Kou’s blood right next to her.

Nazuna tells Akira that Kou’s blood is uncommonly tasty, but Akira wants know know what Kou gets out of their little arrangement. That’s when Kou comes clean about wanting to become a vampire. After all, why keep things from a friend?

When Akira asks if he’s already one since his blood has been drunk, he clarifies that he must fall in love with Nazuna to become a vampire. That causes Nazuna to curl into a ball of embarrassment, unable to handle talk of romance as usual.

Eventually the three settle down for the night, and with rain falling outside and no umbrellas, Akira lies beside them, specifically next to Akira. He tells her he knows she was worried about him so he wanted to show her what his nights are like. She tells him to uncross his arms so he can relax, and when his hand touches hers, she doesn’t mind.

Smiling, Akira tells Kou that he should be what he wants to be, because even if he’s a vampire, they’ll still be friends. She says goodnight and turns over, but her smile remains because she can’t remember the last time she said “goodnight.” It felt good, and with the darkness and Kou beside her and the calming rain outside, Akira finally catches some Zs.

Too many Zs, in fact, as she’ll be late for school. But before she dashes out the door, Nazuna asks if she slept well, because that’s what happens when people are satisfied with their day. Akira must’ve been, for she couldn’t sleep before, but here she did. I wonder if she’ll make it a more frequent thing?

Rating: 4/5 Stars

Call of the Night – 03 – Night Fight

While I could absolutely keep watching just Kou, Nazuna, and the night for ten or eleven more episodes, the introduction of Asai Akira doesn’t ruin the vibes. In fact, she brings a unique dynamic: Kou’s only human friend, something he didn’t think he had in her. When he placed the blue watch on the mailboxes, he didn’t mean to place it right above Akira’s, but that’s how she took it.

When Kou was an aloof kid off on his own in the playground, only Akira went to him to see what he was up to. When he said he was fine not joining the others, she joined him instead, and declared them friends. He didn’t object, but he probably forgot that exchange that Akira dutifully maintained. She still considers him a friend, and is glad he’s doing okay.

So Kou begins leaving ever-so-early from his nightly visits to Nazuna’s for some bed-lying and blood-sucking so he can meet up with Akira (who is an early bird to his night owl). Nazuna jokes that he’s going off to see another woman, and immediately senses from his expression that she’d accidentally nailed it. That said, Kou admits in voiceover that he and Akira don’t do much other than exchange inoffensive small talk.

On one such occasion in the park, he asks if Akira is having fun. She puts the question to him, and he says he isn’t not having fun, so she replies that she is. Just as Kou, extremely inexperienced in such things, starts wondering if Akira likes him, Nazuna menacingly emerges from the shadows only to give Kou a friendly pat on the shoulder and congratulate him for doing “hanky-panky”.

She tells Akira her and Kou’s relationship is “purely physical”, and while Akira’s mention of romance (upon hearing Kou call her “Nazuna-chan) once again makes Nazuna blush, she shakes that off by basically marking her territory, sucking Kou’s neck right in front of Akira and announcing she’s a vampire.

At a 24-hour café, the three sit, and Akira tries to grasp the situation. She asks Kou if he’s skipping out on school because of Nazuna. While she may kind of be the reason now, she wasn’t the original reason, which was that he simply couldn’t be bothered with it anymore. Akira feels the same way, especially with Kou gone, but didn’t ditch because she thought she had to go.

She thinks she’d have more fun if Kou were around, so she asks him to come back to school. When Kou doesn’t immediately refuse and seems to hesitate, Nazuna seemingly gets miffed and suddenly splits. Kou follows after her, asking if she’s angry and why, but Nazuna doesn’t feel like spilling it out, and is clearly still mad, so she flips him off and does her vampire warpspeed thing. Kou looks for her all night, without success.

Finally, in that magical in-between time just before sunrise, Kou falls on his face while climbing some stairs, then uses his receiver watch to call Nazuna. She responds, and he proceeds to tell her that while he doesn’t really “get” fights like the one they’re apparently in, but he wants to make up with her. With that, Nazuna suddenly appears, and is once again as honest with him as he was with her, saying she was “ticked off” by him hesitating after Akira asked him to come back to school.

Turns out she misunderstood; Kou hesitated because he wasn’t sure how to tell a human friend that couldn’t go back to school because he wanted to become a vampire. With that cleared up and the two well and truly made up, Nazuna notices the blood from Kou’s tumble, and proceeds to kiss him in order to drink it, remarking that “a lot came out”. She liked how he said human friend, and that it suggested he had a vampire friend too. Kou may not know this since she’s his first, but vampire friends do kiss.

Call of the Night – 02 – Not Just Any Neck Will Do

Kou and Nazuna met quite by chance, so it’s not surprising the next night when Kou looks everywhere and can’t find her. They set neither a time nor a place. Fortunately fortune smiles upon him as Nazuna eventually drops in on him, saying she was busy looking for some rando to drink blood from.

Since Nazuna told Kou before that drinking blood is like eating and “copulating” at the same time, he’s a little miffed that she’d copulate with just anyone, but she tells him that’s just what vampires do. Different necks are like different kinds of food to them.

What matters is they found each other, and Kou wants to make sure it’s easier next time, so asks if they can exchange numbers. Only problem is, Nazuna doesn’t have a phone. Well, she does, but she apparently bought it in the 80s, because it’s almost the size of her boombox.

Nazuna led Kou to her place to find said gigantic phone, and once they’re there, she soon plops into bed after a long night of searching for necks to bite. Kou isn’t sure what to do until she opens the covers so he’ll join her. But the prospect of her sucking other necks sticks with him.

That’s when Nazuna confesses she was looking for him all night too…she was just too embarrassed to say it. Kou accepts her apology, and unlike the last time when he whipped out his neck willy-nilly, here he gets the timing right, and she leans in for a drink.

Both the character design and Amamiya Sora’s voice acting really nail that combination of predation and vulnerability has always made vampires so fascinating. As she dozes next to him, happy as a clam, Kou is relieved and happy not that she finds his blood tasty, but because they both felt the same way: they wanted to see each other again.

The next night they have an equally hard time finding each other, but the inevitably do, and Kou presents her with a solution to her problem that avoids her having to buy a (new) cell phone: a pair of receiver watches. While a desperately dorky thing, I’m not surprised that Nazuna is into it and wants to play with them.

This leads to Kou telling her a story of how he bought a pair when he was younger, even though he didn’t have a friend. Instead of making one, he hid the watch hoping someone would find it, but while it was eventually taken, he never worked up the courage to use it to call that person (or rodent).

Nazuna is right that it’s a bleak story on its face, but Kou is also right that being around people can make some people more lonely than being on their own. The two dorks proceed to have a grand old time communicating and laughing together on their watches, culminating with Kou remarking that they’re like a couple that just started out.

Nazuna puts the perfect capper on the evening by giving Kou another aerial ride over the city lights, this time to a new insert song. At times, the pair look like they’re dancing in the sky, ’cause they kinda are. The puppy love is strong here, and these two are simply the cutest.

Nazuna lands them on the school roof, and even though Kou hates school during the day and has not been going, the night makes it a more enjoyable place to be. Nazuna walks up to him and casually sucks his blood for the first time outside her apartment—and at school, no less! As she puts it, “Talk about indecent behavior!”

But while Nazuna is super casual about drinking his blood, showing a lot of skin, and saying “copulate”, Kou soon picks up that when it comes to love and romance, she gets super-embarrassed, which is how Kou “gets back” at her stolen neck bite by calling her by her first name and adding “-chan”, which turns her beet-red and has her covering her face with her awesome cloak.

On the way home just before daybreak, Kou wonders if the blue receiver watch he left atop the mailboxes is still out there somewhere. Just as he’s dismissing that idea, he gets a signal from his red receiver watch, and a girl in a school uniform and messy dark hair calls him by his name…

Komi Can’t Communicate S2 – 11 – Don’t Wake the Beast

Ever since telling Tadano that the chocolates she gave him were the best ones she made (which might as well be proposing) Komi has been worried about seeing him again. When she does, she drops a face Tadano is both bemused and oddly a little happy to see, seeing as how it’s been so long since he’s seen it. Then, because the show keeps trying to make an unrepentant pervert happen, Ren gets anoher segment to herself to demonstrate that there’s no redeeming her.

She seems contrite about hesitating to mention a tear in Komi’s tights, but it’s all a ruse to get Komi to remove the torn tights so Ren can wear them on her head. Komi chasing Ren through the halls is beautifully animated, but still left a bad taste. Even in the heightened reality of this show’s classroom, wearing Komi’s used tights on her head and running around he school is just a bit much.

Onigashima Akako is lot easier to love, as she’s typically a very cheerful and lively young woman until her demon meter fills up with all the myriad little daily mishaps and snafus that impede her flow…and she becomes a demon. Her old friend Ren knows to keep her distance during such times, and warns Tadano to do the same.

But while there’s no telling what Akako is capable of when she’s in Demon Mode, that doesn’t stop her friend Komi from catching her headphones before they fall into the sink and then untangling then for her. The random acts of kindness move Akako to tears, and she invites Komi (and the others) to the batting cages, where like Sachi in Cuckoos she goes to blow off steam.

The final segment introduces Satou Amami, who while cute is rather one-note as the helpful student who will never refuse any request for a favor, no matter how much it might inconvenience her. When her friend suggests she try asking someone else for a favor for once, Amami turns to Komi, who enthusiastically agrees to lend a hand with morning classroom clearning (as does Tadano).

Finally, Komi’s class trip friend Katou Mikuni hopes to use shogi problem to bring Komi and Tadano closer together, only for the two to uncharacteristically clash over the proper shogi moves, leading to silent brooding. Najimi remarks how the two have become close enough now to have quarrels, causing both to blush.

In all, it’s a perfectly okay grab-bag of a Komi outing; nothing spectacular or world-changing, but Komi does officially make a few more friends, giving her a total of 27 with 2-3 episodes left.

Komi Can’t Communicate S2 – 10 – Tomo-Choco

The first day back from the school trip, everyone’s got a little Komi in them, as everyone tentatively approaches the new friends they made in Kyoto in the much more familiar setting of their classroom. Tadano can tell Komi wants to go talk to Mikuni, and watches her go from normal to negative to fired up to negative again. All she needs is a little push, which he literally gives her, enabling her an Mikuni to reconnect. Ayami soon joins them when she sees them talking.

We shift to a pair of Komi’s older friends when Onemine invites her and Kaede to her house to make chocolates for Valentines Day. Her many younger siblings are bemused by Komi, so beautiful yet so quiet. Once she does say something, they praise how lovely a voice it is. The three girls and Onemine’s fam exude warmth and good vibes, and that chocolate cake looked hella delicious.

The rubber meets the road the next day at school, when Valentines is in full swing. The three lads envision how different girls in their class would give them chocolate, but those are just delusions. Ren has to make things gross and weird, but Katai makes up for it by getting chocolate from Mikuni and then giving friendship chocolate to Tadano.

Little did Tadano know it would be the only chocolate he’d get that day. Komi was going to put some in his shoe locker, but he showed up before she could do so and she scurried away and things were awkward between them the rest of the day. It isn’t until he goes out on an errand for his sister and mom that he bonks Komi with his door.

They go to a park, where Komi reveals that the thing she brought for him was a printout for when he wasn’t in class. They part ways, but thankfully Komi summons some courage and runs back to Tadano’s place, even calling out his name with the loudest voice we’ve ever heard from her!

She almost punks out again when she says it’s just “friendship” chocolate as opposed to the other kind, then makes the caveat that she made sure Tadano got the best of the batch she made. I’m not sure why Tadano would ever think this girl hates him…She yelled for him, for goshsakes!

Rating: 4/5 Stars

Komi Can’t Communicate S2 – 09 – Just One of the Girls

On the second day of the school trip the groups can do what they please. The trio of Sasaki, Katou, and Komi is a little awkward at first, but once they get that Komi isn’t being rude or aloof but is simply a quiet, shy, and often adorable girl, the three girls get into a rhythm that carries them through Katou’s breathless sightseeing schedule.

Whether due to all the energy expended earlier or, more appealingly, the natural ups and downs of companionship, things get a little tense between Sasaki, who says the schedule was too brisk, and Katou, who resents being the only one who thought to make a plan and wanted to see more. Komi bridges the two clashing positions by showing them some photos she took on her phone demonstrating that they did, in fact, have a lot of fun.

Buoyed by Komi’s nice save, and relieved that she was able to repair the vibe just by being her cute guileless self, the three girls continue their tour, heading to a district where Komi gets to dress up like a Geisha, is mistaken for a princess by street performers, and gets rescued by Sasaki in a Hannya mask armed with her trusty…yo-yo?!

Sasaki and Katou came off as pleasantly dull background characters at first, but the more time we and Komi spend with them, they more they come into their own as distinct and appealing characters in their own right. In a cast chock full of sometimes absurd caricatures, their down-to-earthness almost feels exotic…it’s like having two female Tadanos around!

Yet, as we know, while relatively normal on the outside, Sasaki and Katou have super-specific passions: Sasaki for yo-yoing and Katou for shogi. Sasaki tries to hide her secret identity (she genuinely thought Komi was in danger) but Katou plays a shogi match of words. Ultimately Katou loves knowing extraordinary people, not matter what they’re extraordinary at.

That attitude convinces Katou that her talent is something to be flaunted, not embarrassed by…though she keeps the hannya mask on when she flashes her yo-yo for Sasaki and Komi in the hotel room. When the lights go out, the boy talk starts, and we learn Katou likes Katai, Sasaki is single, and the name of the boy Komi likes starts with an H (for Hitohito).

Sasaki and Katou are well aware of how close Komi and Tadano are, and would not be surprised if they’ve been dating for a while. When Komi claims not to know “what liking someone feels like”, they arrange things on the bullet train home so Tadano is sitting next to Komi while she’s sleeping, and her head eventually slides onto Tadano’s shoulder.

This was a lovely outing, with Komi making two new friends, and those friends seeing Komi in a new light not as someone to simply venerate, but someone you can have fun hanging out with. She even sleeps!

Komi Can’t Communicate S2 – 08 – Kyoto Nice

The class is off to Kyoto, with Tadano is tasked with getting a head count… which is odd as you’d think the teacher would do that before the shinkansen sets off! At any rate, it’s a perfect opportunity to see how the class was split up into groups for the class trip. Among the highlights: Ren, Nakanaka and Agari, Tadano, Katai and Naruse, and an initially very awkward Komi, Sasaki, and Katou. I don’t believe we’ve met those last two yet, but they’re determined to make sure Komi has a good time.

The episode largely unfolds as expected, bringing the chaotic energy of this motley class to all of the classic Kyoto sights. The Straight Woman of the episode is the bus guide, Ryouko, who believes hers is the most noble calling a person can have and was inspired by another guide into entering the industry. However, getting these kids to proves to be no mean feat.

Ultimately, Ryouko remembers that her job isn’t about getting everyone to pay attention to her, but if she can reach just one or two people—in this case Komi and Tadano—then she did her job and can be proud. After watching the pair interact, she also wonders why they don’t simply get married already. I know, right?!

After the sightseeing, it’s off to the inn, which of course means communal bath time. Some, like Agari and Komi, are embarrassed to undress in front of others; Agari because she was teased in the past for her physique, Komi because she’s simply never done it. It can’t help to feel Ren’s perverted gaze on her, though it only takes a little bit of Komi’s skin for Ren to be “purified” of all malice. She still asks if she can grope Komi, and Komi thankfully refuses.

Tadano’s eclectic group of the narcissistic Naruse and the anti-narcisssistic Katai proves entertaining, as both the two of them and the three class delinquents they share their room with come together over their love of muscles and cool poses. Tadano ends up being their photographer, and Komi walks in at just the right time for another crucial misunderstanding.

Still, Komi likely understands why Tadano is getting so into everything; it’s super exciting for her to be experiencing so many firsts in one night. From her first pillow fight with friends to her first time sleeping with the girls in her class, Komi is having a blast; so much so she can’t sleep even though it’s been a breathless day. Instead, she pulls her covers up to her face and simply listens to the calming sounds of others sleeping, basking in the togetherness and belonging.

Rating: 4/5 Stars

Komi Can’t Communicate S2 – 07 – …But Sometimes She Can

Komi is haunted by the possibility Najimi saw her holding Tadano’s hand as he slept. She spends all night trying to word a letter of explanation, but because she’s not 100% sure Najimi did see it, she doesn’t want to write anything to make Najimi suspicious. Meanwhile, Tadano wants to thank Komi for coming by, but isn’t 100% sure whether she was actually there or if she was just part of his fever dreams.

In their efforts to not say something that will give the other party the wrong idea, the misunderstandings only mount. Ironically, this is a sign that Komi is indeed becoming better at communicating. She is not just thinking internally and freezing up like the past, but trying to figure out what someone else is thinking or intended. That said, Komi was most certainly not just “checking his pulse!”

The last few episodes have shown an incremental uptick in the Komi x Tadano romance angle, but there are always new weirdo friends to meet, and this week’s is Naruse, whom I honestly can’t remember even in the background of previous episodes, but maybe that’s the point. As invisible as he’s been to me (and the rest of the gang), he is absolutely in love with himself.

Nine months into the school year, Naruse finally decides now is the time to approach Komi. One interesting bit of possibly accidental perceptiveness on his part? He assumes Komi has never spoken to him due to a communication disorder, for which he doesn’t judge her. But he clearly has a blind spot when it comes to the protective wall of secondary friends surrounding Komi, Tadano, and Najimi; he assumes they’re all his fans even if that’s a very big delusional reach.

When Komi returns his hanky that he saw him drop, he assumes it’s a sign she’s in love with him. Because of this, he’s a bit too forward in asking for her contact info, and gets Tadano’s instead. Naruse also has a constant deadpan translator/commentator in Chuushaku Kometani, who I wished would have gotten in a narration fight with the usual female narrator; to no avail.

The third and final segment returns us to the central romance as groups are to be formed for the upcoming class trip to Kyoto. When Tadano asks where she went for middle school, she says Kyoto, but after that she starts acting squirrelly even for her. Tadano correctly assumes she’s not feeling okay. After what may be the first instance I can recall of Najimi getting the eff out of the way, Tadano asks her about it, and she initially says it’s nothing, she’s fine, and they part ways.

But then, when they’re still only about ten feet away, she calls him, and tells him what’s been eating her: she lied about going to Kyoto. Her class went to Kyoto, but she was the last person chosen for a group, which picked her by playing jankenpon. She’ll never know whether the other members of her group welcomed her with a smile, were offended by her presence, or didn’t care one way or another…because she couldn’t raise her head.

It’s Komi’s most extensive and most heartbreaking sharing of her bad old days before she met Tadano (and Najimi), and Koga Aoi does the lord’s work infusing Komi’s tiny voice with meloncholy and longing. It’s also probably the most she’s spoken continuously yet; another sign that things aren’t the same as they were then, and never will be.

Tadano tells her she has friends now. Even if some of the others would “rather be with someone else” (highly arguable), Tadano would rather be with her than anyone else. He adds Najimi in there in case he sounds too forward, but I think Komi gets the idea as she hangs up and finishes their talk in person.

After talking with Tadano, Komi feels a lot better and is actually looking forward to the trip. The next day, in a complete inversion of her traumatic middle school experience, every single girl in the class wants to be in the same group as Komi, so the teacher has to employ a lottery system. To them, being able to spend time with her isn’t a burden; it’s a prize.

Komi Can’t Communicate S2 – 02 – Komi Cuddles a Kitty

The second episode of Komi’s second season is a big of a mixed bag, but it’s strongest at its extremities. The first segment is short but sweet, as we watch Komi’s detailed morning prep before opening the front door to find there is a typhoon. The power goes out and there’s scary lightning, but a call from Tadano calms her down, and her mom dare not interrupt.

The segment in which Komi speaks the most by far is followed by a rather meh Ren segment in which she desperately wants to see Komi’s underwear through her black stockings. When the reflections don’t work out, she literally jumps into a puddle to snap some pics, only to be thwarted by spatters of mud on her lens. Thankfully, Ren is “purified” not only by a sudden rainbow, but Komi’s innocent reaction to it.

The third segment involves three of the more rarely seen boys exchanging hypothetical visions of dates with the various girls in the class. If nothing else, this segment has variety, placing Najimi, Agari, Ren, Nakanaka, Agari, Inaka, and Yadano a chance to shine in idyllic date scenarios. But the best one comes from Tadano, who envisions nothing more elaborate than washing dishes beside Komi.

It’s a warm and fuzzy way to segue to the warmest and fuzziest segment—when the kitty-crazed Komi goes to a new cat café. Najimi can’t go due to their cat allergy, while Tadano bows out as well simply because he wants Komi to be more comfortable inviting others like Onemine and Kaede. None of the cats like Komi’s aura until the chonky, normally aloof “Boss Cat” Chocolat approaches her and curls up in her lap, thus filling Komi’s heart.

Chocolat counds as Komi’s 15th friend, so there are now “just” 85 to go (methinks she’ll have to befriend an entire sports team at some point).  The final segment involves a game spearheaded by Ren simply so she can get Komi to tell her “I love you.” It’s a game where the person being told those words loses if they blush or otherwise strongly react.

When it comes time for Tadano to say them to Komi, he can’t get half a word out before being DSQ’d for blushing. Komi is able to keep her composure, but excuses herself to the hallway to release some steam. Just as Tadano wishes he’d gone to the cat café with Komi, she wishes she could hear those three words for him—if only in the context of a game!

TONIKAWA: Over the Moon For You – 13 – Love In the Time of LINE

It’s been over eight months since the last TONIKAWA but this extra OVA episode doesn’t skip a beat, delivering all of the notes that made the first twelve episodes so endearing and comforting, especially at the end of one of the worst years of many peoples’ lives. Things are going a bit better now, so it’s especially nice to check in on these two sweet young lovebirds in that context.

Tsukasa’s smartphone finally arrives, which means she’s finally arrived in the 21st century (though she still contemplates how much one could accomplish with a smartphone in the Sengoku era, one more hint that she’s either lived a very long time or carries the memories of past lives).

Something as simple as adding contacts is made much more profound as only one person in their address books can occupy the “spouse” category. But no sooner does she gain a smartphone (and LINE app) than she loses Nasa…if only for the day, as he’s summoned to his old work for a last-minute project.

Tsukasa goes in to work at the bathhouse, only to get bored and start wavering over whether to send Nasa a text or sticker. Aya doesn’t help matters by saying she’s sure he’ll message Tsukasa, since when he doesn’t do so all day, it only adds to her loneliness and anxiety.

While sitting out on the back patio after dark, she tries and fails to hold back tears despite knowing how ridiculous it is to be crying. But is it so ridiculous? Tsukasa and Nasa have been together—and close—for most of their married lives, and love each other dearly. So it’s no surprise that they both feel lonely.

That intensity of their love also makes it that much more satisfying and relieving when we finally hear that little alert sound and Nasa confirms he couldn’t use his phone while working. He misses her every bit as much as she misses him; smartphones or no, their hearts remain tightly connected.

When Nasa shambles home at four in the morning, he fully expects Tsukasa to be asleep, but she’s wide awake, having not been able to sleep “for some reason”. His futon is out, so they lie down together, and Tsukasa, still out of sorts from being without her darling for so long, takes the initiative for the first time by giving him a passionate goodnight kiss.

Nasa is wide awake at this point, contemplating how his wife suddenly seems more aggressive, only for Tsukasa to visit his futon and insist that he hold her tight. Now, I’m not saying they go on to make full-on love for the first time in that early morn, nor am I saying they don’t, but this is definitely the most hot and heavy we’ve seen them.

Even in the morning, with the couple’s faces beet red and smoking it’s not clear exactly how far the two went a few hours prior, but it is clear from Kaname that they “had fun” in the early morn. She’d love the details (as someone with a “sexy radish” as her LINE picture), but also knows these two well and how easily they’re embarrassed whenever they contemplate the prerogatives of their status as husband and wife.

Because this is a check-in OVA, we also check in on Chitose and her maids Aurora and Charlotte, the latter of whom was at the bathhouse and overheard about Tsukasa’s potentially fun night. Charlotte, despite being an adult, has no idea what that “fun” entailed.

After doing a coffee spit take Chitose tells her it’s “far more intense” than the horseplay she and Char get up to. Chitose demonstrates her growth from last season as she doesn’t immediately head to Tsukasa’s house to investigate/put a stop to it. After all, Tsukasa is married; it’s perfectly normal for things to get intense.

After a parting scene of Char teasing Aurora, who actualy would like to hold hands in bed, the standard credits roll. While a couple of decent romances like Horimiya showed up in Tonikawa’s wake, that series grew more scattered and disinterested in its main couple down the stretch. It was nice to be reminded how good, steady, and consistent Tonikawa always was, and how deftly it portrayed young love—or in Tsukasa’s case, very very old young love! XD

Rating: 4/5 Stars

Don’t Toy with Me, Miss Nagatoro – 09 – Rolling With the Punches

There have been plenty of cases of Nagatoro committing an unforced error that nets her a little more closeness with Senpai than she had initially bargained for, but let us not forget that Naoto also commits his fair share of blunders. For instance, he lent her a boxing movie, so now she shadowboxes all over the club room and eventually wants to spar with him.

He has no intention of even pretending to hit back, but when he dodges and loses his balance, he falls into her arms, and his self-own turns into hers. Nagatoro also plays with fire by letting her life with her circle of friends overlap with her Senpai time, such as when a bunch of loud gamers lead the four girls to flee the dining hall and make the club room their hangout space.

When Naoto expresses his surprise such otherwise aggressive girls gave up so easily, they say they’re taking care of it by sending Sakura in to flirt with the gamers and turn them against each other. But by going along with this strategy, Nagatoro is setting herself up for potential heartache in a later segment.

With Senpai and her friends in such consistent close contact, Nagatoro ends up in the unusual position of having to defend his honor…or rather, his depravity. Gamo, who is most definitely messing with Nagatoro because she knows she actually likes Senpai, declares him an “herbovore” with no libido.

Nagatoro strongly disagrees, calling Senpai a “closet perv” and insisting on proving it by finding a dirty book hidden somewhere in the club room. The thing is, she’s right: Naoto does have a pretty dirty (but also artistic) book hidden away; just not in the room where Nagatoro bet she’d find it.

When Naoto sees how frustrated Nagatoro gets, he slinks into the prep room and very transparently tries to hide it while she’s watching him. This leads her to pounce on him with with a mixture of joy and relief, clearly ecstatic she had him pegged correctly. Rather than watch further PDA, Gamo and Yoshi leave the club room.

In the next segment, Nagatoro not so subtly shows off her new earring, which Naoto naturally notices immediately and compliments. These two are now so close that the slightest change in appearance is a big deal. As a couple in everything but name and with their dynamic largely right up against the precipice of “real dating”, it’s the little details that excite them.

But this is, at the end of the day, dilly-dallying on the part of both Nagatoro and Naoto, and they’re punished by Sakura, the most complex, inscrutable, and possibly brightest of Nagatoro’s three girlfriends. As a result of flirting with the gamers, one of them is now stalking her, and she wants to get him to stop…by pretending to date Senpai-kun.

Gamo and Yosshi are all for this, and Naoto is too nice to decline, even knowing how Nagatoro will feel about it. Of course, Nagatoro fucking hates this, and never lets us forget it in her facial expressions throughout the segment. To her credit, she doesn’t seem to place outsize blame on the situation on Senpai. After all, if he wasn’t as stupidly nice as he was, she wouldn’t like him!

That doesn’t make it any easier to watch her smartly cardiagned Senpai being clung to by Sakura in a ridiculously cute outfit on their fake date. That’s especially when Gamo starts tapping against the fourth wall, calling this one of those situations from one of the rom-com anime Paisen watches, and how those dates start out fake but the feelings gradually become real.

Of course, Naoto is just too uncomfortable around Sakura, even when he doesn’t know Nagatoro is watching, for that to happen, while it’s pretty clear from the get-go that Sakura is only using Naoto to flush out the stalker. And yet there’s also clearly part of her using this scenario to try to light a fire under Nagatoro.

Gamo is content to mess with Nagatoro, but Sakura is more like me: growing a little impatient with their schtick and waiting for them to get real with each other. But there’s no guarantee that will ever happen. I’m sure both Naoto and Nagatoro harbor a measure of frustration over their “failure to launch”, as it were.

But that doesn’t change the fact that they still enjoy each other’s company and their daily interactions, some of them thrilling in their accidental (or not-so-accidental) steaminess, but ultimately safe in their mutual ambiguity and deniability. That might just be enough for them, and may continue to remain so indefinitely. I hope it isn’t, but I accept that as a distinct possibility as we head into the home stretch.

Rating: 4/5 Stars

Episode 9 “Senpai” Count: 23 (+11 “Paisens”)
Total: 331

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