Cross Ange: Tenshi to Ryuu no Rondo – 13

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Cross Ange wastes no time getting back into the swing of things, picking up where we left off: an obviously phony ‘rescue flotilla’ commanded by Julio. He’s only after Angelise, Villkiss, and other Mail Riders, and he gives orders to exterminate the rest.

Everyone has to decide what to do quickly. Jill proclaims the official start of the rebellion and orders all of Arzenal’s defenses turned against Julio’s fleet. She also orders Salia to retrieve Ange at all costs. Yes, retrieving the real savior is now pretty much the most important thing poor Salia can do.

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Ange isn’t interested in going along with Salia or Jill. At the moment, she’s only thinking short-term: Get Julio. Momoka helps spring her (with pepper, of all things), and after assessing the slaughter (and taking out child-killing soldiers whose defense is ‘just following orders’, which is never a good defense) she races to Villkiss.

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Even though she’s totally outmatched, Salia still tries to stop Ange, who is having none of it, trashing Salia’s mail and ditching her in the sea. Salia must watch helplessly as the woman who has all the power and privilege and importance she doesn’t have utterly reject it for her own reasons.

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Back in Arzenal’s wreck of a landing bay, Hilda displays bravery and selflessness despite the odds, even literally taking a bullet for Chris, whom she scorned so bitterly not too long ago. As the three reunited girls take off, an errant human solider gets a headshot on Chris. Damn.

However, the cutting back to Chris, followed by Embryo eventually healing her, makes this nothing more than a close call, though at this point both Hilda and Rose still think she’s dead.

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Free of Salia, Ange paints the sea red by sinking every ship in Julio’s fleet before slicing off the front of the bridge where he cowers and bargains for his life. Before Ange can finish him, Embryo blocks her blow with his own paramail, not wanting her ‘divine flame’ to be tarnished ‘burning useless things.’ He kills Julio himself, likely pissed off the emperor launched the Arzenal attack without his leave.

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While Julio is eaten up by the white light of destruction, and Good Riddance, Riza takes wing and escapes—topless, no less—suddenly down a royal puppet. I’m sure we haven’t seen the last of her, boring a character as she is. Meanwhile, with no one left alive on Arzenal, Jill sets off with the survivors aboard the submarine Aurora (which we’re just now hearing about) to start her rebellion in earnest.

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“Own-Agenda Ange”, meanwhile, does something else new with her Villkiss when Embryo targets an approaching Tusk (with Vivian), who says Embryo is a very dangerous dude (and is probably right). Villkiss turns blue, sidles up to Tusk’s ride, and they teleport away before Embryo can destroy him.

Good:

  • A great overarching sense of all hell breaking loose, because it does
  • Nice character beats with Ange/Salia hitting a new low and Hilda/Chris/Roselie reconciling
  • Tusk was used sparingly but well this week, kicking ass and saving Vivian.
  • Julio’s dead. Who’s in charge of the empire now?
  • The new opening theme is fantastic.

Not so good:

  • Julio’s fleet and assault force was awfully easy to defeat.
  • lot of people died, and died horribly, but they were all nameless extras.
  • Where the heck did that awesome sub come from?
  • Another “Tusk and Ange on an island’ episode next week. Oh dear…

Verdict: Lots of huge and exciting developments this week, delivered with confidence, if not finesse. We’ll see where they lead. The Norma are now far less numerous and more vulnerable without a base, but the empire took its licks, too. Not a bad start at all for Cross Ange’s second half.

P.S. I just discovered Cross Ange: Tenshi to Ryuu no Gakuen, which is a comedy 4koma that puts the same cast in a high school setting. Take that for what you will.

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Franklin’s Take:

This week got all the explodey-killy terror we’ve come to expect from Ange and… just sort of flailed around incoherently and undid the most meaningful emotional moments. Dead Chris and children revive, Vivian is rescued, and Ange still gets to win the day no matter how much she runs off on her own.

If i still thought as highly of this show as I once did, I’d wonder if the entire structure was making fun of red herrings. For example, the episode opens by introducing FIVE new mail pilots who, presumably, immediately die off camera.

But thirteen episodes in and I wonder how well thought out or intentionally critical Ange really is? Sure, it can be over the top and ruthless. But is it all just for shock value or is there a point to this?

For now, I’m not really sure…

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Cross Ange: Tenshi to Ryuu no Rondo – 12

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I believe for the first time on Cross Ange, we get an Ominous Bigwig Conference, held in a pleasant holo-environment. which shows that Julio, whose name Misurugi is now synonymous with ‘criminal’, is very far down on the food chain. In fact, all the various leaders seem to defer to the apparently brilliant mind of one Embryo, a bishounen and dandy who proposes three options for humanity: surrender to DRAGON (unthinkable); wipe out DRAGON (impossible)…or scrap the world as it currently is and start over.

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Tusk bugged this meeting, and relays their decision to Jill. She reorganizes the surviving mail pilots into new troops, putting a released Hilda in charge and throwing Salia in the brig for insubordination. She wants the girls on full battle alert; but she’s not so much concerned with more DRAGON attacks as imminent action by her superiors, in service of the ‘world-rebuilding’ decision that was made.

Before Ange jumps to and mans her bird, Ange wants answers, and Jill promised to give them. Jill insists they talk in the bath, since the revealing of secrets requires ‘total exposure.’ Call it ‘Q&A with T&A’.

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Jill starts at the almost folktale-sounding beginning, in which a ‘god’ (Embryo) found a way to end war and suffering by engineering the ability to use mana in humans. When non-mana infant girls were born, the myth that these girls were dangerous society-rejecting monsters was propagated, in order to give the rest of humanity a common group to hate and discriminate against. But along with Norma girls, there was a faction of ‘old-fashioned’ humans who rejected mana (Tusk’s fam), and they joined forces in a rebellion.

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The rebellion continues to this day, mostly quietly (though Tusk’s Ange-rescuing stunt was pretty high profile). But back then storming the palace netted them a ragnamail, prototype to paramail. That mail was Villkiss, but no one could pilot it until a Norma of royal blood appeared: Princess Elektra Maria von [German name]. But even she ended up failing; losing her right arm and her ring.

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— “AAAAUGH!” — “AAAUUUUUGH!”

Ange mentions this is all well and good though she’s not ready to join “Libertus” movement yet, if ever, because she kinda likes her life. She also thanks Jill, whom she now knows was once a princess like her, for showing her what a stuck-up spoiled brat she was. Of course, Ange is still a brat, but whatever.

She also asks: What about the DRAGONs? On queue, Vivian wakes up and her hammock snaps under her weight. She lumbers about the barracks, wondering why she feels so big and bulky (we initially only see her POV, not her body). Then Vivi catches a glimpse of herself in the mirror: She’s a DRAGON. How very Kafkaesque. When Emma and the bridge staff see her, they scream… but she screams too. It’s good to have a sense of humor about such things.

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The trio of Hilda, Roselie and Chris…back in the same frame together, if not back in bed

DRAGON-Vivi escapes to the sky, and hums Ange’s song until Ange sings back; the song transforms Vivi back into human form, where she’s sedated and taken away by Maggie, who I’m sure already knew about this, having been the former Arzenal commander. But Ange connects the dots, then runs to the giant pit of DRAGON corpses Jasmine is about to set ablaze.

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Ange’s comrades accompany her to the burning pile, in which they find human bodies amongst the DRAGON. So yeah, DRAGONs are people too, man…including the DRAGON Ange savagely beat to death, and all the others she’s wasted in the air. Suddenly Ange’s contentment with her life of killing DRAGONS and making money isn’t so easy. Furthermore, ex-brother Julio (wearing a scar from Ange’s attack) is coming for her…for all of them.

There were times this felt like a long chore of an infodump, but in the end I don’t think I absorbed too many answers, but rather just enough to pique my interest for the second half of the show. More questions obviously remain. And the little Vivian reveal / action piece was as adorable as it was significant to the plot. Ange thought she could live a simpler life in Arzenal, but she’s still a princess with a right arm and a ring. In this world, that means something.

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