Zombieland Saga: Revenge – 12 (Fin) – Not Leaving It Up to God

ZSR’s totally epic saga of a finale starts out very stodgily, at the Saga Prefectural Office’s Special Task Force HQ. There’s a wonky procedural flavor to the proceedings reminiscent of the underrated Shin Godzilla, in that it mirrors the real life Japanese collective spirit of 1.) This Is The Problem; 2.) This Is What We Do About It; and 3.) We’ve All Got Matching Jumpsuits. Honestly I think it’s ultra badass that in dire times, even the government officials start dressing like a bike gang. Or is it t’other way ’round?

It is into this disaster CIC that Tatsumi Koutarou insinuates himself, and despite being held back by police, makes sure Saga’s governor hears his pleas to prioritize restoring the infrastructure around the Tosu area—where EFS happens to be located. Koutarou knows what Saga needs is a pure, uncut injeciton of reassurance into the hearts of every Saga resident. Something to unify them so they can all defeat this horrible disaster together.

That something is, obviously Franchouchou, who are enjoying a well-deserved bath prior to the biggest show of their lives that they’re still not even sure will happen due to the ongoing calamity.

While they rest up and make sure they’re prepared come what may, Koutarou is risking imprisonment to plead his case to the people who decide what happens in Saga, while Ookoba uses all of his media connections not for Koutarou’s sake, but for those girls who give everything their all, no matter how dead they are.

Sakura may get the day of the week wrong—and there were a good eight to ten months during Covid when I lost track too!—fate smiles on the group over at Saga FM, which is not only operational and on the air, but in dire need of personalities to fill that air time. Saki then proceeds to give a vulnerable and impassioned pep talk—one of the best monologues of the whole show—and Tano Asami absolutely nails it.

The next morning, Franchouchou, the Legendary Seven, strike out from the mall shelter they’ve called home the past few days and make the trek to EFS on foot. This offers them and us an opportunity to view both the devastation and the enduring beauty of their home.

When they arrive at EFS, it again seems to mock them with its cavernous emptiness. But instead of oppressive, I saw the venue as brimming with potential. Sure enough, people who love Franchouchou and whose lives they’ve touched start to trickle in, starting with their two first and most loyal fans, the metalheads.

Maria and the delinquents past and present file in, followed by Maimai and her classmates, Iron Frill and their followers, Oozora Light and his encourage, Hisanaka Pharmaceuticals, NHBK Fukuoka news chopper who has followed the group’s story since discovering them at the mall shelter, White Ryuu and a contingent of American troops, possibly from Yokozuka. Even the Dancing Chicken Man shows up!

It’s a beautiful and heartwarming reunion of everyone from Zombieland Saga, and their numerous powerful allies and fans combined with the might of both print, TV, and social media, ensure that this time—even in the midst of what could possibly be Saga’s worst disaster in its history—a packed and positively rocking Ekimae Fudosan Stadium.

The governor’s chief of staff reminds Koutarou that all they did was “choose to prioritize the most effective strategy, after logical consideration”, which is politicspeak for “the people need this right now and we’re going to do everything in our power to see that they get it”—”it” being nothing less than the biggest and best Franchouchou show yet.

No, the zombie idols aren’t coursing with electricity and crazy laser lightshows. Their outfits aren’t over-the-top, but call to mind seven angelic figures dedicated with every fiber of their undead being to make the people of Saga not simply forget their troubles, but to give them the courage to face and defeat them through surpassingly catchy song and dance.

This is not an episode satisfied with one climactic song. It opens with a big-league build-up to the energetic first song, then some call-and-response with the Legendary Yamada Tae (whose gibberish eventually coalesces into a franchouchou chant), which transitions into a slower and more contemplative piece.

Sakura, Saki, Ai, Junko, Yuugiri, Lily, and Tae are all at the top of their games, and the crowd—no doubt still traumatized by current events—are well and truly into it. And while not as important as the revitalizing impact they have on the people of Saga, the group gets their revenge and then some.

Not only is every seat and the entire field packed this time, but while the piddling crowd of their first disastrous EFS show didn’t call for any encores because they thought it would be just too cruel, this time there’s nothing that can stop Franchouchou from heading back out onto the stage after a quick breather.

Before they do, Koutarou prostrates himself before them and despite being a “grown-ass man” starts tearing up at the sheer restorative power of the zombie idols. Silly, Koutarou, being open with your emotions is what makes men grown-ass! As they head back out to hit the crowd with their collective soul, Koutarou tries to scrub out his blood from the floor; a truly ill omen.

Franchouchou’s final song is interspersed with scenes of Saga rebuilding and people overcoming adversity together, echoing their own personal struggles as well as their struggles as a group. Let it be said that both Franchouchou and Zombieland Saga as a series left absolutely everything on the stage in its finale.

In fact, if Saga were to, say, be destroyed utterly by an alien warship reminiscent of the City Destroyers from the 1997 blockbuster Independence Day, immediately after the concert wrapped, I don’t think a single person on or off EFS’s stage who’d deny that they went out on a good note.

That’s a good thing, because immediately after the concert wraps, Saga is in fact apparently destroyed utterly by an alien warship reminiscent of the City Destroyers from the 1997 blockbuster Independence Day. It’s kind of a downer, but it’s also the kind of irreverence and absurdity I’ve come to know and love from Zombieland Saga, and why I will miss it and each and every member of Franchouchou so damn much. What a frikkin’ ending!

RABUJOI WORLD HERITAGE LIST

Head over to Crow’s World of Anime for the latest discussion on our beloved zombie idols with Irina from I Drink and Watch Anime. Always a great read!

Zombieland Saga: Revenge – 10 – How It Started / How It’s Going

After spending two weeks in the Meiji era with the exception of the final act of last week, when Yuugiri led Franchouchou in one of their best performances yet—and oh yeah, Saga is apparently an extremely long-lived person—we find ourselves a mere year in the past, before the EFS fiasco.

The idols are riding high on their success in the snow at Arpino, but that was only a crowd of five hundred people. But Koutarou, no less high on success, decides that Franchouchou have proven themselves legendary enough to fill the same stadium where Ai died. Her feelings about performing there aside, Ai knows right from the get-go it will be nigh impossible for them to scale up so much so fast.

Despite that, the girls put their faith in their manager and in their own considerable abilities, and even pros like Ai and Junko are swept up in the boundless optimism. Then, as we know, it all goes completely and utterly to shit. Because Koutarou didn’t bother to pre-sell any tickets, the amount of concert-goers who show up manage to fit what would be the soccer field’s penalty area.

While we’ve already been told this tale of woe before in super-abbreviated form, there’s something to be said for watching the disaster unfold in real time. Not even Saki can fight through the sheer dread of playing before a mostly empty venue, while their top fans decide not to call for an encore after the girls shamble off the stage, as it would be just too cruel.

You can really feel the pain of being on that stage in that stadium. They would never have been able to put on their best performance there. Koutarou really screwed the pooch on this one, and he initially reacts to the disaster by going on a weeks-long bender.

During these dark times, Franchouchou are splintered, then exchanged some recriminations, before Yamada Tae comes in and shocks everyone by not only buying her own dried squid with Koutarou’s cash, but doing her own makeup. Just by being Tae, she shows the others that they’ve been relying on Koutarou on everything for too long, and if they have to do non-idolly work to get out of their immense debt, then so be it.

That brings us up to speed. Fast forward nearly a year, and Koutarou announces to the girls that they will once again be performing at EFS for their revenge show. This time, they’re in a far better position to command a larger crowd: there’s the audience of Saki’s radio show, Lily’s inroads with the younger kids, Yamada’s legion of fans, Maimai’s high school, and the fact Iron Frill considers them rivals.

It almost feels like history repeating, but Koutarou is determined to properly promote the concert (and hopefully allowing pre-sales of tickets, for gosh sakes), and gives the others a pep talk worthy of Gurren Lagann. Unfortunately, there’s a huge potential snag in this plan: the reporter Ookuba knows he’s somehow revived seven dead girls and is profiting off their performances. When he learns of the revenge show he’s determiend to stop it.

Frankly, this feels like a little bit of eleventh-hour antagonism for its own sake, and I’m more than a little disappointed that Ookuba is taking such a hard stance rather than letting the idols whose unlives he’s trying to upheave have their say in the matter. By going straight to Koutarou he’s stripping them of their agency. Considering how much they’ve achieved, they’ve earned the right to decide to perform, not for Koutarou, but for each other and for Saga.

That brings us back to the bar where Old Man Saga works. Years ago, Koutarou was “gloomy and half-crazed”—instead of full-crazed like he is now—and thus bought into Saga’s claims that he was an immortal being who can revive the dead and has been fighting a curse that’s been at work in Saga for thousands of years.

Turns out everything that Koutarou has done with Franchouchou has been to prevent Saga’s prophesy—of a cataclysm that will make everyone forget Saga—from coming true. It’s why he flew to close to the sun with EFS the first time, but it’s also why he’s determined to make EFS II a success that no one will ever forget, weaving their past failure into the narrative.

But as the idols prepare for their show tomorrow, Saga is pelted with increasingly harsh rains, and the wind eventually knocks out power throughout the prefecture, just as Ookoba is about to publish his exposé.

But, of course, there are larger problems than whether he saved a copy; a building that looks like Koutarou’s run-down mansion seems to sink into the saturated earth, presumably with our zombie idols inside. While I’m sure they’re safe—they’re zombies—Saga is another question entirely. Are we past the point of singing and dancing  being able to save Saga, or will we simply not see them at their most legendary until the shit has truly hit the fan?

Rating: 4/5 Stars